Artist Studio

Weir Farmhouse // c.1780

Buildings of New England4 Comments

Impressionist painter, Julian Alden Weir was looking to build a home in New York’s Adirondack Mountains when Erwin Davis, an art dealer, offered him a farm in Ridgefield, Connecticut, for a painting he owned plus ten dollars. After a visit in 1882, Weir agreed and acquired the 153-acre farm. The old farmhouse, which dates to the 1780s, and was modified in the Greek Revival style before Weir’s ownership and expanded and renovated again during its time as an artist’s retreat. The house was often filled with family and friends as a popular artistic retreat for Weir’s closest friends, including: Childe Hassam, Albert Pinkham Ryder, John Singer Sargent, and John Twachtman. Weir’s daughter Dorothy Weir, a noted artist in her own right, took over management of the property following her father’s death in 1919. Sculptor Mahonri Young would build a second studio at Weir Farm after the couple married in 1931. The Weir Farm site was designated as a National Historic Site in 1990, but prior to its permanent protection, Weir Farm had been subdivided for housing development in the late 1980s. The Trust for Public Land worked to reacquire the divided land through close to 2 dozen transactions, preserving the site for generations to come.

Greater Light // c.1790

Buildings of New EnglandLeave a comment

Located on the island of Nantucket, this barn, now known as Greater Light was built circa 1790. Although the exact date of construction is unknown, historic research indicates it was built sometime during the ownership of two early Macy family members who held the property between 1748 and 1814. The barn remained in the Macy family until 1866, when Zephaniah Macy (then in his eighties) sold the property with the barn to their neighbor David Folger. Folger most likely used the barn for his herd of milking cows. In the summer of 1929, Hanna and Gertrude Monaghan, two Quaker sisters, discovered the barn and saw it as a perfect structure to become their home and art studio when vacationing on the island. The sisters began working on the dilapidated building and set about transforming it into their own summer oasis, adorning it with cast-off architectural elements, decorative objects, and eclectic furniture. Hanna Monaghan, the surviving sister, bequeathed Greater Light and its contents to the Nantucket Historical Association in 1972. The building is open in the summers for visitors who can catch a glimpse at the spirit of Nantucket as an artist’s colony in the 1920s and beyond.