Queen Anne

Captain David Rice Farmhouse // 1785 & 1905

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Captain David Rice (1757-1825) was a resident of Rutland, Massachusetts, upon the outbreak of the American Revolution, where he served as fought in the local militia. After the war, David Rice married Abigail Newton in 1785 and purchased farmland in the western portion of Princeton, Massachusetts. With a property of over 100 acres, David and Abigail Rice had this farmhouse built, which is believed to be the main block of the present house on Old Colony Road. The Rice family farm was impacted in 1825 by the deaths of both Capt. David Rice and his eldest son, David Rice Jr., within four months of each other. The Rice farmland, which at the time of the patriarch’s death, included 121 acres and it underwent a complex division among the heirs, who included the two Rice widows. In 1852, area resident, Simeon Clark, purchased the Rice farmstead and modernized the house in the Greek Revival style, adding a side ell and corner pilasters which remain today. The property was again enlarged and “modernized” in the early 20th century with the present Queen Anne Victorian modifications which include the the paired ridge chimneys, projecting cornice, side ell, bay windows at the facade, pedimented dormers with patterned shingles, and the full-length front porch. The house was renovated from a farmhouse to a country estate, similar to many other area farmhouses in the late 19th and early 20th centuries in Princeton.

Mount Wachusett Summit House // 1870-1970

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Third Summit House, courtesy of Princeton Historical Society.

Built as three buildings over a span of one hundred years, Mount Wachusett’s Summit House stood over the town of Princeton, Massachusetts, and epitomized the rise of tourism in the community in the late 19th and early 20th centuries. In as early as 1866, William Morse began selling candy and cigars to summer tourists at the summit of Mount Wachusett, later building the first Summit House in 1870. The small stone building was a respite for visitors who walked or took horses up the mountain until 1874, when the Wachusett Mountain Company built a road to the top drawing even more visitors from the summer-resort boom in Princeton. As the mountain saw increased visitors, a second hotel, built in 1884 by Phineas A. Beaman, was constructed and nicknamed the “Tip Top,” with lodging in 30 rooms, with water supplied by a windmill on the shore of Summit Pond. Stagecoaches carried guests up from the Princeton train depot, and the season is estimated to have drawn around 30,000 visitors a year at its peak. The third Summit House, built in 1907, is known from postcards as a hotel that treated the summit as a parlor. The building was slated for demolition in 1970 to make way for a new recreational facility, but burned to the ground later in the year. Today the hotels are gone, but the summit still draws visitors by foot, car, or ski gondola, who take in the views of Massachusetts.

Abijah Moore Tavern – Locust Lawn // c.1750 & 1890

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A Colonial-era tavern that was Victorianized in the 19th century as a summer residence, only in New England! This stately mansion sits on Merriam Road in the charming town of Princeton, Massachusetts and was originally built by 1750 as a tavern/inn. Owner Abijah Moore (1724-1792) built the residence here as the road in front of his property was the main east-west highway between Lancaster and Barre, part of the Old Bay Path in the Commonwealth. When Princeton was first incorporated in 1759, it was in this house that the newly formed community held their first meetings. In 1765, Moore sold the property and moved to Vermont, and the Tavern became a farmhouse, renovated in the early 19th century with twin chimneys and barns behind. As Princeton shifted from agricultural to a summer colony, the property was purchased by Thomas Hastings Russell, who spent summers in his modified family homestead across the street. The traditional New England farmhouse was “modernized” in around 1890 with a full-length porch with corner gazebo and renamed Locust Lawn. The property was gifted to Thomas’ daughter, Mary, and her husband, Edward, as their own summer home.

Dr. Charles E. Parker House // 1894

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A stunning example of the Queen Anne style, the Dr. Charles E. Parker House on Worcester Road in Princeton, Massachusetts, showcases the unique forms and architectural details that can make these homes so enchanting. The residence was built for its namesake, Dr. Charles Parker (1864-1905), a local physician who was educated in Vermont and settled in Princeton where he found ample work. For their residence, the large Victorian house features an asymmetrical form with prominent corner tower with recessed porch inside which provides sweeping views of the rolling hills in all directions.

East Princeton Congregational Chapel // 1885

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In the 1880s, members of the First Congregational Church of Princeton, Massachusetts, who lived in the area of East Princeton Village, petitioned their minister Reverend Archibald Love, to consider the possibility of building a small church to accommodate them. Prior to this, members had to travel over three miles every week and sermon, to the Town Center, where the Congregational Church was located. Reverend Love permitted the erection of a small Congregational Chapel in East Princeton, which broke ground on Main Street in 1885. The Queen Anne style chapel features a steeply pitched roof, offset entrance set within a tower with a belfry above, and bands of decorative shingles breaking up the massing of the building. Services in the East Princeton Chapel ceased in 1960 and the chapel was sold by the congregation and was converted to a private residence, while retaining its unique architectural quality.

Conrad Building // 1885

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The Conrad Building on Westminster Street in Downtown Providence is an ornate and over-the-top masterpiece designed by one of the city’s premier architectural firms for an eccentric owner. Erected by Jerothmul Bowers Barnaby (1830-1889), a self made millionaire, commonly known as “Rhode Island’s Clothing Prince” who owned manufacturing plants for clothing throughout the city, the building was named after his son-in-law, John H. Conrad. Owner, J. B. Barnaby, lived in an eclectic mansion on Broadway, known as Barnaby’s Castle, which was designed by the firm of Stone, Carpenter & Willson, like this commercial block built as an investment in 1885. Originally used for professional offices, the structure had long been occupied as artist and photography studios on the upper floors. Eclectic in style, the Conrad Building blends Queen Anne, Romanesque Revival, and Moorish Revival styles into a single composition, with a four-story cast-iron tower at the corner capped by a Moorish ogival dome, panel brickwork, round arched windows and recessed openings, projecting bays, cast-iron storefronts, and an oversized arch with its name, “Conrad Building”, ornamental carvings, and the initials “J. B.” for its owner, all completed in brownstone.

Shepard’s Department Store Block // 1903

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Do you remember Shepard’s Department Store?


At the corner of Westminster and Union Streets in Downtown Providence stands the Shepard Company Building, a hulking reminder of the late 19th and early 20th century dominance of the department store and the American downtown as a retail destination. The company opened in 1880 in a modest 6,400-square-foot storefront, and saw immediate success, eventually occupying an entire city block. The company grew piecemeal into neighboring buildings between 1880-1903 when the entire 300,000+ square foot block was completed from plans by Martin & Hall, architects. Architecturally, the building tells its own history in layers: it started as a modest three-story Italianate structure, and later additions brought two-story arched entrances angled into the corners at Westminster and Union, and Washington and Union, that once lured shoppers inside to terrazzo floors with a sea of merchandise. Outside, a freestanding cast-iron clock became a beloved meeting point, with generations of Rhode Islanders arranging to gather “at the clock”. A massive fire in March 1923, caused over one million dollars’ worth of damage, but the structure was restored under Hall’s supervision. Shepard’s closed in 1974 and remained vacant for almost 20 years. After advocacy from preservationists, the building was bought by the State of Rhode Island and was rehabilitated by David Presbrey, the building is now the location of the Providence Campus of the University of Rhode Island, the Rhode Island Department of Education, and other state offices and education-related facilities.

Slade Building // 1881

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The Slade Building on Washington Street in Downtown Providence represents the architectural flourish and blending of architectural styles that typified commercial blocks in major New England cities in the late 19th century. The commercial block was named and built for owner, George H. Slade, who was involved in real estate development along with his role as part-owner of Westcott, Slade and Balcom, a paint manufacturing company. The building was designed by Rhode Island architect, Clifton A. Hall (1826-1913) who primarily worked locally. After George’s death, the property remained in the family, and in 1895, the corner tower, also designed by Hall, was added as a way to modernize and bring in new tenants. The block has been rehabilitated and is one of the finest and best-preserved examples of a late 19th century commercial building in Downtown Providence.

Warwick Building // 1891

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Downtown Providence has amazing 19th and 20th century commercial blocks of all shapes and sizes. This example at the corner of Weybosset and Richmond streets dates to 1891 and has historically been known as the Warwick Building. While just three-stories tall, the Warwick Building stands out for its two-story domed turret on the corner, rough-faced stone lintels and sills, and brick corbeled cornice. The building is a great, human-scaled addition to Downtown Providence and has served as a vital anchor to the streetscape.

Austin Cottage and Moon Gate // 1885

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The Austin Cottage and Moon Gate on Water Street in Marion, Massachusetts, are iconic landmarks in the community that showcase the architectural history of this coastal community. The Queen Anne style “cottage” was designed by Boston architect and Marion summer resident, William Gibbons Preston, for Judge James Walker Austin (1829-1895) in 1885. Early in his professional career, James W. Austin left Boston for the Hawaiian Islands, where he was recruited by King Kamehameha as a legal advisor and went on to serve as district attorney. He was elected a member of the Hawaiian parliament three times and was later appointed as judge in the Hawaiian Supreme Court and eventually became chief justice there before moving back to Boston in the 1870s. Judge Austin and his family summered at this cottage, known as “Edgewater” until his death, but the property remained in the Austin Family with final ownership held by the couple’s daughter Edith Austin (1873-1957). According to local lore, the moon gate was built for Edith around 1922 as an entrance to her extensive gardens. Edith is said to have been inspired by photographs of moon gates shared by her friend June Butler, who had married Parker Converse, who also summered in Marion, following their honeymoon in China. Local stones were used to construct the circular gate and the elements on the cornice of the gate were obtained from China. In Chinese culture moon gates are thought to offer an auspicious welcome or fortune to those who pass through with the ducks that adorn the top apparently symbolizing wealth and marital bliss. The garden has since been subdivided from the Austin estate, which was damaged in the 1938 New England Hurricane but both remain preserved today.

McCormick Garage // 1907

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In the late 19th and early 20th century, Marion, Massachusetts, became an exclusive summer colony where wealthy families from cities would flock to soak up the sun and breathe fresh coastal air away from the heat and pollution of industrial centers at the time. One of these families was headed by Stanley Robert McCormick (1874-1947) of Chicago, the son of Cyrus McCormick, inventor and founder of the McCormick Harvesting Machine Company which would later become the International Harvester Corporation. Stanley McCormick was married in 1904 to Katharine Dexter McCormick (1875-1967), also a member of a wealthy family, who would devote her life to advancing women’s causes, serving as the vice-president of the National American Women Suffrage Association and in 1920, co-founded the League of Women Voters. Katharine remained active in later life, funding new birth-control research and the building of an all-women’s dormitory at the Massachusetts Institute of Technology, named McCormick Hall. Soon after Stanley and Katharine married, they purchased waterfront property in Marion, where Stanley spent summers as a child, to build a summer residence for his own family. In 1906, Stanley purchased land on Lewis Street and hired the Boston architectural firm of Page & Frothingham, to design and oversee construction of a large brick “cottage” and this brick garage structure down the street with a residence for the driver. While their summer residence was being built, Stanley McCormick, like his sister Mary, was diagnosed with schizophrenia. In 1909 he was declared incompetent by the California Supreme Court and would live for the rest of his life at the McCormick estate, “Riven Rock,” in Santa Barbara, California. In 1929, his wife Katharine and Stanley’s brother Harold were named conservators of his estate, which exceeded $30 million. The McCormick estate in Marion was occupied by Katharine’s mother for a number of years with Katharine visiting many summers. The cottage property was eventually sold and demolished in 1953, and the old garage was converted to a home with additions to make the property a year-round residence.

Rice-Petersen House // 1896

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Built in 1896 by Dr. A.W. Rice, this quintessential example of a Queen Anne style Victorian residence has stood on Marion’s Cottage Street, preserved and contributing to the town’s rich history. Alger W. Rice (1855-1914) was born in Vermont and moved to Marion after graduating medical school and operated his medical office from his home here and lived with his family until his death. Dr. Rice also raised and bred award-winning Russian Wolfhounds and pigeons. Between 1921 and 1979 the property was owned by two generations of the Petersen family, beginning with Viggo Valdemar Petersen (1869-1941), a native of Bornholm, Denmark, who worked as a chef before entering the ice cream manufacturing business in the early 20th century. Peterson operated a popular ice cream parlor out of the rear carriage house during the 1930s until his death in 1941. When Viggo died in 1941, his son, Viggo C., attempted to carry on, until wartime cream rationing forced him to close for the duration of the conflict. Thereafter, Petersen’s ice cream resumed production and remained a Marion fixture until its final closing in the 1970s. The former residence remains commercial today, but maintains its charm.

Marion Music Hall // 1891

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Tucked into the heart of Wharf Village in the ever-charming coastal community of Marion, Massachusetts, the Marion Music Hall has been a cornerstone of small-town cultural life since 1891. The Music Hall was largely the vision and will of the town’s great benefactor, Ms. Elizabeth Taber who sought to use her late husband’s vast fortune to benefit her community in her later years. In her will, Ms. Taber left funds for a proper “lecture and music hall” and the $23,000 commission went to her friend, architect, William Gibbons Preston. The building is one of a few examples of brick construction in the village and stands out for its detail with the round arched windows and solid massing in the Romanesque Revival style with terracotta trim to add visual interest in the design. The result is a structure both stately and welcoming, with its handsome façade anchoring a lawn that would later be adorned by the cast-iron Soldiers Monument in 1894. More than 130 years on, the Hall still hosts the town’s committee meetings, concerts, weddings, and community gatherings, standing as a living piece of Marion’s Gilded Age generosity and a quiet architectural gem of the South Coast of Massachusetts.

White-Cushing Cottage // 1906

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The White-Cushing Cottage on Pleasant Street in Marion, Massachusetts, showcases the eclectic Victorian architectural styles of the late 19th and early 20th centuries that are adored by so many. The residence was built for George F. And Clara A. White, who acquired the property in 1906. The couple moved to Marion from Brooklyn, New York, and had this home built while George was employed in the linen supply business. It is likely this was their summer residence as the couple also had a home in Newton, Massachusetts, just outside Boston. After Clara’s death in 1916, George sold their Marion home to Mathew Cushing (1859-1925) and his wife, Edith, who lived in Middleborough and too likely used this home in the summers. Mr. Cushing worked as a theatre manager until his death in 1925, and his wife continued to live in the house with her son, Bartlett. The White-Cushing House has elements of the Shingle style, which is commonly seen in the summer cottages of Marion and many coastal communities. The cottage has a flared gambrel roof and a distinctive wall dormer at the facade with an integrated wrap-around porch. 

Varney House – Pollard’s Store // c.1860

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This charming building on the picturesque Main Street of Tamworth, New Hampshire, was originally built as a residence around the time of the marriage of owners, Nicholas and Abbie Varney. Nicholas Varney (1833-1900) was listed in the Census as a carpenter and likely constructed his own home here in Tamworth. The once Italianate style residence was modified later in the 19th century with the addition of the two-story tower in the Queen Anne style. After Nicholas’ death in 1900, the home was converted to a store and was known as the Pollard’s Store. Today, the building is occupied by a local bakery.