Cairncroft Cottage // 1892

Set into the trees in Chocorua in Tamworth, Cairncroft stands as one of the many stately “cottages” built in the late 19th and early 20th centuries for city-dwellers to escape the hot summers for the fresh air and views of the White Mountains of New Hampshire. This cottage was built for Emil Christian Hammer (1823-1894), who migrated to the
United States from Denmark in 1840, where he became a prominent businessman in several Boston business, including Waltham Manufacturing Company. In the mid-1880s, he founded the United States Watch Company in Waltham, one of the most important such companies in the country. From his success and connections, Emil was appointed by President Abraham Lincoln as Danish consul in 1864. Emil purchased the land here in 1886 and built a barn and ice house before having his home and nearby stone cairn built on the grounds; the latter is likely what gave the property its name. Cairncroft was designed by Boston architect, Edwin James Lewis, Jr., an expert at Arts and Crafts and Shingle style designs. After Emil’s death, just two years after his cottage was completed, the property passed to his wife, Martha. Her daughter, Cynthia Hollis and also an accomplished artist, inherited it later and eventually passed it to her husband, John Charles State Andrew, professor of theology at Harvard and Boston
University.

Chadwick Cottage // 1891

One of the many summer cottages tucked away in the trees in the Chocorua Colony in Tamworth, New Hampshire, the Chadwick Cottage was built in 1890 for prominent gynecologist, Dr. James Read Chadwick (1844-1905). Dr. Chadwick was introduced to Chocorua during his summer visits to the White Mountains, where he and his family stayed at local hotels as early as 1876. He purchased seventeen acres of forest nearby Chocorua Lake in 1890 on which he erected this house and its outbuildings the following year. The design of the buildings is attributed to Boston architect, Clarence Howard Walker, who was affiliated with the Boston Society of Arts and Crafts and designed this rustic cottage to fit within the forest, enhancing the landscape surrounding it. Dr. James Chadwick was a professor at Harvard Medical School and a pioneer nationally in the field of gynecology, where he played a key role in organizing the American Gynecological Society. In 1905, while vacationing at his Tamworth cottage, Dr. Chadwick died following a fall from a piazza roof. The Chadwick Cottage was sold a year later to Lillian and William G. Farlow, a world-renowned authority on fungi and other non-flowering plants, likely a friend of the late Dr. Chadwick. The cottage and its associated out buildings are lovingly preserved over a century later and exemplify the best of summer cottages in New Hampshire.

Intermont Estate – President Grover Cleveland Summer House // c.1905

Tucked into the hills of Tamworth, New Hampshire, Intermont was the beloved summer home of President Grover Cleveland and his wife Frances as a respite from the stress and pollution of ordinary life. The Clevelands purchased the property, which built from two farms joined together, in 1905 at a time when Tamworth and the Chocorua area of the White Mountains were rapidly developing into a summer enclave. The old farmhouse was modified and converted into this stately summer cottage, fitting for a President. Architecturally, Intermont reflects the early 20th century rustic movement with a white clapboard exterior, cross-gabled rooflines, and wraparound porches on three sides, opening onto sweeping mountain views. Cleveland spent his final summers here fishing, hunting, and writing before his death in 1908. The property remains one of the finest summer residences in New Hampshire and is lovingly preserved inside and out.

Highways Cottage // 1902

One of the more unique and enchanting historic summer “cottages” I have seen in my travels is this early 20th century rustic example in the Onteora Park colony. Built in 1902 for John S. Stanton Sr. (1837-1933), this residence was later the summer home of Dr. Edward Ahrens and his wife, Gertrude, who founded the Mountaintop Arboretum nearby. The house stands 3 1/2-stories tall and features horizontal log siding on the ground floor and cedar shingle siding above. The facade is dominated by the broad gable end roof that extends downwards to the first floor at flared eaves on the sides and over the windows.

Beauford Lodge Cottage // 1902

This handsome cottage on Thurber Road in the Onteora Park colony in the Catskills of New York, was built by 1902 for Col. James P. Kimball (1840-1902), and his wife, Maria (Brace) Kimball, as their summer home. James Peleg Kimball was one of the most renowned U.S. Army surgeons of the late nineteenth century. The home was meant to be the couple’s place of respite, but Col. Kimball died here in 1902, not long after the family moved into the home to enjoy the fresh air of the Catskills. Maria Kimball retained the cottage for years until it was sold in 1919, and owned later by Clayton McMichael of Pennsylvania, and a director of the Onteora Summer Theatre. The rustic Shingle/Arts and Crafts style cottage was originally named Beauford Lodge, and was later named Stone Acres by McMichael.

Former Bear and Fox Inn // 1888

Once the heart of the Onteora Park colony in the Catskills Mountains, this large building was known as the Bear and Fox Inn. The inn was built in 1888 from plans by young architect Dunham Wheeler (1861–1938), the son of the founder of the colony, Ms. Candace Wheeler, along with three cottages, while Ms. Wheeler’s Associated Artists interior design company provided the upholstered furnishings. Candace’s daughter, Dora (Wheeler) Keith, painted an inn sign depicting a bear and fox dancing by the light of the moon. In the early development of Onteora Park, there was no sewer or water system, and the original cottages had no kitchens built within the homes. As a result, the Bear and Fox Inn provided a space where cottagers would meet daily for meals. By the 20th century, cottagers would add kitchens inside their homes, and some dinners and events were moved to the Field House. The Bear and Fox Inn was altered with the removal of the large dining room, and converted to a private residence, which remains to this day. The structure is an excellent example of the Arts and Crafts style in a rustic finishes, typical for Upstate New York summer cottages.

Sans Souci Cottage // 1894

Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Sans Souci Cottage, was built in 1894 in Twilight Park, during the “rustic” period, where Queen Anne Victorian styles made way for a more rustic, Arts and Crafts mode. The cottage was built for owner John McClure and it is notable for its varied siding, diamond-pane windows and large porch overlooking the Catskills.

Four Winds Cottage // 1889

Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as “Four Winds”, was built in 1889 during the first phase of development in Twilight Park, and it is notable for its varied siding, wrap-around porch, bay window, and elevated siting to provide better views of the landscape.

Braeside Cottage // 1888

Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Brae Side Cottage, was built in 1888 during the first phase of development in Twilight Park, and it is notable for its varied siding, diamond-pane windows, complex roof form with dormers, and the laticed entry.

Cosy Cabin // 1887

Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first six cottages were log cabins, with this example, likely in the first batch. From maps and a report on the area, this early cottage appears to have been named “Cosy Cabin” and was first occupied by Mr. Wingate, the founder of the Twilight Club and Twilight Park. The cottage is unique for its vertically laid logs still containing their bark, and the rustic porch balustrade and detailing.

LaFarge Cottage // c.1845

Even the less ornate and grand summer cottages of Newport can have interesting histories! This c.1845 Greek Revival cottage sits on Sunnyside Place and is best-known as the summer home of nationally significant painter, muralist, and stained-glass master John LaFarge (1835-1910), active in the lively late 19th-early 20th-century Newport art scene. John LaFarge’s wife, Margaret Mason Perry LaFarge (1839-1925), was the granddaughter of Commodore Oliver Hazard Perry, and was a native of Newport, seemingly providing the connection between her husband and lucrative stained glass commissions for many Newport and New York buildings. LaFarge is arguably best known for his innovative, opalescent stained glass windows, which was later stolen and adapted by Louis Comfort Tiffany. The LaFarge Cottage was possibly moved to this site and renovated, adding the glazed entry.

Katherine Prescott Wormeley House // 1876

The Katherine Prescott Wormeley House is an eclectic and eye-catching Queen Anne architectural landmark on Red Cross Avenue in Newport, Rhode Island. Boston-based Katherine P. Wormeley (1830-1908), a native of England, served as a nurse for the Union Army during the Civil War and was one of the best-known translators of French literature into English. She built this double-house at a cost of $7,000 and rented another unit in the home for additional income. The Wormeley House is one of Charles Follen McKim’s early, independent works after working in the office of H. H. Richardson but before forming his own firm with William Rutherford Mead in 1877. Just years after she moved in, Ms. Wormeley in 1882, hired McKim, who was now under the firm, McKim, Mead & White to update and enlarge the home. By 1893, Wormeley had moved to New Hampshire and sold the house to Elizabeth Cabot Hayden and Dr. David Hyslop Hayden. The golden onion dome roof at the tower is a real treat!

Oakwold Cottage // 1883

Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.

Bethshan Cottage // 1884

Bethshan Cottage is one of Newport’s (many) “hidden” gems that gets far too little attention from publications! Located on Gibbs Avenue, down the block from Eveherdee and William Barton Rogers‘ summer cottage, “Morningside”, Bethshan was built in 1884 on land purchased by Major Theodore Kane Gibbs. Theodore was the son of William C. Gibbs, the 10th Governor of Rhode Island, and served in the Union Army during the American Civil War, mustering out as a Major in 1870. Newport-based architect Dudley Newton designed this cottage for Gibbs, which blends nearly every major architectural style of the late 19th century under one, beautiful gambrel roof. The red granite stone walls, red brick trim, red fish-scale slate roof, even the rust-colored mortar, all work together to create a lovely composition, unlike anything else seen in Newport. According to Newport’s Assessor, the house is presently an apartment house.

Eveherdee Cottage // c.1889

This Queen Anne style “cottage” is located on Gibbs Avenue, one of the lesser-visited streets for house-stalking in Newport, Rhode Island, but wow is she something! The summer cottage here was built by 1890 for Ogden Hoffman Burrows, a merchant who went into business with his father and brother in San Francisco, shipping goods from East Asia to America. He purchased two adjacent lots here on Gibbs Avenue in 1884 and 1889, having this house built as a summer residence, where he could mingle with other wealthy neighbors. The Queen Anne style house was reportedly designed by local architect, John Dixon Johnston, who incorporated all the hallmarks of the style: varied siding types and materials, turned post porte-cochere, applied ornament, and complex, asymmetrical form. Burrows would sell this house by the turn of the 20th century. Later owners, Herbert E. Stride and Daisy Thompson Stride, who would reside here with Daisy’s mother, Eve. The Stride’s named the home “Eveherdee” an amalgamation of their individual names: Eve (Eveline), Her (Herbert), and Dee (Daisy). The home was most recently owned by television producer, Vin Di Bona, who restored the house to its grandeur we see today.