Art Deco

Second Church of Christ, Scientist, Roxbury // 1915

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Breaking ground in 1915, this early Modern church building must have turned heads when it was being built in Roxbury! In October, 1907, a fine lot of land with a house on it, at the corner of Elm Hill Avenue and Howland Street, was purchased for eighteen thousand dollars by a group of Christian Science followers. In October, 1911, a building committee of five was elected by the church, and by the summer of 1914 the building fund had made such satisfactory growth that ground was broken and work for the new structure begun in September. The congregation hired the illustrious architectural firm of Shepley, Rutan, and Coolidge to design the edifice of classic and imposing design. Constructed of gray tapestry brick with limestone trimmings, the auditorium seated upwards of one thousand members, under the dome roof. Today, the building is occupied by Grace Church of All Nations.

David A. Ellis School // 1932

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In the early decades of the 20th century, Boston’s population grew to a point that existing infrastructure was becoming an issue. The Boston School Committee as a result, acquired sites via eminent domain, and built ten new school buildings citywide in 1932 alone! The City of Boston acquired this site a decade earlier, but finally broke ground on the David A. Ellis Elementary School in 1931 from plans by architect Ralph Templeton Cushman Jackson. The building is a rare example of a Art Moderne style school building in Boston, and it was named for David Ellis (1873–1929), former chairman of the School Committee. The brick building stands out for its brickwork and sections of terracotta tiles in geometric designs. They don’t make them like they used to.

Former Ridgefield Savings Bank Building // 1930

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Historically, bank buildings were built with architecture at the forefront to show members and prospective investors that their company instilled prosperity and longevity. Today, many new bank buildings are cookie-cutter designs and lack ornamentation or intrigue… The interwar Ridgefield Savings Bank on Main Street in Ridgefield, Connecticut, was built in 1930 from plans by architects Ralph Hawes and Ernest Strassie in the Neo-Classical style with Art Deco rounded corners and undecorated planes. Dominated by its Classical Ionic portico the bank building is a lasting commercial landmark on the town’s charming Main Street. It is now occupied by the Fairfield County Bank.

Wales-Amory Townhouses // 1860

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This is why preservation matters! These two townhouses on Beacon Street in the Back Bay of Boston were constructed in 1859-60 for Gardner Brewer (on the right) and George W. Wales (left). Brewer, an extremely wealthy merchant built the house on the right for his son-in-law and daughter, William and Ellen (Brewer) Amory, as a wedding gift following their February 1860 marriage. The symmetrical pair of houses were both originally clad with a brownstone facade with Second Empire style trim details and a continuous mansard roof. Both houses were renovated by the early 20th century with Colonial influence, as Victorian styles started to wane popularity amongst wealthy circles. The former Amory house (right) was purchased by Della Saul and was operating as a boarding house by the 1930s. It was converted to an apartment building (like condos) and the building was renovated with a new facade in 1935 by brothers and architects George Nelson Jacobs and William Nelson Jacobs with a more modern/Art Deco appearance. The house on the left remained with its more Colonial facade until a 2018 renovation by architect Guy Grassi giving it a cast stone facade, restoring the three-condo house closer to its original appearance.

St. Anthony of Padua Catholic Church // 1956

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Believe it or not, the city of North Adams, Massachusetts has long been home to a large Italian population. The first waves of Italians first arrived to this part of the Berkshires in the mid-late 19th century, many of which were hired to build the Hoosac tunnel, which when it was finished, was the second longest tunnel in the world. It took almost 25 years to build! Some Italians were experienced stone carvers and others worked in the cotton mills and other factories in the area. As the Italian population grew, Roman Catholic churches were required for these new first- and second-generation families in the mill town. The first St. Anthony of Padua Roman Catholic Church was erected in North Adams in 1906. Four years later, the 1910 census noted that roughly 16% of North Adams’ population was of Italian descent. After the first church burned down around 1950, money was raised to build the present church which is located across the street from Mass MoCA. The church was designed by architect Anthony DePace (1892–1977), an American architect who designed numerous Roman Catholic churches throughout the Northeastern United States area during the mid to late 20th century. Architecturally, the building features late-Romanesque and Art Moderne details. Eventually, the decline in the number of Catholics in North Adams in recent decades led to the consolidation of parishes in 2009. St. Anthony’s is the sole remaining Catholic church in North Adams and the church and parish are now known as St. Elizabeth of Hungary, possibly after a merging of multiple parishes.

Arlington Building // 1904-2022

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This one took me a while to write about because it still pains me to see it was demolished… The Arlington Building was constructed in 1904 as a mid-block building on Boylston Street, across from the Public Garden for the Bryant and Stratton Commercial School. It was designed by architect William Gibbons Rantoul of the firm Andrews, Jacques & Rantoul in the Beaux Arts style. The school building was significantly altered when Arlington Street was extended southward through Boylston Street, making this building suddenly a corner landmark. The new Arlington Street elevation was modeled after the Boylston Street facade. By 1929, Shreve, Crump & Low, established in 1796, the oldest purveyor of luxury goods in North America, moved into the building. The next year, they hired architect William T. Aldrich to add Art Deco embellishments and storefront designs, along with interior renovations to modernize the structure. The luxury company had downsized and moved out of the building, and its prominent site was threatened when owner/developer Druker Co. submitted for a demolition permit to raze the building (and others on the block) to erect a modern office/commercial building. After years of fighting between local preservationists and business interests and developers, the latter won and the building was demolished by late 2022. The new building, 350 Boylston Street, is presently undergoing construction, and in my opinion, is a poor attempt to fit into the surrounding context and is neither as unique or inspiring as the former building.

Waterbury Dam // 1938

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In November of 1927, a disastrous storm hit the State of Vermont. Severe flooding in the Winooski River Basin area resulted in the loss 55 lives and damages totaling over $22 Million. A Corps of Engineers study was initiated soon thereafter to investigate “the improvement of the Winooski River for the purposes of navigation in combination with the development of waterpower… and the control of floods.” The report presented a comprehensive plan for flood control and power development, consisting of: the construction of seven reservoirs; the installation of seven new hydropower plants, and the enlargement or improvement of 12 existing plants. Construction of the Waterbury Dam and Reservoir began in 1935 and was completed in 1938. The dam and reservoir were designed and built by the Corps of Engineers using contract services and Civilian Conservation Corps (CCC) labor, all thanks to the New Deal legislation enacted by President Franklin D. Roosevelt. The gatehouse at the top of the dam’s embankment is a rare example of Art Deco architecture in the state of Vermont and was completed in 1938 as the last piece of the project. The building and dam remain today as part of the Little River State Park and are a great example of Engineering History and a look into human intervention in the natural landscape.

Avon Cinema // 1938

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There are fewer and fewer historic movie theaters in America, largely due to the proliferation of larger theaters at the end of the 20th century and the more recent trend of streaming. Smaller, family-owned theaters are becoming rare, so if we value the charm and character of these spaces, we have to support the arts at these spaces! The Avon Cinema is located in Providence’s East Side neighborhood and premiered on February 15, 1938 with the French film Beethoven’s Great Love (titled “The Life and Loves of Beethoven” in the U.S.) The theater was originally constructed in 1915 and operated as the Toy Theater for a few years before it closed. After decades, the building was purchased by the Dulgarian Brothers, who reopened the theater, naming it Avon. The Dulgarian family has owned and operated the theater to this day and have made a point to restore the building and maintain the historic charm.

Portland Central Fire Station // 1924

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The Central Fire Station in Portland, Maine was built in 1924 and designed by William R. Miller & Raymond J. Mayo, architects located at 465 Congress. Lester I. Beal, a draftsman employed by Miller & Mayo, participated in the design. It was erected to contain the administrative offices of the Portland Fire Department, as well as to house fire engines and other apparatus of the inner city district. Portland has one of the oldest fire departments in the nation, 1768, when Falmouth appointed fire wardens to look for fires at night and alert the residents. In 1786, the citizens of Falmouth formed a separate town in Falmouth Neck and named it Portland, after the isle off the coast of Dorset, England. After the Great Fire of 1866 destroyed much of Downtown Portland, a new central station was built in 1867. The structure was deemed obsolete with new, large ladder trucks replacing smaller engines. The entire downtown block was demolished for the current Central Fire Station for the present building. The small building is at the center of a large lot, which is likely a candidate for redevelopment in the future (after some adjacent surface parking lots are developed).

Everett Savings Bank // 1930

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Located next door to the First Congregational Church of Everett, you can find one of the finest eclectic commercial buildings in the region, and it is one that is often overlooked. The Everett Savings Bank was built in 1930 from plans by architect Thomas Marriott James for the Everett Savings Bank, which was established in 1889. This building was constructed just at the beginning of the Great Depression, at a time when banks and American citizens were penny pinching. The budget was likely set before the Stock Market Crash of 1929 as the relatively high-style bank building would have been a big expense at the time. The bank blends Art Deco and Spanish Renaissance Revival styles elegantly. The structure is constructed with sandstone walls that are decorated with figured panels and semi-circular multi-pane windows are outlined by rope molding. Crowning the building is a bold arcaded frieze with Moorish inspired cornice. Swoon!