Historic Building

East Princeton Mechanic’s Hall & Schoolhouse // 1852

Buildings of New EnglandLeave a comment

Suffering from neglect, the grand East Princeton Mechanic’s Hall & Schoolhouse stands on Main Street in East Princeton, Massachusetts, as a lasting landmark of the once thriving industrial village. The site was originally home to a one-room schoolhouse built in 1843. Originally a schoolhouse built in 1852 for $600 with timbers from the original schoolhouse that was built in 1843. After about 10 years, the village’s growth necessitated a larger District school. A committee was established to oversee construction and funds for a new schoolhouse, which the committee decided should also include a meeting hall on the top floor, above two classrooms on the ground floor. The Greek Revival style structure is said to have been partially built with timbers salvaged from the earlier building, hence the 1843 date in the pediment. The building operated as a public school until it closed in the 1940s as district schools consolidated. For decades, the meeting hall was used occasionally by the Princeton Farmers and Mechanics Association and later by the East Princeton Village Improvement Society and local American Legion Post until the building was vacated entirely. The building has been left to decay by the town, who own the building, letting this become yet another example of a demolition by neglect.

What would you like to see this building become?

Stuart Barn – J. H. Stuart Chair Factory // c.1850

Buildings of New EnglandLeave a comment

The small village of East Princeton, Massachusetts, developed in the mid-19th century due to its location along a fast running stream that could power small industrial buildings and mills. Chair manufacturing in the village began in 1841 in a shop built by Benjamin Stuart on the edge of Keyes Brook. Benjamin Stuart and his son, Joseph, started a factory where they made high-quality wooden chairs, which were sold in markets all over central Massachusetts. The business expanded and John H. Stuart converted this building, a c.1850 barn that he owned, into a factory/warehouse for the company. In 1904, the business was incorporated under the name of Temple Stuart Company, which moved to Baldwinville, Templeton, to an expanded factory. The barn-turned-factory was converted into a private residence in the middle of the 20th century, a use that remains today.

Justin Morrill Homestead // 1851

Buildings of New England3 Comments

Located in the village of Strafford, Vermont, the Justin Smith Morrill Homestead is one of Vermont’s most charming architectural landmarks. Built between 1848 and 1851, the house is a rare and exuberant example of Gothic Revival design, with steeply pitched gables, pointed-arch windows, and intricate decorative trim that give it the look of a storybook cottage. Justin S. Morrill (1810-1898) was a self-taught architectural enthusiast who drew inspiration from the popular pattern books of the day, and he is said to have designed much of the house himself. Morrill also planned the surrounding gardens, studying the romantic landscape movement with its formal yet picturesque plantings. He selected only those plants that would survive the wintry Vermont climate and annually monitored their success again the harsh elements. Justin Morrill was a regular storekeeper in the village who retired early, who went on to serve in Congress for more than four decades and is best remembered as the author of the Morrill Land-Grant Acts. Signed into law in 1862, the first act helped establish public colleges across the country and opened higher education to ordinary Americans, primarily focusing on agricultural and mechanical studies. While Senator Morrill spent much of his time in the nation’s capital, his Strafford home served as his respite during the summer months. Today the homestead is a National Historic Landmark and Vermont state historic site, where visitors can walk through rooms filled with the family’s belongings and see how the ambitions of a small-town statesman shaped both a home and a nation.

Barn

Tilden-Thurber Building // 1895

Buildings of New EnglandLeave a comment

The ornately ornamented Tilden-Thurber Building sits on Westminster Street in Downtown Providence, and served as somewhat of a jewel box for its original owners, the Tilden-Thurber Company. Tilden-Thurber was a prominent 19th- and 20th-century luxury goods retailer, jeweler, and silversmith, founded in 1856 by Henry Tilden and William Thurber, retailing fine timepieces, custom silverware, decorative art, and commemorative items. The company had its main store at the corner of Westminster and Mathewson streets built in 1895 from plans by the Boston architectural firm of Shepley, Rutan & Coolidge, which resulted in this immaculate, four-story masonry block. Classically inspired, the design features large plate glass storefronts framed by an intricate carved stone surround at the street level and on the upper floors, colossal engaged and rusticated columns. The Tilden-Thurber Company filed for bankruptcy in 1991 and the future of this landmark was uncertain for years until the building sold in 2016 to former mayor and longtime developer Joseph Paolino.

Richmond Building // 1876

Buildings of New England1 Comment

The Victorian Gothic style Richmond Building on Weybosset Street in Downtown Providence, is one of the more interesting late 19th century commercial buildings in the city, as the more you look at it, the more you notice! The Richmond Building was constructed in 1876 seemingly as an investment for Dr. Fenner Harris Peckham, who rented out professional offices and retail space inside the building. The structure gets its name from its proximity to Richmond Street, and stands out architecturally for its polychromatic brick with tile, Gothic-arch niche flanked by colonettes on the facade, and truncated corner with later rounded corner window.

Slade Building // 1881

Buildings of New EnglandLeave a comment

The Slade Building on Washington Street in Downtown Providence represents the architectural flourish and blending of architectural styles that typified commercial blocks in major New England cities in the late 19th century. The commercial block was named and built for owner, George H. Slade, who was involved in real estate development along with his role as part-owner of Westcott, Slade and Balcom, a paint manufacturing company. The building was designed by Rhode Island architect, Clifton A. Hall (1826-1913) who primarily worked locally. After George’s death, the property remained in the family, and in 1895, the corner tower, also designed by Hall, was added as a way to modernize and bring in new tenants. The block has been rehabilitated and is one of the finest and best-preserved examples of a late 19th century commercial building in Downtown Providence.

Old Providence Telephone Building // 1893

Buildings of New England1 Comment

Located on the narrow Union Street in Downtown Providence, Rhode Island, this stunning late 19th century building was designed by the most prominent architectural firm in the state, Stone, Carpenter & Willson as the home of the Providence Telephone Company. Telephones were originally introduced in Providence in 1879, and by 1893, the need for a centralized office led to the construction of this building. The structure was originally just three stories, but as demand and the use of the telephone grew, so did this building, which added two floors in 1906. The handsome brick and terracotta facade is extremely ornate and includes a more strong Classical base and foliate terracotta friezes and columns above with projecting bays to bring light into the building. The building was again outgrown and the Providence Telephone Company moved into a new, purpose-built office building nearby in 1917. This structure remained professional offices and today, the upper floors have been converted to apartments with lower levels occupied by live/work loft spaces and two commercial storefronts.

Summerfield Building // 1913

Buildings of New England2 Comments

Built by the wealthy Harkness family as an investment property, this unique building on Weybosset Street in Downtown Providence, Rhode Island, takes its name from the Boston-based Summerfield Furniture Company, which occupied much of the building for many years. The six-story, reinforced concrete structure was designed by architect, Albert Harkness for his family, who gambled on the young designer who was seemingly inspired by the Chicago School of architecture, with its concrete and steel framing, large plate glass windows, ornamental terra cotta, and broad cornice. After Summerfield Furniture closed, the building was occupied in the mid-20th century by various companies until Johnson & Wales purchased the building, and have maintained the architecturally significant landmark ever-since.

Plantations Clubhouse // 1927

Buildings of New EnglandLeave a comment

Tucked away behind Abbott Park, a small green in Downtown Providence, the Plantations Club has stood for 100 years as one of the city’s finest examples of Colonial Revival architecture and was long a vital women’s club organization. This Georgian Revival brick building was designed by the firm of Andrews, Jones, Briscoe & Whitmore, of Boston for the Providence Plantation Club, a women’s social organization founded in 1916. The club was a success, starting with about 150 members and it reached more than 1,300 members, just one year after its inception. As the only female architect of the society, Frances E. Henley got involved in promoting the Club in terms of its visuals and interior design of the building, working closely with the architects. Ms. Henley was the first woman to study architecture at the Rhode Island School of Design and the first woman to independently practice architecture in Rhode Island. When the club no longer needed such a building, Johnson & Wales University acquired the building in 1962, and since then, it has been known as Wales Hall, housing a variety of offices and services.

Old Stone Studio // c.1820

Buildings of New EnglandLeave a comment

One of the most significant buildings in the coastal town of Marion, Massachusetts, is this stone structure, which is said to have had its beginnings as a storage warehouse. Located on Spring Street north of the main village, this building was constructed as early as 1820 as a salt works storage facility, and is an extremely rare surviving storage facility associated with the early 19th century salt industry in town. While many storage facilities we know today are void of architecture and soul, this building looks like it was plucked from the French countryside, thanks to a late 19th century renovation by one of the most prestigious architects in the United States. The salt industry in Massachusetts began on Cape Cod during the Revolution. Salt was a vital necessity for the preservation and curing of fish and meat for sale in this country and overseas. According to local lore, the Old Stone Studio was originally “a place for the conversion of sea water into salt.” Around the Civil War, the building was being used for petroleum processing facility, where kerosene, which had supplanted whale oil as a fuel for home and street lamps, was made and stored. The old stone structure had fallen into disrepair by the 1880s, that was until New York magazine editor, Richard Watson Gilder bought and restored it as a studio for his wife, artist Helena de Kay Gilder. At this point, Marion had become a premier summer colony with large waterfront estates and recreational facilities built for the wealthy in Boston and New York to spend the warmer months. Gilder hired his friend, Stanford White of McKim, Mead & White, to update the warehouse into a studio, adding the multi-light windows, decorative ironwork, and interior details, including the massive stone fireplace with a nine-foot mantle. The fireplace provided a stunning backdrop for guests, including President Grover Cleveland and First Lady Frances Folsom Cleveland, who summered in town. Ms. Gilder even painted the First Lady in the studio, and hosted her on occasions. The Old Stone Studio is now a private residence with addition off the rear.

McCormick Garage // 1907

Buildings of New EnglandLeave a comment

In the late 19th and early 20th century, Marion, Massachusetts, became an exclusive summer colony where wealthy families from cities would flock to soak up the sun and breathe fresh coastal air away from the heat and pollution of industrial centers at the time. One of these families was headed by Stanley Robert McCormick (1874-1947) of Chicago, the son of Cyrus McCormick, inventor and founder of the McCormick Harvesting Machine Company which would later become the International Harvester Corporation. Stanley McCormick was married in 1904 to Katharine Dexter McCormick (1875-1967), also a member of a wealthy family, who would devote her life to advancing women’s causes, serving as the vice-president of the National American Women Suffrage Association and in 1920, co-founded the League of Women Voters. Katharine remained active in later life, funding new birth-control research and the building of an all-women’s dormitory at the Massachusetts Institute of Technology, named McCormick Hall. Soon after Stanley and Katharine married, they purchased waterfront property in Marion, where Stanley spent summers as a child, to build a summer residence for his own family. In 1906, Stanley purchased land on Lewis Street and hired the Boston architectural firm of Page & Frothingham, to design and oversee construction of a large brick “cottage” and this brick garage structure down the street with a residence for the driver. While their summer residence was being built, Stanley McCormick, like his sister Mary, was diagnosed with schizophrenia. In 1909 he was declared incompetent by the California Supreme Court and would live for the rest of his life at the McCormick estate, “Riven Rock,” in Santa Barbara, California. In 1929, his wife Katharine and Stanley’s brother Harold were named conservators of his estate, which exceeded $30 million. The McCormick estate in Marion was occupied by Katharine’s mother for a number of years with Katharine visiting many summers. The cottage property was eventually sold and demolished in 1953, and the old garage was converted to a home with additions to make the property a year-round residence.

Marion Music Hall // 1891

Buildings of New England1 Comment

Tucked into the heart of Wharf Village in the ever-charming coastal community of Marion, Massachusetts, the Marion Music Hall has been a cornerstone of small-town cultural life since 1891. The Music Hall was largely the vision and will of the town’s great benefactor, Ms. Elizabeth Taber who sought to use her late husband’s vast fortune to benefit her community in her later years. In her will, Ms. Taber left funds for a proper “lecture and music hall” and the $23,000 commission went to her friend, architect, William Gibbons Preston. The building is one of a few examples of brick construction in the village and stands out for its detail with the round arched windows and solid massing in the Romanesque Revival style with terracotta trim to add visual interest in the design. The result is a structure both stately and welcoming, with its handsome façade anchoring a lawn that would later be adorned by the cast-iron Soldiers Monument in 1894. More than 130 years on, the Hall still hosts the town’s committee meetings, concerts, weddings, and community gatherings, standing as a living piece of Marion’s Gilded Age generosity and a quiet architectural gem of the South Coast of Massachusetts.

Elizabeth Taber Library // 1872

Buildings of New England5 Comments

Built in 1872, the Elizabeth Taber Library and Natural History Museum was the first of a number of philanthropic gifts to the town of Marion by Elizabeth Sprague Pitcher Taber (1791-1888), a wealthy widow and resident. This stunning Italianate style library and museum was funded following over $20,000 in donations to Marion for the design, construction and furnishing of a new library in town, that would also house a natural history museum for the advancement of education. By the late 1870s, the Taber Library and Natural History Museum had become a key component of the Tabor Academy campus, founded just years later. The structure, like the Tabor Academy building and Tabor Hall, was designed in the Italianate style and features a dentiled pediment on the facade, an octagonal cupola with balustrade at the roof which is adorned by oculus windows, and an ornate portico supported by fluted Corinthian columns. The building remains as Marion’s Public Library with its Natural History Museum on the second floor

Tabor Academy Building – Marion Town Hall // 1876

Buildings of New England5 Comments

This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.

First Universalist Church, Marion – Marion Arts Center // 1833

Buildings of New England1 Comment

I do love a good adaptive reuse story! This historic church building on Main and Pleasant streets in the Wharf Village of Marion, Massachusetts, was constructed in 1833 for the town’s growing and new Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form than some larger churches. By World War II, the church’s membership had dwindled to only a few old Marion families and eventually closed. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.