Historic Building

Burke’s Hack & Livery Stable // c.1865

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This handsome two-story brick stable on Byron Street in Boston’s Beacon Hill neighborhood was built around 1865 for the Sigourney family, and its front façade retains a distinctive appearance associated with that period. The brick façade sits on a granite base, and the first story contains two entrances characteristic of its stable use: a vehicle door providing access to ground floor and a domestic entrance connecting to stairs leading to upper levels including stableman’s quarters on the top floor. Around the time of WWI, the property was owned by James F. Burke, who added the painted sign over the carriage entry. The stable was converted to a residence in about 1964 for owner, Jay Schrochet by architect, Benjamin S. Fishstein and remains a single-family home today.

Bayard Thayer House – Hampshire House // 1911

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This iconic building at 84 Beacon Street in Boston’s Beacon Hill neighborhood, is best-known for its bar, which in 1982, became world-famous as the locale for the bar in the television sitcom Cheers, one of the most-watched programs in television history; but its history begins earlier. This five-story building was constructed in 1911 as a mansion for Bayard Thayer (1862-1916), who split his time between Boston and his country estate in his home-town of Lancaster, Massachusetts. Thayer hired architect, Ogden Codman Jr., a favorite designer of Boston and New York high-society, to design his Boston mansion, which is an expressive and overscaled example of a Colonial Revival style townhouse. Bayard Thayer died in 1916 and his widow, Ruth Simpkins Thayer, lived here with her granddaughter, Ruth, and nine domestic servants. After Ruth Thayer’s death in 1941, the property was conveyed to the Colonial Properties Trust in 1944, operating the building as a small luxury apartment hotel. From this point on, the hotel became known as Hampshire House. In about 1969, the basement space in the Hampshire House opened as the Bull & Finch Pub, which later became the inspiration of the iconic sitcom Cheers. Pictures of the exterior of the building were used in the show’s credits and scene changes, and the interior was faithfully replicated from the set in Hollywood, where the show was actually filmed. The Bull & Finch Pub has permanently been renamed Cheers Pub and visited by many who wish to visit the place where “everybody knows your name”.

Fleur-De-Lys Studios // 1885

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The Fleur-de-Lys Studios is of the most architecturally significant and unique buildings in New England and can be found on Thomas Street in the College Hill section of Providence. Built in 1885 and a vivid expression of the Queen Anne style and showing the emergence of the Arts and Crafts movement movement in America, the handsome building blending is the result of a partnership between artist, Sydney Richmond Burleigh and architect, Edmund R. Willson as a dedicated creative hub for working artists, a purpose it still serves today under the stewardship of the Providence Art Club, who received the deed of the property in 1939 by Burleigh’s widow. Its design draws heavily on medieval English and Tudor Revival influences, with a striking half-timbered façade, stucco panels, carved heads as hanging pendants, and projecting casement windows that break dramatically from the surrounding colonial streetscape. What truly sets the structure apart, however, is its richly symbolic ornamentation—allegorical figures representing painting, sculpture, and architecture adorn the exterior. More than a century later, the Fleur-de-Lys Studios remains both a National Historic Landmark and a living workspace, preserving its original spirit as a place where art and architecture are inseparably intertwined.

Luther Store // 1815

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The Luther Store in Swansea, Massachusetts, is a historic commercial building constructed in 1815 and uncommon as a rare brick block with saltbox roof. The structure was built for John Brown Luther, and was operated by the Luther family as a store until 1903. The Luther’s Corner area was in the mid-19th century the economic center of Swansea, and Luther’s Store served as post office and library. The building was acquired in 1941 by the Swansea Historical Society, which now operates it as a local history museum following a restoration by Fall River architect, Maude Darling-Parlin.

First Baptist Church of Swansea // 1848

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The First Baptist Church of Swansea may look like a traditional, Greek Revival style church from the 1840s, a common form and style found in nearly every community in New England, but the church is home to the oldest Baptist congregation in the Commonwealth of Massachusetts and is the fourth oldest in the United States! The church (and town’s name) was founded by Reverend John Myles (c. 1621–1683), a Baptist minister who immigrated to present-day Swansea from Swansea in Wales, who was a founder of the earliest recorded Baptist churches in Wales. During the King Philip’s War, Reverend Myles fled from the fighting to Boston and pastored the new First Baptist Church in Boston. The present Greek Revival structure, the fifth of the congregation, was built under the direction of the English-born Reverend J. J. Thatcher, pastor of the church from 1846 to 1854. The vernacular Greek Revival church features a pedimented facade with pilasters dividing the bays, and a square belfry.

Wrentham Congregational Church // 1834

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The Wrentham Congregational Church is the oldest house of worship in the suburban community, and the fourth consecutive meetinghouse for the congregation at the town center that was originally established in 1692. The frontier town grew slowly as a largely agricultural community and three houses of worship were built nearby the town common until 1833, when it was decided that a church worthy of its historic congregation be built. It is not clear who designed the Greek Revival church, but timbers were transported to town in 1834 for the new edifice which was completed that year. Over the following century, the church was expanded and modernized, all-the-while retaining its historic character. The four-stage steeple toppled during the New England Hurricane of 1938, and was rebuilt. The congregation remains active in the community and is a visual landmark at the town center.

Jonesville Academy // 1868

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Jonesville Academy is a historic schoolhouse located in the village of Jonesville, in the town of Richmond, Vermont. The large, wooden schoolhouse was constructed around 1868 in the Italianate style with center entry tower, bracketed cornice, window and door hoods, and round arched windows, all hallmarks of the style. The building was constructed at the height of the area’s success as an industrial village, and operated as a high school and later as an elementary school until 1955, when schools in Richmond were consolidated. After the school closed, the building operated as a grange hall for a number of years until it reverted back to private ownership, and is today a single-family residence. 

Draper Corporation Company Offices // 1910

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After decades of growth of the Draper Corporation in Hopedale, Massachusetts, in the late 19th century, the company began a massive building campaign of larger, architecturally significant (and most importantly, fireproof) buildings for company use. The original company office building, constructed in 1880, was outgrown and it was decided a new, larger company office was needed. Designed by Milford-based architect, Robert Allen Cook in 1910, the former office building was located across Hopedale Street from the main plant. This massive two-story brick building on a raised basement is an example of the Renaissance Revival style built of brick and terra cotta. The building closed along with the company in the mid-20th century, but as opposed to the main complex, was adaptively reused through a renovation as a senior living facility.

The Old Carriage Shop // c.1790

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The old Carriage Shop on Water Street in Warren, Rhode Island, is an early and surviving industrial building from the late 18th century that adds to the charm and history of the great waterfront town. The two-story building has a three-bay facade with a center entrance and 48-pane fixed sash windows on the first floor and 12-over-12 sash windows on the second floor. The stepped parapet masks the low gable roof of the building behind that extends far back in the lot. The building was a workshop and paint shop for Gardner & Hoar, builders and carpenters, in the mid-19th century, and later as a blacksmithing shop and carriage shop before the turn of the 20th century. Luckily for us, the building has been preserved and while not finding a place in architectural journals, the building is an important remaining building that strongly contributes to the character of the town.

Hall’s Block // 1883

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This diminutive commercial building on Water Street in Warren, Rhode Island stands out as one of the state’s best examples of a historic Victorian-era wooden commercial building, and its preservation is notable. The late-Italianate style wooden block dates to 1883, and exhibits its original wooden storefronts, second floor round arched windows with stained glass, and ornate detailing including the brackets, parapet and period-appropriate paint colors which allow those details to pop. The shop was owned in its early days by the John C. Hall, a carpenter who built the house next door. The building was used as an antique shop on the ground floor with a studio for author and illustrator, David Macaulay on the second floor. These types of smaller-scale commercial spaces are some last remaining (relatively) affordable spaces for small businesses to operate, and they add so much intrigue to the streetscape, especially compared to suburban cookie-cutter banks and stores.

Warren Masonic Temple-Washington Lodge No.3 // 1796

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Located next door to the Randall House (last post) on Baker Street in Warren, Rhode Island, this early building has some history! Constructed in 1796 by the Washington Association, Inc., this two-story Federal period building is an architectural and historic landmark in the immensely beautiful town of Warren. The elongated building is fairly plain in plan, but is adorned by corner quoins, elaborate pedimented entries, ornate cornice, and (now filled) ocular windows in the gable ends. It is believed that many of the timbers used in the building are oak beams that were formerly part of the British Frigate Juno and other ships which were sunk in Newport harbor during the American Revolution. Brother Sylvester Child, a member of the building committee purchased the old ships and floated the timbers up Narragansett Bay and into the Warren River and his shipyard at the base of Miller and Baker streets. The rib cuts in the oak plate beams can clearly be seen in the curvature of the ceiling in the lodge room.The Lodge was likely built by local carpenters using Asher Benjamin’s plan books for the detailing and was utilized as the Warren Town Hall and the Warren Academy, a private school, in the early 1800’s with meeting space for the local masonic lodge. The building has lost its original cupola at the roof, and its principal interior meeting room was redone in 1914 with elaborate murals by the Rhode Island artist Max Muller, some of which in Egyptian depictions.

Salisbury-Johnson House // 1823

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One of the great Federal style homes in the charming downtown of Warren, Rhode Island, the Salisbury-Johnson House at 43 Miller Street features many of the hallmarks of the prominent architectural style. The main body of the house was constructed by 1823 after Theophilus Salisbury (1781-1835) purchased the house lot at the corner of Union Street, possibly being moved from another site to the present location at this time. The two-story, five-bay façade is detailed by quoined corners and an exceptional center entrance with sidelights and large, elliptical blind fan carved from a single piece of wood. After later owners, the property was purchased by Rodolphus B. Johnson (1816-1884), a wealthy shipping agent who owned whaling ships and ran a wharf at the foot of Johnson Street nearby.

Warren Town Hall // 1890

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Warren, Rhode Island, is one of the lesser-visited coastal communities of the state, but retains one of the best waterfront historic districts in all of New England. With a small population of just over 11,000 residents, the downtown is extremely walkable with a tight network of streets, lined with stellar buildings and homes of nearly every architectural style and period, and are largely preserved showcasing what New England communities were like in centuries past. On bustling Main Street, the Warren Town Hall was designed by the Providence-based firm of William R. Walker & Son, architects, and constructed between 1891-1894. Designed in the Romanesque Revival style, the two-story building with five-story central tower also features Classical detailing like the terra cotta swags and brick pilasters. Before the 1938 Hurricane, the tower was even higher, incorporating an open stage topped by a parapet and a clock face on each of the segments of its still extant dome, which now has a slightly reconfigured mini-cupola topping. Additional detailing includes a terra cotta bust of the sachem/leader Massasoit with leafage, above a fluttering ribbon inscribed “Sowams,” the Wampanoag settlement that preceded Warren. The Warren Town Hall remains well preserved by the local government and a visual landmark on the town’s Main Street.

Tudor Apartments // 1887

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Frederic Tudor (1783-1864) was a businessman and merchant known as Boston’s “Ice King” having founded the Tudor Ice Company and becoming a pioneer of the international ice trade in the early 19th century. Frederic Tudor lived in a house at the corner of Beacon and Joy streets in Beacon Hill, Boston, and after his death, the property was inherited by his widow, Euphemia Fenno and their children. By 1885, the old Tudor House was demolished and replaced by The Tudor Apartments, which was built between 1885 and 1887 to house twelve upper-class families who sought smaller living space as opposed to the typical townhouses in Beacon Hill. Designed by architect, Samuel J. F. Thayer, the nine-story Queen Anne/Romanesque Revival building features a brownstone base with brick walls above, combining the traditional Boston bowfront with late 19th century flair at the upper floors with the partial mansard roof punctuated with dormers and oriel windows. Thayer designed the Joy Street elevation with cascading bays to provide interiors with views of the Boston Common and ample natural light.


Chester Meetinghouse // 1793

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The Saybrook Colony was established in 1635 and covered a large geographic area near the mouth of the Connecticut River in Connecticut.  This area was later subdivided into different towns after colonial era villages were established, each with their own church congregations. As was common in the colonial era, these divisions were centered on the establishment of separate church congregations. The Fourth Ecclesiastical Society of Saybrook in what is now the town of Chester, Connecticut, was established in 1742. As the town grew, this building was constructed in 1793 as Chester’s second meeting house and served as a church until 1846, when the third Meeting House was built. In 1847, the Town of Chester acquired this old meetinghouse and from that date until 1960, it was used as the Town Hall. In 1876, the old meetinghouse was renovated with a new, projecting main entrance added to the south side of the building when the Old Town Hall enjoyed its heyday as a theater and concert hall. The Old Town Hall witnessed many events under its roof, including hosting P.T. Barnum’s Tom Thumb, who performed here, as did musical events, high school proms, and school graduations. The building had become threatened following the construction of the new Chester Elementary School, which better-hosted events, in the 1960s. Luckily, in 1970, the newly formed Chester Historical Society acquired the building and restored it as a significant piece of the town’s rich history.