The Victorian Gothic style Richmond Building on Weybosset Street in Downtown Providence, is one of the more interesting late 19th century commercial buildings in the city, as the more you look at it, the more you notice! The Richmond Building was constructed in 1876 seemingly as an investment for Dr. Fenner Harris Peckham, who rented out professional offices and retail space inside the building. The structure gets its name from its proximity to Richmond Street, and stands out architecturally for its polychromatic brick with tile, Gothic-arch niche flanked by colonettes on the facade, and truncated corner with later rounded corner window.
Constructed in 1866, this small three-story brick building with stone facade has miraculously survived over 150 years of the ebbs and flows of Downtown Providence development. The Atlantic Bank Building is located on Weybosset Street adjacent to the Westminster Arcade, and is among the area’s most ornate and well-preserved facades. The structure was constructed to house the Atlantic Bank, which incorporated in 1853. The bank did well financially and eventually moved to a new building in 1906 before financial shortfalls and shady dealings led to its closure in 1913. In the early 20th century, the Atlantic Bank Building was home to offices, a photography studio, and the Ashman House Coffee Shop. A restoration in 1978 helped preserve the building’s rounded windows, elaborate corbels, and finials over the second floor and at the cornice.
The Westminster Arcade, also known as the Providence Arcade, in Downtown Providence, was built in 1828 as the first enclosed shopping mall in the United States. Built in 1828, the Arcade extends a full block between Westminster and Weybosset streets and is a landmark early example of the Greek Revival style. The Arcade was designed by architect, Russell Warren who collaborated with Tallman & Bucklin on the design, who were likely inspired by early shopping arcades in Europe. When the granite building opened, the mall featured three floors of shops, each designed around the central promenade illuminated by skylights in the ceiling, which provided illumination until the incorporation of electric light, which in this sense, is strikingly similar to the modern shopping malls of the mid-to-late 1900s. As suburbanization and retail shopping struggles post-WWII occurred in Downtown Providence, the Arcade experienced high tenant turnover, with the upper floors particularly struggling to attract businesses. After various restorations of the National Historic Landmark, the building reopened in 2013 with office and retail spaces on the ground floor and 48 affordable apartments on the upper two stories, providing an innovative mixed-use way to preserve and fund this important building.
A very late example of a Second Empire style commercial block, the Earle Building on Washington Street in Downtown Providence stands as a handsome addition to the urban environment with its human scale and high-quality design. The building is said to have been built by William H. Earle with retail storefronts at the street with offices above. William Earle was a partner in the company, Earle & Prew, an express mailing company (similar to Fedex today). The relatively simple massing is broken up by two-story projecting oriel bays.
At the corner of Westminster and Union Streets in Downtown Providence stands the Shepard Company Building, a hulking reminder of the late 19th and early 20th century dominance of the department store and the American downtown as a retail destination. The company opened in 1880 in a modest 6,400-square-foot storefront, and saw immediate success, eventually occupying an entire city block. The company grew piecemeal into neighboring buildings between 1880-1903 when the entire 300,000+ square foot block was completed from plans by Martin & Hall, architects. Architecturally, the building tells its own history in layers: it started as a modest three-story Italianate structure, and later additions brought two-story arched entrances angled into the corners at Westminster and Union, and Washington and Union, that once lured shoppers inside to terrazzo floors with a sea of merchandise. Outside, a freestanding cast-iron clock became a beloved meeting point, with generations of Rhode Islanders arranging to gather “at the clock”. A massive fire in March 1923, caused over one million dollars’ worth of damage, but the structure was restored under Hall’s supervision. Shepard’s closed in 1974 and remained vacant for almost 20 years. After advocacy from preservationists, the building was bought by the State of Rhode Island and was rehabilitated by David Presbrey, the building is now the location of the Providence Campus of the University of Rhode Island, the Rhode Island Department of Education, and other state offices and education-related facilities.
This two-story commercial building at the corner of Washington and Empire streets in Downtown Providence, Rhode Island, is one of the finest structures executed in terracotta in the state. The building was erected in 1915 for the Packard Motor Company as a car showroom, with large plate glass windows to display the newest vehicles inside. Records differ on the architect, with many stating that Albert Kahn, a Detroit-based architect who designed many factories for the company, furnished the designs. He apparently did submit a design, but the company ultimately went with Rhode Island architect, John Hutchins Cady, to design the showroom. The terracotta ornamentation is similar to what is found on nearby theaters and commercial buildings downtown, making the area a sort of a museum for terracotta facades. The building has been occupied by restaurants for much of the 20th and 21st centuries.
Located next door to the narrow George C. Arnold Building on Washington Street in Downtown Providence, the 1896 Arnold Building was constructed by George’s father, who was also a real estate developer. The Arnold Building was designed by local architect Clifton A. Hall for William Rhodes Arnold (1839-1912), who employed innovative design details to make the modestly priced building stand out architecturally and provide additional light inside. The yellow brick building is notable for its upper floors with segmental arched windows, prismatic bay windows, and patterned brickwork panels and cornice which adds a lot of texture to the facade. The building serves as an important low-rise commercial building in Providence, which enhances the walkable streets there.
The Slade Building on Washington Street in Downtown Providence represents the architectural flourish and blending of architectural styles that typified commercial blocks in major New England cities in the late 19th century. The commercial block was named and built for owner, George H. Slade, who was involved in real estate development along with his role as part-owner of Westcott, Slade and Balcom, a paint manufacturing company. The building was designed by Rhode Island architect, Clifton A. Hall (1826-1913) who primarily worked locally. After George’s death, the property remained in the family, and in 1895, the corner tower, also designed by Hall, was added as a way to modernize and bring in new tenants. The block has been rehabilitated and is one of the finest and best-preserved examples of a late 19th century commercial building in Downtown Providence.
One of the many great commercial blocks in Downtown Providence, the narrow Caesar Misch Building runs along Empire Street between Westminster and Chapel streets as a well-preserved early 20th century building. Designed by the architectural firm of Martin & Hall for owner, Caesar Misch (1857-1908) as one of his department stores. Caesar Misch was born in Berlin, Germany and immigrated to the United States, eventually settling in Providence. There, he opened a department store and saw immediate success, opening more throughout New England in the early 20th century. After his unexpected death in 1908, his wife, Marion Misch (1869-1941) took control of the business, becoming the first woman in New England to head a department store. The Downtown Providence building stands six-stories and is notable for its brick walls with contrasting elaborate stone frieze and window surrounds.
Downtown Providence has amazing 19th and 20th century commercial blocks of all shapes and sizes. This example at the corner of Weybosset and Richmond streets dates to 1891 and has historically been known as the Warwick Building. While just three-stories tall, the Warwick Building stands out for its two-story domed turret on the corner, rough-faced stone lintels and sills, and brick corbeled cornice. The building is a great, human-scaled addition to Downtown Providence and has served as a vital anchor to the streetscape.
Tucked into the heart of Wharf Village, the main village in the charming coastal community of Marion, Massachusetts, this building which is known today as the Marion General Store, wears its history quietly beneath a deceptively simple Greek Revival facade. The structure was constructed in 1799 as Marion’s first Congregational Meeting House, where religious services of the congregational church were conducted before the separation of church and state. The construction of this wood-frame building did more than give the faithful a place to worship, it anchored Wharf Village as the commercial and civic center of town, setting in motion the currents that would eventually set Marion off from its mother-town, Rochester in 1852. By the 1830s, the old meeting house was in poor condition, and along with the push for a separation of church and state and tax dollars no longer going to the Congregational Church, a grander Greek Revival church was built across the street. The Old Meeting House was also renovated in the Greek Revival style and operated as Delano Hall, a store with dance hall and meeting space on the upper floor. The building lives on today as the Marion General Store, with its old clapboards and pilastes holding the layered history and architecture of the seaside community that grew up around it from working port town to wealthy coastal village.
The Thayer Block and its twin, the Claflin Block, on Main Street in Milford, Massachusetts, stand as prototypical early 20th century commercial blocks commonly found in nearly any city in New England. The two-story commercial block was built in 1912 and was long the location of the Home National Bank of Milford. The bank added the iconic clock on the facade, which is one of the remaining clocks made by the McClintock-Loomis Clock Company or successive company, O.B. McClintock Co., which specialized in sidewalk clocks for banking and financial institutions. The green marble storefront was likely added in the 1950s or 1960s and is an eye-catching change to the building. Today, the bank space is occupied by the Rail Trail Flatbread Co., a local restaurant and bar.
Located on Main Street in Milford, Massachusetts, the stately Gillon Block is one of the town’s finest buildings and an excellent example of eclectic, late Victorian commercial architecture. The block was erected in 1888-9 for owner Patrick Gillon (1843-1899), who inherited his late-father’s distillery and bottling business in Milford, and designed by local architect Rinaldo V. Carey. The panel brick facade is divided into seven sections with a central projecting section topped by a tower capped by a copper onion dome. The four-story block included retail space at the ground floor with offices and meeting halls on the upper stories, rented to tenants and organizations.
The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.
Arguably the most recognizable and beloved building in Wrentham, Massachusetts, is this eclectic mid-19th century commercial building, known as the Wrentham Village Hall. The structure was originally constructed for Daniel A. Cook where he operated a store in the ground floor retail space and rented a meeting hall to local organizations above. The building was constructed around 1853 as a more vernacular building, but given its current appearance decades later when the ornate Stick style porches were added to the facade. While the building has served many uses over its history, the structure is suffering from some deterioration, which hopefully will not impact the rare surviving exposed porch framing and trusses, which give the building so much character.
