Located on Main Street in Milford, Massachusetts, the stately Gillon Block is one of the town’s finest buildings and an excellent example of eclectic, late Victorian commercial architecture. The block was erected in 1888-9 for owner Patrick Gillon (1843-1899), who inherited his late-father’s distillery and bottling business in Milford, and designed by local architect Rinaldo V. Carey. The panel brick facade is divided into seven sections with a central projecting section topped by a tower capped by a copper onion dome. The four-story block included retail space at the ground floor with offices and meeting halls on the upper stories, rented to tenants and organizations.
The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.
Arguably the most recognizable and beloved building in Wrentham, Massachusetts, is this eclectic mid-19th century commercial building, known as the Wrentham Village Hall. The structure was originally constructed for Daniel A. Cook where he operated a store in the ground floor retail space and rented a meeting hall to local organizations above. The building was constructed around 1853 as a more vernacular building, but given its current appearance decades later when the ornate Stick style porches were added to the facade. While the building has served many uses over its history, the structure is suffering from some deterioration, which hopefully will not impact the rare surviving exposed porch framing and trusses, which give the building so much character.
One of the few historic commercial buildings in Hopedale Village is this Romanesque Revival style example on Hopedale Street which, like so many other buildings in the village, was largely funded by members of the Draper Family. The commercial block was built in 1889 by Gen. William F. Draper and named in honor of President Benjamin Harrison, 23rd president of the United States, as a multi-use building, containing a drug store, a retail, a club house on the second floor, a storage and cobbler at the rear of the building in the basement, and a lodge on the third floor for large meetings. Less ornate than many other buildings in town built for the Draper’s, all decorative features on the Harrison Block are confined to the façade. With original storefronts of wood and glass display windows at the ground floor, tripartite windows at the second floor, and large, round-arched windows at the third floor, evoking the Romanesque style of the Town Hall (also funded by the Draper Family) nearby.
The old Carriage Shop on Water Street in Warren, Rhode Island, is an early and surviving industrial building from the late 18th century that adds to the charm and history of the great waterfront town. The two-story building has a three-bay facade with a center entrance and 48-pane fixed sash windows on the first floor and 12-over-12 sash windows on the second floor. The stepped parapet masks the low gable roof of the building behind that extends far back in the lot. The building was a workshop and paint shop for Gardner & Hoar, builders and carpenters, in the mid-19th century, and later as a blacksmithing shop and carriage shop before the turn of the 20th century. Luckily for us, the building has been preserved and while not finding a place in architectural journals, the building is an important remaining building that strongly contributes to the character of the town.
This diminutive commercial building on Water Street in Warren, Rhode Island stands out as one of the state’s best examples of a historic Victorian-era wooden commercial building, and its preservation is notable. The late-Italianate style wooden block dates to 1883, and exhibits its original wooden storefronts, second floor round arched windows with stained glass, and ornate detailing including the brackets, parapet and period-appropriate paint colors which allow those details to pop. The shop was owned in its early days by the John C. Hall, a carpenter who built the house next door. The building was used as an antique shop on the ground floor with a studio for author and illustrator, David Macaulay on the second floor. These types of smaller-scale commercial spaces are some last remaining (relatively) affordable spaces for small businesses to operate, and they add so much intrigue to the streetscape, especially compared to suburban cookie-cutter banks and stores.
The handsome rubblestone commercial block at the corner of Main and Water streets in Chester, Connecticut, was built in 1909 by Italian stone masons for Joseph H. Leet and contained a grain and feed store, with other spaces in the building rented out. Decades later, the old Leet Store became a auto repair shop and the upstairs space was used as a meeting hall and theater for the community. The building was restored in 1979 and expanded at the rear with a two-story wood-frame addition for additional commercial space.
Colloquially known as the “Stone Store,” this handsome stone structure in Chester Village, Connecticut, was built by William Buck in 1809, a merchant involved in the West Indies trade. The stone for the building is believed to have come from the Chester quarry in town and was likely more vernacular without the columned portico. The four-columned Doric portico was likely added in the 1830s or 1840s as the Greek Revival style surged in popularity. The two side wings were added in the 20th century. The Old Stone Store has held various uses from a store, tavern, post office and liquor store, while the upper floor has served as a private school, the town’s library and an apartment. The Old Stone Store today acts as the western terminus of the town’s Main Street commercial district.
One of the more impressive commercial blocks in Brookline is located at the corner of Washington Street and Davis Avenue in Brookline Village. The Seamans Block was developed by its namesake, James Manning Seamans (1834-1908), a wealthy grocer who operated a store from the building. The handsome masonry block was built from designs by the firm of Shepley, Rutan and Coolidge, a successor firm to H.H. Richardson. As partner of the firm, Charles H. Rutan lived just down Davis Avenue, it is likely that he was in charge of this design. The structure follows the Richardsonian Romanesque style, popularized by Richardson through the rounded corner and heavy arches, but is done entirely in brick rather than adding brownstone or terracotta detailing. The building has long been an excellent example of a historic “mixed-use” block with ground floor retain and apartments above, something that many new developments try and emulate today.
In Providence, even industrial warehouses are architecturally interesting to look at! This is the C & J Mauran Company Warehouse at 369 South Main Street in Providence’s East Side neighborhood. The building was constructed around 1820 for brothers, Carlo (1779-1844) and Joshua Mauran (1782-1847), who were wealthy merchants who stored goods from their ships trading in the Indies here. Before all of this, the site was home to an earlier structure from the 1770s, built by Deacon Joseph Sheldon, and the site was occupied by a warehouse, later owned by his son, Christopher Sheldon, and was known as the “Slave Pen” for its use of holding and transporting enslaved people. The “slave pen” burned in 1801 and the structure was later rebuilt by the Earle Brothers, and then again (the current structure) by Carlo and Joshua Mauran. Later in the 19th century, a brick façade and storefront were added to the building as the street shifted firmly to commercial uses, with noxious industrial buildings moving further to the periphery of the established College Hill neighborhood. From 1856 to 1939, the Ferry Coal Yard Company and the National Coal Company stored coal in the building After WWII, the City of Providence took the building and adjacent block by eminent domain to make way for urban renewal, and luckily for us, the building was rehabilitated rather than demolished at this time. The structure was converted to office use, and was again restored in the 2010s by Newport Collaborative Architects.
The Cheapside Block on N. Main Street in the East Side district of Providence, Rhode Island, is significant as a remaining Victorian-era commercial block that retains much of its original architectural detailing. Built in 1880 and designed by local architects Stone & Carpenter, the Cheapside Block was named after the early nineteenth century name given to the commercial district running along the west side of Main Street, north from the eighteenth century Market House, after the London commercial district of the same name. The word “cheapside” is derived from the Anglo-Saxon word “to barter.” The block here is an excellent example of the High Victorian Gothic architecture style, with intricate brick and stonework, pointed gables with inlaid tile, quatrefoil motif in the parapet, and the original cast iron storefronts. The building was acquired by the Rhode Island School of Design and renovated in the 1980s. Today, the Cheapside Block is home to the RISD Design Center.
The Hope Block on North Main Street in Providence’s East Side neighborhood is an architecturally significant commercial block in the Second Empire style. The masonry building was constructed in 1869 and is probably designed by architect, Clifton A. Hall, who designed similar buildings in the city around that time. The block was developed by Edward M. Young and Ezra P. Lyon of the firm, Young & Lyon to house their fruit and grocery store, which they operated here from 1870 until 1889. By the latter half of the 20th century, the building was owned by the Rhode Island School of Design, and rehabilitated for classrooms in 1984, even retaining the cast iron storefronts, unique arched windows, and slate mansard roof. Today, the Hope Block houses the RISD Store.
Mid-late 19th century commercial blocks provide human-scaled density, high quality design, and often contain intimate storefronts providing reasonable rent to local businesses. The Henry Block in Westborough, Massachusetts, is one great example of a historic commercial building that checks all of these boxes. The brick building was constructed in 1873 by its namesake, Samuel Gates Henry (1813-1877), a pharmacist and dentist who rented space in an earlier building on the site. When a fire destroyed the old structure, Samuel Henry had this block erected on the site and leased out spaces in the building to other businesses and tenants in the floors above. The block is Italianate/Italian Renaissance Revival in style with the typical round arched windows and bracketed cornice. The granite storefronts even retain some of the original cast-iron supports.
The Second Meeting House of Westborough, Massachusetts, was built on this important site in the center of the village in 1749. It was a plain, wooden building and was used for both church services and town meetings, since church and state were essentially inseparable at the time. When a new church was built in 1837, this building was purchased and converted to commercial use. The first floor of the building was raised, and another floor was added underneath. The steeple was also removed. The building then became known as “The Arcade Building,” a kind of mall with small shops opening onto the porch. By the end of the 19th century, the old wooden building was nearing 150 years old and owners decided to demolish the structure, and replace it with a more permanent and stately block. The New Arcade was built in 1890 and is more Romanesque in style. The handsome brick block has retail spaces on the ground floor with residences above, a great example of mixed-use.
Buildings of New England 
