Granite

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Greenough-Dwight House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes. 

Christ Church, Swansea // 1900

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Designed in the mode of a traditional English country church, the Christ Church of Swansea is among the finest Neo-Gothic Revival edifices in New England and evokes a sense of history and tradition despite only being built in 1900. The church was funded by benefactors, Frank Shaw Stevens and Elizabeth Case Stevens, who lived down the street in the town’s largest mansion. After the death of her husband Frank, Elizabeth began a large gifting campaign to the Town of Swansea, and funded the construction of the town’s library, school, and this church (they had already funded the 1891 Town Hall). For the village church, Elizabeth hired their friend, and renowned English-born architect, Henry Vaughan, who designed the building with heavy granite walls, lancet windows and a facade dominated by an entry tower with rounded corner all capped by battlements. The Christ Church of Swansea resembles an old Medieval English church but in a New England village, amazing work as always Mr. Vaughan!

Portland Mariner’s Church // 1828

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Talk about a unique church! The Mariner’s Church in Downtown Portland was built in 1828 and is modeled after Faneuil Hall in Boston and East India Hall, Salem, Massachusetts; and was the first Greek Revival building in Portland (with some lingering Federal flair). It also for many years was Portland’s largest building! Its concept was that of a place of worship and education center for seamen of the port city between their voyages on the open sea. The ground floor was designed to house shops for merchants whose rent would support and maintain the building. The structure is virtually unchanged from how it looked nearly 200 years ago and showcases the importance of the sea to the port towns and cities of New England!

Beacon Hill Reservoir // 1849-1883

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Did you know there was once a massive granite reservoir in Beacon Hill?

Long before the Wachusett and Quabbin Reservoirs that now supply water to Boston, the city’s original municipal water supply was Lake Cochituate, a reservoir in Metro-west. Due to Beacon Hill’s high elevation, the city selected the site behind the recently completed Massachusetts State House, to store and distribute water to the city. The site was too steep, so it had to be graded. Therefore, the top of Beacon Hill, where the beacon had long been standing, needed to be lowered to accommodate the reservoir. The soil was dug by hand and hauled by cart down to fill the old Mill Dam in the Bulfinch Triangle area. The reservoir, which opened in 1849, was unique in its approach. The design of the structure needed to minimize its footprint and reflect well on its surroundings in the prestigious location. In lieu of earthen bermed walls, as was the convention in most period distribution reservoirs, the design chose to create a watertight tank within a masonry structure. This made the structure the first elevated storage tank constructed in New England. Sheet lead was used to make the reservoir watertight (which likely led to a lot of health issues (hindsight is 20/20). By 1870, the poor water pressure made the Boston Waterworks build the Roxbury Standpipe, which relegated the Beacon Hill Reservoir to being an emergency water source for use only in case of fire or accident to the pumping-mains. In 1883, Boston Water Works sold the structure to the Commonwealth, who demolished it for the addition to the State House.