The architecturally distinguished Holmes Smith House on South Summer Street in Edgartown, Martha’s Vineyard, showcases the range in which the Greek Revival style could showcase whimsy and unique architectural details from the typical side-hall gable-end form seen all over New England. The house appears to date from the mid 1830s with its strong, symmetrical facade of flushboard siding, its three bays divided with paneled pilasters, and elaborate parapet containing a central dormer and arched fan motifs. The house was originally owned by Capt. Holmes Wass Smith (1798-1849) and his wife, Sophia (Coffin) Smith and later in the 19th and early 20th centuries by members of the Pease family. The residence is now a summer home and has been thoughtfully preserved as one of the most excellent and unique examples of its style on Martha’s Vineyard.
Located on the idyllic South Water Street in Edgartown, Martha’s Vineyard, the Capt. Thomas Milton House stands as a fine and well-preserved example of a sea captain’s house built in the Greek Revival style. Captain Thomas Milton (1787-1862) was born in Liverpool, England, and first arrived to the island as a young man aboard a whaling vessel. He served as a Lieutenant and privateer during the War of 1812, when England restricted trade to maritime ports, which severely crippled the Edgartown economy. After the embargo ended, Captain Milton led whaling vessels and trade routes to as far as China. On his last trade excursion to China in 1837, Captain Thomas Milton brought back a sapling of a Pagoda Tree that was planted on the lot of his soon-to-be-built house on Water Street. Construction began on the house in 1840, which is unique for its asymmetrical four-bay facade and low hipped roof. Captain Milton died in 1862 and by the turn of the century, his residence was converted to an inn, which is now a part of the multi-building, Harborside Inn complex. The property has stood here for nearly 200 years joined by the ever-growing Pagoda Tree, which is believed to be the largest of its kind in North America.
Built in 1834, this early Greek Revival house with Gothic Revival detailing, sits on Edgartown’s South Water Street, a notable street lined by large mansions built for early whaling captains on Martha’s Vineyard. The residence was built for Abraham Osborn (1798-1865), a whaling captain, soon after his marriage to Eliza Norton. Captain Abraham Osborn owned several whaling ships based out of Martha’s Vineyard and New Bedford, and one of these large vessels, the Ocmulgee, came to an untimely end early in the Civil War. When captaining the ship in September 1862, the Ocmulgee was approached by a ship flying British flags. When it got within speaking range, the British flags were replaced by Confederate colors and the rebel captain took over the ship, which contained 250 barrels of whale oil. The Confederates detained the ships officers and Captain Osborn in chains bringing them aboard their ship, the Alabama, which was known for stealthy operations to damage the economy of the Northern states. The rebels torched the Ocmulgee, forcing Captain Osborn and his crew to watch their profits burn up and sink into the ocean. The crew was detained for a few days and ultimately released near the Fayal Islands where they received help. Captain Osborn returned home and would die just three years later. The Osborn house was later inherited by his son, Abraham Jr., a retired sea captain himself, who eventually converted the large family home into a hotel called Ocean View. A famous guest at his hotel was Alexander Graham Bell, who was on island to study the extensive deafness prevalence for those on the Island. The house has since been converted back to a single-family residence and maintains its stunning Greek Revival entry portico and tripartite window in the gable with shuttered lancet openings.
One of the great old captain’s houses in Edgartown, Massachusetts, stands here on South Water Street and is emblematic of the history of the harbor community in the 19th and 20th centuries. The five-bay Greek Revival style mansion was built in about 1835 and was owned later by Tristam Pease Ripley (1821-1881) a wealthy sea captain, originally from New Bedford, who operated whaling ships while out at sea for months or a year at a time. After becoming a Master Mariner on the sea, Captain Ripley settled down back in Edgartown and worked as a coal dealer, likely bringing ships from the mainland to the island carrying coal for sale to keep these grand homes warm during the brutal New England winters. The house was purchased by a local inn during the 20th century and significantly renovated inside and out, and is owned by the Harborside Inn.
This stunning home sits on Main Street in Suffield, Connecticut, and was apparently built as a center-chimney home in the 18th century. By the 1840s, it was purchased by John Wells Loomis (1805-1879), and altered to fit the then-fashionable Greek Revival style, replacing the center chimney with two smaller chimneys, new pilasters were added to the corners and at the entry. John Loomis was the head of the Loomis family which made a fortune in the tobacco industry in Suffield, rolling and shipping products as far away as California. He operated his cigar business in a large warehouse, now gone, behind the house. Before his death, John Loomis built his son George a house nearby, knowing that his son would carry on the business, which he did until a couple years after his father’s death, until he sold the business and moved to New Haven. The Loomis House is one of the finest examples of a Greek Revival residence in the community.
One of the older homes on Main Street in Suffield, Connecticut, the Moses Rowe House was built in 1767 was later “modernized” to its present appearance. The house was constructed as a two-story Georgian home with minimal detailing, as the family home of Moses Rowe (1733-1799), his wife, and nine children. According to historical maps of the area, the home appears to have been purchased by Horace Sheldon, who in the 1830s, modified the home in the Greek Revival style, increasing the height of the home, adding side porches and the entablature at the roofline.
One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes.
This unique two-story house on Main Street in Swansea, Massachusetts, is said to date to about 1734 but for the most part, its appearance dates to 100 years later. It is possible this was once a one-story, brick house, but by 1836, the property was owned by Samuel Sherman Hull (1788-1862) and Sarah Waite Hull (1799-1863) who married in 1835. It was during their ownership, that the house was expanded and “modernized” in the Greek Revival style in the 1830s or 1840s, when the wooden upper floor was added with elaborate central entrance with sidelights and pilasters at the corners and entry. The property was farmed by Mr. Hull and by the end of the 19th century, was owned by Mrs. Caroline A. Chace. It is possible that the brick floor operated as a store with a residence above but now is a single-family home.
Located at the corner of Wooster Place and Chapel Street in the iconic Wooster Square neighborhood of New Haven, this early Greek Revival style house is a physical landmark showcasing the evolution of the neighborhood in the 19th and 20th centuries. The residence was built around 1835 either for or purchased early on by Matthew Griswold Elliott (1805-1892), a businessman who later engaged in politics and became Vice President of the New Haven Savings Bank and a director of the New York and Hartford Railroad. In 1890, the property was purchased by Paulo “Paul” Russo, an Italian immigrant who was born in 1859, in Viggiano, Italy. His family moved to New York in 1869 and then New Haven in 1872. Paulo opened a small market in New Haven which became the first Italian-owned business in the state of Connecticut. In 1893, Russo became the first Italian to graduate from Yale Law School and he helped foster and grow the local Italian-American community around Wooster Square. After Paul Russo, Michael D’Onofrio, also of Italian descent, purchased the home and along with his wife, brothers, and friends, D’Onofrio transformed the building into a funeral home for over a decade before the house was converted to condominiums. The Elliott-Russo House is a landmark example of a hipped-roof, Greek Revival style residence with smooth flushboard siding, pilasters dividing the bays, and unique Greek meander motifs in the window lintels.
The J. R. Hoar House on Washington Street in Warren, Rhode Island, is one of the best examples of a 1-1/2-story Greek Revival cottage in the town. The house has a full Doric portico in front, an arched second-story bedroom window in the pediment and pedimented lintels over the windows. Built in the 1841 for John Rodgers Hoar, the house has been lovingly preserved and restored by later owners.
The only two-story temple-front Greek Revival style house in Warren, Rhode Island, the Judge Alfred Bosworth House on Federal Street, is believed to be the work of great architect Russell Warren. Alfred Bosworth (1812-1862) ran a law office in Warren and Providence and represented Warren in the General Assembly from 1839 until 1854 and then served as a justice on the Rhode Island Supreme Court. Bosworth was of counsel for Rhode Island in suits growing out of the boundary question between Rhode Island and Massachusetts, specifically around Fall River. Judge Bosworth died at home in 1862 and his widow, Anne, lived here afterwards. At the end of the century the Bosworth House was converted to an ice cream parlor, named Maxfield’s, which became a very popular attraction in town. The company, owned by Nathaniel and Julia Maxfield, attracted throngs of local residents every summer who would eat ice cream on the front yard of the house. Maxfield’s was even frequented by Providence writer, H. P. Lovecraft, when he was a young man. During the mid-1900s, the house served as a nursing home until 1988, when owners restored the house back to a residence and removed the asphalt siding that was added to the exterior around the time of the Great Depression.
This stunning Greek Revival house on Lyndon Street in Warren, Rhode Island, was according to historians, built around the turn of the 19th century as a cooper shop! A cooper as a professional, would make wooden barrels, tubs, and casks from wooden staves, which were all made in this building before it was converted and renovated around 1830 in the Greek Revival style for Deacon John J. Bickner, who was likely affiliated with the Episcopal Church across the street, which was designed by architect, Russell Warren. Due to the connection, it is possible that the renovation for Bickner was undertaken by Russell Warren as well. On its facade, the house has two-story applied pilasters which break up the bays and smooth flushboard siding which makes the house even more stately!
The Tuckerman-Parkman Mansion at 33 Beacon Street, like its neighbor, was built in 1825 from plans by architect, Cornelius Coolidge, in the Greek Revival style. The residence was originally purchased by Edward Tuckerman, a wealthy merchant and father of Professor Edward Tuckerman, a prominent lichenologist for whom Tuckerman Ravine on Mount Washington was named. Tuckerman Sr. lived here at 33 Beacon Street until his death. The next owners, Mrs. Eliza Parkman and her son, George Francis Parkman (1823-1908) moved here after the brutal murder and following sensational trial of her husband, Dr. George Parkman (1790-1849). The 1849 trial of Parkman’s murderer, Professor John White Webster of the Harvard Medical School, was called the “case of the century”. Professor Webster owed Dr. Parkman a substantial sum of money. The professor lost patience with Parkman’s constant reminders that his payment was long overdue and killed Parkman in a rage, dismembered his tall, lanky frame and concealed the body parts in a wall of a Harvard Medical School laboratory. With the help of a janitor, Dr. Parkman’s body was discovered. A murder trial ensued, and Professor White was found guilty and subsequently hung. The murder trial has been widely cited as one of the earliest uses of forensic evidence to identify a body. Seeking refuge from the attention and pain from the loss of the family patriarch and trial, Ms. Parkman and her son, George, moved to this home in 1853. Widow, Eliza Parkman died in 1877 and George F. Parkman lived in this home until 1908. In his will, Mr. Parkman bequeathed his mansion and over $5 Million to the City of Boston for the maintenance of the Boston Common. The Tuckerman-Parkman Mansion was restored by the City of Boston in 1972 and used almost exclusively as the Mayor’s residence until 1984. The house is now the official reception hall of the Mayor’s office and appears much as it did when built 200 years ago.
The land at the corner of Beacon and Joy streets in Boston’s Beacon Hill neighborhood was once John Hancock’s west pasture for his grand manor (razed in 1863) until 1819, when subdivision of the Hancock estate began following his death. In 1821, Israel Thorndike, one of the leading land speculators of early nineteenth-century Boston, began buying out the Hancock heirs and house lots overlooking the Boston Common were sold to John Hubbard and George Williams Lyman, who hired architect Cornelius Coolidge, to build some stately Greek Revival townhomes for wealthy Boston elites. The house at the corner of Beacon and Joy streets, 34 Beacon Street, was built in 1825 for Nathaniel Pope Russell, a leading Federal period China Trade merchant. By 1850, James B. Bradlee, a wealthy merchant, had acquired the property. Bradlee’s grandson Ogden Codman Jr., the influential late nineteenth- and early twentieth-century architect and interior decorator, was born in this house in 1863. Codman later collaborated with novelist and tastemaker Edith Wharton on ‘The Decoration of Houses‘, a book that had an enormous impact on the direction of interior design when it was published in the 1890s. Little, Brown and Company, a publishing company founded in 1837, purchased the former residence and moved their headquarters here in 1909. The publishing company sold the property in 1997, and it converted to a single-family home. In 2007, the residence was purchased by Northeastern University and has since been the President’s House.
Buildings of New England 