Merrill Rowhouses // c.1896

Around the turn of the 20th century, much of Brookline, Massachusetts, saw rapid development and suburbanization as the area streetcars and subway made Boston better-connected to adjacent communities. Developers eyed un- and under-developed lots near major corridors and stations to develop denser housing at varied success. In the Longwood neighborhood, Luther Merrill owned property along Beacon Street and in the more established wealthy neighborhood, where he sought to build. Taking cues from the surrounding context and precedence for rowhouse development, Merrill hired the local architectural firm of Ball and Dabney to furnish plans for a five-unit row. The firm designed the four-story building in the Colonial Revival style with its upper floor set back off the facade to give it the appearance of a three-story structure, to better fit with the surrounding character. The five privately owned rowhouses feature rounded bays and recessed paneled entrances, some surmounted by large swans neck pediments.

Amos Lawrence Rowhouses // 1876

Amos A. Lawrence (1814-1886), a wealthy Boston merchant, owned land holdings in the present-day Longwood neighborhood of Brookline, just over the Muddy River from Boston, and developed the area into a wealthy and high-quality suburb. Lots were laid and Lawrence hired civil engineer, Ernest Bowditch, to plat for multiple sets of distinctive rowhouses surrounding a small green mall, which was later named Monmouth Court. Once the property was laid out, Amos Lawrence hired the Boston architects, J. Pickering Putnam and George T. Tilden, to design rowhouses for rental income. George Tilden was previously employed at the firm of Ware & Van Brunt, a firm that mastered and popularized the panel brick style in the Boston area in the 1870s and 1880s, and he clearly built upon this expertise for the rows for Amos Lawrence in Brookline. All four rows of houses are distinctive, yet compliment each other stylistically with projecting bays. intricate brickwork, complex rooflines with dormers, and applied ornament. This row at 10-18 Monmouth Court was from the designs of partner, J. Pickering Putnam and was highlighted in an architectural publication soon after completion. The row exhibits a slate mansard roof disrupted by dormers with trusses, lancet arch and trefoil motifs, polychromatic brick and pent roof entrances all stepping out to the private courtyard.

Adolph and Marion Ehrlich House // 1906

The Adolph and Marion Ehrlich House on Beech Road in Brookline’s Longwood neighborhood is a stunning blend of Arts and Crafts and Tudor Revival styles, popular in early 20th century Boston suburbs. The house was designed by the firm of Andrews, Jaques and Rantoul, for Adolph Ehrlich (1868-1952) and Marion Ratchesky Ehrlich (1877-1966). Adolph was born in Boston and at the age of 11, began work in the textile business. He climbed the ranks and became a partner in a clothing company before becoming a director of the Jordan Marsh Department Store Company from 1925 until his death in 1952. His wife Marion was heavily involved in social causes until her death, including the Louisa May Alcott Club, a settlement house in Boston for young, predominantly immigrant girls.

Gahm House // 1907

Located in the Longwood neighborhood of Brookline, Massachusetts, the Gahm House stands out not only for its size, but stunning details and architectural design. This house was designed in 1907 by the architectural firm of Hartwell, Richardson & Driver, one of the premier firms of the region at the time, who blended Arts and Crafts with Tudor Revival styles with a notable front entry. Joseph and Mary Gahm hired the firm to design their new home the same year the firm designed a bottling plant (no longer extant) in South Boston for Mr. Gahm’s business. Joseph Gahm was a native of Wurtemberg, Germany, who emigrated to Boston in 1854 and initially worked as a tailor. In the early 1860s, Gahm opened a restaurant in Charlestown, by the late 1860s he added a small bottling operation to this business. The bottling business soon expanded to such an extent that he was able to give up the restaurant business and open a large bottling plant in 1888. He eventually moved operations to South Boston where there was more room for transportation and shipping capabilities. Their stuccoed house in Brookline is especially notable for the well preserved carvings at the entrance, which include: faces, floral details, lions, and owls perched atop the newel posts. What do you think of this beauty?

Eisemann Mansion // 1905

Among the area’s best examples of a high-style Colonial Revival residence of the early 20th century, the Eisemann Mansion on Monmouth Street in Brookline’s Longwood neighborhood stands out not only for its scale and massing, but unique architectural details. The dwelling was built in 1905 for Selly and Albert Eisemann, both German-born Jews who immigrated to the United States and originally lived in New Mexico before moving to Brookline in their retirement. Albert was a retired wool merchant, and clearly made a name for himself out west, hiring local architect, James Templeton Kelley, to furnish plans for his large mansion in Longwood. With a boxy form and five bay facade (with six smaller windows at the third floor), the center-hall mansion is notable for its elaborate first-floor windows with individual cornices, recessed entry set between Ionic columns, and recessed niche balcony over the entry as a unique interpretation of a Palladian motif. 

Harrison Gardner House // c.1873

The Harrison Gardner House on Colchester Street in the Longwood section of Brookline is a stunning late Victorian residence that was “modernized” in 1887 to its current configuration. Harrison Gardner (1841-1899) was a Civil War veteran who arrived back in Boston becoming a wealthy dry goods wholesaler, later investing in Massachusetts mills. On January 20, 1871, Harrison was a founder and treasurer of the Boston Red Stockings of the new National Association of Professional Base Ball Players (NABBP). The team’s name  changed multiple times, eventually landing on the Boston Braves, which would later move to Atlanta to become the Atlanta Braves in the MLB. With increased wealth and status, Harrison Gardner in 1887, hired the prestigious architectural firm of Hartwell and Richardson, to update his Brookline residence with additions and renovations in the Queen Anne and Shingle styles. Years after his death in 1899, Harrison’s widow, Laura Perkins Harrison, moved out of the large Longwood home and into a new, Arts and Crafts style stucco residence on Amory Street, designed by William Gibbons Rantoul.

McInnes-Morse House // 1901

Located at the corner of Borland and Chatham streets in Brookline’s historic Longwood neighborhood, the McInnes-Morse House stands as one of the area’s finest and stately Colonial Revival style homes. The three-story residence contains a three-bay main block with two-story side wings and central entrance. A rusticated first floor is surmounted by clapboarded walls above with two-story fluted pilasters dividing the bays and a central Palladian window. The facade is further embellished with dentilled cornice and egg-and-dart mouldings. The residence was completed in 1901 for Edwin G. McInnes, a lawyer, and his wife, Mabel, who split their time between this home and a residence in Manchester-by-the-Sea. The second owners were Theresa J. Morse and her husband, Alan. Theresa worked full-time at the regional office of the War Labor Board in wage control, processing cases involving the metal trades and wartime industries. After the war, she became active in the League of Women Voters and was appointed to the Brookline Housing Authority, where she advocated for smaller-scale public housing integrated with social services. The residence remains well-preserved and commands this prominent corner across from the Longwood Mall. I could not locate the architect for the home, but would love to find out!

Amory-Richards House // 1865

Built in 1865 along with its neighbor and later renovated in the Colonial Revival style, the Amory-Buckingham House on Colchester Street stands as an altered, yet historically significant residence in Brookline’s important Longwood neighborhood. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory was likely his main residence when not residing at his Boston townhouse or summer residence in Bar Harbor, Maine. The property was sold by the end of the 19th century to Edwin Buckingham and in 1902 to George L. Richards, who had the home expanded with an additional floor added with gambrel roof. A detached stable was also constructed around this time.

Amory-Boit House // 1865

Built in 1865, the Amory-Boit House on Colchester Street in Brookline‘s exclusive Longwood neighborhood, is a stunning Second Empire style home with connections to prominent local families. The residence has a one-story stone base which meets the slate mansard roof providing two-and-a-half stories above which are crowned by iron cresting at the peak of the roof. The property was one of the early homes built in the area, developed by David Sears, one of the wealthiest property owners in Boston, who recognized the potential for development of this marshy area of Brookline due to its close proximity to the city. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory, was likely rented to friends and family with the other as his primary country house. This home was later sold to real estate and insurance businessman and author Robert Apthorp Boit (1846-1919). Robert Boit published the novel, Eustis in 1884 and his family history, Chronicles of the Boit Family and Their Descendants, in 1915. The home and its neighbor had been undergoing renovations for a while and are located within a local historic district.

Max Katz House // 1947

Built in 1947, the Max Katz House on Kent Street in Brookline, Massachusetts, is one of the area’s best examples of Mid-Century Modern residential architecture. The main block of the house has an angle roof line with its facade dominated by a massive stone chimney. The residence was designed by architect Samuel Glaser, one of the earliest practitioners of Modern architecture in the Boston area, for Max Katz (1895-1996). Katz was born in Lithuania and came to Boston with his mother when he was nine years old. He founded the Merchant Tire Company in 1922 and was also one of the original organizers of Brandeis University. He and his wife, Augusta, lived in this Modern home for much of their lives. The Katz residence retains much of its architectural integrity and is an excellent and well-preserved example of 1940s Modernism.


Sears-Amster Cottage // c.1865

Prior to 1850, the area today known as the Longwood neighborhood of Brookline remained largely farmland on the banks of the Muddy River. In the first half of the 19th century David Sears (1787-1871) and Amos Lawrence (1814-1886), both prominent Boston businessmen, bought up large tracts of what had been Judge Sewall’s estate. The arrival of the Brookline Branch Railroad (now the MBTA Green Line D branch) served as an impetus to develop the area more fully. David Sears and Amos Lawrence developed houses in present-day Longwood and Cottage Farm and rented the homes to friends and family. One of the rented houses built and rented by David Sears is this Second Empire cottage which dates to the 1860s. The house was long-rented to wealthy families until the Sears heirs sold the house to Nathan Leo Amster and his wife, Estelle Dreyfus. Nathan L. Amster was a railroad executive who eventually became president of the Manhattan Railway Company. When the purchased the cottage, the Amster’s hired Boston architect Clarence Blackall to renovate and “modernize” the home, which added the Classically inspired elements. The couple did not appear to live in the house long, as they spent most of their years in their Fifth Avenue NYC residence. The Sears-Amster Cottage remains an important early house in the Longwood development of Brookline.

Houghton House – Yawkey Family Inn // 1890

Built on the site of an earlier house at 241 Kent Street in Brookline, this grand, Queen Anne style house has seen a life as a single-family home, fraternity house, and ultimately, the Yawkey Family Inn, a temporary residence for patient families undergoing procedures and treatments at Boston Children’s Hospital. A landmark example of the Queen Anne architectural style, the handsome near-symmetrical residence has paired conical towers at the facade, a brick first floor, paneled chimneys, and elaborate carvings in the entry portico, second-story bays, wall surfaces and gabled dormer. Planning for the new mansion began in 1889 when owners, Harriet and Andrew Jackson Houghton, owner of the Vienna Brewery in Boston, hired architect, James Templeton Kelley, to furnish plans for their new suburban mansion. Sadly, Andrew Houghton died in 1892, shortly after the house was completed, and Harriet remained here until her death in 1925. After this, the property was sold to the Beta Upsilon Association for use as a Fraternity House for the Beta Theta Pi Fraternity of MIT and later as a fraternity house for a Northeastern University frat. In 2009, the property was purchased, renovated and expanded to the rear as the Yawkey Family Inn, ensuring its preservation and remaining as a quieter neighbor to the surrounding residents than its previous use.

Potter-Leland House // c.1888

Francis Street in Brookline, Massachusetts, has some of the finest Queen Anne Victorian residences in the Boston area. This is the Potter-Leland House, built by 1888 by William Potter, a wealthy shoe manufacturer and businessman who developed rental housing in the neighborhood not far from his house on Kent Street. Various exterior wall textures, irregular massing, and turned posts on the front porch contribute to the Queen Anne character of this house, but the real showstopper is the rounded bay projection with three, 25-over-2 (yes you heard that right) curved sash windows! The property was later purchased by Herbert M. Leland, a broker.

Charles P. Flagg House // 1899

Located on Sewall Avenue in Brookline, Massachusetts, the Charles P. Flagg House exemplifies upper-class single-family housing built in the late 19th century that has been added onto and converted into multi-family housing to serve a growing city. Charles Partridge Flagg (1851-1911) was a real estate developer and head of the D. F. Flagg & Co., a wholesale liquor company his father started in Boston. He purchased the former Dexter property, subdivided the estate, and hired architect Julius A. Schweinfurth to design a home for his family. “Jule” Schweinfurth was long-associated with the firm of Peabody & Stearns of Boston, which in the late 19th century, was one of the premier architectural offices in the United States, but when he was not offered a partnership offer by his bosses, he established a new firm under his name. For the Flagg House, Schweinfurth blended the Shingle, Queen Anne, and Arts and Crafts architectural styles with a unique asymmetrical roofline, wide overhanging eaves with cross brackets and exposed rafter tails, consistent shingle siding, and a two-story polygonal oriel with domed roof at the corner. The Flagg House was moved forward on the lot to facilitate a rear addition and completely renovated in 2011, transforming it into a seven-unit condominium building with garage and elevator. This example of “gentle density” is exactly what communities should allow for, to preserve the character at the streetscape but provide additional housing.

George B. Dexter House // 1885

An expression of the Shingle style in all her beauty, the George B. Dexter House on Sewall Avenue in Brookline was built in 1885 both as a residence and a billboard advertising the owner’s business, really. The residence was built for George B. Dexter (1854-1935) a partner in the Dexter Brothers Company a paint and stain manufacturer that was a favorite of architects in the late 19th and early 20th centuries. For his Brookline residence, George Dexter hired architect S. Edwin Tobey to design this Shingled masterpiece with continuous shingle siding with rounded bays and a shingled piazza to showcase the stain products of his company. According to articles, Dexter also stained and painted the interior a variety of colors to showcase the wide range of options his company had. George Dexter would move to Pill Hill neighborhood in a new home just a decade after having this residence built, likely caused by the development of apartments and commercialization in the Coolidge Corner area by the turn of the century. The Dexter House was converted to a two-family in the 1920s and today has three condominium units, with owners clearly taking great pride in this significant residence.