Brookline Boston

Eisemann Mansion // 1905

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Among the area’s best examples of a high-style Colonial Revival residence of the early 20th century, the Eisemann Mansion on Monmouth Street in Brookline’s Longwood neighborhood stands out not only for its scale and massing, but unique architectural details. The dwelling was built in 1905 for Selly and Albert Eisemann, both German-born Jews who immigrated to the United States and originally lived in New Mexico before moving to Brookline in their retirement. Albert was a retired wool merchant, and clearly made a name for himself out west, hiring local architect, James Templeton Kelley, to furnish plans for his large mansion in Longwood. With a boxy form and five bay facade (with six smaller windows at the third floor), the center-hall mansion is notable for its elaborate first-floor windows with individual cornices, recessed entry set between Ionic columns, and recessed niche balcony over the entry as a unique interpretation of a Palladian motif. 

Harrison Gardner House // c.1873

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The Harrison Gardner House on Colchester Street in the Longwood section of Brookline is a stunning late Victorian residence that was “modernized” in 1887 to its current configuration. Harrison Gardner (1841-1899) was a Civil War veteran who arrived back in Boston becoming a wealthy dry goods wholesaler, later investing in Massachusetts mills. On January 20, 1871, Harrison was a founder and treasurer of the Boston Red Stockings of the new National Association of Professional Base Ball Players (NABBP). The team’s name  changed multiple times, eventually landing on the Boston Braves, which would later move to Atlanta to become the Atlanta Braves in the MLB. With increased wealth and status, Harrison Gardner in 1887, hired the prestigious architectural firm of Hartwell and Richardson, to update his Brookline residence with additions and renovations in the Queen Anne and Shingle styles. Years after his death in 1899, Harrison’s widow, Laura Perkins Harrison, moved out of the large Longwood home and into a new, Arts and Crafts style stucco residence on Amory Street, designed by William Gibbons Rantoul.

George Wightman Mansion // 1902

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Tucked within the historic Longwood neighborhood of Brookline, the George Wightman Mansion stands as a striking reminder of turn-of-the-century wealth and architectural ambition. The mansion was built in 1902 for industrialist George Henry Wightman (1855-1937), a steel magnate associated with Andrew Carnegie and was known as one of the “Carnegie Boys“, a close-knit and influential group of partners and executives who managed Carnegie Steel. Wightman retired around the time of building his Brookline house, which coincided with the formation of U.S. Steel, a merger which benefitted the Carnegie Corporation and its partners handsomely. With his expansive wealth and eyes set on retirement, George Wightman hired the prominent firm Shepley, Rutan & Coolidge, to design his new mansion to live out the remainder of his life in solitude. The brick and stone Renaissance Revival/Beaux Arts style mansion sits atop large, elegantly landscaped grounds and is of a scale unlike anything else in the neighborhood. George H. Wightman was also known as the “Father of American Lawn Tennis” and his only son, George W. Wightman also played tennis at a high level. It was George W. Wightman’s wife however, who became a champion. She was Hazel Hotchkiss Wightman, who won 45 U.S. titles during her life and founded the Wightman Cup, an annual team competition for British and American women from 1923 to 1989. Over time, the mansion’s role evolved alongside the community. After Wightman’s death in 1937, it transitioned from private home to institutional use, notably housing the Boston Hebrew College beginning in 1952, adding onto the building to the rear, and later becoming part of Boston University, serving as event space for the University. 

McInnes-Morse House // 1901

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Located at the corner of Borland and Chatham streets in Brookline’s historic Longwood neighborhood, the McInnes-Morse House stands as one of the area’s finest and stately Colonial Revival style homes. The three-story residence contains a three-bay main block with two-story side wings and central entrance. A rusticated first floor is surmounted by clapboarded walls above with two-story fluted pilasters dividing the bays and a central Palladian window. The facade is further embellished with dentilled cornice and egg-and-dart mouldings. The residence was completed in 1901 for Edwin G. McInnes, a lawyer, and his wife, Mabel, who split their time between this home and a residence in Manchester-by-the-Sea. The second owners were Theresa J. Morse and her husband, Alan. Theresa worked full-time at the regional office of the War Labor Board in wage control, processing cases involving the metal trades and wartime industries. After the war, she became active in the League of Women Voters and was appointed to the Brookline Housing Authority, where she advocated for smaller-scale public housing integrated with social services. The residence remains well-preserved and commands this prominent corner across from the Longwood Mall. I could not locate the architect for the home, but would love to find out!

Sears Chapel, Longwood // 1860

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Christ’s Church in Longwood, better known as Sears Chapel, is among the finest ecclesiastical buildings in Brookline and commands its site on a rise overlooking the Muddy River, now the Riverway in the Emerald Necklace park system. The area presently known as Longwood was originally marshland with a few farms until the building of the Mill Dam road out of Boston in 1821 that improved access to Brookline, which opened up its connectivity and development potential. Wealthy Boston businessman, David Sears (1787-1871) recognized this, and began buying the low-lying pasturelands in Brookline near the Boston border. By 1830, some squares were laid out and development began in the Cottage Farm and Longwood sections. He, with associates, began building country estates for friends and family to escape the crowded conditions of Boston. He is said to have named his neighborhood “Longwood”, after Napoleon’s estate on St. Helena where he spent his days in exile. An avid amateur horticulturist, Sears planted some 14,000 trees, many of them imported from Europe, in the course of developing his land. In keeping with his faith, Sears built this house of worship, Christ’s Church, which is said to have been modeled after St. Peter’s in Colchester England, likely giving Colchester Street, where Sears Chapel is located, its name. The Romanesque style church was designed by Boston architect, Arthur Gilman, who designed the building suitable for the Sears Family crypt which is underneath the structure and the burial site of many of the family. The congregation remains active to this day who maintain the significant structure and its many historic stained glass windows.

Amory-Richards House // 1865

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Built in 1865 along with its neighbor and later renovated in the Colonial Revival style, the Amory-Buckingham House on Colchester Street stands as an altered, yet historically significant residence in Brookline’s important Longwood neighborhood. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory was likely his main residence when not residing at his Boston townhouse or summer residence in Bar Harbor, Maine. The property was sold by the end of the 19th century to Edwin Buckingham and in 1902 to George L. Richards, who had the home expanded with an additional floor added with gambrel roof. A detached stable was also constructed around this time.

Amory-Boit House // 1865

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Built in 1865, the Amory-Boit House on Colchester Street in Brookline‘s exclusive Longwood neighborhood, is a stunning Second Empire style home with connections to prominent local families. The residence has a one-story stone base which meets the slate mansard roof providing two-and-a-half stories above which are crowned by iron cresting at the peak of the roof. The property was one of the early homes built in the area, developed by David Sears, one of the wealthiest property owners in Boston, who recognized the potential for development of this marshy area of Brookline due to its close proximity to the city. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory, was likely rented to friends and family with the other as his primary country house. This home was later sold to real estate and insurance businessman and author Robert Apthorp Boit (1846-1919). Robert Boit published the novel, Eustis in 1884 and his family history, Chronicles of the Boit Family and Their Descendants, in 1915. The home and its neighbor had been undergoing renovations for a while and are located within a local historic district.

Silas Peavy House // 1905

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Silas Peavy (1858-1939) was born in Waterville, Maine, and with his brothers, Gustavus and Leopold, worked at his father’s clothing and merchandise store. The family moved to the Boston area and established J. Peavy and Brothers, continuing the family business in Boston with locations in New York. In 1904, Silas Peavy purchased a house lot on Kent Street and hired the architectural firm of Hartwell & Richardson to design a house there for his family. Peavy likely moved to this neighborhood as it became a Jewish enclave around the turn of the 20th century. The Silas Peavy House is an excellent example of the Neo-Classical style with symmetrical facade, porte cochere on the side, and monumental elliptical portico supported by two-story Ionic columns.

Lawrence School // 1929

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The Lawrence School in Brookline, Massachusetts, is a stunning example of a public school building built in the interwar period in the Colonial Revival architectural style. Constructed in 1929, the building replaced an earlier, Stick/Queen Anne style school designed by the firm of Peabody & Stearns. The school is named after Amos A. Lawrence (1814-1886) a prominent local landowner in Brookline. When the earlier school building was outgrown and deemed obsolete, planning began for a new, modern school building for the community. The new Lawrence School was designed by R. Clipston Sturgis a notable local architect who specialized in the Colonial Revival style, and opened in September 1930. The handsome brick building is in the form of a long rectangular block with two perpendicular wings at each end. At the center of the main block is the principal entrance with its columned portico on a projecting pavilion all in cast stone, a cheaper alternative that resembles limestone.

Sewall Apartments // 1938

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This garden apartment complex at 98-116 Sewall Avenue in Brookline is an excellent example of the Art Deco style which reached its height in popularity in the midst of the Great Depression, so fewer examples of the style are typically found. Here in Brookline, the city was seeing rapid development in the early decades of the 20th century, where large estates were subdivided and commercial areas expanded into once residential neighborhoods. U-shaped in plan and standing three-stories, this complex replaced a large property owned by the Stearns Family, a prominent local family with many properties around present-day Coolidge Corner. The apartments were developed by the G & S Investment Company, a real estate development firm, who hired architect, Saul Moffie, to design the building. Completed in 1938, the complex has richly articulated facades with a variety of geometric brick patterns, including chevrons, diapering, header courses and soldier courses with each entryway identified by a projecting pavilion with a stepped stone parapet above. The doors and sidelights are wood with glass panels in a chevron motif similar to the brickwork and all residential units have steel multi-pane windows. What a gem!