Brookline Boston

Dexter-Hall Cottage // 1851

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Built across the street from the Amos A. Lawrence House in the Cottage Farm neighborhood in Brookline, the Dexter-Hall Cottage is an early Gothic Revival style residence built in the first period of the district’s history. Architect, George Minot Dexter was gifted a desirable house lot in the neighborhood from Amos Lawrence as a reward for his designing his own property, and in turn, designed this cottage in 1851 in the the same mode as the Lawrence House. The stone cottage has a three bay façade with enclosed center entry. On the second floor are wall dormers as well as a central jerkinhead dormer with a gambrel slate roof. The property was later owned by George M. Dexter’s daughter, Emily, and her husband, Thomas Bartlett Hall. The house remained in the Hall family through at least the 1920s.

Amos A. Lawrence House // 1851

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Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

New England Fireproof Construction Co. Apartments // 1917

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One of the most unique and architecturally pleasing buildings in Brookline has to be these apartments on Egmont and St. Paul streets that break the mold of traditional brick or wood-frame apartment houses. Built in 1917 by the New England Fireproof Construction Company as an example of how cheaper cement material can be used effectively and beautifully to design and construct high-quality housing. The company hired architect G. Bertram Washburn to design the buildings which utilize concrete block and cast concrete details with the facades embellished with pilasters capped with Corinthian capitals, engaged balusters, and modillioned and corniced entrances decorated with a lion’s head over each doorway. Additionally, a special touch is the recessed wells in the facade which not only break up the massing of the building, but provide additional light and air into the apartments inside. 

Louis C. Page House // 1906

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As Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built his house in Brookline, Massachusetts, he also began constructing this neighboring property which was to be sold upon completion (that is one good way to pick your neighbors!) On an oversized lot on Powell Street, Paul Hunt worked with his architect, Milton W. Stratton of Bar Harbor, to furnish plans for a similar style home to his own next door. The Mission Revival style mansion is set behind a tall, stucco and metal fence, and is constructed of wood and covered with stucco siding and capped by a lovely green tile roof. Main architectural details include the Mission-style dormer and the chimneys with round arched tops that are capped with small hipped roofs, creating a whimsical addition to the house. When finished, the property was sold to Louis Coues Page (1869-1956), a wealthy publisher with offices in Boston. Louis C. Page would hire local architect Edward B. Stratton, in 1916, to design a detached automobile garage in a style mimicking the main house. What an incredible property. 

Paul and Caroline Hunt House // 1905

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Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built this house in Brookline, Massachusetts for $15,000 for him and his wife, Caroline. Paul had been involved in real estate development in Bar Harbor, Maine, where his mother had a summer cottage, and while not an architect himself, he was very interested in design and took a keen interest in developing estates with the family funds. While developing property in the summer enclave of Bar Harbor, Maine, Paul met the Bar Harbor architect, Milton W. Stratton, and the two collaborated in the construction of houses there and two adjacent homes in Brookline. The two-story house is wood frame construction with a stucco finish on the exterior. Spanish Colonial Revival in style, the roof is hipped with terra cotta tile, as is the roof of the verandah which extends across the facade. In 1911, Paul Hunt worked with architect William Ewing Harding to add the two-story wing on the side of the house, which is built over the driveway, creating a really unique (though not as functional) design element. 

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.

George and Annie Andrews House // 1899

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By the end of the 19th century, Brookline’s connection to Boston via the streetcars opened the town up to suburban development unlike anything seen before. From this, Boston businessmen could move to the suburbs for more land and live in larger single-family homes while commuting to the city for work. This large house in the Cottage Farm neighborhood was built in 1899 on speculation and purchased by George and Annie Andrews, who two years later, built a stable on the adjacent lot. Architect Robert Coit, specialized in large suburban houses, primarily in the Boston-area suburbs, and showcased his design talents for this Tudor Revival home. Tudor Revival style ornament include the second story over-hangs supported on brackets, the diamond pane sash and casement windows, vergeboard with finials, and portico with steep gable.

Arthur B. Bernard House // 1928

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A playful interpretation of a medieval English cottage, with its stucco cladding, half-timbering, weatherboards in the gable ends and ornamental well enclosure in the front yard, can be found on Woodland Road in Brookline. The whimsical cottage was built in 1928 for Arthur B. Bernard, the son of the president of the New England Leather Company in Boston’s Leather District. Arthur would follow his father’s footsteps and join the business himself. Architect and builder, Fred S. Wells of Newton designed and constructed the house (and others in the area in the same style). What’s your favorite part of this house?

St. Paul’s Episcopal Church, Brookline // 1852

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The St. Paul’s Episcopal Church of Brookline, Massachusetts is an architecturally and historically significant landmark to the area. The congregation was established in 1849, and within months, in May 1850, the corporation, which was made up of wealthy Boston-area residents, accepted an offer from Augustus Aspinwall of a building lot to erect a church. Esteemed ecclesiastical architect, Richard Upjohn, the architect of Trinity Church in New York, was hired to design the church in Brookline of the same, Gothic style. The wealth of the congregation was evident by the consistent expansions of the complex, to include a chapel, rectory, parish house, and other expansions to those buildings. St. Paul’s Church is the oldest religious structure in Brookline, and almost was lost when the sanctuary was devastated by fire in 1976, leaving only its exterior walls and two stained glass windows. The congregation rebuilt the interiors and the building remains well-preserved at its exterior, built of Roxbury Puddingstone.

Dutch House // 1893

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Located on the appropriately named Netherlands Road in Brookline, MA, this house was actually designed as a temporary structure as part of the 1893 World’s Fair, also known as the World’s Columbian Exposition or the White City, depicted in the great book, Devil in the White City. The Dutch House was constructed in 1893 by the Van Houten Cocoa Company of the Netherlands, as a display pavilion and cocoa house. It was located at one end of the Manufactures and Liberal Arts Building (the largest building ever constructed at the time). The Dutch House as we know of it today, was greatly inspired in design by the Franeker City Hall (c. 1591) in the Netherlands. While attending the World’s Fair, Captain Charles Brooks Appleton of Brookline be.came so captivated with the structure that after the Fair, he purchased the building and had it dismantled and transported to Brookline. By the early 2000s, much of the amazing carvings on the building had fallen off, until a new homeowner had them all restored from drawings and images of the building, to the iconic landmark we see today.