Next door to the Fanny Weld House (last post) and the iconic Loring-Greenough House, this Queen Anne home in Jamaica Plain, Boston, packs an architectural punch, but is kind of hidden from the public view. The home was built in 1883 for Edward Sherwin, an agent for the Philadelphia and Reading Coal and Iron Company, who seemingly marketed their coal to the Boston area. The company was the largest producer of anthracite coal in the United States from 1871 through the 1920s. He married an Elizabeth B. Van Brunt in 1882, likely the same Elizabeth who was the sister of famed architect Henry Van Brunt. Therefore, its likely that Henry Van Brunt designed this home for his sister and her new husband as a wedding gift! This is one of the homes that I would LOVE to see the interior. The woodwork is probably immaculate!
Located in the Foss Beach section of Rye, NH, this Victorian summer cottage stands out among the later new construction of lesser detailed and quality late 20th century homes seen here lately. The home, known as “Tower Cottage” was built at the end of the 19th century and exhibits Victorian Gothic elements with a massive center tower. The steep wood shingle roof is punctuated by two rows of delicate dormers which add detail and views to the ocean. The massive wrap-around porch is also a must for such a prime location fronting the Atlantic Ocean!
This house was built and first occupied by George G. Lougee, owner and proprietor of the Sea View House Hotel (demolished) across the street. Before building his own hotel, Lougee was a clerk at the Atlantic House, another summer resort. Lougee eventually worked his way up and ended up managing that hotel. Lougee’s success managing the Atlantic and later, the Farragut, enabled him to pursue his own enterprise and build his Sea View Hotel. When Lougee sold the Sea View hotel, he also sold this house with it. His former Stick style home was then converted to additional rooms at the hotel until it closed in the 20th century.
In 1873 Elnathan Jones, Jr.(1829-1904) purchased house plans from a friend in Groton, adapted the plans, and built these two houses, in Acton. One home for himself, and one for his business partner Jonathan Wetherbee (1832 1926). Also near these two houses is the Tuttle House (featured last), in a different style. All three of these men were family by marriage, and ran businesses in the village of South Acton. The Jones and Wetherbee houses were built as sister houses, identical; but over the years, the Jones House has seen some unsympathetic alterations which diminish its architectural significance. The Wetherbee House (yellow) retains its original detailing and corner, towered mansard roof.
In 1894, Hiram P. Dinsmore, a clerk at the nearby Tewksbury Almshouse, purchased land not too far from his work to build a home for his family. The well-designed late-Victorian home features a wrap-around porch, a corner tower, twin sunburst or flower motifs, and the use of shingle and clapboard siding, all hallmarks of the Queen Anne style. After Hiram’s death, his wife and children lived in the home, and it was later willed to his daughter Beatrice and her husband, both of whom worked at the Tewksbury Almshouse (since renamed Tewksbury Hospital). The home has seen some deterioration with large sections of siding completely open to the elements unobscured by paint and a sagging porch roof. Hope to see this beauty restored.
Located on Commonwealth Avenue in Boston’s Back Bay neighborhood, the Hooper Mansion represents one of the most elegant examples of Second Empire architecture style in the city. This home was actually constructed as a double-house for Samuel Hooper and his wife Anne, with a separate, semi-detached home for his son and his own family. The double-mansion was designed by esteemed architect Arthur Gilman, who used pressed brick contrasted with the tan sandstone on the home. Additionally, he designed the dentillated cornice, lavish door and window surrounds, and octagonal bays, all capped with a mansard roof with many windows laid inset to the roof, a stunning feature. The house was designed symmetrically, with entrances on each side elevation. In the early 1890s, later owners extended the eastern half of the façade so that it would be on the same plane as the western half, with an entrance at street level (seen in the right of this photo). Today, the double house is broken up into four large condominium units. When the conversion was approved, the developer wrote into the deed that the open space at the corner, used as a garden, would remain open space in perpetuity.
This stunning Queen Anne house in Brookline showcases everything that is synonymous with the term “Victorian” in architecture. This home was built in 1890 for William Boynton, a flour merchant who had offices in downtown Boston. The home features an assortment of siding types, sunburst motifs, an asymmetrical facade, and a large corner tower with an onion dome. The home is painted to showcase all the fine details and intricacies seen in the design.
When strolling around Bristol, Rhode Island, you are overloaded with gorgeous early 19th century house styles, primarily in the Federal and Greek Revival styles. Among these, one house (or should I say mansion) stands out as a flamboyant Victorian Gothic showpiece at the southern end of the downtown area. Built in 1873 for Augustus O. Bourn (1834-1925), the founder of the National Rubber Company (and from 1883 to 1885 governor of Rhode Island), “Seven Oaks” could go toe-to-toe with any house in the state. Bourn’s architect was James Renwick of New York, one of the most celebrated architects of his time. Before designing Seven Oaks, Renwick’s resume included: Smithsonian Institution Building, Washington, D.C.; St. Patrick’s Cathedral, New York City; and the Renwick Gallery, Washington, D.C.. Seven Oaks is a large, hip-and-cross-gable-roof Victorian Gothic mansion constructed of stone, with multiple towers and a slate roof capped with iron cresting.
Built around 1880, this modest Victorian-era house was designated a National Historic Landmark in 1972, as the only surviving structure associated with the life of Associate Justice of the United States Supreme Court Oliver Wendell Holmes, Jr. (1841-1935), who occupied it as a summer home from 1909 until his death. The Holmeses divided their time between this house and a residence in Washington, D.C., generally staying here between June and October. While here, Holmes would continue to work on cases, and would entertain legal and political luminaries, including Louis Brandeis, Henry Cabot Lodge, and Albert Beveridge. Noted for his long service, concise and pithy opinions, and deference to the decisions of elected legislatures, Holmes is to this day, one of the most widely cited United States Supreme Court justices in history. Holmes retired from the court at the age of 90, an unbeaten record for oldest justice in the federal Supreme Court. The house is now in private hands and well-maintained.
This home just off the main commercial strip of Beverly, MA, was built in 1874 for Augustus Ninian Clark (1811-1905). Mr. Clark was a merchant who later used his position to assist in local government by laying out streets west of the main commercial street, Cabot Street, and relocating the railroad station here. He worked on the local Board of Health and worked on formulating plans to create the Central Cemetery, where he was later buried. In 1861, he represented Beverly in the state legislature and in 1880, served as a presidential elector. His home on Broadway is an excellent example of Victorian era residential design and represents the Stick Style, even after the stunning corner turret was removed.