This charming building on the picturesque Main Street of Tamworth, New Hampshire, was originally built as a residence around the time of the marriage of owners, Nicholas and Abbie Varney. Nicholas Varney (1833-1900) was listed in the Census as a carpenter and likely constructed his own home here in Tamworth. The once Italianate style residence was modified later in the 19th century with the addition of the two-story tower in the Queen Anne style. After Nicholas’ death in 1900, the home was converted to a store and was known as the Pollard’s Store. Today, the building is occupied by a local bakery.
The architecturally distinctive Tamworth Inn, sits in the center of Tamworth Village, New Hampshire, and is now home to one of the most innovative and experimental distilleries in the country. The inn got its start in 1888, when owner Arthur Elliot Wiggin (1842-1913) saw the seasonal demand for lodging every summer to this region of New Hampshire, and completely expanded and renovated his Gothic Revival style home into a Second Empire style inn. Arthur Wiggin grew up in Tamworth and trained as a carpenter and likely oversaw the design and construction of his inn, originally called the Wiggin House but renamed Tamworth Inn by the 1890s. Wiggin eventually went bankrupt and by the 1930s, the inn was owned by hotelkeepers Fred Chesley and Violette Huntress of Boston who managed a hotel there and the Tamworth Inn during summers. Fred Huntress was an avid sports fan and ran an athletic gym, called the Tamworth Garden, which was built from a converted 19th century barn. In 1931, he sold the Tamworth Garden to Francis Cleveland as the first home of the Barnstormers Theatre. The property was more recently purchased by the Tamworth Distilling & Mercantile, who demolished about half of the inn, preserving the end structure as part of their Tamworth property. The old barn, which was once the Tamworth Garden is also restored and today serves as the company’s barrelhouse.
The Cook Memorial Library of Tamworth, New Hampshire, is one of the state’s finest 19th century and charming libraries. The library in Tamworth got its start in 1796, when Samuel Hidden, the new pastor of the Tamworth Congregational Church brought residents to support a library in the community. In 1891, the New Hampshire legislature approved the Free Library Act, appointing a State Library commission and authorizing benefits to New Hampshire towns for the purpose of establishing free, public libraries. In 1894, a local committee was formed to act upon a gift of $2,000 from Susan (Staples) Cook for the purpose of purchasing land and erecting a building in the memory of her husband, Charles P. Cook, who had been a prominent local storekeeper, selectman, and state legislator in town. The gift also stipulated “…that Mrs. Lucy A. Cook (daughter-in-law of Susan) shall continue as librarian, if she desires, so long as she performs her duties acceptably”, they accepted. The library appears to have been designed by Boston architect, Joseph Randolph Coolidge of the firm, Coolidge & Carlson, who spent summers in nearby Sandwich, NH. The historic, wood-frame library is notable for its shingled siding, clock tower, and stained glass windows, all of which were preserved in a later renovation and expansion of the 1895 building.
The Dr. Jonathan M. Cheney House in the town of Ashland, New Hampshire, is significant as a well-preserved example of Queen Anne architecture with all the flourish and asymmetry expected in the iconic style. The residence was built around 1895 for Jonathan Morrison Cheney (1863-1918), a prominent physician in Ashland and also served as a member of the General Assembly in 1909 and a member of the State Senate in 1911. Dr. Cheney was the son of Col. Thomas P. Cheney, a well-known New Hampshire politician, and enjoyed his connections and success from family, eventually being able to afford such an ornate mansion in his hometown. While the architect is unknown, the Cheney House stands out for its use of varied materials including a brick ground floor and clapboards above, decorative porch frieze, and the four-story square tower with mansard roof and paneling at the third floor. The residence today serves as a bed & breakfast, appropriately named the Cheney House.
The Rufus Underhill House in Billerica, Massachusetts, is an excellent example of the eclectic nature of residential architecture seen in the United States during the Victorian period following the conclusion of the Civil War. Without a clear distinguishing style, the house stands out for its unique form, architectural details, lancet windows and side four-story tower, all with paint colors to highlight and accentuate its distinctive features. The house and accompanying stable were built around 1870 for Rufus K. Underhill (1819-1894) and his wife, Deborah, as a place to spend their retirement. Rufus Underhill was born in Chester, NH and worked as a blacksmith, later establishing the Underhill Edged Tool Co. in Nashua later expanding to sales in Boston.
In the late 19th century, Eleanor Richardson Bennett (1794-1891), the widow of Joshua Bennett (1793-1865), bequeathed funds to erect the first purpose-built public library building in her hometown of Billerica, Massachusetts. A private members library known as the Social Library, was formed in Billerica in 1772, but Ms. Bennett wished to gift the town a public facility of learning in memory of her late husband, a prominent landowner in the West End of Boston and one of the richest men in Middlesex County. Eleanor Bennett hired the Boston firm of Rotch & Tilden, to design the new library building overlooking the Town Common. Completed in 1881, the Victorian Gothic library is built of brick with limestone trim, and features a large rose stained glass window, intricate terracotta and wooden detailing, and a slate hipped roof with a pointed spire. The library was eventually outgrown and the facility relocated to a new building, and again to the former Town Hall building in 2000. The former Bennett Library is still owned and maintained by the town as an event space available for rent. The building has been restored through Community Preservation Act funding.
Built circa 1860 for Jonathan Harding Munroe, this stately Victorian house sits on Main Street in the up-scale community of Edgartown on Martha’s Vineyard. Jonathan Munroe was born in Bristol, Rhode Island and moved to Edgartown where he opened a store and worked as a high-end tailor, and became a successful businessman in town where he founded the Martha’s Vineyard Bank of Edgartown, and later financed successful whaling excursions making a large profit on his investments. With his ever-growing net worth, Mr. Munroe likely updated this house towards the end of the 19th century, with the ornate three-sided porch. Most recently, the property has operated as an inn, named after its original owner, the Jonathan Munroe House Inn.
Located on South Main Street in Suffield, Connecticut, this stunning Second Empire mansion showcases the tobacco wealth seen in the town in the mid-to-late 19th century. Local legend states that in the early 1800s, a Cuban man arrived into town and was hired by a local farmer to grow tobacco and roll cigars for sale. Decades later, dozens of farmers in Suffield erected tobacco barns and cultivated tobacco to be rolled in cigars and shipped to communities all over the east coast. One of the first men in Suffield to box the cigars as a pack for shipping and sale was Henry Phelps Kent (1803-1887). With his success, Henry Kent purchased a large lot on the town’s Main Street and hired local architect, John C. Mead, to design a mansion to display his success in business. The large Second Empire mansion features flush-board siding, a full length porch, and a projecting mansarded tower with convex roof. The home was later owned by Samuel R. Spencer, a politician who served as a Lieutenant Governor of Connecticut, the first as a blind man. The home is now operated as a bed & breakfast “Spencer on Main”, named after its second owner.
Located on Mapleton Avenue in the historic farming community of Suffield, Connecticut, Mapleton Hall stands as a remarkable testament to the town’s agricultural heritage and success. Originally constructed in 1883 as Central Hall, the building served as a gathering place for farmers’ meetings, civic events, and later the local Grange, reflecting the importance of agriculture in Suffield’s development. As its popularity grew, rear wings were built in 1896, expanding the hall to accommodate larger crowds drawn by community events and meetings. Architecturally, Mapleton Hall is a distinctive example of late Victorian-era rural meeting hall, featuring elements of the Queen Anne Stick/Eastlake styles, along with decorative woodwork, a prominent bell tower, and trussed gable that have been carefully preserved through decades of restoration. The building was sold in 1999 to the Suffield Players, a local theater group, who have preserved the building, using it for their theatrical productions.
The Gothic Revival receiving tomb at Forest Hills Cemetery in Boston is located not far from the iconic entrance gate and chapel/offices. The structure was built in 1871 and designed by architects, Carl Fehmer and William R. Emerson in the Gothic style, a prevalent aesthetic that the overseers encouraged for the various 19th century buildings constructed on the grounds. Historically, the Gothic Revival structure served as the entrance to underground holding tombs for the temporary storage of bodies awaiting burial or relocation, typically stored when the ground was too frozen for burial. The structure features a granite structure with oak ceiling and painted tile flooring. A massive project began in 2016 to excavate and build a new Garden Mausoleum, built into the landscape with the restored Receiving Tomb serving as the focal point. The tomb portico was adapted as a gateway to an open-air courtyard flanked by walls set into the slope which contain internment chambers for burials, with a restored fountain in front and woman archer statue atop.
This iconic Boston building is threatened with demolition!
The clock is ticking for the Alley/Eblana Brewery, a historically and architecturally significant building in Boston’s Mission Hill neighborhood. Located on Heath Street, the historic Alley Brewery, also known as the Eblana Brewery, stands as a striking reminder of the city’s once-thriving brewing industry. Founded by Irish immigrant John R. Alley (1822-1888) in the mid-1880s, the brewery produced the popular Eblana Irish Ale, a name derived from the ancient term for Dublin, reflecting Alley’s heritage and the strong Irish influence in the area. John Alley previously co-owned the Highland Spring Brewery nearby, but founded a brewery in his own name in 1885. For his brewery, Alley hired Philadelphia architect Otto C. Wolf, who was the nation’s premier brewery architect and engineer in the late 19th and early 20th centuries. The four-story complex was built in 1886 and showcased some of the most advanced brewing technology of its era while displaying an impressive blend of brick and granite craftsmanship. Its distinctive façade features a dramatic central bay, granite-trimmed arches, rough-faced stone braces, wrought-iron gates, and carved stone plaques bearing Alley’s initials and the date of construction. After John’s death in 1888, the business continued under the ownership of his two sons, Frederick and George. The brothers in 1899, added the adjacent bottling and refrigeration building, which employs similar architectural features and materials to the main brewery. Brewing here ceased with Prohibition and the structure later served a variety of manufacturing uses, when during the 1960s, many windows were filled with brick. The Alley-Eblana Brewery remains one of Boston’s most architecturally significant surviving brewery buildings, embodying Boston’s rich industrial and ethnic heritage, but it is threatened. Developers have owned the building since 2013 and have done nothing to preserve or even maintain the structure, making it a case of demolition by neglect. They are requesting to demolish both structures, but the demolition has been delayed 90-days through the Boston Landmarks Commission Demolition Delay review process. If you want to see the building repurposed and saved, reach out to the Boston Landmarks Commission and advocate for its adaptive reuse, which would provide housing and maintain a significant architectural landmark for the community.
Located on Main Street in Milford, Massachusetts, the stately Gillon Block is one of the town’s finest buildings and an excellent example of eclectic, late Victorian commercial architecture. The block was erected in 1888-9 for owner Patrick Gillon (1843-1899), who inherited his late-father’s distillery and bottling business in Milford, and designed by local architect Rinaldo V. Carey. The panel brick facade is divided into seven sections with a central projecting section topped by a tower capped by a copper onion dome. The four-story block included retail space at the ground floor with offices and meeting halls on the upper stories, rented to tenants and organizations.
The Henry E. Fales Mansion sits prominently on Walnut Street in Milford, Massachusetts, as an intact Second Empire style residence with symmetrical facade and form. The house was built in 1866 and owned by Henry E. Fales (1837-1897) an attorney and state legislator who was heavily engaged in town affairs. Before the home was completed, Henry’s wife, Violet, died unexpectedly and he remained here until his second marriage to Clara Hayward. The Fales Mansion has a notable mansard roof with belvedere, front gambrel gable with ocular window, and window hoods. The property is in need of some work, but retains nearly all of its original detailing.
The early ownership is murky, but by the 1870s, this two-story with mansard roof stable was owned by a “Nathan Thayer”, either Nathaniel Thayer Jr. or Nathaniel Thayer III of Lancaster, who also retained city residences in Boston. The building features two portals on the first-floor that originated as doorways, the wider on the left for horses and a carriage, and the smaller for access to residential space for the stable-keeper and likely a hay loft over the carriage door. After the turn of the 20th century, the Flat of Beacon Hill gentrified into an exclusive enclave of residences, antiques shops, and artist studios and the former Thayer Stable was purchased by Frederick Oakes Houghton, an agent for transatlantic steamers. Houghton rented the building to an amateur theatrical group who organized as the Toy Theatre, that was founded in 1911 to present plays that had not been presented professionally in Boston. The founding group consisted of the usual, artistic, high society types, and had seating for 129 with no standing room. Houghton hired architect, Harold Symmes Graves, to convert the building into its theater use, enclosing the former carriage door and hay loft with multi-light windows, and creating a larger space inside for productions. The Toy Theatre did very well (due in part to its membership of upper-class Boston residents) and a new, purpose-built Toy Theatre was built in the Back Bay by 1914. In 1917, the former stable and theatre was purchased by Richard B. Platt, a musician and music teacher, and converted to a residence, a use that has remained ever since.
Buildings of New England 
