Massachusetts History

Stone Estate and Gate Lodges // 1910

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Jutting into Buzzards Bay in Marion, Massachusetts, Great Hill is significant not only as the highest point in town but it is also home to one of the grandest estates in New England. Before the present mansion and various outbuildings were constructed here in the early 20th century, the property was home to Marion House, a sprawling 1860s resort hotel that drew hundreds of summer guests every year. In the early 1900s, Boston financier and Hayden, Stone & Co. co-founder, Galen L. Stone (1862-1926) bought the entire 312-acre peninsula and had the old hotel torn down. In its place, Stone commissioned this massive Tudor-style stone mansion with a central Great Hall built from stone quarried in Pennsylvania and shaped on-site by dozens of stonecutters. The estate was designed by architect, Horace Frazer of the firm, Chapman & Frazer, and it takes strong design elements from the country estates in the English countryside. Inside, the spaces are finished largely in oak with the grounds dotted with formal gardens, greenhouses, by landscape architects, Shurcliff & Shurcliff. The castle-like Main House, was greatly reduced from its original size in the 1950s to make the residence more manageable for later descendants, but even over one hundred years later, it remains one of the most impressive English Revival country houses in the United States, and the property’s grounds are open on weekdays for walking and cycling on paved roads.

“Fair Oaks” // 1903

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One of the many grand Summer estates on the coast of Sippican Harbor in Marion, Massachusetts, is this mansion known as “Fair Oaks”. The residence was built in 1903 in the Tudor Revival style for Otis A. Shepard a wealthy lumber dealer in Boston. Given Shepard’s line of work he not surprisingly called his summer estate “Fair Oaks”, and his house’s building materials were undoubtedly supplied by his company. For his summer estate, Shepard hired Boston architect, Charles Allerton Coolidge, who spent summers at his own cottage nearby and designed many historic homes in Marion for other summer residents. A number of years later, the property was purchased by Elizabeth F. Clark and her husband Edward A. Clark (1868-1922), a stock broker in Boston. Exterior and interior images of the house during Clark’s ownership appeared in architectural publications in 1919, highlighting the architecture and interior design.

Leonard-Mitton Estate // c.1900

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One of the grandest homes overlooking Hammetts Cove and Sippican Harbor in Marion, Massachusetts, the Leonard-Mitton Estate showcases the status of the coastal community as a premier summer colony for wealthy Boston families going back over 100 years. The estate was built around 1900 for Charles Webster Leonard (1844-1941) of Boston and later New York, who without formal education, became the owner of a number of mills and quarries throughout New England and was a director of several local banks and businesses. A renowned horseman, he owned a breeding farm in Lexington, Kentucky and a trotting track in Readville. He was married to Emelyn Thatcher Welch in Paris and together, they built and owned this house until 1916. The residence is a sprawling Colonial Revival style mansion clad in stucco and capped with a gambrel roof. Its form comprises of a 2 1/2-story main block with two-story wings extending at 30-degree angles from the sides to provide better views of the harbor. By 1916, the summer residence was sold to George W. Mitton (1869-1947), the eldest son of Edward J. Mitton and Sarah Wade, the second generation of a family of merchants who operated the Jordan Marsh department store in Boston. Starting as a stock boy, George Mitton eventually became president of the company. He was trained in the business by his father, Edward J. Mitton, the Jordan Marsh president, and Eben D. Jordan, the company’s founder. George Mitton was credited with growing the company into New England’s largest department store and introducing innovations such as executive training programs and employee benefits. George Mitton and his wife, spent summers at their Marion “cottage” until George’s death, but the property remained under the ownership of the family until the 1970s. The expansive waterfront property was recently renovated and sold, preserving this grand estate for another century. 

Austin Cottage and Moon Gate // 1885

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The Austin Cottage and Moon Gate on Water Street in Marion, Massachusetts, are iconic landmarks in the community that showcase the architectural history of this coastal community. The Queen Anne style “cottage” was designed by Boston architect and Marion summer resident, William Gibbons Preston, for Judge James Walker Austin (1829-1895) in 1885. Early in his professional career, James W. Austin left Boston for the Hawaiian Islands, where he was recruited by King Kamehameha as a legal advisor and went on to serve as district attorney. He was elected a member of the Hawaiian parliament three times and was later appointed as judge in the Hawaiian Supreme Court and eventually became chief justice there before moving back to Boston in the 1870s. Judge Austin and his family summered at this cottage, known as “Edgewater” until his death, but the property remained in the Austin Family with final ownership held by the couple’s daughter Edith Austin (1873-1957). According to local lore, the moon gate was built for Edith around 1922 as an entrance to her extensive gardens. Edith is said to have been inspired by photographs of moon gates shared by her friend June Butler, who had married Parker Converse, who also summered in Marion, following their honeymoon in China. Local stones were used to construct the circular gate and the elements on the cornice of the gate were obtained from China. In Chinese culture moon gates are thought to offer an auspicious welcome or fortune to those who pass through with the ducks that adorn the top apparently symbolizing wealth and marital bliss. The garden has since been subdivided from the Austin estate, which was damaged in the 1938 New England Hurricane but both remain preserved today.

Frederick B. Cutler Cottage // c.1903

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One of the most interesting houses in Marion, Massachusetts, is the Frederick Cutler Cottage, at the corner of Water and Lewis streets which was split in the 1970s to create two homes. The Cutler Cottage was originally built around 1903 for Frederick Barker Cutler (1861-1946), partner in the firm of Stetson, Cutler & Company in Boston, a building materials company who sold everything from long lumber and shingles to lime. For his summer cottage in Marion, Cutler hired noted Boston architect Herbert Langford Warren, founding principal of Warren, Smith & Biscoe, to furnish plans for the Arts and Crafts style dwelling of shingles, stone and brick. In the 1970s, the owner separated the house into two detached dwellings and moved them to separate lots. Both parts of the Cutler Cottage have since been renovated and further expanded, but retain much of their original qualities.

George House // 1929

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This Georgian Revival house on Butler Point in Marion, Massachusetts, was built in 1929 at the period of great transition of many coastal communities in New England between the Gilded Age and later summer cottage period of prosperity and the Great Depression.The “cottage” here was built for Jerome R. George (1867-1942), vice president and chief engineer of the Morgan Construction Company of Worcester and avid boater. A native of Ohio, he was a
noted designer of steel mills in the United States, Europe, and India and built this home, likely as their summer retreat.
The house is prominently sited and is one of the best examples of the Colonial Revival style I have seen in the seaside town. It is clad in cedar shingles as a nod to the vernacular coastal homes and larger Victorian-era summer homes seen in the village but resembles the 18th century Colonial homes with an elaborate pedimented entry, symmetrical facade, corner quoins, and massive brick chimneys.

Delano House // 1902

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This early 20th century home on Cottage Street in the South Coast community of Marion, Massachusetts, was built in 1902 for Hattie F. Delano and Walton S. Delano, a descendant of the great Delano family in Massachusetts. Walton worked in nearby Wareham at A. S. Gurney and Company, dealers in coal, grain and flour. The house is unique as it is in the American Foursquare form, a type of home built in the late 19th and early 20th centuries. The hallmarks of the style include a basically square, boxy design, two-and-one-half stories high, usually with four large, boxy rooms to a floor, a center dormer, and a large front porch with wide stairs. This example stands out for the shingle siding, flared eaves and rubblestone foundation, a nod to the more rustic summer cottages built in Marion in the late 19th and early 20th centuries.

McCormick Garage // 1907

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In the late 19th and early 20th century, Marion, Massachusetts, became an exclusive summer colony where wealthy families from cities would flock to soak up the sun and breathe fresh coastal air away from the heat and pollution of industrial centers at the time. One of these families was headed by Stanley Robert McCormick (1874-1947) of Chicago, the son of Cyrus McCormick, inventor and founder of the McCormick Harvesting Machine Company which would later become the International Harvester Corporation. Stanley McCormick was married in 1904 to Katharine Dexter McCormick (1875-1967), also a member of a wealthy family, who would devote her life to advancing women’s causes, serving as the vice-president of the National American Women Suffrage Association and in 1920, co-founded the League of Women Voters. Katharine remained active in later life, funding new birth-control research and the building of an all-women’s dormitory at the Massachusetts Institute of Technology, named McCormick Hall. Soon after Stanley and Katharine married, they purchased waterfront property in Marion, where Stanley spent summers as a child, to build a summer residence for his own family. In 1906, Stanley purchased land on Lewis Street and hired the Boston architectural firm of Page & Frothingham, to design and oversee construction of a large brick “cottage” and this brick garage structure down the street with a residence for the driver. While their summer residence was being built, Stanley McCormick, like his sister Mary, was diagnosed with schizophrenia. In 1909 he was declared incompetent by the California Supreme Court and would live for the rest of his life at the McCormick estate, “Riven Rock,” in Santa Barbara, California. In 1929, his wife Katharine and Stanley’s brother Harold were named conservators of his estate, which exceeded $30 million. The McCormick estate in Marion was occupied by Katharine’s mother for a number of years with Katharine visiting many summers. The cottage property was eventually sold and demolished in 1953, and the old garage was converted to a home with additions to make the property a year-round residence.

Marion Congregational Chapel // 1885

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Completed in 1885 in the small coastal village of Marion, Massachusetts, the Marion Congregational Chapel was one of the last major gifts from Elizabeth Pitcher Taber (1791–1888), the wealthy widow whose patronage shaped the town’s entire civic landscape. Ms. Taber in her later years had already funded Marion’s library, founded Tabor Academy, and built its academy hall before purchasing a vacant lot on Main Street to build this chapel for her church, the First Congregational Church of Marion. Built in 1885, the chapel is designed in the texturally rich Shingle Style that was then sweeping New England’s coastal towns by the late 19th century with its continuous wood-shingle siding and gabled massing gave it a warmer, more approachable character than the town’s earlier Greek Revival and Italianate landmarks. The chapel stands out for its rubblestone entry tower and the trio of polygonal bays on the primary facade. For its first several years it doubled as Marion’s only real venue for public lectures and amateur theater, an arrangement that reportedly so dismayed Taber over the poor quality of the “worldly theatricals” staged there that she went on to fund a dedicated Music Hall, designed by architect William Gibbons Preston nearby. Given the fact Ms. Taber so-often utilized Preston as architect for her gifts to Marion (and as he was a summer resident here), it is probable that he too designed this Shingle style chapel. The Congregational Chapel stands today as a smaller, later addition to Marion’s Congregational history, which stretches back to the town’s original 1799 meetinghouse (now the Marion General Store) and the Greek Revival church built across the street in 1841 which is still home to the First Congregational Church of Marion.


Blankinship House // 1852

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This perfect mid-19th century cottage showcases what makes coastal New England so special. Located on Main Street in the walkable historic center of Marion, Massachusetts, this 1852 home was built by Warren Blankinship (1816-1898), a carpenter, as his own residence. It was built just before his second marriage to Mercy Wing in 1853. A series of tragedies struck Blankinship’s marriages as he outlived three of his four wives. A well-preserved example of a modest Greek Revival home, it is clad in cedar shingles, a hallmark of many coastal homes in New England. White Cedar shingles are so popular historically as the species is such a hard wood that pieces are naturally insect and rot resistant and hold up amazingly well to salt air. Early colonists noted the use of the tree for canoes and other objects by Native people and followed suit, constructing homes from the native tree.

Elizabeth Taber Library // 1872

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Built in 1872, the Elizabeth Taber Library and Natural History Museum was the first of a number of philanthropic gifts to the town of Marion by Elizabeth Sprague Pitcher Taber (1791-1888), a wealthy widow and resident. This stunning Italianate style library and museum was funded following over $20,000 in donations to Marion for the design, construction and furnishing of a new library in town, that would also house a natural history museum for the advancement of education. By the late 1870s, the Taber Library and Natural History Museum had become a key component of the Tabor Academy campus, founded just years later. The structure, like the Tabor Academy building and Tabor Hall, was designed in the Italianate style and features a dentiled pediment on the facade, an octagonal cupola with balustrade at the roof which is adorned by oculus windows, and an ornate portico supported by fluted Corinthian columns. The building remains as Marion’s Public Library with its Natural History Museum on the second floor

Tabor Academy Building – Marion Town Hall // 1876

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This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.

First Universalist Church, Marion – Marion Arts Center // 1833

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I do love a good adaptive reuse story! This historic church building on Main and Pleasant streets in the Wharf Village of Marion, Massachusetts, was constructed in 1833 for the town’s growing and new Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form than some larger churches. By World War II, the church’s membership had dwindled to only a few old Marion families and eventually closed. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.

Blankinship-Prichard House // c.1794

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Marion, Massachusetts, is an old house lover’s dream. The coastal town’s Main Street is lined with historic cottages, large 19th century homes built for sea captains, and historic churches that show the evolution and growth of the sea-faring community. This cape house with oversized dormers was built c.1794 for Captain Job Blankinship (1764-1799), who married Betsey Hammond that same year. Tragically, Captain Blankinship died at sea in 1799, but the property remained in the family until the mid-19th century. The residence was later purchased by Henry and Abby Luce Prichard. Henry was a Civil War veteran who enlisted in the 25th Massachusetts Volunteer infantry and was part of the Burnside Expedition fought off the coast of North Carolina. Later in the war, Prichard was seriously wounded at the Battle of Cold Harbor and was discharged, and never fully recovered. He worked in his later years as an accountant in Marion and took up canoeing in the harbor until his death in 1913. It was likely after that the large dormers were added to the roof, which were later connected in the 21st century.

Marion Old Post Office – Ryder Cottage // c.1830

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Built around 1830, this little cottage is among the many photogenic buildings found along the idyllic Main Street in Marion, Massachusetts. The structure is said to have been originally located behind the Congregational Church and moved to its current location after 1855. By 1879, the structure was converted to a residence and owned by Ms. Sarah Ryder, then the widow of John C. Ryder. The vernacular cottage is sheathed in weathered shingles, which enhances its beauty and connects it architecturally with the coastal community.