Massachusetts History

Marion Congregational Chapel // 1885

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Completed in 1885 in the small coastal village of Marion, Massachusetts, the Marion Congregational Chapel was one of the last major gifts from Elizabeth Pitcher Taber (1791–1888), the wealthy widow whose patronage shaped the town’s entire civic landscape. Ms. Taber in her later years had already funded Marion’s library, founded Tabor Academy, and built its academy hall before purchasing a vacant lot on Main Street to build this chapel for her church, the First Congregational Church of Marion. Built in 1885, the chapel is designed in the texturally rich Shingle Style that was then sweeping New England’s coastal towns by the late 19th century with its continuous wood-shingle siding and gabled massing gave it a warmer, more approachable character than the town’s earlier Greek Revival and Italianate landmarks. The chapel stands out for its rubblestone entry tower and the trio of polygonal bays on the primary facade. For its first several years it doubled as Marion’s only real venue for public lectures and amateur theater, an arrangement that reportedly so dismayed Taber over the poor quality of the “worldly theatricals” staged there that she went on to fund a dedicated Music Hall, designed by architect William Gibbons Preston nearby. Given the fact Ms. Taber so-often utilized Preston as architect for her gifts to Marion (and as he was a summer resident here), it is probable that he too designed this Shingle style chapel. The Congregational Chapel stands today as a smaller, later addition to Marion’s Congregational history, which stretches back to the town’s original 1799 meetinghouse (now the Marion General Store) and the Greek Revival church built across the street in 1841 which is still home to the First Congregational Church of Marion.


Blankinship House // 1852

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This perfect mid-19th century cottage showcases what makes coastal New England so special. Located on Main Street in the walkable historic center of Marion, Massachusetts, this 1852 home was built by Warren Blankinship (1816-1898), a carpenter, as his own residence. It was built just before his second marriage to Mercy Wing in 1853. A series of tragedies struck Blankinship’s marriages as he outlived three of his four wives. A well-preserved example of a modest Greek Revival home, it is clad in cedar shingles, a hallmark of many coastal homes in New England. White Cedar shingles are so popular historically as the species is such a hard wood that pieces are naturally insect and rot resistant and hold up amazingly well to salt air. Early colonists noted the use of the tree for canoes and other objects by Native people and followed suit, constructing homes from the native tree.

Elizabeth Taber Library // 1872

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Built in 1872, the Elizabeth Taber Library and Natural History Museum was the first of a number of philanthropic gifts to the town of Marion by Elizabeth Sprague Pitcher Taber (1791-1888), a wealthy widow and resident. This stunning Italianate style library and museum was funded following over $20,000 in donations to Marion for the design, construction and furnishing of a new library in town, that would also house a natural history museum for the advancement of education. By the late 1870s, the Taber Library and Natural History Museum had become a key component of the Tabor Academy campus, founded just years later. The structure, like the Tabor Academy building and Tabor Hall, was designed in the Italianate style and features a dentiled pediment on the facade, an octagonal cupola with balustrade at the roof which is adorned by oculus windows, and an ornate portico supported by fluted Corinthian columns. The building remains as Marion’s Public Library with its Natural History Museum on the second floor

Tabor Academy Building – Marion Town Hall // 1876

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This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.

First Universalist Church, Marion – Marion Arts Center // 1833

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I do love a good adaptive reuse story! This historic church building on Main and Pleasant streets in the Wharf Village of Marion, Massachusetts, was constructed in 1833 for the town’s growing and new Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form than some larger churches. By World War II, the church’s membership had dwindled to only a few old Marion families and eventually closed. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.

Blankinship-Prichard House // c.1794

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Marion, Massachusetts, is an old house lover’s dream. The coastal town’s Main Street is lined with historic cottages, large 19th century homes built for sea captains, and historic churches that show the evolution and growth of the sea-faring community. This cape house with oversized dormers was built c.1794 for Captain Job Blankinship (1764-1799), who married Betsey Hammond that same year. Tragically, Captain Blankinship died at sea in 1799, but the property remained in the family until the mid-19th century. The residence was later purchased by Henry and Abby Luce Prichard. Henry was a Civil War veteran who enlisted in the 25th Massachusetts Volunteer infantry and was part of the Burnside Expedition fought off the coast of North Carolina. Later in the war, Prichard was seriously wounded at the Battle of Cold Harbor and was discharged, and never fully recovered. He worked in his later years as an accountant in Marion and took up canoeing in the harbor until his death in 1913. It was likely after that the large dormers were added to the roof, which were later connected in the 21st century.

Marion Old Post Office – Ryder Cottage // c.1830

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Built around 1830, this little cottage is among the many photogenic buildings found along the idyllic Main Street in Marion, Massachusetts. The structure is said to have been originally located behind the Congregational Church and moved to its current location after 1855. By 1879, the structure was converted to a residence and owned by Ms. Sarah Ryder, then the widow of John C. Ryder. The vernacular cottage is sheathed in weathered shingles, which enhances its beauty and connects it architecturally with the coastal community.

Captain Luce & Captain Bates House // c.1790

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Reportedly built in 1790, this stately Federal period residence on Main Street in Marion and overlooks the sheltered harbor sharing strong connections to the sea. Known colloquially as the House of the Two Captains, this residence was built as a double house and known for its connections to sea captains, Elisha E. Luce (1786-1850) and Noble E. Bates. Captain Luce moved into this house shortly after his marriage to Jane Hiller, daughter of a local Deacon. Particularly note-worthy is the main facade’s center entrance, which exhibits unusually fine surrounds, including fluted Doric pilasters and a pediment enlivened by dentils. Inside, the house is said to have hidden passages behind a large fireplace. The captains used part of the house as a crockery and supplies store. Captain Elisha E. Luce’s best-known ship was the Persia, which made numerous profitable trade missions to the Far East. This house was also the birthplace of the Universalist Church in Marion, when during the early 1830s, Universalists met in Captain Bates’ half of the house to organize a religious society and plan the construction of the church. The Luce and Bates families co-owned this house until the mid-19th century and the residence remains one of the finest in the harbor village. 

Hadley’s Store – Ryder-Harwood House // c.1806

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This late-Georgian style residence on Main Street in Marion’s Wharf Village is a stone’s throw from the harbor and has been conveniently located near the town’s Long Wharf since it was constructed around 1806. The building was constructed as a store for A. J. Hadley, where ships were outfitted for voyages. While Hadley’s store occupied the eastern half of the first story, the left side of the ground floor was Marion’s first post office. The second floor served as a clothes-making factory with the top floor operating as a sailmaker’s loft. By 1855, the structure was converted to a residence and owned by Sumner Ryder, who served as the Town Clerk and later joined the ranks of the Union Army during the Civil War. During the early 20th century, the property, with its widow’s walk, was owned by members of the Harwood family, including Ms. Sarah W. Harwood, who lived here with Margaret French (1860-1935) who was listed in the Census for decades as her partner, housemate, and boarder. 

Marconi Wireless Telegraph Station Employee Hotel // 1914

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Tucked into the woods in Marion, Massachusetts, the Marconi Wireless Transmitter Station stands as one of coastal New England’s most remarkable and now largely forgotten technological landmarks. Built in 1914 by the Marconi Wireless Telegraph Company, the Transmitting Station in Marion served as an important piece of the American half of a transatlantic relay system, sending powerful signals across the ocean to a receiving partner in Stavanger, Norway, through a sister station in Chatham. At the height of its operation, the site bristled with fourteen 400-foot tubular steel masts arranged in a rectangle stretching nearly a mile, a feat of engineering so audacious that contemporaries dubbed it a “wonder of the twentieth century.” The station in Marion included a cluster of buildings including: a powerhouse, an operating building, cottages, and an employee “hotel” pictured here that housed unmarried staff, were all built to service the towering steel structures, of which only one remains. The site was taken by the U.S. Military during WWI and WWII and later sold to a private owner and the property was subdivided and sold-off with the majority of the original 144 acres of land comprising the station donated to the Sippican Lands Trust in 1986. Scattered remnants of equipment remain on this mostly-wooded conservation land, including wires, concrete mast footings, and cables. The single remaining tower serves as a cell tower today. The old Employee Hotel is now used for offices.

John Pitcher House – Old Parsonage, Marion // 1813

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Known as the “Old Parsonage” this historic house in Marion, Massachusetts, was built in 1813 by Capt. John Pitcher (1788-1867) around the time of his marriage to Catharine Clark. John Pitcher was the brother of Elizabeth Pitcher Taber, a major benefactor of the town of Marion. The residence is unique in that the primary facade is actually facing away from the street, with the prominent three-story facade being the historic rear of the home. The Federal period house sits on a raised stone foundation with a central door and shingle siding above. Behind his home, a large pasture was grazed by sheep and cows until the land was sold off and subdivided for residential development later in the 19th century. When Capt. Pitcher died, he left his house to the Congregational Church, which used it as a parsonage for many years until 1966, when the church sold the property to Lawrence P. and Edith G. Pangaro, who co-founded the Marion Sentinel and the Sippican Publishing Company. The home was recently renovated.

Cobb-Luce House // 1841

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This beautiful side-hall Greek Revival style residence on South Street in Marion, Massachusetts, was built in 1841 as a parsonage for the Marion Congregational Church, built that same year. The first pastor to reside here was Rev. Leander Cobb, who assisted his father, Rev. Oliver Cobb, who had been preaching in Marion since the completion of the first meeting house in 1799. After Leander Cobb’s death in 1873, the church decided to sell this parsonage and it was purchased by Rev. Cobb’s second wife, Selina, who sold it to George Luce (1825-1893) a master mariner. In 1960, the property was sold to local historian and founder of the Sippican Historical Society, Olive Hiller Somers (1890-1967). The residence was renovated and retains much of its original architectural integrity.

Old Marion Meeting House – Marion General Store // 1799

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Tucked into the heart of Wharf Village, the main village in the charming coastal community of Marion, Massachusetts, this building which is known today as the Marion General Store, wears its history quietly beneath a deceptively simple Greek Revival facade. The structure was constructed in 1799 as Marion’s first Congregational Meeting House, where religious services of the congregational church were conducted before the separation of church and state. The construction of this wood-frame building did more than give the faithful a place to worship, it anchored Wharf Village as the commercial and civic center of town, setting in motion the currents that would eventually set Marion off from its mother-town, Rochester in 1852. By the 1830s, the old meeting house was in poor condition, and along with the push for a separation of church and state and tax dollars no longer going to the Congregational Church, a grander Greek Revival church was built across the street. The Old Meeting House was also renovated in the Greek Revival style and operated as Delano Hall, a store with dance hall and meeting space on the upper floor. The building lives on today as the Marion General Store, with its old clapboards and pilastes holding the layered history and architecture of the seaside community that grew up around it from working port town to wealthy coastal village.

Ralph Waldo Emerson School // 1904

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The Ralph Waldo Emerson School in Newton’s Upper Falls village was built in 1904 and dedicated a year later serving as the main school building in the industrial village. The brick school building was constructed adjacent to the Levi C. Wade School, a large Second Empire style wood-frame school constructed in 1869. The Wade School was razed for a 1950s addition to the Ralph Waldo Emerson School. The substantial school building was designed by the prominent architectural firm of Hartwell Richardson & Driver, at a time when the Upper Falls Village continued to expand due to the well-established cotton manufacturing mills and the Gamewell Fire Alarm Company. The large structure is hard to classify architecturally, as it blends elements of the Renaissance Revival, Arts & Crafts and Classical Revival styles, but with its massive chimneys, hipped roof with projecting eaves, and large arched windows, the building is an architectural statement for the relatively vernacular industrial village it is located in. By the end of the 20th century, school enrollments and consolidation of village schools saw the closing of the Emerson School, but luckily, the building lives on after it was converted to condominiums, with the 1955 addition now serving as a day care center, a senior citizen room and gymnasium-hall for the community. 

Pettee Stone Barn // 1839

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This historic stone barn in Newton’s Upper Falls village is representative of the ingenuity and resourcefulness of this once thriving nineteenth century mill village. Known as the Pettee Stone Barn, the structure dates to 1839 when Otis Pettee (1795-1853), who managed an iron foundry and machine-works for cotton machinery, built this structure as a warehouse. The barn was said to have been used additionally as a location for raising silkworms by Pettee’s company. After the business closed, the handsome barn was used later in the 19th and early 20th century as a carriage and horse barn for a shipping company and today, is rented to local businesses. Architecturally, the barn is significant for its use of fieldstone walls with door and window surrounds of cut stone and brick. A monitor roof runs the length of the gable ridge and illuminates the interior spaces. The Stone Barn remains remarkably preserved today and is a landmark in the community.