new england history

Phelps-Hatheway House // c.1762

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Set back from tree-lined Main Street in Suffield, Connecticut, the Phelps-Hatheway House stands as one of the largest, and best-preserved Colonial era homes in New England. The center-chimney residence was built by 1762 by Thomas “Shem” Burbank, where he and his wife, Anna Fitch Burbank, raised nine children. Due to the unstable national economy during and after the American Revolution, the family’s financial situation suffered and they would sell the residence in 1788 to Oliver Phelps. at the beginning of the Revolutionary War, Phelps joined the Continental Army and fought in the Battle of Lexington. He served as Deputy Commissary under George Washington and following the War, he became a prominent businessman and was elected to the Massachusetts Senate in 1785 and served on the Governor’s council in 1786 (Suffield was still a part of Massachusetts at this point). In 1794, Phelps commissioned the addition of a substantial wing designed by Thomas Hayden of Windsor. Under the employ of Hayden, a young Asher Benjamin, later to become one of the most important architects of the Federal period, was one of the workers on the new wing and is believed to have carved the Ionic capitals of the wing’s entryway. Inside, the addition was decorated with imported Parisian wallpaper. When Phelps died, the house was owned by the Hatheway family for a century and is currently open as a house museum, the Phelps-Hatheway House & Garden, administered by Connecticut Landmarks.

Elihu Kent Jr. House // 1787

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In 1775, when news of the Battle of Lexington reached Suffield, Connecticut, Elihu Kent Sr. (1733-1814) at the age of 42, took command of a local militia of 59 men the next day. The militia, along with his son Elihu Kent Jr. (then 16 years old) and a person whom he enslaved, Titus Kent, marched to Springfield, before heading east to Boston. The troops would end up on Long Island and Elihu Kent Jr. was captured by British forces and confined for a long time as a prisoner of war in the old Rhinelander Sugar House in New York. After his return to Suffield, Elihu Kent Jr. had this Georgian home on Main Street built for his family, where he ran an inn and operated a farm.

Old Kent Memorial Library // 1899

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In 1897, Sidney A. Kent (1834-1900), a native of Suffield, Connecticut and later a successful Chicago businessman, sought to gift his hometown a library in the memory of his parents, Albert and Lucinda Kent, who died nearly a half-century earlier. A site was purchased from the Suffield Academy and funding was set aside for the new library before the turn of the 20th century. For the memorial building in Suffield, Sidney Kent hired architectural giant, Daniel Burnham, designer of the famous Flatiron Building in New York, who had also designed Kent’s home in Chicago. The Kent Memorial Library was dedicated in 1899 and is a stunning example of a library built in the Classical and Beaux Arts styles. Executed in smooth, granite ashlar, the facade has a central portico of two Ionic columns in antis and a shallow dome in the center of the copper clad roof. The library would eventually be outgrown and a contemporary library was built nearby on the town’s Main Street. The old Kent Memorial Library was acquired by Suffield Academy and renamed the S. Kent Legare Library.


West Suffield Academy Hall // 1855

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Built in 1855 as the West Suffield Village school, Academy Hall served as one of Suffield’s public school buildings until 1913, when consolidated schools were built in town. Like in many New England communities, the old, wood-frame school building was repurposed, and due to the large agricultural community in Suffield (it was a major grower and exporter of tobacco), the old Academy Hall was occupied by the local Grange club, a social organization that encouraged families to band together to promote the economic and political well-being of the community and agriculture. The handsome structure is owned by the non-profit West Suffield Village Improvement Association, and as of April 2026, the building is leased to the Suffield Historical Society, and is available for events. The structure features a Classical door surround, corner pilasters, entablature, and a large square cupola at the gable roof.

Milmore Memorial, ‘Death and the Sculptor’ // 1889

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The haunting yet beautiful monument, “Death and the Sculptor” in Forest Hills Cemetery is quite possibly my favorite piece of sculptural art and a gentle reminder to not take life for granted. Commissioned in 1889 and dedicated in 1893, the bronze monument was designed by Daniel Chester French, a sculptor best known for his 1920 monumental statue of Abraham Lincoln at the Lincoln Memorial, to memorialize sculptor, Martin Milmore and his brother Joseph, a stone-cutter. Rather than portraying death as frightening or violent, French depicts a serene winged figure gently staying the hand of a young sculptor at work, suggesting a peaceful transition from earthly labor to eternal rest. The sculpture’s quiet grace, emotional depth, and masterful craftsmanship have made it a landmark of American memorial art, inviting visitors to reflect on mortality, creativity, and the enduring power of beauty in the face of loss. To tie the work to its subjects, the young sculptor is carving a Sphynx, modeled after the 1873 sculpture the brothers worked on together that is located at Mount Auburn Cemetery in Cambridge. A marble version of the work can also be found at the Metropolitan Museum of Art in New York, carved in 1917 by the Piccirilli Brothers.

Hotel Lincolnshire // 1924

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The Hotel Lincolnshire is a stunning eight-story apartment building on the west side of Charles Street in Boston’s Beacon Hill neighborhood. The building was developed in 1924 by William Coombs Codman, a real estate developer and member of the Beacon Hill Associates, a group of preservationists who bought and resold properties in the neighborhood with the aim to limit unsympathetic development. The group helped the Beacon Hill Flat area, which was a higher concentration of former stables west of Charles Street, a gentrified artist and residential enclave. The Hotel Lincolnshire was marketed as a residential apartment hotel, with furnished and unfurnished apartments with greater amenities than a traditional apartment building. Beacon Hill resident and architect, Richard Arnold Fisher, was responsible for designing the building, where he employed the use of courtyards (similar to his design nearby at 101 Chestnut Street) and walls of brick with cast-stone details. Of special interest is the use of perforated terracotta panels laid in half-round forms and the stone pinnacles at the parapet.

Wrentham State School // 1910

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The Wrentham State School (also known as the Wrentham State Hospital) was authorized in 1906 as a school for the “feeble-minded”, and the campus is comprised of a few dozen buildings largely from the early to mid 20th century. The school was founded to house and treat developmentally disabled children and was the first in the state of Massachusetts to employ a standardized plan for wards and employee housing. A site occupied by farmhouses just north of Wrentham Center was selected and purchased by the Commonwealth of Massachusetts. The school officially opened in 1910 and brick structures were built to house students and workers. In its first year, 217 pupils were admitted to the facility, roughly half boys and girls. A majority of the early ward buildings were constructed in the early years of the school, with most designed by the Boston architectural firm of Kendall, Taylor & Stevens, who also designed many other similar facilities around the country in the early 20th century. Most buildings are examples of the Arts & Crafts and Colonial Revival styles built of brick. Today, the campus is comprised of roughly half, deteriorating historic buildings and half are used as part of the Wrentham Developmental Center, which continues the important (and under-funded) work of treating psychiatric and developmental disorders of patients.

Draper Corporation Factory Complex // 1892-2021

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2021 aerial photo

Hopedale, Massachusetts separated from Milford and incorporated in 1886. The “downtown” of the community encompasses industrial, institutional, and residential buildings in Hopedale Village, also known as Draper Village after the long-driver of the local economy, Draper Corporation. Hopedale was largely developed as a planned company town, and its architectural significance and ultimate preservation was largely due to the success of the Draper Corporation as majority owner until the 1950s. The Draper Corporation was originally a small operation in Hopedale in 1841 managed by George Draper (1817-1887), but grew exponentially thanks to his son, George Albert Draper (1855-1926), who had a passion for finding innovative technology to make the production of cloth more efficient. He led the company’s charge to become the nation’s leading producer of machines for the cloth-making industry. In the ensuing decades the factory village of Hopedale became a “model” company town under his leadership, with the business controlling every aspect of the town and worker life in a paternalistic program that extended beyond social structure to include architecture and urban planning of the village. The company developed hundreds of homes for workers, a town hall, library, churches, schools, a fire station, and recreational facilities, along with its factory complex at the center. In1892, with the advent of the Northrop Loom, Draper became the largest producer of textile machinery in the country. Due to their success at the end of the 19th century, much of the complex was built and rebuilt in fire-proof brick factory buildings with large windows to allow light and air into the facilities. Draper’s dominant position within the textile machine manufacturing industry began to erode shortly after World War II, and the company began to sell its company houses to their occupants as private homes in 1956. During the 1960s American textile machinery makers such as Draper lost their technological leadership to foreign manufacturers due to cheap labor, and the general American textile industry collapsed. The plant eventually closed in 1980, and sat vacant until it was decided by the local officials to raze the once great complex, as adaptive reuse was not feasible in the market for such large structures. The mill was demolished in the summer of 2021 and the lot at the center of town remains a brownfield site.

Southworth House – Deep River Historical Society // 1842

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The Southworth House, also known as the Old Stone House, in Deep River, Connecticut, is a significant example of a stone, Greek Revival style house built for an important local family. The Southworth House was constructed in 1842 for Deacon Ezra Southworth (1803-1859) from stone harvested from one of the Southworth family’s quarries. Ezra was the son of local shipbuilder, Job Southworth who began building ships at the Deep River landing in the 1790s. Ezra Southworth branched off into manufacturing, becoming a partner and patent holder producing ink wells. His son, Ezra Job Birney Southworth (1844-1919), went into business with his father-in-law in shipping and served as a member of the State Legislature twice. In 1882, Ezra Jr. added the wooden ell onto the rear of the Stone House along with the wrap-around veranda and likely the rear barn as well. Ada Gilbert Southworth Munson was Ezra J. B. Southworth’s only child to live to adulthood and inherited the family home. She was a founding member of the Deep River Historical Society and bequeathed her family home to the Society in 1946, who have maintained the significant home here ever since. 

Captain Calvin Williams House // c.1820

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This Federal period stone house with a later Victorian-era porch, is located on Kirtland Street in Deep River, Connecticut, an area dominated by homes built for sea captains and ship builders in the 19th century. Calvin Williams (1785-1833) married Eunice Southworth of Deep River in 1809, and in 1820, built this stately home from granite from the Southworth family quarry. Captain Williams did not get to enjoy his home much as he was often out at sea commanding shipping vessels out of New York. Likely due to failing health, in 1832, Capt. Calvin Williams retired from the sea and returned to his home on Kirtland Street before he died in August of 1833. Federal style features of the house, like the elliptical fanlight and modillons in the gable and a fanlight over the main entry remain, while later alterations after his death include the spectacular enclosed porch from the late 19th or early 20th century. 

Providence County Courthouse // 1926

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S. Main Street Elevation

The Providence County Courthouse complex occupies an entire city block running between Benefit Street and South Main Street and while of immense scale, is broken up into more human-scaled wings and masses that make the building one of the finest and contextual designs in a city full of amazing architecture. The courthouse here replaced the first courthouse, a stunning palace of justice designed by Stone & Carpenter in the High Victorian Gothic style, that was completed in 1877. The old courthouse was soon outgrown and a larger building was planned following WWI. The present courthouse was built between 1926 and 1930 following a design by Jackson, Robertson & Adams in the Georgian Revival style, fitting of its context amongst some of the finest Colonial-era houses and buildings in New England. The building today contains the Rhode Island Supreme Court, Providence County Superior Court, and the local trial court. The South Main Street facade is my favorite with the Guastavino tile roof entry and stunning colonnade at the street level. A multi-stage clocktower emerges from the center of the building, at a height of 216-feet, making the courthouse the 11th tallest building in Providence.

Benefit Street Elevation

Kingston Almshouse // c.1772

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Built on the banks of the Jones River in Kingston, Massachusetts, this large residence is said to date to 1772 and was the home to a prominent ship-building family as well as to hundreds of destitute residents of the community who lived and worked here as the town’s poor house. Land (and possibly an earlier house) was acquired in 1772 by Zenas Drew (1735-1822), the son of Cornelius Drew, a wealthy shipbuilder who employed his many sons to work in the same industry, and the existing house was constructed for his family. From the house, numerous shipyards would be seen with large brigs travelling down the Jones River into Plymouth Bay and the Atlantic. After Zenas Drew’s death in 1822, the Town of Kingston acquired the property for use as the town’s almshouse or poorhouse, and likely expanded the property to its current Federal style configuration. Throughout the 19th and early 20th centuries, almshouses were a reality for society’s most vulnerable people, where these locally run institutions provided living and working conditions in a time before Social Security, Medicaid and Section 8 housing became a reality. These facilities were designed to punish people for their poverty and, hypothetically, make being poor so horrible that people would continue to work at all costs. Being poor began to carry an intense social stigma, and increasingly, poorhouses were placed outside of public view, as was the case here in Kingston outside of the town center at the banks of the river. By the 1920s and 1930s, these institutions began to close, with Kingston’s closing in 1923. The property was sold to a private owner, and has remained as a single-family residence ever since. 

Dr. Benjamin L. Noyes House and Vault // 1903

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Benjamin Lake Noyes (1870-1945) was born in Lisbon Falls, Maine, but grew up on Grand Manan, New Brunswick, Canada. He worked at his father’s hardware store before entering Bowdoin Medical College. After graduating, he moved to Stonington, Maine, to work as a physician. Here, he met his wife, Linnie Howard, and they married in 1899. In 1903, the couple had a large Queen Anne style house built on a bluff, overlooking the Stonington Harbor. Dr. Noyes was a physician, surgeon, occultist, inventor, surveyor and antiquarian, who took interest in genealogy and local history in his spare time. By the time of his death Dr. Noyes had completed 100 volumes of material on island history and genealogies of its people. To house his massive collection, he constructed a fire-proof vault of local granite at the base of his home opened his record collection to the public known as the Penobscot Bay Archives. After his death in 1945, much of the collection was sent to the local historical society for preservation. A fire in 1981 destroyed much of the house except the first floor and the granite, fire-proof building, and the upper floors of the Noyes house were rebuilt.

Prudence Crandall’s School for Young Ladies and Little Misses of Color // c.1805

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Built c.1805 for Elisha Payne, this architecturally distinguished Federal style mansion in Canturbury, Connecticut is one of the most significant buildings in the state, not only for its architecture but historical significance. In 1831, a young white woman, Prudence Crandall, was asked to open a boarding school for girls in Canterbury. She purchased this mansion and began operations for the school, which was attended by many wealthy girls in town. In 1832, Ms. Crandall was approached by a young Black girl who worked as a servant in town, named Sarah Harris, asking to attend the school. Encouraged by conversations with both Harris and Maria Davis, a Black woman who worked for Crandall and shared copies of the abolitionist newspaper The Liberator with her, Crandall agreed to admit Harris. Almost immediately, residents protested the school’s admission of a Black girl and parents threatened to withdraw their students, Crandall undeterred, closed her school and reopened in 1833, solely for Black and Brown students. Young girls traveled from several states to attend the school. The legislature of Connecticut responded by passing the “Black Law,” which prevented out-of-state Black and Brown people from attending school in Connecticut towns without local town approval. Crandall was arrested, spent one night in jail, and faced three court trials before the case was dismissed. In September 1834, a nighttime mob of men attacked the house, smashing the windows, leading Crandall to close the school out of fear for her students as no protections were afforded to them. These events made national and international news in the 1830s and galvanized the burgeoning abolitionist movement. Crandall would later marry and left Connecticut, never to return. For her vision and brave actions at this school, Prudence Crandall is Connecticut’s official state heroine and the house was designated a National Historic Landmark in 1991.

Edward Waldo House // c.1715

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The Edward Waldo House in Scotland, Connecticut, is a vernacular Georgian house with saltbox roof and wings which from its erection about 1715 until 1971 was owned by members of the Waldo family. Edward Waldo (1684-1767) purchased land here along the Shetucket River in 1702 and by 1715, erected this house. The saltbox house which Edward Waldo built was one of the first houses in the town of Scotland and would remain in successive generations of the family for centuries. The house was the birthplace of Samuel Lovett Waldo (1783-1861), a portraitist who was a founder of the National Academy of Design as well as Daniel Waldo, chaplain of Congress, 1856-1858, and was one of seven Revolutionary War veterans who, having survived into the age of photography, were featured in the 1864 book The Last Men of the Revolution. The last Waldo owner, Miss Ruth Waldo died in1975. She insured the preservation of her family homestead by bequeathing the house, its contents, and about 15 acres of land to the Antiquarian & Landmarks Society of Connecticut Inc. and the surrounding acreage to the Connecticut Forest and Park Association, creating an enduring legacy for centuries to come. The house, set amongst a quiet country road, is evocative of early days in Scotland, Connecticut, and is one of the finest-preserved Colonial homes in this part of the state.