Greek Revival

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Greenough-Dwight House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes. 

United Church of Christ, Swansea // 1833

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The United Church of Christ in Swansea, Massachusetts, was built in 1833 as the second building for the congregation which was originally organized in 1693. It is believed that this was the first church in New England to admit all Christians to membership regardless of their theological beliefs, as a United or Union church. The congregation’s first meetinghouse was built prior to 1719 and was replaced in 1833 when the current building was completed. The United Church of Christ in Swansea blends Greek and Gothic Revival styles with traditional wood-frame construction and gable roof with multi-stage steeple. The facade is adorned with pilasters and louvered lancet arches, showcasing the builder’s ability to pull from multiple architectural styles for the construction.

First Baptist Church of Swansea // 1848

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The First Baptist Church of Swansea may look like a traditional, Greek Revival style church from the 1840s, a common form and style found in nearly every community in New England, but the church is home to the oldest Baptist congregation in the Commonwealth of Massachusetts and is the fourth oldest in the United States! The church (and town’s name) was founded by Reverend John Myles (c. 1621–1683), a Baptist minister who immigrated to present-day Swansea from Swansea in Wales, who was a founder of the earliest recorded Baptist churches in Wales. During the King Philip’s War, Reverend Myles fled from the fighting to Boston and pastored the new First Baptist Church in Boston. The present Greek Revival structure, the fifth of the congregation, was built under the direction of the English-born Reverend J. J. Thatcher, pastor of the church from 1846 to 1854. The vernacular Greek Revival church features a pedimented facade with pilasters dividing the bays, and a square belfry.

Hull-Chace House // c.1734

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This unique two-story house on Main Street in Swansea, Massachusetts, is said to date to about 1734 but for the most part, its appearance dates to 100 years later. It is possible this was once a one-story, brick house, but by 1836, the property was owned by Samuel Sherman Hull (1788-1862) and Sarah Waite Hull (1799-1863) who married in 1835. It was during their ownership, that the house was expanded and “modernized” in the Greek Revival style in the 1830s or 1840s, when the wooden upper floor was added with elaborate central entrance with sidelights and pilasters at the corners and entry. The property was farmed by Mr. Hull and by the end of the 19th century, was owned by Mrs. Caroline A. Chace. It is possible that the brick floor operated as a store with a residence above but now is a single-family home.

Unitarian Church of Sharon // 1842

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Sharon, Massachusetts, is a small suburban community south of Boston that is lesser known than its neighbors, but the community has some great old buildings! The Town of Sharon was originally part of a 1637 land grant given by the Dorchester Proprietors to encourage new settlement in areas southward. In 1726, the lands of the present towns of Sharon, Canton and Stoughton, were separated from Dorchester and called the Stoughton Territory. Settlers in present-day Sharon found it difficult to attend mandated church services centered around present-day Stoughton and petitioned the General Court in 1739 to set off as a separate precinct. The request was granted and the Second Precinct was established, and incorporated as Stoughtonham in 1765, changing its name in 1783 to Sharon, named after the Sharon Plain in Palestine. In 1813, the local congregationalists split due to theological differences and formed a Unitarian church. The Congregationalists moved and built a new church and the Unitarians remained on this site, but the larger building was too large for their needs. They demolished the original building and constructed this church in 1842, which somewhat resembles the 1839 Congregational Church of Sharon a stone’s throw away. Like its neighbor, the Unitarian Church too retains an original bell cast by the The Revere Copper Company of nearby Canton.

Mann’s Cotton Mill Double House // 1831

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Located on the aptly named Mann’s Hill Road in Sharon, Massachusetts, this historic double-house was built in 1831 as worker’s housing affiliated with the former Mann’s Cotton Mill. The first Mann’s Cotton Mill was constructed in 1831 by George Harvey Mann on Devil’s Brook on the East Branch of the Neponset River. George Harvey Mann (1793-1847) bought the water privileges from Joseph Warren Revere, the son of Paul Revere, and built a factory. The business carried on until a fire in 1840 destroyed the factory and it was rebuilt by George and his son, George Rodney Mann. As part of the original mill complex in 1831, a series of double-houses were built nearby for workers at the mill, making them always available for long days at work. The Mann’s Mill closed in 1900, and it was destroyed by fire in 1919. The double-houses like the one seen here, were sold by the heirs of the family at the turn of the 20th century and feature a stone base and wood frame second floor. 

First Congregational Church of Sharon // 1839

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Sharon, Massachusetts, is a small suburban community south of Boston that is lesser known than its neighbors, but the community has some great old buildings! The Town of Sharon was originally part of a 1637 land grant given by the Dorchester Proprietors to encourage new settlement in areas southward. In 1726, the lands of the present towns of Sharon, Canton and Stoughton, were separated from Dorchester and called the Stoughton Territory. Settlers in present-day Sharon found it difficult to attend mandated church services centered around present-day Stoughton and petitioned the General Court in 1739 to set off as a separate precinct. The request was granted and the Second Precinct was established, and incorporated as Stoughtonham in 1765, changing its name in 1783 to Sharon, named after the Sharon Plain in Palestine. In 1813, the local congregationalists split due to theological differences and some formed a Unitarian church. The Congregationalists moved down the street and built a new church in 1822 which was destroyed by fire in 1838 and replaced a year later by this edifice. Built in 1839 the First Congregational Church of Sharon is a vernacular and well-preserved example of a Greek Revival church building in the Doric order with towering pilastered steeple, monumental portico supported by four fluted Doric columns, and flushboard siding. The Congregational Church retains an original bell cast by the The Revere Copper Company of nearby Canton.

Soule-Parmelee House // 1844

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The Soule-Parmelee House on Chapel Street in New Haven’s Wooster Square neighborhood is an excellent example of a mid-19th century Greek Revival style residence though with some deferred maintenance. The stately home was built in 1844 for Henchman Sylvester Soule (1800-1860) a merchant and trader who also partook in the California Gold Rush. After Soule’s death, the stucco Greek Revival style house was purchased by Henry S. Parmelee a piano maker, founder of the New Haven Trolley line and inventor of the first practical automatic sprinkler system, which he is said to have had installed in both his factory and his home here. Today, the Soule-Parmelee House operates as a bed & breakfast as the New Haven Historic Mansion.

Phebe Wallace House // 1854

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The Phebe Wallace House on Greene Street in New Haven, Connecticut, at first glance, may appear as a typical mid-19th century house, but some of the architectural features and details make it stand out! The residence was built in 1854 for Phebe Barney Wallace (1792-1872), a widow of William B. Wallace who died decades earlier. Phebe lived here with her daughter, also named Phebe, and a servant. The house exhibits a traditional Greek Revival form with gable roof oriented towards the street, with an off-center entry with Ionic portico, but the massive overhanging eaves without brackets with paired arched windows in the gable and balcony off the side of the house showcase the emerging Victorian influence in American residential architecture.

Mayor Robertson House // 1836

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This large, brick, Greek Revival style residence sits on the corner of Wooster Place and Greene Street in New Haven’s iconic Wooster Square neighborhood, and stands as an important example of the style along with its significance of its early owner, who became a prominent local politician. In 1836, Dr. John Brownlee Robertson (1809-1892) married a second time to Mabel Heaton, following the death of his first wife, Mary, a year prior. Mabel’s father Abram Heaton, was an early investor who helped develop Wooster Square into the high-quality neighborhood in the early-mid 19th century, and upon this prominent corner lot, had this residence built for his newlywed daughter and son-in-law. The five-bay, two-story house features its original fluted column portico and a shallow hipped roof and was converted to a two-family around the turn of the 20th century.

Elliott-Russo House // c.1835

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Located at the corner of Wooster Place and Chapel Street in the iconic Wooster Square neighborhood of New Haven, this early Greek Revival style house is a physical landmark showcasing the evolution of the neighborhood in the 19th and 20th centuries. The residence was built around 1835 either for or purchased early on by Matthew Griswold Elliott (1805-1892), a businessman who later engaged in politics and became Vice President of the New Haven Savings Bank and a director of the New York and Hartford Railroad. In 1890, the property was purchased by Paulo “Paul” Russo, an Italian immigrant who was born in 1859, in Viggiano, Italy. His family moved to New York in 1869 and then New Haven in 1872. Paulo opened a small market in New Haven which became the first Italian-owned business in the state of Connecticut. In 1893, Russo became the first Italian to graduate from Yale Law School and he helped foster and grow the local Italian-American community around Wooster Square. After Paul Russo, Michael D’Onofrio, also of Italian descent, purchased the home and along with his wife, brothers, and friends, D’Onofrio transformed the building into a funeral home for over a decade before the house was converted to condominiums. The Elliott-Russo House is a landmark example of a hipped-roof, Greek Revival style residence with smooth flushboard siding, pilasters dividing the bays, and unique Greek meander motifs in the window lintels.

Philander P. Cook House // 1847

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Built in 1847 as a residence for local Postmaster and storeowner, Philander P. Cook, this historic house off West Street in West Wrentham, Massachusetts, showcases the evolution so many New England farmhouses have experienced, from working farm, to country retreat, to suburban residence. Philander Perry Cook (1816-1880) purchased this land in 1845 from prominent Massachusetts State Senator and local government official, Alan Tillinghast, and shortly after purchase, he began construction of this Greek Revival style, two-story residence with attached stable. At the turn of the century, wealthy Wellesley College graduate, teacher and published author named Lucy Freeman, purchased the property from Cook’s heirs (as well as a residence nearby where she took up residence) and she rented the Philander P. Cook House to friends during the course of her ownership. In 1910, she modernized the house, likely adding the fanlight transom in the Colonial Revival mode, and had the grounds landscaped as a country retreat. Throughout the 20th century, a number of owners have preserved and modernized the home, while retaining its unique charm and character, and it now is a large, single-family home. 

Wrentham Congregational Church // 1834

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The Wrentham Congregational Church is the oldest house of worship in the suburban community, and the fourth consecutive meetinghouse for the congregation at the town center that was originally established in 1692. The frontier town grew slowly as a largely agricultural community and three houses of worship were built nearby the town common until 1833, when it was decided that a church worthy of its historic congregation be built. It is not clear who designed the Greek Revival church, but timbers were transported to town in 1834 for the new edifice which was completed that year. Over the following century, the church was expanded and modernized, all-the-while retaining its historic character. The four-stage steeple toppled during the New England Hurricane of 1938, and was rebuilt. The congregation remains active in the community and is a visual landmark at the town center.

Narragansett Engine Company No. 3 // 1846

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The Narragansett Engine Company No. 3 Station is an absolutely charming two-story building tucked away on Baker Street in Warren, Rhode Island, and is one of the oldest extant historic fire stations in New England. Built in 1846, the building features a flushboard-façade, pedimented-gable end oriented to the street, paneled double-leaf engine doors, and a rundbogenstil Palladianesque window centered on the second story. The small fire station was built to house, “Little Button”, a fire engine manufactured in Waterford, New York. This building served as a fire station well into the 20th century, and was restored decades ago by local preservationists. The building is open by appointment and houses the Warren Fire Department Museum.