In 1907, William F. Lamont and his family moved into this beautiful turn-of-the-century home in the rapidly developing Waban Village in Newton, Massachusetts. The extension of the circuit railroad connected this part of Newton (which had previously been farmland) to Downtown Boston, opening up the area to development for middle-income families who sought land and fresh air in the suburbs. The first house on Alban Road in Waban was built for the Lamont Family, and it perfectly blends multiple architectural styles under a gambrel roof.
Eclectic homes that can not be pigeonholed to a single architectural style are among my favorite as they blend features elegantly into a single, unique composition. This house on Windsor Road in the Waban village of Newton, Massachusetts is an example of an “eclectic” late 19th century home. This old house exhibits elements of the Queen Anne and Tudor Revival styles. The house was built in 1897 for Daniel and Ida Baker. After their death, the home was purchased by a James H. Mason, who got it for an estimated $25,000 in 1909. A listing at the time mentions the property included a 14-room house and large stable, the latter still stands at the rear of the lot (since converted to a car garage).
Located just a block of Main Street in Ridgefield, Connecticut, St. Mary’s Catholic Church stands out as a rare example of Victorian Gothic architecture in a village full of Colonial (and Revival) and mid-19th century buildings. The first known Catholic to arrive in town was James Brophy, who’s family settled in Ridgefield in 1848. While growth of a local Catholic church in Ridgefield was slowly being established, the character of the town was changing by the second half of the 19th century, with wealthy New Yorkers building homes for vacationing in the summers. From this, many Irish Catholic immigrants were hired to work on the new estates. The first permanent Catholic church in town was built in 1867 as a modest wood frame church. As the congregation grew, a new church edifice was needed, and after a capital campaign, funds were gathered to erect a new church. Connecticut architect Joseph A. Jackson (who specialized in ecclesiastical design), was hired to furnish plans for the new church. The building exhibits eclectic architectural styles. Gothic design is seen in the pointed or lancet windows, arches and cast iron finials. The Queen Anne style is reflected in the use of textured and varied building materials, such as brick, brownstone, and shingles. And St. Mary’s most unique feature, its unusual steeple with its four turreted abutments and conical roof worked in shingles, is representative of the Shingle style.
Welcome to Freetown, Massachusetts, a town I had not really heard about until recently (don’t come after me)! The land here was originally occupied by the Wampanoag Tribe, who lived off the earth well before colonization. In 1659, twenty-six Plymouth Bay settlers bought from the local native leaders the large tract of upland meadow thereafter called the Freeman’s Purchase, which includes much of Freetown and parts of adjacent towns. The land was divided into lots the following year, but settlement did not occur in earnest until the 1680s. Fall River used to once be a part of Freetown until it separated in the early 19th century, believe it or not! Freetown today is divided into two villages, which historically developed almost entirely independent from one another: Assonet and East Freetown. Assonet became the major “downtown” or populated area of the town and it is named after the River upon which is straddles. East Freetown was always more rural and today retains that charm. Due to Assonet’s location, a new town hall building was proposed in the last decades of the 19th century there. This structure was built and designed in 1888 by Charles C. Marble from Fall River, who combined the Queen Anne style with elements of the Colonial Revival style. The building contained the town offices as well as the fire station. Its wide double doors originally opened onto North Main Street have been replaced with windows, with flared eaves.
Waban is full of eclectic homes from the end of the 19th century, and this example is probably my favorite! The Herbert and Georgia Stetson House was built in 1897 and demonstrates how elements of the Colonial Revival style were incorporated into a less rigid Queen Anne style plan. Herbert was a lumber dealer, and likely used his own product in his home. The mixture of ornament includes Colonial Revival style pedimented dormers, a Palladian motif window, oval windows, and a modillion cornice in combination with bays, oriels, a dramatically overshot gable roof, and a swept dormer reminiscent of the Queen Anne style. Together, the composition is perfection, and really makes you stop and analyze all the details!
In 1897, tailor Charles L. Hovey and his wife Bertha, had this house in Waban built for their family. The architecture really stands out as an eclectic blending of styles, common at the end of the 19th century, when architects and builders would design homes to exhibit architectural details from multiple styles, all under one roof. The shingled house has a steep gable roof and three gabled dormers, which reflects Queen Anne theme. The diamond-pane windows and the technique of cantilevered dormers and the second floor overhanging the first, is First Period-Medieval in style, a unique interpretation of American architecture. What do you think of this home?
One of the more unique and relatively modest summer cottages in Newport, Rhode Island is Bird’s Nest Cottage on Bellevue Avenue. The cottage was built in 1871-2 for Samuel Freeman Pratt, who lived his early life in Boston. The son of a carpenter, Pratt was was working as a carver in Boston, where he saw success as an inventor with several patents to his credit. From the success of one of his inventions, a device for sewing machines, the invention gave him the financial freedom to explore other interests, namely architecture. In Boston, he likely learned his craft from partner John Stevens, before setting out on his own. He designed buildings in Oak Bluffs on Martha’s Vineyard, but decided to reside in Newport. While many state that this cottage for Pratt was designed by the Newport resident and star-chitect Richard Morris Hunt, the design and the fact that it was his own cottage lead me to believe it was designed by Pratt himself. The eclectic cottage features complex gable shapes, fancy stickwork under the eaves, projecting corner bays, and a wall covering of multicolored slate roof shingles. It is now a professional office.
This summer cottage in the Neptune Park development of New London, Connecticut, was built around 1910 for Walter Garde, a resident of Hartford and New London. Walter built this home as a retreat from city-living where he could breathe the fresh sea breeze and not worry about smoke and pollution from the growing industrial cores of Hartford and New London. The home blends styles and forms elegantly with a stuccoed ground floor and shingles above. A cross-gambrel roof adds depth with windows in various shapes and sizes creating a pleasing composition at the street. Walter Garde was a businessman who notably opened the Garde Theatre (now Garde Arts Center) in Downtown New London.
The area which became the town of Boxborough, Massachusetts, was first inhabited by the Native Americans of the Nipmuc and Pennacook tribes. Land in Boxborough was not settled by colonists until the beginning of the eighteenth century by farmers looking for fertile land to establish farms, who branched out from nearby Acton. Boxborough was formed from Harvard, Littleton, and Stow in 1783 and was incorporated as its own town. With the exception of small local industries including gristmills, sawmills, and cooperages as well as some minor boot and shoemaking, comb-making, and a lime quarry and kiln, Boxborough’s economy remained almost entirely agricultural through the 19th century. The town grew steadily and a Town Hall building was funded by the turn of the 20th century. This Queen Anne/Colonial Revival Town Hall building was constructed in 1901, atop the foundation which was constructed of locally gathered cobblestone by local volunteer farmers. Today, the town retains much of its agricultural heritage, but it is definitely under threat by subdivisions and Neo-Colonial mansions further contributing to Bostons suburban sprawl.