Next door to the Immaculate Conception Roman Catholic Church (last post) in Everett, you will find the church rectory, which completes the city block. Though very different in architectural style, the building is compatible with its more grand neighbor with the use of materials and setbacks. The rectory was built in 1904 in the Colonial Revival style, which was very popular at the time in New England. The three-story, hip-roofed building has bowed bays that flank a single-story porch with Doric columns that shelters a central entrance with fanlight and sidelights. Other Colonial-inspired details include the tripartite window set into the recessed arch above the porch, modillion cornices and splayed brick lintels with keystones. It is not clear who designed the rectory, but they did a great job at it! Rectories served as the residence of the priest of the church. Not bad digs if you ask me!
William Wanton Dunnell (1850-1933) was born in Pawtucket, Rhode Island and was educated in Rhode Island schools. He eventually helped run his family’s cotton goods business, which grew over the next decades. The Dunnell Finishing Works factory was a success in Apponaug (Warwick) Rhode Island, and he had over 500 employees turning out over 1,000,000 yards of printed cloth a week! Before all this, William had this amazing house built in College Hill, Providence for his family. The local architectural firm of Stone, Carpenter & Willson was hired and blended Shingle, Queen Anne, and Colonial Revival styles elegantly under one roof. I am particularly fond of the sawtooth shingles, Palladian motif windows in the gable, and undulating facade. The house is owned today by RISD.
In 1896, architectural sculptor Charles Emmel purchased land in the rapidly developing Forest Hills section of Jamaica Plain, Boston. He hired local architect George Zimmer, to design a massive double-house which would serve as an income-producing investment, and could also be a sort of advertisement for his sculpture work. The result is this massive Colonial Revival style property, perched atop a puddingstone foundation. Architectural ornament has been lovingly preserved, a testament to the owners of the building today and the amazing work of the original owner, Mr. Emmel. I found myself staring at the building for a while when walking by, looking at all the hidden detail and architectural ornament which adds so much to the building.
Waban is full of eclectic homes from the end of the 19th century, and this example is probably my favorite! The Herbert and Georgia Stetson House was built in 1897 and demonstrates how elements of the Colonial Revival style were incorporated into a less rigid Queen Anne style plan. Herbert was a lumber dealer, and likely used his own product in his home. The mixture of ornament includes Colonial
Revival style pedimented dormers, a Palladian motif window, oval windows, and a modillion cornice in combination with bays, oriels, a dramatically overshot gable roof, and a swept dormer reminiscent of the Queen Anne style. Together, the composition is perfection, and really makes you stop and analyze all the details!
Murray Potter (1871-1915), a professor of Romance Languages at Harvard, purchased an older Shingle-style house at this location in Lancaster with the desire for it to become his summer residence with wife, Bessie. They deemed the 1895 house too small and decided to raze the 14 year old dwelling and construct a larger, more academic home. Bessie was born and raised in Salem, and her upbringing was likely the inspiration for their Lancaster house. This home was designed as a copy of the 1782 Pierce-Nichols House in Salem, designed by Samuel McIntire. Murray died at just 44 and Bessie lived at the homes for just a couple summers alone (they did not have children) until she sold or gifted the house in Lancaster to the Perkins School as a dwelling for the unmarried female teachers. It remains owned by the private school.
Located in South Brookline, a neighborhood of mostly early-mid 20th century architecture, you can find amazing residential designs for middle-class suburban families in the Boston area. This home was built in 1935 for Max and Rebeccah Webber in the Garrison Colonial Revival style. The home, designed by architect Harry Morton Ramsay, is characterized by a second-story shingled overhang with decorative pendants reminiscent of 17th century American homes. Adding some extra flair, an eyebrow dormer can be found at the roof, as well as a glazed projecting entry porch with a broad pediment and corner pilasters.