Romanesque Revival

Conrad Building // 1885

Buildings of New EnglandLeave a comment

The Conrad Building on Westminster Street in Downtown Providence is an ornate and over-the-top masterpiece designed by one of the city’s premier architectural firms for an eccentric owner. Erected by Jerothmul Bowers Barnaby (1830-1889), a self made millionaire, commonly known as “Rhode Island’s Clothing Prince” who owned manufacturing plants for clothing throughout the city, the building was named after his son-in-law, John H. Conrad. Owner, J. B. Barnaby, lived in an eclectic mansion on Broadway, known as Barnaby’s Castle, which was designed by the firm of Stone, Carpenter & Willson, like this commercial block built as an investment in 1885. Originally used for professional offices, the structure had long been occupied as artist and photography studios on the upper floors. Eclectic in style, the Conrad Building blends Queen Anne, Romanesque Revival, and Moorish Revival styles into a single composition, with a four-story cast-iron tower at the corner capped by a Moorish ogival dome, panel brickwork, round arched windows and recessed openings, projecting bays, cast-iron storefronts, and an oversized arch with its name, “Conrad Building”, ornamental carvings, and the initials “J. B.” for its owner, all completed in brownstone.

Studley Building // 1894

Buildings of New EnglandLeave a comment

Designed by local architect George Waterman Cady, this handsome six-story commercial block on Weybosset Street in Downtown Providence, is an excellent and well-preserved example of the Romanesque Revival style popular in such structures at the end of the 19th century in New England. The building was constructed in 1894 for owner, George Henry Darling (1827-1897), a Civil War veteran and Principal in T. Curtis & Company, brush makers, as an office building as an investment. The light brick facade is decorated with a two-story columned storefront with large plate glass windows, paired round-head windows on the fifth floor, a heavy modilllon cornice and brownstone trim detail. The building was recently renovated in 2023 and converted into apartments by Paolino Properties.

Shepard’s Department Store Block // 1903

Buildings of New England1 Comment

Do you remember Shepard’s Department Store?


At the corner of Westminster and Union Streets in Downtown Providence stands the Shepard Company Building, a hulking reminder of the late 19th and early 20th century dominance of the department store and the American downtown as a retail destination. The company opened in 1880 in a modest 6,400-square-foot storefront, and saw immediate success, eventually occupying an entire city block. The company grew piecemeal into neighboring buildings between 1880-1903 when the entire 300,000+ square foot block was completed from plans by Martin & Hall, architects. Architecturally, the building tells its own history in layers: it started as a modest three-story Italianate structure, and later additions brought two-story arched entrances angled into the corners at Westminster and Union, and Washington and Union, that once lured shoppers inside to terrazzo floors with a sea of merchandise. Outside, a freestanding cast-iron clock became a beloved meeting point, with generations of Rhode Islanders arranging to gather “at the clock”. A massive fire in March 1923, caused over one million dollars’ worth of damage, but the structure was restored under Hall’s supervision. Shepard’s closed in 1974 and remained vacant for almost 20 years. After advocacy from preservationists, the building was bought by the State of Rhode Island and was rehabilitated by David Presbrey, the building is now the location of the Providence Campus of the University of Rhode Island, the Rhode Island Department of Education, and other state offices and education-related facilities.

Former Providence YMCA Building // 1889

Buildings of New EnglandLeave a comment

Founded in 1853, the Providence YMCA holds the distinction of being the second-oldest YMCA in the United States. The YMCA had been born out of anxieties around industrialization and urbanization when young men arrived to the country and were vulnerable to the temptations and sins of alcohol, so a group of evangelical churches created a space for Christian men to spend their time productively at meetings and lessons and have access to recreational facilities. The Providence YMCA was dispersed into three buildings until 1889, when this building at the corner of Westminster and Jackson streets opened to great fanfare. The Young Men’s Christian Association and architects, the Providence firm of Stone, Carpenter & Willson, featured this new Romanesque Revival building in architectural publications showcasing the original proposal and the final approved design, with prominent oriel bays, spires, arched entrances and intricate roofline punctuated by dormers. The building contained a gymnasium, auditorium, classrooms, libraries, parlors, and reception areas. The 1889 building proved obsolete within a generation, and it was torn down in 1913 to make way for a new office block as the neighborhood commercialized. The YMCA responded by building larger, more purpose-built quarters further west on Broad Street, which was completed in 1915, a structure that still stands today, now repurposed to serve the city’s homeless population through Crossroads Rhode Island.

Cathedral of Saints Peter & Paul, Providence // 1878

Buildings of New EnglandLeave a comment

The Cathedral of Saints Peter and Paul rises in Providence’s Cathedral Square, a sub-region of the city’s Downtown that was largely reshaped in the mid-late 20th century period of Urban Renewal. The monumental Romanesque style church is the mother church of the Diocese of Providence and was built on the site of the city’s first Roman Catholic parish, established in 1838. Designed by the prolific church architect Patrick Keely, the Providence cathedral broke ground in 1878 and was consecrated over a decade later in 1889. For this commission the blending of Romanesque and Gothic Revival detailing was likely inspired by both H. H. Richardson’s newly completed Trinity Church in Boston and on German and French medieval precedents. The structure is dominated by the two crenelated towers and displays strength with its bold proportions and use of reddish-brown stone. Inside, the cathedral is even more remarkable than its imposing exterior, distinguished by an overall multicolored, small-scale pattern of gray marble moldings and stained glass, complemented by a large Casavant organ with more than 6,600 pipes. Today, the miraculous cathedral is somewhat diminished in beauty due to the surrounding dead plaza, a scar on the built environment in Providence from Urban Renewal. In the 1960s and 70s, the entire western edge of Downtown had been slotted for redevelopment at a time when federal dollars funded mass demolition and rebuilding across American cities. The plan was designed by Modernist architect, I.M. Pei, who had envisioned a European-inspired courtyard, with a mix of residential and retail uses surrounding the church in the new development. Pei worked with the modernist landscape architects Zion and Breen on Cathedral Square, which was called a “conspicuous failure” within just a few years, a sentiment that has lasted a half-century since. The city has more recently pursued redesign proposals aimed at reconnecting Cathedral Square with the surrounding neighborhood, with the Cathedral of Saints Peter & Paul as the centerpiece.

Marion Music Hall // 1891

Buildings of New England1 Comment

Tucked into the heart of Wharf Village in the ever-charming coastal community of Marion, Massachusetts, the Marion Music Hall has been a cornerstone of small-town cultural life since 1891. The Music Hall was largely the vision and will of the town’s great benefactor, Ms. Elizabeth Taber who sought to use her late husband’s vast fortune to benefit her community in her later years. In her will, Ms. Taber left funds for a proper “lecture and music hall” and the $23,000 commission went to her friend, architect, William Gibbons Preston. The building is one of a few examples of brick construction in the village and stands out for its detail with the round arched windows and solid massing in the Romanesque Revival style with terracotta trim to add visual interest in the design. The result is a structure both stately and welcoming, with its handsome façade anchoring a lawn that would later be adorned by the cast-iron Soldiers Monument in 1894. More than 130 years on, the Hall still hosts the town’s committee meetings, concerts, weddings, and community gatherings, standing as a living piece of Marion’s Gilded Age generosity and a quiet architectural gem of the South Coast of Massachusetts.

Faulkner Mill // 1880

Buildings of New England1 Comment

The manufacture of woolen goods was introduced in North Billerica by Francis Faulkner in 1811 on the bend of the Concord River. Francis Faulkner was the son of Colonel Francis Faulkner of Acton, one of the leading citizens of that town, who participated in the battles of Lexington and Concord and served throughout the Revolutionary War. When Francis Faulkner arrived in North Billerica, he began to manufacture woolen goods and expanded to coloring and dressing cloths. Mr. Faulkner would be joined by his sons, James and Luther, and was called the James R. Faulkner & Company. James Robbins Faulkner took over his father’s business, which expanded greatly after the Civil War. In 1880, the firm incorporated as the Faulkner Manufacturing Company, and they had the largest wing, this main block, added to the mill complex. The main building is an interpretation of the Romanesque Revival style and stands three stories tall and is notable for the four-story stair and water cistern tower with arched base. Sometime after 1914, the property was organized as the North Billerica Company and by 1935, a total of 135 employees were engaged in manufacturing wool blankets and cloth. Despite additions to the factory in the 1940s and again in the early 1960s, foreign competition forced the mill to close about 1987, leaving the buildings vacant with its future uncertain. Luckily, the Faulkner Mill is now home to a variety of small businesses and the Middlesex Canal Museum.

First Church of Christ, Suffield // 1869

Buildings of New EnglandLeave a comment

Located adjacent to the Town Common, the First Church of Christ in Suffield showcases the grandiose architecture seen in many churches after the Civil War in New England. This brick edifice is the fifth in the history of the church which dates back to around 1680. This church building was designed by local architect John C. Mead, who designed other stately churches in the surrounding region. The church is a blending of Italianate and Romanesque Revival styles and originally featured a tall spire and secondary tower. In 1938, the New England Hurricane destroyed the tall spire (a similar event occurred to many New England Churches, including Old North in Boston). Even without the steeple, the church remains as a great architectural treasure in town.

Alley-Eblana Brewery // 1886

Buildings of New EnglandLeave a comment

This iconic Boston building is threatened with demolition!

The clock is ticking for the Alley/Eblana Brewery, a historically and architecturally significant building in Boston’s Mission Hill neighborhood. Located on Heath Street, the historic Alley Brewery, also known as the Eblana Brewery, stands as a striking reminder of the city’s once-thriving brewing industry. Founded by Irish immigrant John R. Alley (1822-1888) in the mid-1880s, the brewery produced the popular Eblana Irish Ale, a name derived from the ancient term for Dublin, reflecting Alley’s heritage and the strong Irish influence in the area. John Alley previously co-owned the Highland Spring Brewery nearby, but founded a brewery in his own name in 1885. For his brewery, Alley hired Philadelphia architect Otto C. Wolf, who was the nation’s premier brewery architect and engineer in the late 19th and early 20th centuries. The four-story complex was built in 1886 and showcased some of the most advanced brewing technology of its era while displaying an impressive blend of brick and granite craftsmanship. Its distinctive façade features a dramatic central bay, granite-trimmed arches, rough-faced stone braces, wrought-iron gates, and carved stone plaques bearing Alley’s initials and the date of construction. After John’s death in 1888, the business continued under the ownership of his two sons, Frederick and George. The brothers in 1899, added the adjacent bottling and refrigeration building, which employs similar architectural features and materials to the main brewery. Brewing here ceased with Prohibition and the structure later served a variety of manufacturing uses, when during the 1960s, many windows were filled with brick. The Alley-Eblana Brewery remains one of Boston’s most architecturally significant surviving brewery buildings, embodying Boston’s rich industrial and ethnic heritage, but it is threatened. Developers have owned the building since 2013 and have done nothing to preserve or even maintain the structure, making it a case of demolition by neglect. They are requesting to demolish both structures, but the demolition has been delayed 90-days through the Boston Landmarks Commission Demolition Delay review process. If you want to see the building repurposed and saved, reach out to the Boston Landmarks Commission and advocate for its adaptive reuse, which would provide housing and maintain a significant architectural landmark for the community.

Sacred Heart of Jesus Church, Milford // 1927 & 1941

Buildings of New EnglandLeave a comment

The Sacred Heart of Jesus Church in Milford, Massachusetts, was formed in 1905 as a local Catholic church that was the Italian response to the Irish, Saint Mary of the Assumption Catholic Church nearby. The congregation struggled to build an edifice that could compete with its Irish counterpart a few blocks away, that was until 1927, when funding was secured and construction began on the church. Architect, John W. Donohue was selected by the Roman Catholic Bishop of the Springfield Diocese, to furnish the plans for the building, which was delayed by the Great Depression. The church, which was long unfinished as a one-story building with basement, was ultimately constructed after plans were finalized in 1941 by architect, Anthony J. DePace, but construction did not begin until after WWII. Work on the upper church began in 1946 and it was dedicated in 1947. With its iconic Roman brick walls, red tile roof, bell tower, and entry staircase built of locally quarried Milford granite, the building showcases the Italian-American culture through its architecture.

Milford Town Hall // 1854

Buildings of New EnglandLeave a comment

The town of Milford, Massachusetts, is somewhat a hidden gem in the region, but it sure does have some architectural landmarks! Located on Main Street, the Milford Town Hall stands as an early American example of the Romanesque Revival architecture style, and is one of the earlier works of ecclesiastical architect, Thomas Silloway, who would design over 400 churches before his death in 1910. The Milford Town Hall has a somewhat ecclesiastical design to it with a pedimented facade, rusticated base, and pilasters breaking up the bays. The elaborately ornamented cupola rises nearly 50 feet in height and contains a round clock and scroll trim on all four sides with round arched openings and surmounted by a gold dome. As the town grew in the late 19th century, a large cross-axial rear addition was designed in 1900 by local architect, Robert Allen Cook, who appears to have also made the facade more Colonial Revival in style, changing some arched windows to pedimented windows and a Palladian in the gable. An interesting feature of the building is that it is built of wood and not the iconic local Milford “pink” granite that the town became known for. The Milford Granite was actually discovered after the Civil War, and the building material was quarried and transported all over the country for large institutional buildings.

George G. Hall Stables // 1895

Buildings of New EnglandLeave a comment

The George G. Hall Stables on Byron Street in Boston’s Beacon Hill neighborhood were built in 1895 for George G. Hall, a wealthy hotelier and developer, who razed three private stables occupying the site prior. For his private stables, George Hall hired Boston architect, William Whitney Lewis, to furnish the plans, which resulted in one of the finest buildings on the Flat of Beacon Hill. Designed in the Richardsonian Romanesque style, the building was described in architectural publications as being constructed of Milford pink granite and coral-colored bricks with two carriage doors and a door for the stable-keeper with an extant hayloft on the second floor. While from afar, the stables are stunning, it is when you inspect it up-close that you see the attention to detail that was taken by the architect. Round stone medallions on the facade read: “G.G.H.” after its owner; “No. 11, 12, & 13”, the addresses; and “1895”, the year of construction. Additionally, at the ends of the arched stable openings, carved dog heads can be found, keeping guard of the horses inside. The stable was later converted to three residences in the 1960s by the architectural firm of Goody & Clancy, Associates.

Waterman Building, RISD // 1892

Buildings of New England1 Comment

The Waterman Building located on Waterman Street on Providence’s East Side is architecturally significant as an example of the Romanesque Revival style, as well as historically significant as the first purpose-built building for the Rhode Island School of Design (RISD). The school originally opened in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the accessibility of design education to women, in rented space within the Hoppin Homestead Building in Downtown Providence. As the school grew coinciding with the appreciation of the arts in the late 19th century, the school’s board and president sought to provide a permanent site for the young institution. A site was purchased across from the First Baptist Church and the local firm of Hoppin, Read and Hoppin was hired to furnish designs. The short-lived partnership of Providence-born brothers Howard and Francis L. V. Hoppin and Spencer P. Read, laid out the building with studios on the upper two stories lit by arched windows on the second floor and skylights on the top floor, with a museum and classrooms occupied on the first floor. With an intricate brick facade adorned by terracotta medallions, unique cornice, and lattice brickwork in the spandrels, the building is befitting for an arts institution.

Former Central Congregational Church – Memorial Hall, RISD // 1853

Buildings of New EnglandLeave a comment

An early example of the Romanesque Revival style, the former Central Congregational Church on Benefit Street in Providence’s East Side is architecturally significant as one of the remaining designs by architect, Thomas Tefft and built from 1853-1856. Thomas A. Tefft (1826-1859) was one of the nation’s first professionally trained architects and was a master of Rundbogenstil, a German-branch of the Romanesque style until his untimely death in Italy when he was just 33. When this church was completed in 1856, Tefft was just thirty years old. The brownstone facade is adorned by triple-arched entrances and corbelling. The congregation grew and decades later, acquired a site in the neighborhood for a larger, Carrere and Hastings-designed church, vacating this building in 1893. The Rhode Island School of Design (RISD) purchased this former church in 1902 following a donation by Eliza Radeke and her brothers who named the building Memorial Hall. The firm of Hoppin and Ely was hired to update the former church for use by the college, which primarily took place on the interior. The original pair of tall bell towers were damaged during the 1938 hurricane and later were removed in 1950, truncating the verticality of this great Tefft-designed building, but she still shines! Memorial Hall has been incorporated into the RISD campus and houses studio spaces.

Frank S. Stevens Memorial Library – Swansea Public Library // 1900

Buildings of New EnglandLeave a comment

Presented to the Town of Swansea by Elizabeth Stevens as a memorial library of her late husband, Frank Shaw Stevens, the Stevens Memorial Library (also known as the Swansea Public Library) is one of the finest small-town buildings of its kind in Massachusetts. Elizabeth and her husband, Frank Stevens, lived in a large mansion nearby on Main Street and in their older years, began to bequeath their fortune to their community that they made home. The couple funded the Swansea Town Hall, a large church, and schools along with this handsome library. Built in 1900, the Swansea Library was designed by architect, Henry Vaughan, an English-born architect who designed some of the best English-inspired buildings in the United States in the late 19th and early 20th centuries. For the Stevens Memorial Library in Swansea, Vaughan drew upon Elizabethan precedence and employed the use of granite and red Potsdam sandstone to create a warm, yet stately presence on the towns Main Street. With its state roof capped by an octagonal cupola and mullioned windows in arched surrounds, the eclectic building is timeless and has been lovingly preserved by the local community, who also expanded the building to the rear, taking great care to make it less visible from the street and preserve the main building.