Benjamin D. Godfrey House and Stable // 1854

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Benjamin Davenport Godfrey (1813-1888) was a wealthy boot and shoe manufacturer and inventor who built this stately mansion and detached stable in Milford, Massachusetts. The residence was built in 1854 in the Italianate style and was once one of the largest properties in the community, a true show of his success and wealth. Benjamin Godfrey would eventually retire and move to Newton, selling the property to Frank Harvey, a medical doctor, who resided here and operated a private hospital next door. The property would sell again in 1944 and has operated as a funeral home ever-since. The stately residence and stable echo similar architectural similarities, including the boxy forms, hipped roof, flushboard siding, and bracketed cornice and windows.

Sacred Heart of Jesus Church, Milford // 1927 & 1941

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The Sacred Heart of Jesus Church in Milford, Massachusetts, was formed in 1905 as a local Catholic church that was the Italian response to the Irish, Saint Mary of the Assumption Catholic Church nearby. The congregation struggled to build an edifice that could compete with its Irish counterpart a few blocks away, that was until 1927, when funding was secured and construction began on the church. Architect, John W. Donohue was selected by the Roman Catholic Bishop of the Springfield Diocese, to furnish the plans for the building, which was delayed by the Great Depression. The church, which was long unfinished as a one-story building with basement, was ultimately constructed after plans were finalized in 1941 by architect, Anthony J. DePace, but construction did not begin until after WWII. Work on the upper church began in 1946 and it was dedicated in 1947. With its iconic Roman brick walls, red tile roof, bell tower, and entry staircase built of locally quarried Milford granite, the building showcases the Italian-American culture through its architecture.

St. Mary’s Academy – Landmark Place Apartments // 1924

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As the St. Mary of the Assumption Catholic Church of Milford expanded, the diocese determined that an academy building was warranted to educate the pupils affiliated with the growing congregation. In 1924, Massachusetts ecclesiastical architect, John W. Donohue was hired to furnish plans for a new parochial school building. The two-story Colonial/Classical Revival style edifice was constructed of brick with limestone trim and follows the form of many school buildings constructed in New England in the early decades of the 20th century. In 1954, the building became the St. Mary’s Catholic High School and it was expanded in 1962 with a Modern addition. When the two local Catholic churches merged schools in the 1970s, this building was sold to the Town of Milford, who converted it to use as a public middle school, a use that remained until a new middle school was built elsewhere in town. With its future uncertain, in 2018, the Town of Milford sold the school building to developers, who demolished the 1960s additions and constructed a new addition to the rear, converting the entire building into elderly housing named, Landmark Place Apartments. Adaptive reuse is a great way to build additional housing while retaining local history and meet sustainability goals!

Irish Round Tower, St. Mary’s Cemetery // 1894

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Thought to be the only example of an Irish Round Tower in the United States, the obscure Irish Round Tower in the St. Mary’s Catholic Cemetery in Milford, Massachusetts, stands as a piece of local history and an architectural landmark. The tower was envisioned by Father Patrick Cuddihy (1809-1898), the pastor of the St. Mary of the Assumption Catholic Church of Milford, who was born in County Tipperary, Ireland, and oversaw a largely Irish-born congregation here in the States. In 1893, Father Cuddihy sought to expand the existing St. Mary’s Cemetery which had been running out of space for the ever-growing Catholic population of Milford. For the cemetery, he envisioned an Irish Round Tower as a symbol of the Emerald Isle, his land of birth and that of most of his parishioners. Irish Round Towers were historically used in Ireland as bell towers, but for the cemetery in Milford, it would serve the purpose of beautification of the new grounds of the cemetery. Local workers began construction on the tower in 1894. Constructed of locally quarried Milford granite, the tower stands 73.5′ with a conical roof and walls two feet thick. The Milford tower is said to have been modeled after the tower on Devenish Island in Ireland and stands just 10 feet shorter than its inspiration.

Saint Mary of the Assumption Catholic Church, Milford // 1870

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The grand St. Mary of the Assumption Catholic Church in Milford, Massachusetts, was built in 1870 and is tied to the period of great growth and prosperity for the community. After the Civil War, the quarrying and sale of the iconic local Milford “pink” granite boomed, and thousands of immigrants moved to the area for work, many of them Irish-born, bringing their traditions and religion. The local Catholic church was led by Father Patrick Cuddihy, who oversaw a building campaign and expansion of the church here in Milford. In the 1860s, Father Cuddihy hired architect, Patrick C. Keely to design the edifice, built of local granite quarried by many congregants. Once the foundation was laid for the church Keely was tasked to oversee the design of the new Cathedral of the Holy Cross in Boston, so he abandoned work in Milford, leaving the remainder of the overseeing of construction to ecclesiastical architect, James Murphy, who often worked alongside Keely. Original plans for a towering belfry were uncompleted for over a decade until 1887, when work began to erect the iconic Victorian Gothic tower, it was completed by 1888. The church remains an architectural and cultural landmark in the community which offers masses in English, Spanish and Portuguese, showing the rich cultural diversity in Milford.

Memorial Hall, Milford // 1884

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Designed by architect Fred Swasey in the Richardsonian Romanesque style, Memorial Hall in Milford, Massachusetts, is one of the finest examples of the style in the state and is built of locally quarried Milford granite with Longmeadow brownstone. The building was constructed in 1884 to serve multiple purposes: a free public library, meeting hall for the local Grand Army of the Republic (GAR) lodge, and most importantly, a memorial to honor the Civil War soldiers and sailors of Milford and nearby Hopedale. As a true Memorial Hall, the building features cannons in the front yard and on its facade, carved brownstone panels inscribed “Farragut” and “Grant” after Civil War generals, David Farragut and Ulysses S. Grant. Inside, the main staircase features the names of iconic Civil War battles and the entry features large marble panels with the list of local men who fought and died to fight for the nation. The library moved out of the building in 1986 when the current library was built behind Memorial Hall, and since then, the space has been occupied by the Milford Historical Commission as a local history museum space.

Claflin & Thayer Shoe Shop // c.1866

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The Claflin & Thayer Company was established in 1851 by Aaron Claflin (1807-1890) and quickly became a leading boot and shoe manufacturer in Milford, Massachusetts. The business expanded after the Civil War, and built multiple buildings on the town’s Central Street, including this early stone building constructed of locally quarried Milford “pink” granite. The building depicted here included a large engine and boilers on the first floor with two stories above housing workers and boot crimping stations. After Aaron Claflin died in 1890, the business dissolved and this building became used for storage for other corporations, with the significant, yet vernacular building sitting to deteriorate.

Gillon Block // 1888

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Located on Main Street in Milford, Massachusetts, the stately Gillon Block is one of the town’s finest buildings and an excellent example of eclectic, late Victorian commercial architecture. The block was erected in 1888-9 for owner Patrick Gillon (1843-1899), who inherited his late-father’s distillery and bottling business in Milford, and designed by local architect Rinaldo V. Carey. The panel brick facade is divided into seven sections with a central projecting section topped by a tower capped by a copper onion dome. The four-story block included retail space at the ground floor with offices and meeting halls on the upper stories, rented to tenants and organizations.

Thom Block // 1891

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The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.

First Universalist Church of Milford // 1899

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In the summer of 1785, a Universalist congregation was formed in Milford, Massachusetts, making it one of the first in the United States. The Universalists here were led by some illustrious ministers including Thomas Whittemore, an energetic advocate of abolition and an ardent foe of the Fugitive Slave Law; Ebenenzer Fisher who left the Milford congregation to become the first president of what became St. Lawrence University; and Adin Ballou who, after serving the congregation for six years, established a religious commune in the Hopedale section of Milford called “The Hopedale Community” that was to become a model for similar religious organizations. The congregation grew and by the late 19th century, it was decided that a new church in Milford should be built. Local architect, Robert Allen Cook, who was then in his twenties, was hired to furnish plans for this handsome edifice, which was built of locally quarried Milford “pink” granite. Robert A. Cook was a personal favorite architect of the Draper Family of Hopedale and Milford, who likely held sway in his selection. The church was built in 1899 and remains an excellent example of Victorian Gothic architecture with large lancet window and many beautiful stained glass windows in the sanctuary.

Former Milford Post Office – Milford Police Station // 1911

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The present Police Station in Milford, Massachusetts, faces the town’s Draper Memorial Park and was built in 1911-12 from locally quarried Milford “pink” granite. While currently a police station, the building was actually constructed as the town’s first purpose-built post office, and constructed after a years’ long planning process to find a suitable site, funding, and design review. When the site and funding was set, James Knox Taylor, supervising architect of the United States Department of the Treasury and supervising architect of hundreds of federal buildings built throughout the United States during the period from 1897-1912, was hired to furnish designs. When his plans were unveiled, the community protested against the use of any granite other than the locally quarried “pink” Milford granite in the construction of the local post office. Mr. Taylor conceded and after two years of delays, the Post Office officially opened in 1914. Rectangular in plan, the granite structure is Classical Revival in style with its projecting cornice, symmetrical facade, and pilasters dividing the bays on the facade. The building also included a New Deal-era mural inside. The USPS moved into a contemporary building across the park in the 1960s and the Town of Milford purchased the old Post Office, converting it to the community’s Police Department Headquarters.

Milford Opera House Block // 1881

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While altered, the Milford Opera House Block on Main Street, stands as one of the architecturally distinctive and significant 19th century buildings in Milford, Massachusetts. As the town prospered in the decades following the Civil War, and wealthy residents, including William F. Draper, an executive with the Draper Corporation in nearby Hopedale, sought to use their wealth to improve their community. In 1880, planning began to erect an opera house building, which would bring the arts to the community, and after months of discussion and planning, funding and a site on Main Street was secured. Architect, Frederick Swasey was hired by the association, who furnished plans for the Victorian Gothic building to contain five retail stores on the ground floor with an auditorium above capable of seating 1,100. The building suffered from a fire in 1912 and use as an opera house ceased and starting in the 1920s and the building began showing moving pictures. Later in the 20th century, the building was altered with the storefronts enclosed, windows on upper stories changed, iron cresting at the roof and clock face removed, but the building still retains its ornate entrance and is an important landmark on the town’s Main Street.

Chapin – Reed Octagon House // 1854

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One of the rare examples of an intact Octagon house in New England, the Joel Chapin House in Milford, Massachusetts, is the only of its kind in the town. The octagonal brick residence was built for Joel Chapin (1822-1864), a produce and meat dealer in town, who resided here until his death. By the end of the 19th century, the house was owned by Anna Jourdain, who married James E. Reed, an early African-American photographer based in New Bedford They resided in the octagon house and their family members owned the property for nearly 100 years.

Henry E. Fales Mansion // 1866

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The Henry E. Fales Mansion sits prominently on Walnut Street in Milford, Massachusetts, as an intact Second Empire style residence with symmetrical facade and form. The house was built in 1866 and owned by Henry E. Fales (1837-1897) an attorney and state legislator who was heavily engaged in town affairs. Before the home was completed, Henry’s wife, Violet, died unexpectedly and he remained here until his second marriage to Clara Hayward. The Fales Mansion has a notable mansard roof with belvedere, front gambrel gable with ocular window, and window hoods. The property is in need of some work, but retains nearly all of its original detailing.

Luther P. Jones House // c.1868

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While the town of Milford, Massachusetts is arguably best known for its commercial and institutional architecture, there are some excellent examples of preserved homes of nearly every style and vintage. The Luther P. Jones House on Pearl Street is an interesting example of the Italianate style with unique low-sloped gable roof and typical bracketed cornice, side piazza, and bay window on its facade. While the former arched window has been enclosed and the porch columns have been replaced, the house still maintains its architectural significance as an excellent example of its style. The property was owned by Lydia and Luther P. Jones, a provisions dealer, until their deaths in the early 20th century.