Historic Architecture

Whittier Lodge // c.1905

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Whittier Lodge is a historic lodging house built in the early 20th century at the time Tamworth, New Hampshire shifted from an industrial and agricultural economy more to a summer colony. Part of the structure is said to have been built from a village schoolhouse and moved to the present site where the remainder of what became Whittier Lodge was built. The Remick Family owned the building and the rooms inside were rented largely to mill workers who worked in nearby towns over the winter, and rented in summers to visitors to the Lakes Region of New Hampshire. The lodge was purchased in the 1920s to Everett and Ethel Berry, who converted the boarding house into their home, but the building remained known for its hospitality. Ethel is said to have cooked nightly dinners in summers for the actors at the Barnstormers Theatre. Conrad Bain, later well-known for his role as Phillip Drummond, in the sitcom Diff’rent Strokes, spent the summers of 1949 and ‘50 at The Barnstormers and he wrote glowingly of his time in Tamworth and at Whittier Lodge, writing, “…the generosity and culinary talent of Mrs. Berry, who served a delicious and nourishing dinner to all of us every evening on her spacious screened-in porch, for the extraordinary sum of $1.25 each”. The connection to the Barnstormers Theatre continues today as in 2007, the Theatre organization purchased the lodge for use as housing for its technical/stage crew from June through August; and it is rented from September to May as apartments.

Tamworth Town House // 1794

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The historic Town House in Tamworth, New Hampshire, was built in 1794 as the meeting house, serving as both the center of religious worship and local government for the community. The Tamworth Town House was built after the community voted to call its first minister in 1792, thirty-two-year-old Rev. Samuel Hidden, who was ordained on a large boulder (ever since known as Ordination Rock), as there was no public building to house the ceremony. Within a year, members of the community voted that the new meetinghouse should be two stories with a porch (stair-tower) on the front of the building, and it was to be built near Ordination Rock. The structure has an impressive hand-hewn timber frame, spacious interior with original gallery columns, and surviving pulpit window showcase the skilled workmanship of early builders. Following the passing of the Toleration Act of 1819 in New Hampshire effectively brought about the separation of church and state. It severed allowed citizens to stop supporting the established Congregational Church in all towns via taxation and instead now support the denomination of their choosing. From this, a new Congregational Church was built in the village and the old Town House was moved to the village and renovated to its present appearance in 1852 in the Greek Revival style. The renovation added updated Classical frieze and pilasters, a redesigned main entrance, and larger windows that complemented the new use as the Tamworth Town Hall.

Ordination Rock

Alexander King House // 1764

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Located on Suffield’s idyllic Main Street, the Alexander King House stands as a well-preserved example of a Georgian home in Connecticut. Alexander King (1737-1802) is a prominent figure in Suffield’s history. He was a graduate of Yale, and later practiced medicine in town, as well as serving as Selectman and Town Clerk for almost thirty years. He was also a Justice of the Peace, Representative to the Assembly, participant in agitation against British colonialism, and delegate to the Connecticut Ratifying Convention of 1788, when the state ratified the U.S Constitution. The home is owned and maintained today by the Suffield Historical Society, who operate the home as a house museum with exhibits on the town’s rich history.

Gay Mansion // 1795

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In 1795, Ebenezer King Jr. (1762-1824) bought 26 acres of land on Main Street in Suffield, Connecticut, to build this stately manse. He at the time was at the height of his prosperity and lived lavishly from his new mansion until he sold his property in 1811. King’s estate was purchased by William Gay (1767-1844), a prominent lawyer and the son of Ebenezer Gay, who had been the longtime pastor of the Congregational church and lived nearby. Aside from his law practice, William Gay was also the postmaster of the town for 35 years, and for much of that time the post office was located here in his living room. The home remained in the Gay Family for generations until it was eventually purchased by Suffield Academy for use as the headmaster’s home. The symmetrical Federal style residence features a five-by-five-bay square form with center entrance. The facade is dominated by an elaborate Federal style entry with fanlight transom and Palladian stairhall window on the second floor, which is mimicked with a smaller version in the gabled peak at the roof.

Milford Town Hall // 1854

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The town of Milford, Massachusetts, is somewhat a hidden gem in the region, but it sure does have some architectural landmarks! Located on Main Street, the Milford Town Hall stands as an early American example of the Romanesque Revival architecture style, and is one of the earlier works of ecclesiastical architect, Thomas Silloway, who would design over 400 churches before his death in 1910. The Milford Town Hall has a somewhat ecclesiastical design to it with a pedimented facade, rusticated base, and pilasters breaking up the bays. The elaborately ornamented cupola rises nearly 50 feet in height and contains a round clock and scroll trim on all four sides with round arched openings and surmounted by a gold dome. As the town grew in the late 19th century, a large cross-axial rear addition was designed in 1900 by local architect, Robert Allen Cook, who appears to have also made the facade more Colonial Revival in style, changing some arched windows to pedimented windows and a Palladian in the gable. An interesting feature of the building is that it is built of wood and not the iconic local Milford “pink” granite that the town became known for. The Milford Granite was actually discovered after the Civil War, and the building material was quarried and transported all over the country for large institutional buildings.

Noyes Studio – Lee Residence // c.1860 & 1939

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This handsome building at 81 Chestnut Street in Boston, began as a two-story brick stable and was later modernized with an additional floor and renovated for use as an artist’s studio, a perfect encapsulation of the history of the Flat of Beacon Hill from the “horsey end of town” to upper-class enclave and artist community. The stable was built around 1860 for Harleston Parker (1823-1888), the father of the more well-known, architect, J. Harleston Parker, and remained as a stable throughout the 19th century. In the early 20th century, the two-story building was converted to a auto repair shop but changed use in 1916 when owner, Edward H. Noyes hired architect, Harry Browning Russell, to convert the old stable to an artist studio. The second-story windows were enlarged and former carriage door were enclosed with small rounded art glass, likely for and by George Loftus Noyes, a painter who worked for a time at the New England Glass Company. Inside, a central landscaped courtyard flooded the spaces with natural light. In 1936, George Noyes moved to Vermont, divorcing his wife, Maybelle, but leaving her with the Boston studio. Maybelle remarried to George Lee, and soon-after hired architect, Frank Chouteau Brown, to add a third-story to the studio for conversion to a year-round residence. Brown added the unique Moorish arched windows and brickwork at the third floor.


First Congregational Church of Sharon // 1839

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Sharon, Massachusetts, is a small suburban community south of Boston that is lesser known than its neighbors, but the community has some great old buildings! The Town of Sharon was originally part of a 1637 land grant given by the Dorchester Proprietors to encourage new settlement in areas southward. In 1726, the lands of the present towns of Sharon, Canton and Stoughton, were separated from Dorchester and called the Stoughton Territory. Settlers in present-day Sharon found it difficult to attend mandated church services centered around present-day Stoughton and petitioned the General Court in 1739 to set off as a separate precinct. The request was granted and the Second Precinct was established, and incorporated as Stoughtonham in 1765, changing its name in 1783 to Sharon, named after the Sharon Plain in Palestine. In 1813, the local congregationalists split due to theological differences and some formed a Unitarian church. The Congregationalists moved down the street and built a new church in 1822 which was destroyed by fire in 1838 and replaced a year later by this edifice. Built in 1839 the First Congregational Church of Sharon is a vernacular and well-preserved example of a Greek Revival church building in the Doric order with towering pilastered steeple, monumental portico supported by four fluted Doric columns, and flushboard siding. The Congregational Church retains an original bell cast by the The Revere Copper Company of nearby Canton.

Eye and Ear Infirmary Nurse’s Residence // 1909

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The Massachusetts Charitable Eye and Ear Infirmary (now Massachusetts Eye and Ear) began in 1824 by doctors, Edward Reynolds and John Jeffries II as a free weekly clinic they operated out of a rented room in Boston’s Scollay Square. At the time, Boston was an immigration destination for laborers arriving from Europe, among whom occupational injuries were common, but affordable medical care was scarce. With an increasing population and increasing medical needs, the clinic expanded rapidly. In 1849, a new clinic was built on Charles Street, just south of the West Boston Bridge (now Longfellow Bridge) from plans by Edward C. Cabot. As demand grew in the late 19th and early 20th centuries, the hospital sought expansion and built a new facility farther north on Charles Street, closer to Massachusetts General Hospital. The 1849 building was deemed excess and demolished, soon to be replaced by the current building on the site, the Nurse’s Dormitory. Built in 1909, this handsome, four-story brick and stone structure was designed by the office of Page and Frothingham in the Colonial Revival style, which contributes to the architectural character of Beacon Hill. The building provided much-needed residential space for nurses and other staff people who worked at the new Eye and Ear Infirmary a few blocks away. The building was later converted into an inn, the John Jeffries House (after one of the founders of the infirmary) until 2016, when the site closed and was converted into a wing of the new Whitney Hotel by Hacin Architects!

Southworth House – Deep River Historical Society // 1842

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The Southworth House, also known as the Old Stone House, in Deep River, Connecticut, is a significant example of a stone, Greek Revival style house built for an important local family. The Southworth House was constructed in 1842 for Deacon Ezra Southworth (1803-1859) from stone harvested from one of the Southworth family’s quarries. Ezra was the son of local shipbuilder, Job Southworth who began building ships at the Deep River landing in the 1790s. Ezra Southworth branched off into manufacturing, becoming a partner and patent holder producing ink wells. His son, Ezra Job Birney Southworth (1844-1919), went into business with his father-in-law in shipping and served as a member of the State Legislature twice. In 1882, Ezra Jr. added the wooden ell onto the rear of the Stone House along with the wrap-around veranda and likely the rear barn as well. Ada Gilbert Southworth Munson was Ezra J. B. Southworth’s only child to live to adulthood and inherited the family home. She was a founding member of the Deep River Historical Society and bequeathed her family home to the Society in 1946, who have maintained the significant home here ever since. 

Benjamin Adams Farmhouse // 1775

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Benjamin Adams (1750-1843) was born in Milton, but relocated to East Sudbury (later renamed Wayland) and purchased property here from a Bezaleel Moore, a tanner and farmer. Soon after moving to town, in 1775, he mustered with the minutemen under the command of Capt. Nathaniel Cudworth. After the conclusion of the war, Benjamin married Elizabeth “Betsy” Adams and they expanded the old farmhouse (today at 34 Lincoln Road) and raised their children here. The property remained in the family until 1873 when it was purchased and operated as a dairy farm. In the 1920s, the farmhouse was expanded with Colonial Revival additions and a renovation for use as a summer residence and gentleman’s farm. It is believed that some of the interior wood paneling inside the house was added at this time and was salvaged from the Pequod Inn, which was razed around that time.

First Parish Church, Wayland // 1814

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The First Parish Church of Wayland, Massachusetts, is an iconic church that displays the typical early 19th-century meetinghouse form with Federal-style elaboration. Built in 1814, the church is two-stories with a five-bay gabled-front structure with a projecting enclosed portico of three entrance bays, and a four-stage bell tower that rises above the façade. Today known as Wayland, the town was originally called East Sudbury, after it split away from the western parish in 1780. In 1835, members of town meeting voted to rename East Sudbury “Wayland” in honor of Dr. Francis Wayland, a temperance advocate, abolitionist, and then president of Brown University. The First Parish Church of Wayland was built by Andrews Palmer of Newburyport, who used an Asher Benjamin design. The bell was cast by Paul Revere and Sons and first lifted into the bell tower in 1814. The property also includes the historic, twelve-bay horse/carriage sheds where parishioners would “park” their horses and carriages while attending services.

Joshua Wentworth House // 1770

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The Joshua Wentworth House at 27 Hancock Street in Portsmouth, New Hampshire, is a high-style Georgian residence built before the American Revolution, and was almost demolished in the name of “urban renewal.” The house has a side-gable roof with three broken-pediment dormers and a wood paneled door with segmental entablature, pilasters, and a five-light transom. Joshua Wentworth (1742–1809) the namesake of the house, was a grandson of John Wentworth (1671–1730), who had served as an early Lieutenant Governor for the Province of New Hampshire, and was himself, a merchant and State legislator. The house was originally located in the North End of Portsmouth, but in the 1970s, urban renewal and local politicians sought to raze portions of the town to “revitalize” the port town. If only they knew that Portsmouth would be the largest tourist draw in the state just for people to see historic, walkable neighborhoods! Businessman Harry Winebaum acquired the house and sought to preserve it. The solution: move the house by barge to the south side of town near Strawberry Banke. Luckily for us, the house was moved in 1973 and was restored. It is a private residence.

William Sever House // 1755

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The William Sever House is an architecturally and historically significant residence in the town center of Kingston, Massachusetts. A prosperous merchant, owner of ships involved in coastal and international trade and member of the colony’s House of Representatives, William Sever (1729-1809) was prepared to erect a home of appropriate status when he married his cousin, Sarah Warren, in 1755. Sever joined his father Nicholas Sever’s commercial shipping business after graduating from Harvard College in 1745 and in 1754, was elected to the Massachusetts Bay Colony’s House of Representatives. In 1769, Squire Sever was elected to the Governor’s Council, a position he held until 1774 when he joined the Provincial Congress. Due to his experience and seniority, Sever was appointed to head the Congress and was declared “President of Massachusetts” and endowed with the governor’s executive powers. After his death in 1809, the house remained in the Sever family for generations, including as a summer residence for James W. Sever, the namesake of Sever Hall at Harvard University. The residence is well-preserved and showcases the telescoping nature of some of these early Colonial-era properties, with the main house adjoined by a barn and carriage house and diminutive ells and was thoroughly documented in the 1930s through the Historic American Buildings Survey, with detailed drawings, plans, and photographs of the exterior and interior spaces. 

Pine Grove Cemetery Mausoleum & Chapel // c.1875 & 1904

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Mausoleum

The mausoleum and the Jonas A. Stone Memorial Chapel are two historic structures located in the Pine Grove Cemetery of Westborough, Massachusetts. Land here was acquired in 1746 by the Reverend Ebenezer Parkman, and it comprised of a pine lot of sixteen acres on the road to Mendon (now South Street). Nearly 100 years later, in 1844, the lot was deeded to the town as a new cemetery, as the older cemeteries were quickly becoming crowded. It was named Pine Grove after the historic use of the grounds. Due to the rural cemetery movement, which sought to reimagine cemeteries as a beautiful park-like setting, not a simple burial ground, many Westborough families purchased plots here and some even moved their loved ones to the new family plot, in the “new” Pine Grove Cemetery.

Chapel

The Mausoleum was built sometime in the mid-19th century and is a modest, Greek Revival style structure of granite and brick construction. Four Doric columns support the portico and wooden roof which serves as a pediment above. The Jonas A. Stone Memorial Chapel was built in 1904 following a bequest to the town from the will of Jonas Adams Stone (1821-1900), and additional donation by his brother, Nymphas Stone. The Victorian Gothic chapel is built of brick and brownstone with a wooden gable and roof. The structure was damaged during the destructive 1938 New England Hurricane, but restored and is an important local landmark today.

Levally-Crandall House // c.1820

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This attractive Federal-style Cape house is located in Canterbury, Connecticut, and is one of the very finest such houses of its type in the state. The house was built by William Levally, a successful millowner in town who married Patience Horton just prior. William died unexpectedly in 1841, and the property was inherited by Patience, who then married Hezekiah Crandall, also a millowner, who was also the brother of Prudence Crandall, the teacher who operated the famous African American girls boarding school in Canterbury Center in the 1830s. Hezekiah and his sister later migrated to Kansas, after essentially being pushed out of town. The Levally-Crandall House stands out for its proportions, exterior moldings, and ornate entry with pilasters, sidelights, and a molded, keyed arched transom. The house has been lovingly preserved by the successive owners, who clearly take pride in owning such a piece of history.