Kennebunkport Post Office // 1941

During the Great Depression, the federal government built over 1,100 post offices throughout the country as part of the New Deal’s Federal Works Agency. Many of the post offices funded and built in this period were designed by architect Louis Simon, Head of the Office of the Supervising Architect for the U.S. Treasury. Few architects had such a role in designing buildings nationwide than Federal architects who designed buildings ranging from smaller post offices like this to courthouses and federal offices. They really are the unsung designers who impacted the built environment in nearly every corner of the nation. As part of the Treasury Department Section of Fine Arts, artists were hired to complete local murals inside many post offices built in this period, depicting local scenes and histories of the towns they were painted in. In Kennebunkport, artist Elizabeth Tracy who submitted a preliminary sketch of her piece “Bathers” which was approved depicting a beach scene, though the townspeople had not been consulted. Unfortunately, the opinion of a vocal part of the Kennebunkport populace was highly negative to Tracy’s painting, largely due to the fact that her beach scene depicted people on a beach in adjacent Kennebunk, not Kennebunkport! Within a few years, the townspeople gathered funds to hire artist Gordon Grant to paint a satisfactory replacement mural in 1945. The new mural remains inside the post office.

Captain Nathaniel Ward – Abbott Graves House // 1812

In about 1812, Captain Nathaniel Ward Jr. of Kennebunkport purchased this home in the village from housewright and builder Samuel Davis. The Federal style house is five bays with a central entrance with pedimented fan over the door. Two end chimneys would heat the home in the winter months when Nathaniel was out at sea and his wife, Sarah, would be maintaining the home and caring for their six children. The couple’s eldest son Charles Ward, served as the second American Consul to Zanzibar in Africa. In his role, Ward bickered continuously with the Sultan, whose word of law changed with the wind and he eventually left his position and settled in Salem, Massachusetts. This house was later owned by Abbott Fuller Graves (1859–1936), a renowned painter before he built a Prairie Style house in Kennebunkport in 1905.

Benjamin Mason Store // c.1815

Across from the Luques Store in Dock Square in Kennebunkport, another 19th century commercial building serves as a visual anchor to the vibrant village, this is the Benjamin Mason Store. Built in the 1810s, the Federal style commercial block was originally owned by businessman Benjamin Mason (1777-1855) who built a house in 1812 just nextdoor (which has since been converted to commercial use). The store is three-stories with a cupola at the roof. Later porches were added as the village prospered.

William Allen Jr. House // 1866

Italianate style houses dominate the Deering Street area of Portland architecturally, but there are definitely some great Second Empire residences and other styles seen here. This house (like seemingly every building in Portland in the 1860s) was designed by architect George M. Harding for William Allen Jr. The house would soon be Harding’s neighbor, so he made an effort to site and design this residence with care. The brick building is capped by a slate mansard roof and it has a beautiful projecting door hood with pendants carved of grapes. Sadly, like some others on the street, the belvedere was removed in the mid-20th century.

George M. Harding House // 1868

Architect George M. Harding built this boxy Italianate style house as his personal residence on Deering Street in Portland, Maine. Harding was very busy in the late 1860s after the destructive Great Fire of Portland in 1866. He designed some of the finest commercial blocks Downtown, including the Rackleff Block and Woodman Block, both excellently preserved landmarks in town today. For his own residence, he pulled out all the stops, with bold proportions, carved trim details, and a center tower capped with a mansard roof. The tower was removed in 1956, but the rest of the house is just stunning. Architect-designed houses for their own residency are always fun to find!

Francis Waldron House // 1867

Francis Ashby Waldron (1816-1898) was born in Buckfield, Maine to an old New England family. He moved to Portland for job opportunities and worked as a merchant, eventually establishing Waldron and True with business partner Samuel True. The firm was engaged in dealing grain, salt, corn, and more. After a few years of profits, Francis had this Italianate style mansion built on the fashionable Deering Street just west of Downtown. The property was passed down to his children after his death in 1898, and it remained in the family until 1950. The house originally had a prominent belvedere at the roof, but it was eventually removed. The former Waldron House is now maintained as a law office.

Printer’s Exchange Building // 1866

Why is commercial architecture from the second half of the 19th century so perfect? This structure in Downtown Portland is known as the Printer’s Exchange Building and was built in 1866, amongst the ashes of the buildings lost in the Great Fire of 1866. Charles Quincy Clapp is credited as the designer of the structure, which is Italianate in style with the paired round arched windows set into larger openings. The rounded corners are a really subtle but splendid touch in the design. The building got its name as it was home to the Eastern Argus and the Portland Daily Press, among other newspapers who rented the space from owner, Horatio Nelson Jose. I really like this one!

Thompson Block // 1868

Another of Portland’s stunning mid-19th century commercial blocks is the Thompson Block, built in 1868. The structure is one of the most high-style commercial buildings in Maine and is in a great state of preservation. The building was designed by George M. Harding, a VERY busy architect after the disastrous Great Fire of 1866, which destroyed much of Downtown Portland. The building stands three-stories tall with a polychrome slate mansard roof providing a full fourth floor, a subtle and great way to get extra height without making a building too overbearing. The mansard is broken up at the facade by dormers with round-arch windows and keystoned and eared hoods. If only all cities held off urban renewal, we would have so many more structures like this!

Portland Mariner’s Church // 1828

Talk about a unique church! The Mariner’s Church in Downtown Portland was built in 1828 and is modeled after Faneuil Hall in Boston and East India Hall, Salem, Massachusetts; and was the first Greek Revival building in Portland (with some lingering Federal flair). It also for many years was Portland’s largest building! Its concept was that of a place of worship and education center for seamen of the port city between their voyages on the open sea. The ground floor was designed to house shops for merchants whose rent would support and maintain the building. The structure is virtually unchanged from how it looked nearly 200 years ago and showcases the importance of the sea to the port towns and cities of New England!

Portland Custom House // 1868

Probably my favorite building in Portland, Maine is the former Custom House building, an imposing granite building located a stone’s throw from the Portland Harbor. It was built to accommodate the city’s growing customs business, which, by 1866, was collecting $900,000 annually in customs duties—making Portland one of the most significant seaports in the country. The building is typical of the notable designs completed under the direction of Alfred B. Mullett, Supervising Architect of the Treasury from 1865 to 1874. Constructed between 1867 and 1872 (due to delays in obtaining granite for the upper stories) the U.S. Custom House combines elements of the Second Empire and Renaissance Revival styles and is one of the best preserved custom houses in New England. The interior custom hall is especially remarkable.