new england architecture

Ashford Academy // 1825

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Built in 1825, the Ashford Academy school building is the last remnant of what was Ashford, Connecticut’s once thriving town center. The taverns, church and businesses which were once located here have almost entirely been razed, leaving just this school building as the remaining structure. Ashford Academy was founded about 1825 when a group of citizens raised funds toward adding a second story to a schoolhouse then under construction in the town center. Only one teacher was hired per term, and some years there were no academy classes at all. The last academy session was held in 1875, though the building continued in use as a district school until 1949. The building is significant, not only for its siting and connections with the town’s early days, but also architecturally as a high-style school building for a more rural setting.

Butterfield Mansion – Derby Line Village Inn // 1903

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Once described in a local history book as: “The largest, most glamorous home ever built in this [Derby Line] village”, the Butterfield Mansion is one of Northern Vermont’s best early 20th century houses. The house was built between 1901-1903 for Gen. Franklin G. Butterfield (1842-1916) who before this, received the country’s highest award for bravery during combat, the Medal of Honor, for his action at Salem Heights, Virginia on May 4, 1863 during the American Civil War. He would eventually move to Derby, Vermont, where he established the Butterfield Company, who specialized manufacturing axle cutters. Butterfield hired architects, James T. Ball and Gilbert H. Smith of Boston, who also designed the Haskell Free Library and Opera House in town that same year, to design his Colonial Revival mansion and intact carriage house. Today, the Butterfield Mansion is known as the Derby Line Village Inn.

Derby Line Border Station // 1932

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Located on the border of Canada in the northern part of Vermont, Derby is a charming town named after Derby, in England.  Located in the region known as the Northeast Kingdom, the area has benefitted from timber, maple sugaring, hop vineyards, and dairy production in its history since it was settled in 1795. This border crossing is located between the villages of Derby Line, Vermont and Stanstead, Quebec, both of which are developed up to the border, and without the security and signage, you’d never guess they are different countries! The cross-border relationship was cemented in part by the construction in 1904 of the Haskell Free Library and Opera House (last post), which straddles the border and provides library services to both communities. This station was formally opened in 1932, when the main building was completed. It is one of several standardized inspection station layouts developed by the United States Treasury Department, and was the largest and most architecturally sophisticated of those built in Vermont in the 1930s. It was built as part of a program to improve border security developed to respond to increased use of the automobile, increased illegal border crossing, and smuggling related to Prohibition. After the 9/11 terrorist attacks, the border was secured and a new station directly on the border was built.

Hall’s Block // c.1883

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This diminutive commercial block sits on Water Street in Warren, Rhode Island while small in size, packs an architectural punch! The late-Italianate style wooden block exhibits its original wooden storefronts, second floor round arched windows with stained glass, and ornate detailing including the brackets, parapet and period-appropriate paint colors which allow those details to pop. The shop was owned in its early days by the Hall family, who sold drygoods. Later, the building was used as an antiques shop on the ground floor with a studio for author and illustrator, David Macaulay on the second floor. These types of smaller-scale commercial spaces are some last remaining (relatively) affordable spaces for small businesses to operate. So lets make sure we

Rebecca Maxwell Phillips House // 1804

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Another of the “wedding gift houses” in Warren, Rhode Island is this Federal style mansion on State Street! The house was funded by James Maxwell, a wealthy local merchant who profited by the transport and sale of enslaved Africans. A large part of Maxwell’s wealth was attributable to the sale of enslaved captives, such as those aboard Maxwell’s schooner Abigail, which left Warren in September 1789. The captain of the vessel, Charles Collins, purchased 64 slaves on the coast of Africa, and sold them in the Americas by June of 1790. Of the 64 captives embarked on the ship, only 53 survived the voyage. This home was built as a wedding gift to his daughter Rebecca and her new husband, William Phillips. The three-story mansion exhibits a pedimented fanlight transom, corner quoins, and a shallow hipped roof. The property has always included two lots, the other lot has long had a Japanese Beech tree, brought from Japan by Commodore Joel Abbot in 1853.

Hill-Collins House // c.1761

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Located at the corner of Water and Baker streets in Warren, Rhode Island, this Georgian Colonial-era home oozes charm! The house was built around 1761 for, and likely by shipwright William Hill. Mariner Caleb Collins, who had a wharf near the foot of Washington Street to the south, bought the house in 1806, and sea captain Haile Collins lived here in the mid-19th century. The house was restored in the early 2000s by architect and preservationist Lombard Pozzi, who is credited with restoring and preserving many iconic buildings in this area.

Rufus Barton House // 1782

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Warren, Rhode Island is an often overlooked town for tourists, making it my favorite hidden gem in the Ocean State. The town is home to a bunch of Colonial-era homes, stunning institutional buildings, and industrial sites, oh and a lot of local businesses and restaurants. This charming house was built in 1782 for Rufus Barton and his wife, Prudence Cole. Rufus Barton sold the property to Nathan Burr for $775 in 1797 and the family moved to New York. Nathan Miller Burr sold the home to William Eastabrook two years later. Captain Eastabrook/Easterbrook had just returned from an illegal* slave voyage on the “Betsey” to Africa that resulted in the enslavement of 79 Africans who were sold into slavery in Havana, and purchased this home soon after with money he earned on that voyage. The new owners have done an amazing job restoring the house and telling the full story of the ownership, a task not many want to undertake with such complex and troubling past, but it is important!

St. Denis Catholic Church // 1838

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Believe it or not, this church in rural Whitefield, Maine is the second oldest Catholic Church in New England! As Irish and French Canadian families settled in this part of Maine in the early 19th century, Catholic churches were needed to provide worship space for those families. The church community of St. Denis began in 1818 when Father Dennis Patrick Ryan, an Irish immigrant serving at St. Patrick Church in Newcastle (the oldest Catholic Church in New England), moved to Whitefield to serve the influx of Irish Catholics and soon founded the church. Fr. Ryan oversaw the construction on a wood-frame structure built on this site. As more Catholic families settled here, a more permanent building was needed, and between 1833 and 1838, the main portion of the present brick church building was constructed around that original church. The tower was added in 1861, and the stained glass windows also date from later in the 19th century following the growth and prosperity of the church and its members. The St. Denis Parish House was constructed across the street in 1871 and is a lovely Romanesque style building.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.

Yale University – Alumni Hall // 1851-1911

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Alumni Hall at Yale was designed and built between 1851-1853, at the northwest corner of Yale’s Old Campus. Its was designed by Gothic specialist architect Alexander Jackson Davis, who completed Dwight Hall (the Old Library) a some years prior. The building had a large, open floorplan on the first floor for large gatherings as well as the entrance examinations, along with the biennial examinations that every student had to take at the end of his sophomore and senior years. As the building turned 50 years old, the campus around it was already looking very different. Shifting priorities for dormitory space in the yard necessitated its demolition for Wright Hall (next post). Alumni Hall was razed in 1911, but its two crenelated towers were salvaged when the building was demolished. They were incorporated into Weir Hall which has been incorporated into Jonathan Edwards College, one of Yale’s residential colleges.