North Easton Savings Bank and Post Office // 1904

Located across the street from the iconic Oakes Ames Memorial Hall and the Ames Free Library, the North Easton Savings Bank and Post Office building perfectly compliments the Richardsonian Romanesque enclave found in the village, but it was not designed by the renowned architect whom the style is named after. The building was constructed in 1904 from plans by the firm of Shepley, Rutan and Coolidge, a Boston-based firm that grew out of Henry Hobson Richardson’s practice after his death in 1886. For this building, which served as a bank and local post office, the firm employed many of the hallmarks of the Richardsonian Romanesque style, just in a refined, less elaborate style. The building has walls of rough-faced granite ashlar blocks with brownstone trim and engaged columns. The three-bay front façade contains the centered entrance, recessed within a wide brownstone arch in the signature Richardsonian manner. The bank moved out of the building in the 1960s, and the building has served as professional offices ever-since, and is a contributing resource in the iconic enclave of buildings in North Easton.

Oliver Ames Jr. House // 1864

Located on Main Street in Easton, Massachusetts, this stately Italianate style mansion stands as a reminder of the wealth and status of the Ames Family in the 19th and 20th centuries. The residence was built in 1864 for Oliver Ames Jr. (1807-1877), who along with his brother, entered into the family business of Oliver Ames & Sons, shovel manufacturers. It was a prosperous time to be in the shovel business, as the nation was experiencing a dramatic expansion of canals, railroads, and other major infrastructure, all of which were built by men swinging shovels. From this, Oliver Ames also served as president of Union Pacific Railroad while the railroad was busy building the First transcontinental railroad in North America, making him an immense fortune. For his residence in his hometown, Oliver Ames hired the Boston architect, George Snell, to design this mansion, which was called Unity Close by its owner. Square in plan, the residence features a symmetrical facade, elaborate window hoods, bracketed cornice, and a hipped roof capped by a belvedere.

North Easton Grammar School // 1916

Built in 1916, the North Easton Grammar School was a gift to the inhabitants of the town of Easton by three of the children of Frederick Lothrop Ames (1835-1893) and Rebecca Caroline Blair Ames, in memory of their parents. The gift to the town was made to alleviate overcrowding in the village’s existing schools and consolidate them in a handsome, modern school building. For the new school, the Ames heirs hired architects, Charles Munroe Baker and Stanley Brampton Parker, who formed an architectural office in the early 20th century. The two-and-a-half-story red brick school building is rectangular in plan and is capped by a hipped roof. Sited upon a rise on the town’s Main Street, its grandiose scale and design showcases the wealth and influence the Ames Family had on this small town. Eventually, the town schools consolidated into larger, Modern buildings and the former North Easton Grammar School was converted to professional offices.

Oakes Ames Memorial Hall // 1881

Located in the center of North Easton, Massachusetts, the landmark Oakes Ames Memorial Hall is the work of famed architect, Henry Hobson Richardson, and among one of the finest of his buildings. In 1879, the children of Oakes Ames (1804-1873), an extremely wealthy businessman, industrialist and congressman from Easton, commissioned the great American architect to design a Memorial Hall as a tribute to their father. Richardson, the architect of Boston’s beloved Trinity Church in Copley Square, responded with this picturesque masterpiece in his eponymous Richardsonian Romanesque architectural style, with walls of rusticated granite that are articulated with contrasting brownstone at the arches, window and door surrounds, and deep band courses. The Ames Memorial Hall is sited atop a rocky outcropping with the building accessed by a grand brownstone stair and landscaping designed by Frederick Law Olmsted. The building is relatively square in form and features a prominent corner tower, an arcaded entry of five massive arches on squat columns, and a steeply peaked roof finished in red terracotta. Often overlooked, the frieze at the top of the tower is lined with ornamental carvings of the signs of the Zodiac in brownstone. The building was provided to the Town of Easton by the Ames Family “for all the ordinary purposes of a town hall”, but it was never used for its intended purpose as the town hall, and has mainly served as a meeting space for groups and events. The Town of Easton does a commendable job preserving these nationally significant Richardson-designed landmarks for all to enjoy.

Elisha Allen Farm – Nehemiah Parker Farmhouse // 1794

In the summer of 1793, the quiet hill town of Princeton, Massachusetts, was shaken by a brutal murder that people were still discussing long afterward. Samuel Frost (1765-1793) was born in Princeton as one of three children. At 14, Samuel’s mother died after reportedly falling ill, but he blamed his father, who reportedly abused his mother for his entire childhood. On September 23, 1783, at the age of 18, Frost murdered his father while they were digging a ditch. Frost knocked his father over, and repeatedly stabbed him in the head with a handspike until his brains were exposed. Samuel Frost was tried in court for murdering his father but was acquitted on the grounds of insanity. Years later, Captain Elisha Allen (1744-1793), a Revolutionary War Veteran and farmer in Princeton, became the guardian of Samuel Frost, providing him housing and a job on his property. On July 16, 1793, during an argument in a field on his employer’s farm, Samuel Frost killed Captain Elisha Allen. In the trial, it was discovered that Frost struck Mr. Allen more than fifteen times with the blade of a hoe and left his body lying on the ground. This time there was no acquittal. At the trial, he was found sane and sentenced to death. He was executed on a hill in Worcester on October 31, 1793. Executions then drew huge crowds and a carnival-like atmosphere. Allen’s grave in Princeton’s old burying ground records that he was “foully murdered by Samuel Frost.” The old farm in Princeton was purchased a year after Elisha’s death by Nehemiah Parker, who built this brick Federal-era farmhouse in 1794. While the home is not tied directly to Captain Elisha Allen, it was upon the fields that he brutally lost his life and is forever tied to the property here.

Dr. Elisha S. Lewis House // 1914

Built in 1914, this stunning Craftsman style residence sits on Mountain Road in the charming village of Princeton, Massachusetts. The rustic house was built for Dr. Elisha Sears Lewis (1874-1954), who lived in the home and built a sanatorium behind, where he would treat patients with respiratory illness. Due to its rural location and elevation with Wachusett Mountain nearby, Princeton became a popular tourist destination for city-dwellers in the 19th and 20th centuries, looking to escape the polluted and hot summer in the urban centers of Boston and Worcester. Dr. Lewis capitalized on this demand by building his home and sanatorium with appliances for hydrotherapeutic and electric treatments along with other treatments similar to a European spa. Elisha had a child with his first wife, Jane, and while he was in Europe during WWI, his daughter and wife treated local residents who contracted the Spanish Flu during the 1918 epidemic. When the flu epidemic was over there had been 69 cases in Princeton and not one death, thanks in part to these two women. The Lewis House remains a well-preserved example of its style and is characterized by its boxy form, pyramidal hip roof with broad eaves and exposed rafters, rubblestone chimney and foundation, and multi-pane windows.

Princeton Center School // 1906-2026

A major loss to the architectural heritage of the small town of Princeton, Massachusetts, is the demolition of its old Center School in 2026. Originally built in 1906, the school was funded by the community a year prior when additional money was set aside to build the school of stone and wood, rather than the traditional brick in many other communities. The school was designed by the Worcester-based architectural firm of Barker & Nourse, who designed the building in an expression of the Shingle style, with a rustic rubblestone entry base and entrances set within arched openings, and continuous shingle siding above. The design was intentional and highlighted the small community’s history and standing as a premier summer destination with its proximity to Mount Wachusett. The Center School housed grades 1-12 until the mid 1950’s, and after just elementary and junior high. When a new school was built in 1991, the old Center School closed, but was long maintained by the town and occupied by the town Council on Aging, private studios, the Princeton Historical Society, and the Princeton Arts Society. The shortsighted decision to demolish the handsome and well-built structure was made, and the site will now be home to a Public Safety building, housing the police and fire departments, which in my opinion could have been built in front of this building or elsewhere.

Strafford Municipal Building // 1883

Designed and built by Senator Justin Morrill in 1883, this building in the village of Strafford, Vermont, was donated to the Town by Morrill in memory of his mentor and business partner, Jedidiah Harris. The gambrel-roofed building was given to the town to primarily serve as a public library, with a large collection of Harris’ personal collections. This structure remained a library until the Morrill Memorial Library building was completed in 1929. This building has remained in the ownership of the Town of Strafford and is currently used as the Town Office building providing space for the Town Clerk/Treasurer and Town Records. The white flushboarded building has Victorian detailing at the porch, but retains early characteristics of the Colonial Revival style with its gambrel roof and symmetry.

Strafford Meetinghouse // 1799

Perched atop a hill at the edge of the town common in Strafford, Vermont, the Strafford Meetinghouse exemplifies the traditional New England meetinghouse. The town of Strafford was settled in 1768 by settlers from Connecticut under a charter issued by the Governor of New York. Today, it may be best-known as the hometown of Noah Kahan. The meetinghouse was the first structure to be built in the present village and was constructed in a central position within the township on the turnpike between Montpelier and Boston. Built in 1799 by local carpenters, the structure served as a site for town meetings and house of worship for various congregations in the community. At the time of the disestablishment of the churches in Vermont in the early 19th century, many meetinghouses like in Strafford, passed to the possession of churches, however, both of the leading church groups in the town decided to build their own churches. As a result, the old Strafford Meetinghouse remained the property of the Town to accommodate local civic meetings. The exterior of the building is largely unchanged besides the addition of the tower and belfry on the primary facade in 1832. The building remains one of the finest and best-preserved examples of a 18th century meetinghouse in New England, and with its bucolic setting, it often serves as a backdrop and feature in photoshoots and New England travel publications.

Union Trust Company Building // 1901

Said to be the first skyscraper built in Providence, the Union Trust Company Building on Dorrance Street is one of the finest architectural masterpieces in Rhode Island. The twelve-story tower is finished in red brick with limestone trim and features the base-shaft-capital organization, a design standard for early skyscraper architects to make very tall buildings look balanced. The base here as the bottom two floors, entirely uses stone to show strength, holding the weight above and with large glass windows for the street edge; the shaft uses repeating window designs and showcases the height of the building, drawing your eyes upward; and the capital, which brings a strong cornice and intricate parapet serving as a crown, finishing the building. The architectural firm of Stone, Carpenter & Willson furnished the plans for the building for Marsden J. Perry, the President of the Union Trust Company, as the company offices with a banking hall at the ground level. Above the entrance a sculpture, Indian and Puritan by Daniel Chester French, greets visitors along with the many stained glass medallion windows. The Union Trust Company Building is really a feast for the eyes!

Stone Estate and Gate Lodges // 1910

Jutting into Buzzards Bay in Marion, Massachusetts, Great Hill is significant not only as the highest point in town but it is also home to one of the grandest estates in New England. Before the present mansion and various outbuildings were constructed here in the early 20th century, the property was home to Marion House, a sprawling 1860s resort hotel that drew hundreds of summer guests every year. In the early 1900s, Boston financier and Hayden, Stone & Co. co-founder, Galen L. Stone (1862-1926) bought the entire 312-acre peninsula and had the old hotel torn down. In its place, Stone commissioned this massive Tudor-style stone mansion with a central Great Hall built from stone quarried in Pennsylvania and shaped on-site by dozens of stonecutters. The estate was designed by architect, Horace Frazer of the firm, Chapman & Frazer, and it takes strong design elements from the country estates in the English countryside. Inside, the spaces are finished largely in oak with the grounds dotted with formal gardens, greenhouses, by landscape architects, Shurcliff & Shurcliff. The castle-like Main House, was greatly reduced from its original size in the 1950s to make the residence more manageable for later descendants, but even over one hundred years later, it remains one of the most impressive English Revival country houses in the United States, and the property’s grounds are open on weekdays for walking and cycling on paved roads.

Point Rock Cottage // c.1894

One of the many beautiful late 19th century shingled “cottages” overlooking Sippican Harbor in Marion, Massachusetts, Point Rock Cottage stands out not only for its siting on the waterfront, but also for its preservation. As any good summer cottage must have a name, Point Rock Cottage derives its name from its location overlooking the rocky coast and Sippican Harbor on the tip of the village. The Shingle style cottage was built for David W. Lewis (1833-1915) of Boston, who purchased the land in 1893 and had the house built soon after. Lewis began his career in the retail shoe business in Vermont until he enlisted in the Union Army in 1862, serving in the 9th Vermont Volunteer Regiment. Lewis rose to the rank of major and saw action in several major campaigns of the war. After the war, David Lewis married Elizabeth T. Willett and they moved to Hyde Park in Boston where he shifted professions and became a dealer in building materials, which he saw immediate success as many Boston areas saw development in the late 19th and early 20th centuries. The architect is not presently known, but it is probable that the cottage was designed by William Gibbons Preston or Charles Allerton Coolidge, both Boston architects who designed many of Marion’s summer homes and both of whom summered in Marion themselves. Architecturally, the residence is a blending of Shingle and Arts and Crafts styles with the low-pitched roof and continuous shingled cottage encircled by a one-story integrated porch supported by wood shingle clad rectangular posts with a Chinese-fret work railing.

Kittansett Club “Winter House” // 1925

Across Sippican Harbor from the town village of Marion, Massachusetts, the Kittansett Club property provides some of the best views and recreation in town. The Kittansett Club was founded by a group of members of the Beverly Yacht Club in 1922, who at the time held some recreational uses on the tip of this peninsula, known as Butler’s Point. Kittansett was derived from two Native American words, “Kittan,” said to mean “sea,” and “Sett,” said to be a common word-ending for “near”, roughly translating to “near the sea”. The wealthy group of men who developed the peninsula with assistance from the Olmsted Brothers, landscape architects, totaling over 180 acres, a substantial portion was leased to the golf club while approximately 16 house lots were retained for those fronting the cost, to members of the club to help defer the expenses of developing the course. In 1925, the Kittansett Club undertook the construction of what became known as the “Winter House,” (the current clubhouse) which was a winterized building with heating and plumbing. The Colonial Revival building is sited so elegantly at the tip of Butler’s Point, looking out at Buzzards Bay. The buildings and grounds were heavily damaged by the Hurricane of 1938 and the property would soon after serve America’s defensive interests during World War II, when all of Butler’s Point was taken over by a Coast Artillery Unit. More than 100 G.l.s were billeted in Winter House. Today, the exclusive club is open to members and private events.

Blankinship House // 1852

This perfect mid-19th century cottage showcases what makes coastal New England so special. Located on Main Street in the walkable historic center of Marion, Massachusetts, this 1852 home was built by Warren Blankinship (1816-1898), a carpenter, as his own residence. It was built just before his second marriage to Mercy Wing in 1853. A series of tragedies struck Blankinship’s marriages as he outlived three of his four wives. A well-preserved example of a modest Greek Revival home, it is clad in cedar shingles, a hallmark of many coastal homes in New England. White Cedar shingles are so popular historically as the species is such a hard wood that pieces are naturally insect and rot resistant and hold up amazingly well to salt air. Early colonists noted the use of the tree for canoes and other objects by Native people and followed suit, constructing homes from the native tree.

Tabor Academy Building – Marion Town Hall // 1876

This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.