Williams-Black Stable // c.1865

This charming stable building on Chestnut Street on the Flat of Beacon Hill, Boston, was probably built around 1865 for Elijah Williams (1804-1879), a shipping merchant who also served a term on the Boston Common Council. Elijah and his wife, Mary, lived on Louisburg Square and had this stable built to hold their stable, sleigh and horses. Additionally, the stable housed a small residence inside for the stable-keeper and coachman, who would chauffer the Williams’ around and take care of their horses. In the early 20th century, the stable was owned by George Nixon Black (1842-1928), an heir to a Boston real estate fortune that came to Boston to manage the office of his father’s lumber business. He eventually became one of Boston’s largest individual taxpayers and besides his home in Boston, spent time in other homes including the late Kragsyde in Manchester-by-the-Sea and Woodlawn in Ellsworth, Maine, now a house museum. The stunning Second Empire style stable building is built of brick with granite lintels, sills, and surrounding the carriage doorway, over which is a mounted statuary of a horse head as a nod to the building’s original use.

Burke’s Hack & Livery Stable // c.1865

This handsome two-story brick stable on Byron Street in Boston’s Beacon Hill neighborhood was built around 1865 for the Sigourney family, and its front façade retains a distinctive appearance associated with that period. The brick façade sits on a granite base, and the first story contains two entrances characteristic of its stable use: a vehicle door providing access to ground floor and a domestic entrance connecting to stairs leading to upper levels including stableman’s quarters on the top floor. Around the time of WWI, the property was owned by James F. Burke, who added the painted sign over the carriage entry. The stable was converted to a residence in about 1964 for owner, Jay Schrochet by architect, Benjamin S. Fishstein and remains a single-family home today.

Thayer Stable – Toy Theatre – Richard Platt House // c.1865

This charming building at 16 Lime Street on the Flat of Beacon Hill, Boston, has seen a variety of uses from carpentry shop and stable, to working theater, and finally to a residence. Let’s dive in! 

The early ownership is murky, but by the 1870s, this two-story with mansard roof stable was owned by a “Nathan Thayer”, either Nathaniel Thayer Jr. or Nathaniel Thayer III of Lancaster, who also retained city residences in Boston. The building features two portals on the first-floor that originated as doorways, the wider on the left for horses and a carriage, and the smaller for access to residential space for the stable-keeper and likely a hay loft over the carriage door.  After the turn of the 20th century, the Flat of Beacon Hill gentrified into an exclusive enclave of residences, antiques shops, and artist studios and the former Thayer Stable was purchased by Frederick Oakes Houghton, an agent for transatlantic steamers. Houghton rented the building to an amateur theatrical group who organized as the Toy Theatre, that was founded in 1911 to present plays that had not been presented professionally in Boston. The founding group consisted of the usual, artistic, high society types, and had seating for 129 with no standing room. Houghton hired architect, Harold Symmes Graves, to convert the building into its theater use, enclosing the former carriage door and hay loft with multi-light windows, and creating a larger space inside for productions. The Toy Theatre did very well (due in part to its membership of upper-class Boston residents) and a new, purpose-built Toy Theatre was built in the Back Bay by 1914. In 1917, the former stable and theatre was purchased by Richard B. Platt, a musician and music teacher, and converted to a residence, a use that has remained ever since. 

Carpenter’s Shop – Fishelson House and Store // c.1860

A rare extant wood-frame building in Beacon Hill, this Second Empire style building at the corner of Chestnut and River streets is one of the neighborhood’s most charming. It is likely that some of the wood-frame structure was originally a rear ell to the 1830s Greek Revival house it adjoins at 34 Charles Street. By the 1860s, the building was renovated for use as a carpenter’s shop, with the mansard roof, quoins, and loft door added at that time. City records indicate that the house on Charles Street housed tradesmen and it was listed as “Temporary Home”, the predecessor to the city Overseers of the Poor Temporary Home, a charitable organization providing lodging and food to those in need. From the late 1920s, the property was owned by Max and Rebecca Fishelson, who resided in and operated their florist shop here. In 1936, the former carpenter’s shop was renovated to contain a retail store on the ground floor with a two-family dwelling above, one for the Fishelson’s and one for their daughter. for a renovation of the wood frame annex on
Chestnut Street, which involved changing the occupancy of that section from a store and carpenter shop to a store and two-family dwelling: one for the Fishelsons and one for their daughter.

Amory-Richards House // 1865

Built in 1865 along with its neighbor and later renovated in the Colonial Revival style, the Amory-Buckingham House on Colchester Street stands as an altered, yet historically significant residence in Brookline’s important Longwood neighborhood. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory was likely his main residence when not residing at his Boston townhouse or summer residence in Bar Harbor, Maine. The property was sold by the end of the 19th century to Edwin Buckingham and in 1902 to George L. Richards, who had the home expanded with an additional floor added with gambrel roof. A detached stable was also constructed around this time.

Amory-Boit House // 1865

Built in 1865, the Amory-Boit House on Colchester Street in Brookline‘s exclusive Longwood neighborhood, is a stunning Second Empire style home with connections to prominent local families. The residence has a one-story stone base which meets the slate mansard roof providing two-and-a-half stories above which are crowned by iron cresting at the peak of the roof. The property was one of the early homes built in the area, developed by David Sears, one of the wealthiest property owners in Boston, who recognized the potential for development of this marshy area of Brookline due to its close proximity to the city. A large lot on Colchester Street was purchased by Dr. Robert Amory (1842-1910), who in 1864, married Marianne Appleton Lawrence (1843–1882), daughter of Amos Adams Lawrence, a major developer of the nearby Cottage Farm neighborhood of Brookline. This stone cottage, one of two neighboring homes built at the same time for Dr. Amory, was likely rented to friends and family with the other as his primary country house. This home was later sold to real estate and insurance businessman and author Robert Apthorp Boit (1846-1919). Robert Boit published the novel, Eustis in 1884 and his family history, Chronicles of the Boit Family and Their Descendants, in 1915. The home and its neighbor had been undergoing renovations for a while and are located within a local historic district.

Sears-Amster Cottage // c.1865

Prior to 1850, the area today known as the Longwood neighborhood of Brookline remained largely farmland on the banks of the Muddy River. In the first half of the 19th century David Sears (1787-1871) and Amos Lawrence (1814-1886), both prominent Boston businessmen, bought up large tracts of what had been Judge Sewall’s estate. The arrival of the Brookline Branch Railroad (now the MBTA Green Line D branch) served as an impetus to develop the area more fully. David Sears and Amos Lawrence developed houses in present-day Longwood and Cottage Farm and rented the homes to friends and family. One of the rented houses built and rented by David Sears is this Second Empire cottage which dates to the 1860s. The house was long-rented to wealthy families until the Sears heirs sold the house to Nathan Leo Amster and his wife, Estelle Dreyfus. Nathan L. Amster was a railroad executive who eventually became president of the Manhattan Railway Company. When the purchased the cottage, the Amster’s hired Boston architect Clarence Blackall to renovate and “modernize” the home, which added the Classically inspired elements. The couple did not appear to live in the house long, as they spent most of their years in their Fifth Avenue NYC residence. The Sears-Amster Cottage remains an important early house in the Longwood development of Brookline.

James W. Clapp House // c.1869

In 1868, James Wilkinson Clapp (1847-1931) married Eliza Tuckerman and they soon after moved into this large Victorian-era house on St. Paul Street in Brookline. James was the second son of Otis Clapp, a politician, publisher, and promoter of homeopathy. Otis Clapp operated a large homeopathic pharmacy, Otis Clapp & Son, which continued as a business after his death, evolving to encompass different areas of medical technology. It was one of the oldest-operating pharmaceutical manufacturers in the United States by the time it was acquired by Medique in 2008. James Clapp was also a medical doctor and at the young age of 22, acquired a house lot here on St. Paul Street and had this large Second Empire style residence built for his family. Dr. James W. Clapp worked as a pharmacist and taught courses at the Boston University School of Medicine. He spent summers at his gentleman’s farm in Bolton, Massachusetts, until his death in 1931. The Clapp House was later used as a doctor’s residence and office and a nursing home, suffering from neglect, but was ultimately restored in the early 21st century.

Gibson-Dukakis Double-House // 1881

Built in 1881 as an eclectic example of a Second Empire and Queen Anne style Victorian double-house, this charming residence on quiet Perry Street in Brookline, Massachusetts, shows that gentle density like double-houses and three-deckers provides needed housing without disrupting neighborhood character. The property was built for George Gibson and subsequently rented to two families as an investment. In the mid-20th century, half of the double-house was purchased by Michael Dukakis and his wife, Katharine “Kitty” (Dickson) Dukakis. Michael Dukakis would become a prominent politician, first being elected as a Member of the Massachusetts House of Representatives in 1963 later serving two terms as Massachusetts Governor. He was later nominated by the Democratic Party for president in the 1988 election, but ultimately lost to the Republican nominee, George H. W. Bush.

Stoneholm Manor // 1865

Stoneholm Manor is a historic estate tucked away in Sharon, Massachusetts, that remains one of the finest examples of a Second Empire style mansion and carriage house built of stone in New England. Stoneholm was built in 1865 for Horace Augustus Lothrop (1828-1898) within a year of his marriage to second wife, Sarah Gorham Swain. Horace A. Lothrop was a manufacturer and businessman with factories in Sharon and nearby towns and he invented innovative tools like hoes and wooden shanks for foot support in shoes and boots. He was also engaged in politics, serving in the state legislature and on the local school board. His country estate in Sharon is unique for its construction of locally quarried rock-face granite walls, fine mansard roof with cupola, and matching L-shaped carriage house, all in great condition. Stoneholm was listed on the National Register of Historic Places and remains a private residence.

Wooster Square Brownstone Row // 1871

This extraordinary row of brownstone homes is located on Chapel Street in New Haven, Connecticut, and overlooks Wooster Square as its southern anchor. Built in 1871, the symmetrical row of six rowhouses are clad with brownstone facades which read more like Brooklyn townhouses than what is typical in New Haven, which is why these are so special. The row was designed by New Haven architect, David R. Brown, who got his start as an apprentice under Henry Austin, and became a prolific local designer. The row was likely constructed by one owner on speculation and subsequently sold to individual owners, who have maintained the structure over 150 years since. The Brownstone Row is Italianate/Second Empire in style with window surrounds, bracketed cornice and cupolas on the flanking homes with the center two residences capped by mansard roofs.

Stephen Jewett House // 1833

This handsome Second Empire style residence on Wooster Place in New Haven was built in 1833, but in the Greek Revival style and later renovated to its current appearance. The house was one of the earliest properties built fronting Wooster Square and constructed for merchant Theron Towner, who then sold it to Rev. Stephen Jewett (1783-1861), an Episcopal minister of a nearby church. The house was designed and constructed by James English, who later became a successful manufacturer and politician. It is unclear what the original house looked like, but after the Civil War, the house was renovated with the addition of the slate mansard roof with iron cresting and side porch.

Max Adler House // 1879

The Max Adler House on Greene Street in New Haven’s Wooster Square neighborhood is a flamboyant example of Victorian-era residential architecture that is hard to classify as an architectural style. The residence was constructed in 1879 for Max Adler (1841-1916) a German-born Jewish immigrant who grew up in New Haven and became a leader in industry at a young age. Max founded the Strouse & Adler Corset Company, which is said to be the first corset factory in the United States. The company did very well and he was able to erect this residence overlooking Wooster Square park for his family. Architecturally, the house has a mansard style roof, a feature of the Second Empire style; applied stickwork in the wooden bays, porch and dormers, a feature of the Stick style; and embroidered panel brickwork and terra cotta, elements of the emerging Queen Anne style. The Adler House has been lovingly preserved and is one of New Haven’s finest Victorian-era residences.

Fisher-Mason Mansion // 1868

The Fisher-Mason Mansion on South Street in Wrentham, Massachusetts, is among the town’s finest and well-preserved Victorian-era homes. The house is said to have been funded and built in 1868 by Thomas Proctor (who lived in a large Mansard house overlooking the town common) for his daughter, Emma Proctor as a wedding gift upon her marriage to husband, Henry Kollock Fisher, a shoe manufacturer. The couple lived in the home, raising four children here until 1910, when the Proctors sold the property to Otis N. Mason of Providence. Today, the Fisher-Mason Mansion is known as the R. J. Ross Funeral Home, who have operated a funeral home from the residence since before WWII. The mansion features a mansard roof with unique mansard gable at the side sheltering an ocular window.

Proctor-Brown Mansion // 1861

The Proctor-Brown Mansion in Wrentham, Massachusetts, is a striking example of Second Empire style of architecture and even retains its historic carriage house of the same period and style. The mansion was built in 1861 by Thomas Proctor, a wealthy businessman and industrialist from Providence who earned his fortune by inventing a gimbel point for screws with his company, The American Screw Company. He and his wife, Wrentham native Zeolyde Antoynette Hawes Braman, lived in the home until their deaths in the 1880s. The Proctor Mansion was later owned by Daniel Brown, owner of Wrentham Straw Works, and passed down through his descendants until 1991, when the building became the Proctor Mansion Inn, named after its first owners.