The District 13 Police Station was built in 1873 in response to the needs of a growing community. Located in what is now Jamaica Plain, it was originally intended to serve the town of West Roxbury, which was itself annexed into Boston within the year it took to construct this building! The town of West Roxbury appropriated funds for a larger police station in the dense core of their town, but only acquired land in Sumner Hill, which was a rapidly developing neighborhood with large, upper-class mansions on large lots. To appease the neighbors, the town hired architect George Ropes to design this brick Victorian Gothic building with slate roof, punctured by a number of dormers. The building is one of the best-designed civic buildings in the present city of Boston and appears much as it would have when built 150 years ago. After West Roxbury was annexed, the City of Boston constructed an addition at the rear, designed in 1892 by Edmund M. Wheelwright, architect for the City of Boston, to serve as a municipal court building. The ornate building continued its use as a police station until the early 1980s until it was deaccessioned by the City of Boston and sold, subsequently converted to condominiums. I wonder if they kept the jail cells!
St. John’s Episcopal Church in Jamaica Plain, Boston, is a sprawling Victorian church dramatically sited on the crest of Sumner Hill, looking over the amazing neighborhood. The church was a local affair as it was designed by local architect Harris M. Stephenson and constructed in 1882 of rough-faced rubble Roxbury puddingstone (a locally harvested stone) with tan sandstone trim. Not all about the church is local though, some national players left their mark on the design. The church contains a collection of significant 19th century stained glass windows, including works by the studios of John LaFarge, MacDonald/McPerson, and Louis Comfort Tiffany. Additionally, there are two murals by nationally known artist George Willoughby Maynard. This church building is the second house of worship for the Episcopal congregation in Jamaica Plain. It was built on land bequeathed to the church by General William H. Sumner, lawyer, legislator, adjutant general, historian and developer of East Boston. The amazing Victorian Gothic building underwent a full restoration about a decade ago, thanks to preservation grants. The church remains an active congregation and advocates for both spirituality and social justice.
Next door to the Fanny Weld House (last post) and the iconic Loring-Greenough House, this Queen Anne home in Jamaica Plain, Boston, packs an architectural punch, but is kind of hidden from the public view. The home was built in 1883 for Edward Sherwin, an agent for the Philadelphia and Reading Coal and Iron Company, who seemingly marketed their coal to the Boston area. The company was the largest producer of anthracite coal in the United States from 1871 through the 1920s. He married an Elizabeth B. Van Brunt in 1882, likely the same Elizabeth who was the sister of famed architect Henry Van Brunt. Therefore, its likely that Henry Van Brunt designed this home for his sister and her new husband as a wedding gift! This is one of the homes that I would LOVE to see the interior. The woodwork is probably immaculate!
Summer is here and I am missing my favorite place to explore, Oak Bluffs on Martha’s Vineyard. The town is sleepy most of the year, but in the Summer, the place explodes with summer residents and tourists, providing such a lively and diverse atmosphere. One of the most beautiful of the cottages in the Wesleyan Grove campground is the Kickemuit Cottage, built in 1869 for a family from Rhode Island. They so-named the cottage after the Kickemuit River which runs from Massachusetts through Warren, RI and spills out into the Mt. Hope Bay. The story goes that this double cottage was actually just a single peaked home until it was combined with another giving it the double-peaked appearance we see today. The cottage retains the turned posts, delicate gingerbread detailing, and the lancet windows and doors. Swoon!
Side note: If anyone has a cottage in Oak Bluffs that they’ll let me rent, I would love to be in touch!
Located in the Foss Beach section of Rye, NH, this Victorian summer cottage stands out among the later new construction of lesser detailed and quality late 20th century homes seen here lately. The home, known as “Tower Cottage” was built at the end of the 19th century and exhibits Victorian Gothic elements with a massive center tower. The steep wood shingle roof is punctuated by two rows of delicate dormers which add detail and views to the ocean. The massive wrap-around porch is also a must for such a prime location fronting the Atlantic Ocean!
This house was built and first occupied by George G. Lougee, owner and proprietor of the Sea View House Hotel (demolished) across the street. Before building his own hotel, Lougee was a clerk at the Atlantic House, another summer resort. Lougee eventually worked his way up and ended up managing that hotel. Lougee’s success managing the Atlantic and later, the Farragut, enabled him to pursue his own enterprise and build his Sea View Hotel. When Lougee sold the Sea View hotel, he also sold this house with it. His former Stick style home was then converted to additional rooms at the hotel until it closed in the 20th century.
In 1873 Elnathan Jones, Jr.(1829-1904) purchased house plans from a friend in Groton, adapted the plans, and built these two houses, in Acton. One home for himself, and one for his business partner Jonathan Wetherbee (1832 1926). Also near these two houses is the Tuttle House (featured last), in a different style. All three of these men were family by marriage, and ran businesses in the village of South Acton. The Jones and Wetherbee houses were built as sister houses, identical; but over the years, the Jones House has seen some unsympathetic alterations which diminish its architectural significance. The Wetherbee House (yellow) retains its original detailing and corner, towered mansard roof.
In 1894, Hiram P. Dinsmore, a clerk at the nearby Tewksbury Almshouse, purchased land not too far from his work to build a home for his family. The well-designed late-Victorian home features a wrap-around porch, a corner tower, twin sunburst or flower motifs, and the use of shingle and clapboard siding, all hallmarks of the Queen Anne style. After Hiram’s death, his wife and children lived in the home, and it was later willed to his daughter Beatrice and her husband, both of whom worked at the Tewksbury Almshouse (since renamed Tewksbury Hospital). The home has seen some deterioration with large sections of siding completely open to the elements unobscured by paint and a sagging porch roof. Hope to see this beauty restored.
Located on Commonwealth Avenue in Boston’s Back Bay neighborhood, the Hooper Mansion represents one of the most elegant examples of Second Empire architecture style in the city. This home was actually constructed as a double-house for Samuel Hooper and his wife Anne, with a separate, semi-detached home for his son and his own family. The double-mansion was designed by esteemed architect Arthur Gilman, who used pressed brick contrasted with the tan sandstone on the home. Additionally, he designed the dentillated cornice, lavish door and window surrounds, and octagonal bays, all capped with a mansard roof with many windows laid inset to the roof, a stunning feature. The house was designed symmetrically, with entrances on each side elevation. In the early 1890s, later owners extended the eastern half of the façade so that it would be on the same plane as the western half, with an entrance at street level (seen in the right of this photo). Today, the double house is broken up into four large condominium units. When the conversion was approved, the developer wrote into the deed that the open space at the corner, used as a garden, would remain open space in perpetuity.
This stunning Queen Anne house in Brookline showcases everything that is synonymous with the term “Victorian” in architecture. This home was built in 1890 for William Boynton, a flour merchant who had offices in downtown Boston. The home features an assortment of siding types, sunburst motifs, an asymmetrical facade, and a large corner tower with an onion dome. The home is painted to showcase all the fine details and intricacies seen in the design.