Tudor Revival

Frank S. Stevens Memorial Library – Swansea Public Library // 1900

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Presented to the Town of Swansea by Elizabeth Stevens as a memorial library of her late husband, Frank Shaw Stevens, the Stevens Memorial Library (also known as the Swansea Public Library) is one of the finest small-town buildings of its kind in Massachusetts. Elizabeth and her husband, Frank Stevens, lived in a large mansion nearby on Main Street and in their older years, began to bequeath their fortune to their community that they made home. The couple funded the Swansea Town Hall, a large church, and schools along with this handsome library. Built in 1900, the Swansea Library was designed by architect, Henry Vaughan, an English-born architect who designed some of the best English-inspired buildings in the United States in the late 19th and early 20th centuries. For the Stevens Memorial Library in Swansea, Vaughan drew upon Elizabethan precedence and employed the use of granite and red Potsdam sandstone to create a warm, yet stately presence on the towns Main Street. With its state roof capped by an octagonal cupola and mullioned windows in arched surrounds, the eclectic building is timeless and has been lovingly preserved by the local community, who also expanded the building to the rear, taking great care to make it less visible from the street and preserve the main building.

Adolph and Marion Ehrlich House // 1906

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The Adolph and Marion Ehrlich House on Beech Road in Brookline’s Longwood neighborhood is a stunning blend of Arts and Crafts and Tudor Revival styles, popular in early 20th century Boston suburbs. The house was designed by the firm of Andrews, Jaques and Rantoul, for Adolph Ehrlich (1868-1952) and Marion Ratchesky Ehrlich (1877-1966). Adolph was born in Boston and at the age of 11, began work in the textile business. He climbed the ranks and became a partner in a clothing company before becoming a director of the Jordan Marsh Department Store Company from 1925 until his death in 1952. His wife Marion was heavily involved in social causes until her death, including the Louisa May Alcott Club, a settlement house in Boston for young, predominantly immigrant girls.

Gahm House // 1907

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Located in the Longwood neighborhood of Brookline, Massachusetts, the Gahm House stands out not only for its size, but stunning details and architectural design. This house was designed in 1907 by the architectural firm of Hartwell, Richardson & Driver, one of the premier firms of the region at the time, who blended Arts and Crafts with Tudor Revival styles with a notable front entry. Joseph and Mary Gahm hired the firm to design their new home the same year the firm designed a bottling plant (no longer extant) in South Boston for Mr. Gahm’s business. Joseph Gahm was a native of Wurtemberg, Germany, who emigrated to Boston in 1854 and initially worked as a tailor. In the early 1860s, Gahm opened a restaurant in Charlestown, by the late 1860s he added a small bottling operation to this business. The bottling business soon expanded to such an extent that he was able to give up the restaurant business and open a large bottling plant in 1888. He eventually moved operations to South Boston where there was more room for transportation and shipping capabilities. Their stuccoed house in Brookline is especially notable for the well preserved carvings at the entrance, which include: faces, floral details, lions, and owls perched atop the newel posts. What do you think of this beauty?

Eben S. Draper Stable // c.1900

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Located next to his Tudor Revival style mansion, Eben Sumner Draper’s stable on Adin Street in Hopedale, Massachusetts, is one of the finest examples of the type in New England. It is possibly that the stable was built before the mansion was built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation executive, Eben Sumner Draper. Little is known about this building, which stands at the end of a drive and is accessed over an arched bridgeway. The building has its first floor in stone with half timbering above. Two rounded towers with conical roofs frame the center entry, which may have been used for horses and carriage, or for personal automobiles, of which, Mr. Draper would surely have one of the first in the state. The building has been owned by the Ledges LLC, who operated a community for developmentally disabled adults.

Eben S. Draper Mansion // 1926

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Built in 1926 for Eben Sumner Draper Jr. (1893-1959), the son of Massachusetts Governor and Draper Corporation executive, Eben Sumner Draper, this massive Tudor Revival style mansion in Hopedale, provided a secluded country estate for the wealthy industrialist. The home was designed in 1926 by Boston architects Bigelow & Wadsworth, and replaced Eben’s father’s Shingle style country mansion “The Ledges“. The new Draper mansion was highlighted in numerous architectural magazines shortly after it’s construction, which highlighted the amazing brickwork, layout, and interior finishes, all of which remain to today! This spectacular home is over 14,000 square feet and has 17 bedrooms, several located in the staff wing, 10 full-baths and four half-baths, an in-ground swimming pool, gazebo, tennis court, and landscape design attributed to the notable landscape architect Warren Manning. In the 1960s, the home sold out of the family and was used as a home for adults living with developmental disabilities, mental illnesses, physical disabilities, the facility has since sold the Draper mansion and occupies the former carriage house on the grounds.

Dutcher Street Grammar School // 1897

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The former Dutcher Street Grammar School in Hopedale, Massachusetts, is a great example of a Tudor Revival/Chateauesque style public school building that has been adaptively reused. Built in 1897, the Dutcher Street School was designed by Charles Howard Walker of the firm, Walker & Kimball, at a cost of $40,000. The school is built of red brick with granite trimmings and is one of the finest late-19th century school buildings in the state. The school closed in the late 20th century after the Draper Factory, the largest employer in town, closed in 1980. Instead of being demolished, the Dutcher Street School was renovated and given an addition to convert the building into condominiums, a great example of adaptive reuse!

Graham Apartments // 1904

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This handsome, and unique example of a three-decker in the English Revival style is located on a corner lot at 128 Davis Avenue in the Emerson/Brookline Village neighborhood of Brookline, Massachusetts. Built in 1904 from plans by architect and genealogist, J. Gardner Bartlett, whose work focused on colonial New England and the English origins of colonial families. Trained as an architect at MIT, he gave up architecture for genealogy, but still occasionally designed buildings in the Boston area. The building here was developed for Richard Graham, an Irish immigrant, who along with his wife, operated a laundry business in the village. The use of a shingle and stone entrance porch and entrance bay with stucco half-timbering and diamond-pane casement windows stand out architecturally as one of the few examples of a three-decker built in this style in New England.

Randall House // 1927

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This handsome stone mansion in Derby, Connecticut, was built by industrialist Walter Randall (1868-1949) and his bride, Olive Vouletti Whitlock Randall (1870-1938), in 1927 on a tract of about 200 acres of farmland. Olive was a granddaughter of Isaac Merritt Singer, the inventor of the first practical sewing machine for home use, which made him one of the wealthiest men in the world. It is unclear as to who the architect was, but the stone residence was built in an English Tudor/Arts and Crafts style, possibly from stones taken from the 200-acre estate. The property was sold in 1950 to Harold and Ida Yudkin, who developed much of the land into a shopping center and housing development, but maintained this stone house and a smaller parcel surrounding it. That smaller parcel was purchased in the 2010s by a developer who restored the old house, and developed a small cul-de-sac of “green” homes on the aptly named, Singer Village Drive.

Bolton Public Library // 1903

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The Bolton Public Library was established in 1859, when the town’s library collection was housed on a few shelves in the Selectmen’s room at the Town Hall. In the following decades it became clear to the community that a purpose-built library building should be constructed in town to house the growing collections there. At the time when wealthy benefactors donated funds for public libraries in towns and cities across New England, sisters Emma and Anna Whitney gifted their hometown of Bolton, $10,000 to build a dedicated library building in memory of their father, Captain Joseph Whitney in 1901. Completed in 1903, the Bolton Public Library was designed by the architectural firm Stone, Carpenter & Willson and built of local Bolton fieldstone in the Tudor Revival style. Of particular architectural merit is the red tile roof and three gabled bays with carved stucco and woodwork within half-timbered frames. The library was added onto in 2010 from plans by Lerner Ladds & Bartels Architects, who replicated key materials and forms so the new wing feels coherent with the original yet clearly differentiated.

Onteora Park Library // 1906

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Built in 1906, the Library at the Onteora Park summer colony in Hunter, New York, is one of the many architectural treasures in the development. Designed by George A. Reid, the Canadian artist, architect, and summer resident of Onteora Park, the Tudor-style Arts and Crafts building was constructed in 1906 and opened to a collection of over 1,500 books and a full-time librarian during the summer season. Built of wood-frame construction with stucco exterior finish and adorned by half-timbering, the building has been lovingly maintained and preserved by members of the community for over 120 years.

George F. Loring House // 1895

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The George F. Loring House on Highland Avenue in Somerville, Massachusetts, is an architect-designed house designed as the architect’s personal residence. While the architect specialized in the Richardsonian Romanesque and Colonial Revival styles, for his own home, George Loring crafted a free interpretation of seventeenth-century medieval architecture with a brick first story and upper floors overhanging and sheathed in cedar shingles. Loring trained in the office of Boston City Architect, George A. Clough, before establishing his own practice. By 1895, when he constructed this residence on Highland Avenue, Loring was in partnership with Sanford Phipps, specializing in the design of large single-family homes in the Boston metropolitan area.

Irving-Strauss Mansion // 1906

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This unique Tudor Revival style house in the Cottage Farm neighborhood of Brookline was built in 1906 for Irving J. Sturgis (1873-1924), a banker and broker originally from Michigan. Architect Joseph Everett Chandler, specialized in the Colonial Revival style and historic restorations, but was clearly adept at other styles as evidenced in this stately manor for Mr. Sturgis. After WWI, the property sold to Mr. Leon Strauss, who worked in dry goods. The Irving-Strauss mansion is constructed of brick with cast stone trim and features classic ornamentation seen in the Tudor Revival style. Steeply pitched gable roofs have stone
coping, metal windows are casement or fixed with small pained lights and are framed in cast stone trim. Framing the entranceway is a brick and stone gateway, of which, a garden wall extends around the property, with a stately garden gate surmounted by stone finials displaying the flair of the style.

Curtis House – Boston University Children’s Center // 1904

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Built in 1904 as one of the finest Tudor Revival style residences in the Boston area, this residence in the Cottage Farm neighborhood of Brookline showcases all of the important elements of the iconic architectural style. The residence was built for Harry and Carrie Curtis, with Mr. Curtis being a partner with Curtis & Sederquist, bankers and brokers, with offices on Congress Street in Boston and in New York City. The couple hired architects Howard B. Prescott and William Sidebottom of the firm, Prescott & Sidebottom, to design the house. Rectangular in plan with massing enlivened by numerous cross gables and dormers, the house is decorated with exterior walls covered with wood shiplap at first story and half-timbered stucco at second story. The property was sold to Helen and Edward Mills by 1913. Mr. Mills was president and treasurer of the Edward C. Mills Leather Company. By 1931, the residence was owned by Erland F. Fish (1883-1942), a prominent lawyer and politician as well as the son of Frederick Fish, who owned the house across the street. Boston University purchased the property in 1964 as part of their institutional expansion into this neighborhood. Originally used as an alumni house, it later became the location for the Department of African American Studies. After an extensive expansion and restoration by Studio MLA (now Ashley McGraw Architects) and Kaplan Construction, the Tudor mansion is now a children’s daycare for Boston University faculty, staff, and graduate students.

Edmund and Eliza Leland House // 1905

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One of the few truly eclectic houses in the Cottage Farm neighborhood of Brookline can be found here at the corner of Prescott and Euston streets. Built in 1905 for Edmund Francis Leland Jr. (1868-1963), a wool merchant, and wife, Eliza Smith Leland (1872-1949), the house exhibits elements of Tudor Revival, Colonial Revival, and Arts & Crafts styles under one roof. The house was designed by the firm of Kilham & Hopkins who incorporated many design features found in early 20th century architecture. The steep gable roof, diamond pane door and half timbering is typical of the Tudor Revival style; the columned entry and large Palladian window on the side elevation are evidence of the Colonial Revival style; and the use of stucco and shingle siding, and the overhanging eaves with brackets and exposed rafters at the roof and second floor, are typical in the Arts & Crafts mode.

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.