This handsome cottage on Thurber Road in the Onteora Park colony in the Catskills of New York, was built by 1902 for Col. James P. Kimball (1840-1902), and his wife, Maria (Brace) Kimball, as their summer home. James Peleg Kimball was one of the most renowned U.S. Army surgeons of the late nineteenth century. The home was meant to be the couple’s place of respite, but Col. Kimball died here in 1902, not long after the family moved into the home to enjoy the fresh air of the Catskills. Maria Kimball retained the cottage for years until it was sold in 1919, and owned later by Clayton McMichael of Pennsylvania, and a director of the Onteora Summer Theatre. The rustic Shingle/Arts and Crafts style cottage was originally named Beauford Lodge, and was later named Stone Acres by McMichael.
Once the heart of the Onteora Park colony in the Catskills Mountains, this large building was known as the Bear and Fox Inn. The inn was built in 1888 from plans by young architect Dunham Wheeler (1861–1938), the son of the founder of the colony, Ms. Candace Wheeler, along with three cottages, while Ms. Wheeler’s Associated Artists interior design company provided the upholstered furnishings. Candace’s daughter, Dora (Wheeler) Keith, painted an inn sign depicting a bear and fox dancing by the light of the moon. In the early development of Onteora Park, there was no sewer or water system, and the original cottages had no kitchens built within the homes. As a result, the Bear and Fox Inn provided a space where cottagers would meet daily for meals. By the 20th century, cottagers would add kitchens inside their homes, and some dinners and events were moved to the Field House. The Bear and Fox Inn was altered with the removal of the large dining room, and converted to a private residence, which remains to this day. The structure is an excellent example of the Arts and Crafts style in a rustic finishes, typical for Upstate New York summer cottages.
In 1881, Gilbert Streeter and his wife Rebecca purchased a small house lot in the Salem Willows for a summer cottage for them to retreat across town to during the warmer months. Gilbert Streeter was an amateur historian, businessman, publisher of the Salem Observer and was able to afford a second residence in his hometown. The Streeter cottage was built by 1882 and stands out not only for its excellent state of preservation, but for its unique architecture. The cross-gabled form cottage is covered in board-and-batten siding with bargeboards lining the eaves.
While Salem is best-known for its First Period and Federal style buildings, the Salem Willows neighborhood features some of the finest Victorian summer cottages in the Boston area. This cottage was built in 1885 by William Marston Bates (1820-1912), a Salem-based dentist, as his summer retreat when not in the office. The Stick style cottage has a steep gable roof with jerkinhead clip at the facade and a wrap-around porch with decorative jigsawn bracketed details. The house is a well-preserved example of the style, examples of which are becoming less-and-less frequent in recent years.
One of the larger summer cottages on Hull Hill is the Miles Standish Cottage, which dates to around 1890. The cottage was built after the nearby Hull Yacht Club was completed in 1882, which was apparently the second largest yacht club upon its completion. Owner L. Miles Standish was the first owner and the eclectic Craftsman/Shingle style cottage has been lovingly maintained by all subsequent owners. The house appears to now have the name “Last Best Place”, which is very suitable!
Hull Hill is a relatively unknown enclave of summer cottages that sit on a rise overlooking Boston Harbor in the coastal community of Hull. The development of Hull Hill began in the 1870’s but became most active in the 1880’s and 1890’s. The land here was previously maintained as pasture and gardens by Hull villagers, but the land here was eventually sold and developed when the Hingham Water Company came to Hull in 1882. That same year, the railroad arrived which provided easier access to the town. This cottage on Andrew Avenue is one of the earliest summer residences built here, and dates to the late 1870s or early 1880s. The cottage was owned by Owen Augustus Galvin, a Boston lawyer, and his wife, Jane Sullivan Galvin. The unique cottage features a hexagonal section with a roof extending down to meet the wrap-around porch. The cottage exemplifies late 19th century cottage/resort architecture.
When Andrews Point in northern Rockport, Massachusetts, was opened for development by speculators Eben B. Phillips and George Babson, they envisioned the colony, “Ocean View” as a rival to other nearby summer colonies of Beverly Farms, Gloucester, and Magnolia. Roads were laid out and house lots were plotted with larger lots for big summer cottages along the coast and smaller cottage lots at the interior of the development. The rocky coast and more limited access compared to its rivals, caused Ocean View to lack in sales, but there are still some great remaining cottages to be found here. These two early cottages are great surviving examples of the modest, middle-class homes for summer residents. These two charming Victorian cottages sit side-by-side and were owned by an L. Brigham and Benjamin Lewis and both are in a great state of preservation 150 years later.
Edward Payson Dutton (1831–1923) was a prominent American book publisher who founded the E. P. Dutton bookselling company in 1852 in Boston, Massachusetts. The business sold fiction and non-fiction, and within a short time expanded into the selling of children’s literature. In 1864, he opened a branch office to sell books in New York City and in 1869 moved his company’s headquarters there and entered the book publishing business. The company did very well, allowing Edward and his wife, Julia the means to build this large summer “cottage” in Ridgefield, Connecticut to escape the rustle and bustle of New York City. The couple purchased the lot in 1893 and appear to have built it soon after. High Ridge Manor is a stunning example of the Queen Anne and Shingle styles of architecture with its asymmetrical plan, continuous shingle siding with rubblestone foundation and chimney, gambrel roof, and towers.
Originally built as a Federal period farmhouse, this gorgeous estate is the epitome of what happened to Ridgefield… city money! By the end of the 19th century, wealthy New Yorkers were flocking to small towns every summer for clean air, rest, and relaxation. Ridgefield, Connecticut became an obvious option for its close proximity to New York and bucolic setting of farmlands bounded by old stone and rolling hills. As a result, wealthy summer residents purchased older estates and either demolished or renovated the homes there. Aaron Lockwood Northrop was raised in Ridgefield and was educated in its private schools before moving to New York as a young man, being awarded an apprenticeship as a dentist. Dr. Northrop went on to establish a prominent dental practice and would serve as President of the American Dental Association. As a wealthy adult, he acquired a circa 1820 house on this lot and renovated it, doubling its size and giving the residence its current Victorian flair. The summer house was affectionately named “Good Cheer”. Aaron died unexpectedly in 1908 while overseas in Paris, France. His widow, Caroline, resided at Good Cheer until her own death in 1927.
One of the largest summer estates in Ridgefield is this Neoclassical residence on Peaceable Street, which was built in 1901 for Effingham Maynard and his wife Helen. Maynard was a partner in Clark & Maynard, a New York publishing house. Local lore states that the Maynard Family hired New York architect Stanford White, to design this property, but no definitive proof could be located to substantiate that rumor. The Olmsted Brothers landscape architecture firm designed the grounds which were elaborate with gardens and outbuildings. The two unmarried Maynard daughters, Mary and Helen spent their summers here every year until their deaths in the 1950s.
One of the most iconic summer “cottages” in Kennebunkport’s late 19th-early 20th century summer colony is the Nesmith-Kent Cottage, located next door to the often photographed St. Ann’s-by-the-Sea summer chapel. The cottage was built for Julia and Mary Nesmith, the daughters of John Nesmith a wealthy industrialist and textile manufacturer from Lowell MA. The sisters named the cottage “The Pebbles”, and spent their first night there on July 24, 1891. The half-timbered shingled house stood at the edge of the ocean near a former War of 1812 fortification. The sisters sold the property in 1910 to Arthur Atwater Kent, prominent radio manufacturer based in Philadelphia, who invented the modern form of the automobile ignition coil. Kent renovated the cottage extensively, increasing its size, and renamed “The Pebbles”, “At Water’s Edge” in a cheeky play on his last name. In 1919, he expanded again, purchasing a lot adjacent to his mansion which was the old fort constructed to protect the ships moored in the harbor during the War of 1812. In early 1919, workmen uncovered a few bones of what was calculated to be a seven-foot-tall man and two skulls of white men that had clearly met their end at the hands of Native people; one pierced by an arrow and the other scalped. The Kennebunkport Historical Society has one of these skulls in their collections. Today, the Nesmith-Kent Cottage is owned by the St. Ann’s-by-the-Sea congregation as their rectory.
Eolia, the Harkness Estate, sits on the shoreline of Waterford, Connecticut and is significant as one of the most complete grand-scale, seaside estates in Connecticut. Similar to Seaside Sanatorium (featured previously), the Harkness Estate is another Connecticut State Park in the coastal town, but is quite opposite as the buildings and grounds are in much better condition and get use! The property was developed as a formal seasonal retreat and working farm in the early 1900s for William Taylor and Jessie Stillman, until it was purchased by Jessie’s sister Mary and her husband Edward Harkness soon after. Edward S. Harkness (1874-1940) spent most of his life managing, with his older brother Charles, a tremendous fortune built up by their father Stephen Harkness, who had had the foresight in 1870 to become John D. Rockefeller’s business partner by investing in the Standard Oil Company. Edward Harkness married Mary Stillman, daughter of wealthy New York attorney Thomas E. Stillman, in 1904. Mary’s maternal grandfather was Thomas S. Greenman, a shipbuilder in Mystic, Connecticut, who co-founded George Greenman & Co shipyard (now part of the Mystic Seaport Museum). As the centerpiece of this summer estate, the premier NY architectural firm of Lord & Hewlett, designed this stunning Renaissance Revival mansion which holds a whopping 42-rooms. Mary hired female landscape architect Beatrix Farrand to design the absolutely stunning gardens on the grounds. In 1918, Edward Harkness was ranked the 6th-richest person in the United States, and the couple decided to give away much of their wealth, including selling off some of their property in Waterford for Camp Harkness for children with polio. Mary and Edward were very private people who avoided public attention and acclaim, unlike many of the rich of today. Mary Harkness’s final gift, was written in her will, that her beloved estate Eolia, would be gifted to the State of Connecticut.
Stay tuned for some more buildings on this stunning estate!
This summer estate in Hollis, NH epitomizes the hidden architectural splendor that can be found off the beaten path in many small New England towns. Hollis began serving as a summer destination in the late 1880s and the trend continued until WWII. In many cases, old family homesteads became summer residences for descendants who had moved to the city but desired to return to their “roots” periodically. The Nichols Home is unique in Hollis as it was designed to be a summer retreat for a well-to-do widow and her considerable servant staff, combining all the comforts available with the advantages of a rural retreat. The design of the main house offers separate living spaces for the family and the servants, including a library, living room and dining room for the use of the family. The servants’ wing was designed to include a two-car garage, a butler’s pantry, a manual dumbwaiter connecting the basement and first floor used to transport fireplace wood and a receiving unit for the delivery of milk, groceries and other goods. Sleeping porches, capitalizing on the benefits of the fresh country air, are an integral component of the house design and are included in both the family and servant wings. The home was designed by the Boston architectural firm of Densmore, LeClear & Robbins, who were hired by the 52 year old widow’s children for their mothers’ summer home. It is said that Ms. Nichols never liked the home and decided to summer instead at the old family summer home down the street.
This quaint little summer cottage in Wesleyan Grove was built in 1875 for Hanson Arnold, a merchant and methodist from Woonsocket, R.I. The home is typical of many other summer cottages in Oak Bluffs on Martha’s Vineyard, with its delicate stick work, turned posts, full-length porch, and second story balcony with pierced bargeboards. The home was at one point named “Seas the Day”, a trend of naming the cottages occurred sometime in the 20th century by families who summered on the island, many incorporating the family’s name somehow. The home was restored recently with all new detailing and a reversion back to the original porch configuration.
Built for Melville Walker, a sea captain on land gifted to him by his father, this home perfectly exhibits the changing dynamic of Kennebunkport. Melville Walker would often be out at sea for months at a time, and he apparently brought along his wife, three daughters and son on many trips to ports all over the world. The Italianate home was eventually sold out of the family, and by 1901, it was purchased by George Little, an executive with the New York, New Haven and Hartford Railroad. That year, he had the summer home renovated with Colonial Revival detailing, including the hipped roof, dormer, and other detailing. The belvedere, 2/2 windows, and Victorian era porch were retained, showing the original form and detailing of the Italianate version. In the 1950s, the home was converted to an inn, with small cottages constructed surrounding the property to house additional families. Today, Maine Stay Inn & Cottages welcomes families from all over the world to experience the beauty of Kennebunkport.
Buildings of New England 