Cottage

Briggs House // c.1820

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This tiny half-cape house on Main Street in the harbor town of Marion, Massachusetts, was likely built around 1820 for Silas Briggs (1792-1833), a mariner, who married Desire Clark a year prior. Silas would pass away by 1833, leaving Desire widowed to raise three children and maintain their home. When he came of age, the house was inherited by Timothy H. Briggs, who followed his father’s footsteps to become a sea captain. Timothy lived here with his wife, Josephine and elderly mother, never needing to expand the home into a full cape like what was done to so many other residences in the mid-19th century. Captain Timothy Briggs died in 1877 while at sea and his widow too lived in the home into the 20th century. The old Briggs House retains its original half-cape form, 12-over-12 sash windows, central chimney, and elaborate door surround, which makes the small but mighty cottage one of my favorites in Marion!

Angier Cottage // 1939

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A rare example of a brick house in the South Coast town of Marion, Massachusetts, the Angier Cottage on South Street stands out for its architectural qualities and unique roof form. The home was built as a permanent residence for Ms. Amelia Angier of Newton, a widow who relocated to the coastal community to spend her remaining years. The brick cottage was built in 1939 and local papers noted its unique roofline that resembled that of the Aptuxet Trading Post in nearby Bourne. The steeply pitched roof is adorned by three shed dormers with the entrance treated with a Colonial Revival style louvered fan.

Marion Old Post Office – Ryder Cottage // c.1830

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Built around 1830, this little cottage is among the many photogenic buildings found along the idyllic Main Street in Marion, Massachusetts. The structure is said to have been originally located behind the Congregational Church and moved to its current location after 1855. By 1879, the structure was converted to a residence and owned by Ms. Sarah Ryder, then the widow of John C. Ryder. The vernacular cottage is sheathed in weathered shingles, which enhances its beauty and connects it architecturally with the coastal community.

Ryder Windmill House // c.1899

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Preservation and New England ingenuity at its finest can be found at this quirky residence on Spring Street in the charming community of Marion, Massachusetts. The unique home seen here was originally built around 1899 as a water tower and windmill on the estate of William H. H. Ryder (1841-1921), which generated power from the wind to pump water from a well below ground, providing a continuous supply of water to his residence. The structure was in use until 1907 when municipally supplied water became available in town. When William Ryder, who never married or fathered children died in 1921, the property was inherited by his niece, Harriet C. Ryder (1869-1943), who lived with her uncle and kept house for him. Financial struggles forced Harriet to sell the main house and convert the windmill into a small cottage in 1926. The structure was originally used as a summer cottage but was later expanded and made a year-round residence, with later owners maintaining the unique charm and form of this iconic local landmark.

Pettee Stone Cottage // c.1839

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Located next to the Pettee Stone Barn in Newton’s Upper Falls village, this equally charming stone cottage was built around the same time by Otis Pettee, a wealthy industrialist and founder of the Pettee Machine Works, which manufactured cotton and silk machinery. This cottage served as a shop and later as the residence of the caretaker of the silk mill which also had space and equipment to raise the silk worms in the adjacent barn. Later in the nineteenth century, the cottage was owned by George Pettee (1827-1896), son of Otis Pettee. In the 20th century, the structures were operated by the New England Spun Silk Corporation and it now is a single-family residence. The facade of the Pettee Cottage is three bays wide with twelve-over-twelve windows with wood shutters.

Cairncroft Cottage // 1892

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Set into the trees in Chocorua in Tamworth, Cairncroft stands as one of the many stately “cottages” built in the late 19th and early 20th centuries for city-dwellers to escape the hot summers for the fresh air and views of the White Mountains of New Hampshire. This cottage was built for Emil Christian Hammer (1823-1894), who migrated to the
United States from Denmark in 1840, where he became a prominent businessman in several Boston business, including Waltham Manufacturing Company. In the mid-1880s, he founded the United States Watch Company in Waltham, one of the most important such companies in the country. From his success and connections, Emil was appointed by President Abraham Lincoln as Danish consul in 1864. Emil purchased the land here in 1886 and built a barn and ice house before having his home and nearby stone cairn built on the grounds; the latter is likely what gave the property its name. Cairncroft was designed by Boston architect, Edwin James Lewis, Jr., an expert at Arts and Crafts and Shingle style designs. After Emil’s death, just two years after his cottage was completed, the property passed to his wife, Martha. Her daughter, Cynthia Hollis and also an accomplished artist, inherited it later and eventually passed it to her husband, John Charles State Andrew, professor of theology at Harvard and Boston
University.

Chadwick Cottage // 1891

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One of the many summer cottages tucked away in the trees in the Chocorua Colony in Tamworth, New Hampshire, the Chadwick Cottage was built in 1890 for prominent gynecologist, Dr. James Read Chadwick (1844-1905). Dr. Chadwick was introduced to Chocorua during his summer visits to the White Mountains, where he and his family stayed at local hotels as early as 1876. He purchased seventeen acres of forest nearby Chocorua Lake in 1890 on which he erected this house and its outbuildings the following year. The design of the buildings is attributed to Boston architect, Clarence Howard Walker, who was affiliated with the Boston Society of Arts and Crafts and designed this rustic cottage to fit within the forest, enhancing the landscape surrounding it. Dr. James Chadwick was a professor at Harvard Medical School and a pioneer nationally in the field of gynecology, where he played a key role in organizing the American Gynecological Society. In 1905, while vacationing at his Tamworth cottage, Dr. Chadwick died following a fall from a piazza roof. The Chadwick Cottage was sold a year later to Lillian and William G. Farlow, a world-renowned authority on fungi and other non-flowering plants, likely a friend of the late Dr. Chadwick. The cottage and its associated out buildings are lovingly preserved over a century later and exemplify the best of summer cottages in New Hampshire.

John and Mary Smith Cottage // c.1800

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One of the most charming cottages in Edgartown is this half-cape on South Summer Street, which retains its unique character amidst the extreme wealth and desire for expansion of summer homes on Martha’s Vineyard. This home dates to around the turn of the 19th century (possibly older) and in the 1800s, was home to John Sprague Smith (1808-1893) and his wife, Mary Norton Smith. John S. Smith, like most of the community, was a mariner and lived in the house until his death in 1893. The house was not originally on this lot, however, as it was originally built on the south side of S. Water Street and moved to its present location by later owner, Allen P. Stewart, a fisherman, woodcarver and artist who made wooden ducks. The house has since been added onto at the rear, but the diminutive and charming facade has been retained, with its early 20th century shed dormer on the front slope of the roof. 

Dr. James L. Wellington House // c.1823

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The Wellington House at 72 Main Street in Swansea, Massachusetts, is an early 19th century Federal period residence that was “modernized” in the mid-19th century into its current form. It is unclear who the original owner of the residence was, but the property was acquired by Julia and James Birch in the 1850s as they built their Italianate style mansion next-door. They modified this cottage in the Italianate style to match their home and likely rented the property to Dr. James Lloyd Wellington (1818-1916), a Harvard-educated doctor who split his time between Swansea and Cambridge. The house was later donated to the Town and rented for years with profits going to the Public Library, until it sold and was restored by area residents, with the proceeds for the sale funding the library as well.

Sears-Amster Cottage // c.1865

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Prior to 1850, the area today known as the Longwood neighborhood of Brookline remained largely farmland on the banks of the Muddy River. In the first half of the 19th century David Sears (1787-1871) and Amos Lawrence (1814-1886), both prominent Boston businessmen, bought up large tracts of what had been Judge Sewall’s estate. The arrival of the Brookline Branch Railroad (now the MBTA Green Line D branch) served as an impetus to develop the area more fully. David Sears and Amos Lawrence developed houses in present-day Longwood and Cottage Farm and rented the homes to friends and family. One of the rented houses built and rented by David Sears is this Second Empire cottage which dates to the 1860s. The house was long-rented to wealthy families until the Sears heirs sold the house to Nathan Leo Amster and his wife, Estelle Dreyfus. Nathan L. Amster was a railroad executive who eventually became president of the Manhattan Railway Company. When the purchased the cottage, the Amster’s hired Boston architect Clarence Blackall to renovate and “modernize” the home, which added the Classically inspired elements. The couple did not appear to live in the house long, as they spent most of their years in their Fifth Avenue NYC residence. The Sears-Amster Cottage remains an important early house in the Longwood development of Brookline.

Dr. Byron Brown House // c.1930

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Dr. Byron Freeman Brown (1902-1962) was born in Maine and was educated at Bowdoin College before moving to Boston for medical school. After he graduated, he married and accepted a position as a doctor at Milford Hospital, not far from Hopedale, Massachusetts. Dr. Brown and his wife, Veronica, had this cottage on Adin Street built around 1930. Distinguished by its stone veneer walls and steeply pitched red clay tile roof punctuated by dormers and symmetrical facade, the Dr. Brown House is a great example of a Colonial Revival style house with Arts and Crafts flair built in the inter-war period.

Cranston Cottage // c.1766

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The Cranston Cottage on School Street is one of the few such Revolutionary-era gambrel-roofed cottages in the charming town of Warren, Rhode Island, and showcases how many early New England homes were originally built before later additions as families grew. The house was likely built soon after Queen Street (since renamed School Street) was laid out in 1765, or it was moved to the site after the street was laid out and house lots platted. The original owner, Benjamin Cranston, had the house built, which was then just a three-bay, two-story cottage with central chimney for heating. Over time, additions were made to the cottage, including the kitchen ell on the side with chamfered hyphen with diamond pane window.

John R. Hoar House // 1841

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The J. R. Hoar House on Washington Street in Warren, Rhode Island, is one of the best examples of a 1-1/2-story Greek Revival cottage in the town. The house has a full Doric portico in front, an arched second-story bedroom window in the pediment and pedimented lintels over the windows. Built in the 1841 for John Rodgers Hoar, the house has been lovingly preserved and restored by later owners.

Easterbrooks House // 1757

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One of the pre-Revolutionary homes in the picturesque town of Warren, Rhode Island, the Easterbrooks House on Church Street is definitely one of the smallest, but oozes charm. This one-and-a-half-story gambrel roofed cottage stands across from the Town Common and adjacent to what may be the tallest building in town, the First Methodist Church of Warren. The home was built by 1757, likely by William Easterbrooks (1731-1772), and by the time of the Revolution, was occupied by Ms. Nellie Easterbrooks (1761-1853). Nellie and her mother rented a room in their home to Warren schoolmaster, John Holland, who earned the nickname “Traitor Holland”, after he had secretly been sharing news to General Pigot, the British General in charge of forces in Rhode Island. Long thought to have supported the local Patriots, it was learned that he was a loyalist, after the British and Hessian soldiers raided Warren and were leaving the town in 1778. It is said that troops stopped at this house and John Holland accompanied them, cheering alongside and leaving with them. He was never seen in Warren again. Soon after this, a young Nellie Easterbrooks, then in her teens, sought revenge against the British who pillaged and assaulted her friends and family. As the troops were leaving, she is said to have gathered a group of other angry Patriot ladies of town and captured a drunken drummer marching through town. Then they dragged their bewildered captive into a nearby hotel and locked him into a closet there. Nellie would later marry Nathaniel Hicks West (1751-1836), a Revolutionary War veteran, and received a widows pension until her death in 1853. The Easterbrooks House is a rare, intact surviving Georgian home that tells a rich history of Colonial New England and the stories during the American Revolution.

Capt. James W. Barton House // c.1842

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One of four seafaring brothers who lived in Warren, Rhode Island, this charming cottage was built after Captain James Barton purchased a house lot at the northwest corner of Liberty and Union streets in 1841, likely building the home within a year. Captain James Barton (1790-1877) commanded a two-and-a-half year long whaling voyage to the Indian Ocean and undertook three subsequent trips to the Pacific. Upon retiring from the sea in 1867, Captain Barton established the Warren Gazette, where he worked as both owner and publisher. Before his time as a sea captain, James Barton had experience working in a printing office in Providence. Upon the Captain’s death in 1877, his wife Mary, continued to reside here with their daughter Nora B. Easterbrooks and her husband. Built as a modest Greek Revival style cottage for Barton’s wife while he was away at sea, the residence features a touch of the romantic Gothic Revival style in its window trim and the stable behind.