This Georgian Revival house on Butler Point in Marion, Massachusetts, was built in 1929 at the period of great transition of many coastal communities in New England between the Gilded Age and later summer cottage period of prosperity and the Great Depression.The “cottage” here was built for Jerome R. George (1867-1942), vice president and chief engineer of the Morgan Construction Company of Worcester and avid boater. A native of Ohio, he was a noted designer of steel mills in the United States, Europe, and India and built this home, likely as their summer retreat. The house is prominently sited and is one of the best examples of the Colonial Revival style I have seen in the seaside town. It is clad in cedar shingles as a nod to the vernacular coastal homes and larger Victorian-era summer homes seen in the village but resembles the 18th century Colonial homes with an elaborate pedimented entry, symmetrical facade, corner quoins, and massive brick chimneys.
This early 20th century home on Cottage Street in the South Coast community of Marion, Massachusetts, was built in 1902 for Hattie F. Delano and Walton S. Delano, a descendant of the great Delano family in Massachusetts. Walton worked in nearby Wareham at A. S. Gurney and Company, dealers in coal, grain and flour. The house is unique as it is in the American Foursquare form, a type of home built in the late 19th and early 20th centuries. The hallmarks of the style include a basically square, boxy design, two-and-one-half stories high, usually with four large, boxy rooms to a floor, a center dormer, and a large front porch with wide stairs. This example stands out for the shingle siding, flared eaves and rubblestone foundation, a nod to the more rustic summer cottages built in Marion in the late 19th and early 20th centuries.
In the late 19th and early 20th century, Marion, Massachusetts, became an exclusive summer colony where wealthy families from cities would flock to soak up the sun and breathe fresh coastal air away from the heat and pollution of industrial centers at the time. One of these families was headed by Stanley Robert McCormick (1874-1947) of Chicago, the son of Cyrus McCormick, inventor and founder of the McCormick Harvesting Machine Company which would later become the International Harvester Corporation. Stanley McCormick was married in 1904 to Katharine Dexter McCormick (1875-1967), also a member of a wealthy family, who would devote her life to advancing women’s causes, serving as the vice-president of the National American Women Suffrage Association and in 1920, co-founded the League of Women Voters. Katharine remained active in later life, funding new birth-control research and the building of an all-women’s dormitory at the Massachusetts Institute of Technology, named McCormick Hall. Soon after Stanley and Katharine married, they purchased waterfront property in Marion, where Stanley spent summers as a child, to build a summer residence for his own family. In 1906, Stanley purchased land on Lewis Street and hired the Boston architectural firm of Page & Frothingham, to design and oversee construction of a large brick “cottage” and this brick garage structure down the street with a residence for the driver. While their summer residence was being built, Stanley McCormick, like his sister Mary, was diagnosed with schizophrenia. In 1909 he was declared incompetent by the California Supreme Court and would live for the rest of his life at the McCormick estate, “Riven Rock,” in Santa Barbara, California. In 1929, his wife Katharine and Stanley’s brother Harold were named conservators of his estate, which exceeded $30 million. The McCormick estate in Marion was occupied by Katharine’s mother for a number of years with Katharine visiting many summers. The cottage property was eventually sold and demolished in 1953, and the old garage was converted to a home with additions to make the property a year-round residence.
Tucked into the heart of Wharf Village in the ever-charming coastal community of Marion, Massachusetts, the Marion Music Hall has been a cornerstone of small-town cultural life since 1891. The Music Hall was largely the vision and will of the town’s great benefactor, Ms. Elizabeth Taber who sought to use her late husband’s vast fortune to benefit her community in her later years. In her will, Ms. Taber left funds for a proper “lecture and music hall” and the $23,000 commission went to her friend, architect, William Gibbons Preston. The building is one of a few examples of brick construction in the village and stands out for its detail with the round arched windows and solid massing in the Romanesque Revival style with terracotta trim to add visual interest in the design. The result is a structure both stately and welcoming, with its handsome façade anchoring a lawn that would later be adorned by the cast-iron Soldiers Monument in 1894. More than 130 years on, the Hall still hosts the town’s committee meetings, concerts, weddings, and community gatherings, standing as a living piece of Marion’s Gilded Age generosity and a quiet architectural gem of the South Coast of Massachusetts.
Completed in 1885 in the small coastal village of Marion, Massachusetts, the Marion Congregational Chapel was one of the last major gifts from Elizabeth Pitcher Taber (1791–1888), the wealthy widow whose patronage shaped the town’s entire civic landscape. Ms. Taber in her later years had already funded Marion’s library, founded Tabor Academy, and built its academy hall before purchasing a vacant lot on Main Street to build this chapel for her church, the First Congregational Church of Marion. Built in 1885, the chapel is designed in the texturally rich Shingle Style that was then sweeping New England’s coastal towns by the late 19th century with its continuous wood-shingle siding and gabled massing gave it a warmer, more approachable character than the town’s earlier Greek Revival and Italianate landmarks. The chapel stands out for its rubblestone entry tower and the trio of polygonal bays on the primary facade. For its first several years it doubled as Marion’s only real venue for public lectures and amateur theater, an arrangement that reportedly so dismayed Taber over the poor quality of the “worldly theatricals” staged there that she went on to fund a dedicated Music Hall, designed by architect William Gibbons Preston nearby. Given the fact Ms. Taber so-often utilized Preston as architect for her gifts to Marion (and as he was a summer resident here), it is probable that he too designed this Shingle style chapel. The Congregational Chapel stands today as a smaller, later addition to Marion’s Congregational history, which stretches back to the town’s original 1799 meetinghouse (now the Marion General Store) and the Greek Revival church built across the street in 1841 which is still home to the First Congregational Church of Marion.
This perfect mid-19th century cottage showcases what makes coastal New England so special. Located on Main Street in the walkable historic center of Marion, Massachusetts, this 1852 home was built by Warren Blankinship (1816-1898), a carpenter, as his own residence. It was built just before his second marriage to Mercy Wing in 1853. A series of tragedies struck Blankinship’s marriages as he outlived three of his four wives. A well-preserved example of a modest Greek Revival home, it is clad in cedar shingles, a hallmark of many coastal homes in New England. White Cedar shingles are so popular historically as the species is such a hard wood that pieces are naturally insect and rot resistant and hold up amazingly well to salt air. Early colonists noted the use of the tree for canoes and other objects by Native people and followed suit, constructing homes from the native tree.
This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William GibbonsPreston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.
Marion, Massachusetts, is an old house lover’s dream. The coastal town’s Main Street is lined with historic cottages, large 19th century homes built for sea captains, and historic churches that show the evolution and growth of the sea-faring community. This cape house with oversized dormers was built c.1794 for Captain Job Blankinship (1764-1799), who married Betsey Hammond that same year. Tragically, Captain Blankinship died at sea in 1799, but the property remained in the family until the mid-19th century. The residence was later purchased by Henry and Abby Luce Prichard. Henry was a Civil War veteran who enlisted in the 25th Massachusetts Volunteer infantry and was part of the Burnside Expedition fought off the coast of North Carolina. Later in the war, Prichard was seriously wounded at the Battle of Cold Harbor and was discharged, and never fully recovered. He worked in his later years as an accountant in Marion and took up canoeing in the harbor until his death in 1913. It was likely after that the large dormers were added to the roof, which were later connected in the 21st century.
Built around 1830, this little cottage is among the many photogenic buildings found along the idyllic Main Street in Marion, Massachusetts. The structure is said to have been originally located behind the Congregational Church and moved to its current location after 1855. By 1879, the structure was converted to a residence and owned by Ms. Sarah Ryder, then the widow of John C. Ryder. The vernacular cottage is sheathed in weathered shingles, which enhances its beauty and connects it architecturally with the coastal community.
The Marion Railroad Station was built in about 1855, around the time of the arrival of the first passenger rail service to Marion, Massachusetts, a new town which incorporated just three years prior. While no train service runs through the town today, historically, the community was well-connected to Boston, Cape Cod, and towns all over the South Coast of Massachusetts. The Fairhaven Branch Railroad was incorporated in 1849, chartered in 1851, and built from 1852 to 1854 to connect Fairhaven with West Wareham and lines beyond in Cape Cod and Boston. This station was built by the time the line opened and it stands as a larger, two-story Victorian station which serviced the area’s passenger and freight travel here. The New Bedford and Taunton Railroad bought the line in 1861, which too merged into the Old Colony Railroad in 1883. As use of rail travel declined, passenger service ended in Marion by 1935, followed by freight service in 1953.The former station was sold to private owners and since 1988, has housed a childcare center. Despite the second story addition and later renovations, the building still retains its unique character and bargeboard detailing.
Reportedly built in 1790, this stately Federal period residence on Main Street in Marion and overlooks the sheltered harbor sharing strong connections to the sea. Known colloquially as the House of the Two Captains, this residence was built as a double house and known for its connections to sea captains, Elisha E. Luce (1786-1850) and Noble E. Bates. Captain Luce moved into this house shortly after his marriage to Jane Hiller, daughter of a local Deacon. Particularly note-worthy is the main facade’s center entrance, which exhibits unusually fine surrounds, including fluted Doric pilasters and a pediment enlivened by dentils. Inside, the house is said to have hidden passages behind a large fireplace. The captains used part of the house as a crockery and supplies store. Captain Elisha E. Luce’s best-known ship was the Persia, which made numerous profitable trade missions to the Far East. This house was also the birthplace of the Universalist Church in Marion, when during the early 1830s, Universalists met in Captain Bates’ half of the house to organize a religious society and plan the construction of the church. The Luce and Bates families co-owned this house until the mid-19th century and the residence remains one of the finest in the harbor village.
This late-Georgian style residence on Main Street in Marion’s Wharf Village is a stone’s throw from the harbor and has been conveniently located near the town’s Long Wharf since it was constructed around 1806. The building was constructed as a store for A. J. Hadley, where ships were outfitted for voyages. While Hadley’s store occupied the eastern half of the first story, the left side of the ground floor was Marion’s first post office. The second floor served as a clothes-making factory with the top floor operating as a sailmaker’s loft. By 1855, the structure was converted to a residence and owned by Sumner Ryder, who served as the Town Clerk and later joined the ranks of the Union Army during the Civil War. During the early 20th century, the property, with its widow’s walk, was owned by members of the Harwood family, including Ms. Sarah W. Harwood, who lived here with Margaret French (1860-1935) who was listed in the Census for decades as her partner, housemate, and boarder.
Tucked into the woods in Marion, Massachusetts, the Marconi Wireless Transmitter Station stands as one of coastal New England’s most remarkable and now largely forgotten technological landmarks. Built in 1914 by the Marconi Wireless Telegraph Company, the Transmitting Station in Marion served as an important piece of the American half of a transatlantic relay system, sending powerful signals across the ocean to a receiving partner in Stavanger, Norway, through a sister station in Chatham. At the height of its operation, the site bristled with fourteen 400-foot tubular steel masts arranged in a rectangle stretching nearly a mile, a feat of engineering so audacious that contemporaries dubbed it a “wonder of the twentieth century.” The station in Marion included a cluster of buildings including: a powerhouse, an operating building, cottages, and an employee “hotel” pictured here that housed unmarried staff, were all built to service the towering steel structures, of which only one remains. The site was taken by the U.S. Military during WWI and WWII and later sold to a private owner and the property was subdivided and sold-off with the majority of the original 144 acres of land comprising the station donated to the Sippican Lands Trust in 1986. Scattered remnants of equipment remain on this mostly-wooded conservation land, including wires, concrete mast footings, and cables. The single remaining tower serves as a cell tower today. The old Employee Hotel is now used for offices.
Known as the “Old Parsonage” this historic house in Marion, Massachusetts, was built in 1813 by Capt. John Pitcher (1788-1867) around the time of his marriage to Catharine Clark. John Pitcher was the brother of Elizabeth Pitcher Taber, a major benefactor of the town of Marion. The residence is unique in that the primary facade is actually facing away from the street, with the prominent three-story facade being the historic rear of the home. The Federal period house sits on a raised stone foundation with a central door and shingle siding above. Behind his home, a large pasture was grazed by sheep and cows until the land was sold off and subdivided for residential development later in the 19th century. When Capt. Pitcher died, he left his house to the Congregational Church, which used it as a parsonage for many years until 1966, when the church sold the property to Lawrence P. and Edith G. Pangaro, who co-founded the Marion Sentinel and the Sippican Publishing Company. The home was recently renovated.
Buildings of New England 