Architectural Design

Beneficent House // 1967

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Located on Chestnut Street in Downtown Providence, this Modernist apartment building is the work of one of the most prolific architects of the 20th century, Paul Rudolph. During Downtown Providence’s period of urban renewal, which saw the demolition of much of Cathedral Square, planners sought a high-rise apartment building to house displaced elderly residents and others who hoped to reside close to downtown shopping and amenities. Working with the owner of the land, the Beneficent Congregational Church, housed in a 1809 building next door, architect Paul Rudolph, who was at the time Dean of Yale’s Architecture School, designed the brick building which employs horizontal bands in concrete which marks off floor levels and provides some breaks in the materiality, which was possibly inspired by Le Corbusier. The building was originally designed in 1963, but after years of delays and budget cuts from rising construction costs, the balconies and other design features were removed from the final product, leading to its present simplicity. While simple, the building retains intrigue, especially with the projecting window bays and offset openings, a departure from the block apartment buildings at the time. What do you think of Beneficent House?

Old Stone Studio // c.1820

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One of the most significant buildings in the coastal town of Marion, Massachusetts, is this stone structure, which is said to have had its beginnings as a storage warehouse. Located on Spring Street north of the main village, this building was constructed as early as 1820 as a salt works storage facility, and is an extremely rare surviving storage facility associated with the early 19th century salt industry in town. While many storage facilities we know today are void of architecture and soul, this building looks like it was plucked from the French countryside, thanks to a late 19th century renovation by one of the most prestigious architects in the United States. The salt industry in Massachusetts began on Cape Cod during the Revolution. Salt was a vital necessity for the preservation and curing of fish and meat for sale in this country and overseas. According to local lore, the Old Stone Studio was originally “a place for the conversion of sea water into salt.” Around the Civil War, the building was being used for petroleum processing facility, where kerosene, which had supplanted whale oil as a fuel for home and street lamps, was made and stored. The old stone structure had fallen into disrepair by the 1880s, that was until New York magazine editor, Richard Watson Gilder bought and restored it as a studio for his wife, artist Helena de Kay Gilder. At this point, Marion had become a premier summer colony with large waterfront estates and recreational facilities built for the wealthy in Boston and New York to spend the warmer months. Gilder hired his friend, Stanford White of McKim, Mead & White, to update the warehouse into a studio, adding the multi-light windows, decorative ironwork, and interior details, including the massive stone fireplace with a nine-foot mantle. The fireplace provided a stunning backdrop for guests, including President Grover Cleveland and First Lady Frances Folsom Cleveland, who summered in town. Ms. Gilder even painted the First Lady in the studio, and hosted her on occasions. The Old Stone Studio is now a private residence with addition off the rear.

Tabor Academy Building – Marion Town Hall // 1876

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This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.

Dr. Ellis House – Sippican Historical Society // 1834

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This house sits on Main Street in Marion, Massachusetts, and it is an example of a modest mid-19th century Greek Revival style residence seen in the main village here. The house was built in 1834 for Dr. Walton Nye Ellis (1808-1867), who served as physician in Marion. Born in Wareham, Ellis moved to Marion, and married Susan Delano (1809-1840), she passed away in 1840, and not long after her death, Dr. Ellis remarried. In 1855, Dr. Ellis organized a meeting of prosperous Village men, mostly sea captains, with the purpose of planning a library for the town. They pooled resources and funded a library which was located in a large closet on the second floor of his home seen here. The library’s books could be borrowed for a few cents a week. Subsequent funding from Elizabeth Taber helped create the Taber Library just decades later. In the 1960s, the home was gifted to the Sippican Historical Society, who remain in the building to this day.

First Church of Christ, Suffield // 1869

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Located adjacent to the Town Common, the First Church of Christ in Suffield showcases the grandiose architecture seen in many churches after the Civil War in New England. This brick edifice is the fifth in the history of the church which dates back to around 1680. This church building was designed by local architect John C. Mead, who designed other stately churches in the surrounding region. The church is a blending of Italianate and Romanesque Revival styles and originally featured a tall spire and secondary tower. In 1938, the New England Hurricane destroyed the tall spire (a similar event occurred to many New England Churches, including Old North in Boston). Even without the steeple, the church remains as a great architectural treasure in town.

Studio Building, Beacon Hill // 1914

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The Studio Building on Charles Street in Boston’s historic Beacon Hill, is a unique, Arts and Crafts style building constructed of brick with stucco walls and a red tile roof. Built in 1914 by William Coombs Codman, a real estate developer and member of the Beacon Hill Associates, a group of preservationists who bought and resold properties in the neighborhood with the aim to limit unsympathetic development. The group helped the Beacon Hill Flat area, which was a higher concentration of former stables west of Charles Street, a gentrified artist and residential enclave. Codman hired the young architectural firm of Loring & Leland, to design the Studio Building, which in its original configuration, contained three stores at the ground-level, two dwellings, offices and artist studios with oversized windows. Just years after the building was completed, Charles Street was widened in 1920, chopping ten feet off the facades of all buildings on the west side of Charles Street, including this building. Charles G. Loring was retained by Codman to oversee the renovations to the new facade and storefront, likely replicating what was once there. After 1920, the building was largely occupied by apartments for single women of means and remains one of the neighborhood’s most iconic and enchanting buildings.

Fleur-De-Lys Studios // 1885

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The Fleur-de-Lys Studios is of the most architecturally significant and unique buildings in New England and can be found on Thomas Street in the College Hill section of Providence. Built in 1885 and a vivid expression of the Queen Anne style and showing the emergence of the Arts and Crafts movement movement in America, the handsome building blending is the result of a partnership between artist, Sydney Richmond Burleigh and architect, Edmund R. Willson as a dedicated creative hub for working artists, a purpose it still serves today under the stewardship of the Providence Art Club, who received the deed of the property in 1939 by Burleigh’s widow. Its design draws heavily on medieval English and Tudor Revival influences, with a striking half-timbered façade, stucco panels, carved heads as hanging pendants, and projecting casement windows that break dramatically from the surrounding colonial streetscape. What truly sets the structure apart, however, is its richly symbolic ornamentation—allegorical figures representing painting, sculpture, and architecture adorn the exterior. More than a century later, the Fleur-de-Lys Studios remains both a National Historic Landmark and a living workspace, preserving its original spirit as a place where art and architecture are inseparably intertwined.

The Larches // 1910

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George Otis Draper (1867-1923) was born in Hopedale and attended MIT to prepare to help run the extremely successful family business, the Draper Corporation in town, which was experiencing a period of rapid growth and expansion of factories. With his position at the company, his wealth afforded him the ability to build a massive country estate known as The Larches. The shingled Colonial Revival style home featured a massive crenelated tower and appeared like a castle in the countryside. George O. Draper sold this home to his aunt Hannah Thwing Draper Osgood in 1909, and within a month, the home burned to the ground. She began construction on the “new Larches“, a shingled mansion with a stunning blending of Colonial Revival and Craftsman styles. The home was likely designed by Robert Allen Cook, who was based out of nearby Milford, MA. The property today is run by Crossroads Clubhouse, an employment and recovery center that offers people with mental health conditions opportunities to achieve their full potential.

Hopedale Town Hall // 1886

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In 1886, when the Town of Hopedale was incorporated, George Draper, the head of the Draper Corporation, bankrolled $40,000 for the design and construction of a new town hall building for his new hometown. Designed to house municipal offices, a meeting hall, the town’s library, with ground floor commercial spaces, the building is the work of architect, Frederick Swasey. The Richardsonian Romanesque style town hall is constructed of Milford granite with contrasting trim in Longmeadow sandstone with a lot of great detailing and a prominent entry arch with engaged colonettes. Before the building opened, its donor, George Draper died, and the building was officially donated to the town by his heirs. After over 100 years as the town hall, in 2025, the town voted to sell the building as its restoration and updates to make the building fully accessible would be too expensive. As of the time of posting, the building’s future is uncertain, but the building really needs to be preserved!

Warren Masonic Temple-Washington Lodge No.3 // 1796

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Located next door to the Randall House (last post) on Baker Street in Warren, Rhode Island, this early building has some history! Constructed in 1796 by the Washington Association, Inc., this two-story Federal period building is an architectural and historic landmark in the immensely beautiful town of Warren. The elongated building is fairly plain in plan, but is adorned by corner quoins, elaborate pedimented entries, ornate cornice, and (now filled) ocular windows in the gable ends. It is believed that many of the timbers used in the building are oak beams that were formerly part of the British Frigate Juno and other ships which were sunk in Newport harbor during the American Revolution. Brother Sylvester Child, a member of the building committee purchased the old ships and floated the timbers up Narragansett Bay and into the Warren River and his shipyard at the base of Miller and Baker streets. The rib cuts in the oak plate beams can clearly be seen in the curvature of the ceiling in the lodge room.The Lodge was likely built by local carpenters using Asher Benjamin’s plan books for the detailing and was utilized as the Warren Town Hall and the Warren Academy, a private school, in the early 1800’s with meeting space for the local masonic lodge. The building has lost its original cupola at the roof, and its principal interior meeting room was redone in 1914 with elaborate murals by the Rhode Island artist Max Muller, some of which in Egyptian depictions.

First Church of Lancaster // 1816

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Built in 1816, the First Church of Lancaster is one of just two extant church buildings designed by famed American architect, Charles Bulfinch, and is said to be one of the finest churches in the Federal style in the United States. The fifth meetinghouse of the Unitarian First Church of Christ in Lancaster, this building was constructed of local brick, slate, and lumber from master-builder, Thomas Hearsey. Hearsey is said to have modified Bulfinch’s design, which had proposed one tall center arch flanked by two lower arches to reflect the unequal heights of the three vestibule doors behind them; instead going with three, identical arches. Other than this change, the church remains substantially as originally built, even without artificial lighting or central heat inside. Besides the iconic arched portico, the two- stage brick tower topped by a beautifully proportioned wood cupola surrounded by Roman Ionic columns, and fronted by a giant arcuated portico, is especially noteworthy. The congregation, which dates back to 1653 as a Puritan congregation was the first parish established in Central Massachusetts and remains active to this day.

Former Howard Johnson’s Motor Lodge, Kingston // 1956

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Howard Johnson’s (Hojo’s) traces its beginnings to the late 1920s when the Boston native Howard D. Johnson (1887-1972) opened a series of ice cream stands at various locations along the South Shore of Massachusetts. By 1940, there were more than 125 restaurants from Maine to Florida and by the late 1950s there were approximately 500 along the east coast. In 1954 the company expanded to motor lodges (motels), eventually opening over 500 across the United States. The growth of the motel tied closely with 1950s legislation that authorized Interstate highways connecting cities via automobile, increasing traffic all across the country. Howard Johnson’s adopted a policy of acquiring real estate directly off highway exit ramps and often the parcels were large enough to include a restaurant and motor lodge. Specifically, many Howard Johnson’s Motor Lodges featured prominent signage and bright orange roof, to help motorists identify the motel while speeding down the interstate. The Kingston location here opened in 1956 along Rt. 3, connecting Boston and points north, to Cape Cod. While it’s iconic name and orange roof do not remain, the unique Googie-esque form of the lobby with very 50s weathervane remain as an important vestige of 1950s America. 

Abington Savings Bank // 1930

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Built in 1930 for the Abington Savings Bank, this handsome Colonial Revival style building is located in the center of Abington, Massachusetts and has been a bank for almost 100 years! The bank was originally incorporated in 1853 and grew as Abington and adjacent towns saw suburban growth. The corporation hired the firm of J. Williams Beal & Sons, who specialized in commercial developments, to furnish plans for the building, resulting in the present structure. The firm also designed the Abington Mutual Fire Insurance Company Building (1931) across the street and the Dyer Memorial Library (1932), the town library. The brick and limestone building has three main bays, with the center rising above with a gable, resembling as a pediment of a Roman temple. In the gable, a shield with swags is adorned with the letters “ASB” (Abington Savings Bank) with the original incorporation date of 1853. The bank merged with others and eventually became a Sovereign Bank, and later Santander Bank, which remains in the building to this day.

Central Falls City Hall // 1888

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Welcome to Central Falls, an industrial city in Providence County, Rhode Island. With an area of only 1.29 square miles it is the smallest and most densely populated city in the smallest state, and the 23rd most densely populated incorporated place in the United States. Originally, Central Falls was one of the many villages within the town of Smithfield, but in 1871, the town split into three smaller towns: Smithfield, North Smithfield and Lincoln. Central Falls village then became part of the town of Lincoln until Central Falls’ industrial character and differing needs had it split off to form the small city of Central Falls in 1895. Before it was its own city, Lincoln officials had this building constructed in 1888-9 on Broad Street, the commercial and civic center of the city. This red brick, Queen Anne building with its four-stage tower was built as Lincoln High School, the first school in the town built exclusively for secondary education. Designed by William R. Walker & Son, architects, the building features shingles in the gable, asymmetrical plan, and carved terracotta panels. The building continued as Central Falls High School until 1927, when the city offices were moved there, and it has remained as the City Hall ever-since.

Roughwood Estate Cow Barn // 1892

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Like the Roughwood Mansion and carriage house, this building was designed and built in Brookline, Massachusetts, in the early 1890s as part of the “Roughwood” estate. Despite its high-style and ornate detailing, the building was actually constructed as a cow barn. Built in two phases for its two owners, William Cox and Ernest Dane, the large barn structure blends Victorian design into a use more reserved for vernacular detailing. The building was designed by Andrews, Jacques and Rantoul, and like the mansion and carriage house, blends Queen Anne and Shingle styles under one roof. Ever-since the estate became a college in the 1960s, the building has been used as a maintenance building. It appears that since it has been owned by Boston College as part of it’s Messina Campus, it is undergoing a thoughtful restoration!