Benjamin Davenport Godfrey (1813-1888) was a wealthy boot and shoe manufacturer and inventor who built this stately mansion and detached stable in Milford, Massachusetts. The residence was built in 1854 in the Italianate style and was once one of the largest properties in the community, a true show of his success and wealth. Benjamin Godfrey would eventually retire and move to Newton, selling the property to Frank Harvey, a medical doctor, who resided here and operated a private hospital next door. The property would sell again in 1944 and has operated as a funeral home ever-since. The stately residence and stable echo similar architectural similarities, including the boxy forms, hipped roof, flushboard siding, and bracketed cornice and windows.
While the town of Milford, Massachusetts is arguably best known for its commercial and institutional architecture, there are some excellent examples of preserved homes of nearly every style and vintage. The Luther P. Jones House on Pearl Street is an interesting example of the Italianate style with unique low-sloped gable roof and typical bracketed cornice, side piazza, and bay window on its facade. While the former arched window has been enclosed and the porch columns have been replaced, the house still maintains its architectural significance as an excellent example of its style. The property was owned by Lydia and Luther P. Jones, a provisions dealer, until their deaths in the early 20th century.
Located behind the David Sears Mansion (now Greek Consulate) on Beacon Street, this handsome utilitarian structure fronts Brimmer Street in Beacon Hill and predates the building it adjoins. The two stables and attached caretaker’s residence was built around 1856 for David Sears, who lived farther down Beacon Street, but also owned other buildings on the street which fronted the Public Garden. He built this stable in the Flat of Beacon Hill, an area west of Charles Street in what Samuel Eliot Morrison coined, “the horsey end of town” for its prevalence of stables and carriage houses. The architect is not known, but the handsome structure features bays of shallow, recessed brick arches and brick dentil courses, showing the importance of good design even for uses such as a stable. The building later became space for furniture storage and an ancillary apartment to the adjacent mansion, until 1957, when the it was acquired by the Vincent Club, a women’s organization with the mission of raising money for the Vincent Memorial Hospital whose mission was to treat the “diseases of women.” Even though the Vincent Hospital merged with Mass. General Hospital in 1988, the Vincent Club remains in this former stable as its home-base and continues to carry out its mission to advance the field of women’s healthcare.
Built in 1855, the Birch-Stevens Mansion of Swansea, Massachusetts, is a grand Italianate style residence distinguished by its low hipped roof with belvedere, broad overhanging eaves with brackets, paired arched windows, and expansive wrap-around porch, all of a scale not commonly found in such a small community. The residence was built for James Birch and overseen by his new bride, Julia Chace. Before construction on the home, James Birch (1828-1857), not a wealthy man, worked as a stagecoach driver in Providence. His bride-to-be desired a large mansion in her native Swansea, equipped with servants and all the finer things of life. Since this dream was not attainable in his present circumstances, Birch, an enterprising 21 year old, decided to join the Gold Rush in California to make his fortune. In California, James became a stagecoach line entrepreneur and founder of the California Stage Company, the largest stage line in California in the 1850s. James made a fortune and returned to his wife in Swansea bringing money for her to begin constructing their grand mansion. James left again, this time establishing the San Antonio -San Diego Mail Line, the first transcontinental mail route in the United States. In 1857, while heading home, James sailed from San Francisco to Panama, took a train across the Isthmus, and sailed for New York on the steamer SS Central America. During the voyage, his ship was struck by a hurricane and later sunk. Many survivors clung to pieces of the ship’s wreckage for days with many dying to exposure or were swept away to their deaths, like James. He was just 28 years old. Back in Swansea, Julia was heartbroken but remarried her late-husband’s business partner, Frank Shaw Stevens, an equally successful businessman. Julia died in 1871, and Frank married a younger Elizabeth Case. The couple resided in this mansion for decades and donated substantially to their community, including funding the Town Hall, Public Library, Episcopal Church, and local public schools. In her will, Elizabeth Case Stevens bequeathed the large mansion in 1837 to the Frank S. Stevens Home for Boys which began as a boy’s orphanage. The organization remains to this day with an expanded mission, and maintain the sprawling estate and its various outbuildings, including the historic stable and farm structures.
In 1873, James H. F. Standish (1811-1887) purchased a house lot on the corner of Francis and Toxteth streets in Brookline and set out building his forever home for his wife, Sarah. James and Sarah originally lived in Bath, Maine, where he worked as a builder and mason, constructing many large homes there before relocating to Brookline where he likely remained busy as Boston and its surrounding communities experienced a period of rapid development and suburbanization. James surely built this house and rear stable himself in the interpretation of the Stick and Italianate styles for his family, who moved in by 1874. Sadly, Sarah died unexpectedly in 1876 of heart disease, and James would sell their Brookline home. The Standish Home has been preserved by subsequent owners, including the central cupola, bracketed and dentilled cornice, stickwork and iron cresting. The Standish House was individually listed in the National Register of Historic Places in 1985 as a well-preserved, evocative example of Victorian period styles in a residence.
The Willis Bristol House on Chapel Street in the Wooster Square neighborhood of New Haven, Connecticut, is one of the finest and most architecturally distinctive residences in New England. Built in 1845 for Willis Bristol (1804-1875), a partner in the shoe manufacturer of Bristol & Hall, the home was designed by Connecticut architect, Henry Austin, who designed many of the other great mansions in Wooster Square around this period. The Bristol House is Italianate in style with Exotic Revival detailing which has often been described as Moorish Revival, but it is actually more Indian Revival, an extreme rarity in 19th century New England. It is believed that Henry Austin was influenced by an illustration of columns and capitals at the Ellora Caves in India published by Henry Repton in Designs for the Pavilion at Brighton (1808) and through this worked picked up a fascination with Indian architecture that was to influence his designs in the mid-19th century. Many of Austin’s designs in Wooster Square feature these Indianesque columns on their porches. The Willis Bristol House remained in the family until 1876 and was subsequently used as a congregation house, school, beauty parlor, and presently as apartments. The owners should be commended for preserving and protecting this ornate and unique residence for all to enjoy.
This extraordinary row of brownstone homes is located on Chapel Street in New Haven, Connecticut, and overlooks Wooster Square as its southern anchor. Built in 1871, the symmetrical row of six rowhouses are clad with brownstone facades which read more like Brooklyn townhouses than what is typical in New Haven, which is why these are so special. The row was designed by New Haven architect, David R. Brown, who got his start as an apprentice under Henry Austin, and became a prolific local designer. The row was likely constructed by one owner on speculation and subsequently sold to individual owners, who have maintained the structure over 150 years since. The Brownstone Row is Italianate/Second Empire in style with window surrounds, bracketed cornice and cupolas on the flanking homes with the center two residences capped by mansard roofs.
William Lewis was a lumber dealer and business partner of Nelson Hotchkiss, who managed the firm in their name. The partners purchased house lots on Chapel Street in the Wooster Square district of New Haven and are said to have worked with architect, Henry Austin, on furnishing designs, with this residence built for Mr. William Lewis. Square in plan, the two-story residence is built of brick with stucco walls, broad overhanging eaves, and a front porch with Indian style columns on bases.
The Hotchkiss-Stephens House on Wooster Place overlooks the iconic Wooster Square park in New Haven, Connecticut, and is significant as an early neighborhood residence altered after the Civil War in the fashionable Italianate style. The brick residence is said to have been originally designed by Ithiel Town for Russell Hotchkiss (1781-1843), an early merchant in the neighborhood. Hotchkiss lived in the home just a year before his death in 1844. His second wife remained in the home for some years after his death, along with children and two Black female servants according to census records. The property was later purchased by Edward Stevens (1824-1884), a manager at the New Haven Clock Company, who had the property modernized with a full third floor with bracketed cornice, iron balconies and garden fence, and its stunning two-story castiron side porches.
The Wooster Square area of New Haven, Connecticut, is comprised of a lovely collection of houses and institutional buildings from the 1830s through the late 19th century, showing the ever-changing taste of architectural styles from Greek Revival to Italianate to Second Empire and Queen Anne. These rowhouses on Olive Street serve as bookends to long rows of houses on Court Street, a narrow, one-way street radiating from Wooster Square. The buildings were developed by the Home Insurance Company, a fire insurance firm and developer that helped fuel the development of residential New Haven in the 1860s by investing in real estate, primarily with fireproof masonry buildings. These Italianate style rowhouses were built in the 1860s after the Civil War and were sold on speculation to middle-class families. All buildings retain the original bracketed cornices, brownstone sills, lintels, and basement facing, and projecting porticos at the entries.
Only in New England will you find a historic 19th century house converted into a bank! The Plimpton-Winter House is located at 127 South Street in Wrentham, Massachusetts, and is among the finest Italianate style houses in the community. The residence was built in 1868 for Francis Newton Plimpton (1828-1913), who worked as a cashier and town treasurer, later becoming President of the National Bank of Wrentham. Two years after Plimpton’s death, in 1915, the house was bought by Murray Winter, who moved to Wrentham with his two brothers and established the Winter Brothers Tap and Dye Factory. The company manufactured gauges and valves during the early 20th century, quickly becoming the town’s largest employer until WWII. In the 1980s, the home was purchased and rehabilitated by the Foxboro Savings Bank to serve as its Wrentham Branch location. Today, the Plimpton-Winter House stands as a TD Bank Branch, where the exterior of the Italianate style residence is preserved, down to its bracketed cornice, ornate trim, bay window, and entry with paired wooden doors. How cool is that?
One of the many great examples of Federal period houses being “Victorianized” later in the 19th century, the Smith-Waterman House on Broad Street in Warren, Rhode Island, stands out as one of the most elaborate. The residence was originally built by 1820 and possibly owned by Nathaniel P. Smith (1799-1872). After his death, the house was inherited by his son, N. P. Smith Jr., who would later sell the property to John Waterman, the Manager and Treasurer of the Warren Manufacturing Company. It was under Mr. Waterman’s ownership that the once standard Federal style house was enlarged and given Italianate features, including the wrap-around porch, overhanging eaves with brackets, addition and the three-story tower at the rear.
The Smith-Winslow House on Warren’s Main Street is a striking two-story Italianate house with cubical massing with smooth stucco walls and bold detailing. The residence was constructed in around 1850 and was owned by Captain William Winslow captain of the schooner ‘‘Metamora’’, a trading vessel, and proprietor of Warwick’s Rocky Point, a shore resort and amusement park just across Narragansett Bay. The Winslow House was designed by Rhode Island architect, Russell Warren, who showcased his architectural prowess through the roof cupola, overhanging eaves, window hoods, and the unique Egyptian columns at the entry. Today, the residence operates as the Women’s Resource Center, a non-profit founded in 1977 to provide comprehensive domestic violence intervention and services that educate, advocate, and shelter any individual in need of assistance in the region.
The Liberty Street School building in Warren, Rhode Island, was built in 1847 as only the third high school building constructed in the state, and is the oldest survivor of its style. Architect Thomas Alexander Tefft, one of the nation’s first professionally trained architects, designed the school when he was just 21 years old in the Italianate style, with a two-story form, center entrance set within a round-arched surround and a central projecting gable-end pavilion. The young architect would later take an excursion around Europe in the mid 1850s, but would fall ill with a fever in Florence, Italy and he died there in 1859. He was just 33 years old when he died. The Liberty Street School was remodelled as an elementary school at the turn of the 20th century and continued as a public school until the 1970s. The historically and architecturally significant building has sat vacant for years. The building is still owned by the Town of Warren, and after over decades of planning studies and proposals, the building remains vacant and deteriorating. What would you like to see as the future of the Tefft-designed Liberty Street School?
The James Dwight Dana House at 24 Hillhouse Avenue in New Haven, Connecticut, is a landmark early example of an Italianate style residence designed by a famed 19th century architect. Built in 1849 from plans by architect Henry Austin, the house was constructed for owner, James Dwight Dana (1813-1895) and his new wife, Henrietta Silliman and possibly funded by her father, Benjamin Silliman, a Yale professor who was considered “The Father of Science in America”. James Dwight Dana’s education in geology, in addition to his studies with his father-in-law, Professor Silliman, extended to the four-year United States Exploring Expedition between 1838–1842), in which Dana served as the staff geologist and mineralogist, exposing him to a wide-ranging variety of geological formations and minerals. Upon his return to New Haven, he married Silliman’s daughter and then moved into this stately home. Later in his career, Dana was responsible for developing much of the early knowledge on Hawaiian volcanism. In 1880 and 1881 he led the first geological study of Hawaii. The James Dwight Dana House has a three-bay front facade, with a single-story porch extending across its width, supported by wooden columns with unique capitals. The shallow roof has broad, overhanging eaves sheltering a unique corbelled brick cornice. The building was added onto in 1905 with similar architecture and was purchased by Yale in 1962. Today, the building is preserved by the University and houses the Institution for Social & Policy Studies (ISPS).
Buildings of New England 