Grace Episcopal Church, Providence // 1846

Grace Episcopal Church has anchored the corner of Westminster and Mathewson Streets in Downtown Providence since it was completed in 1846. The congregation was founded in 1829 by some of the parishioners of St. John’s Episcopal Church on the East Side of Providence, at a period that the west side of the Providence River began to develop in earnest. The new parish had little money and managed to buy the old Providence Theatre, on the site Grace Church occupies today. The building was purchased and remodeled for $6,000, a large sum in those days, and converted into a church. Over a decade later, the growing parish had funding to erect a more permanent and suitable building. They hired one of the most well-respected architects in the country, Richard Upjohn, to design their new house of worship, which resulted in what is believed to be the first asymmetrical Gothic Revival church in America. In 1912, the firm of Cram, Goodhue & Ferguson deepened the chancel and added a parish house, extending Upjohn’s original design without disrupting it, and the church’s four-level tower and masonry spire still command the prominent corner in Downtown Providence today.

First Universalist Church of Providence // 1872

The First Universalist Church of Providence is located in the bustling Downtown of this city and has stood as the surrounding area saw rapid commercialization, destruction under the guise of “urban renewal”, and rebirth. The structure stands as the third sanctuary for the congregation, which was founded in 1821 through the efforts of Reverend John Murray, who is said to be the founder of American Universalism. Designed by prominent local architect, Edwin L. Howland, the church was constructed in 1872 and is an excellent example of the High Victorian Gothic style executed in brick and trimmed with stone. Rather than leaning into the ornate decorative flourishes favored by Gothic Revival purists, Howland’s design reflects a sparer emphasis on form and materials in the spirit of critic John Ruskin’s reinterpretation of the style, a restraint fitting for a Universalist congregation. Inside, the well-preserved nave features a sanctuary lined by broad pointed arches supported by slender colonnettes, all colored by the sunlight filtering through the many stained glass windows.

Beneficent Congregational Church // 1809

Located on Weybosset Street in Downtown Providence, the Beneficent Congregational Church, affectionately nicknamed “Round Top” for its striking dome, is significant architecturally and historically as an early Federal/Greek Revival style church and the oldest in Downtown Providence. The congregation was founded in 1743 during the “First Great Awakening” as a separatist spin-off of College Hill’s First Congregational Church (now First Unitarian Church). The offshoot occurred after when Deacon Joseph Snow, Jr. (1690-1773), a fiery preacher who was also a carpenter by trade, began preaching a more evangelical brand of Congregationalism than the more reserved members of the church could tolerate. Eventually, Father Snow, and his ardent followers established a second congregation on the west side of the Providence River in what was then an area of scattered residences and farms. The current church, the congregation’s second on the site, was constructed in 1809 from designs by Barnard Eddy and John Newman, but it was largely reworked into its present form in 1836 by the firm Tallman & Bucklin, who swapped the original Federal-era details for bolder Greek Revival trim, including the chunky Doric columns of the entrance portico, a paneled parapet, and an octagonal drum beneath the dome. That dome, along with the two-story front portico, survived the remodel unchanged in its overall form, and today it is sheathed in durable copper rather than the gold leaf that once covered it.

Cathedral of Saints Peter & Paul, Providence // 1878

The Cathedral of Saints Peter and Paul rises in Providence’s Cathedral Square, a sub-region of the city’s Downtown that was largely reshaped in the mid-late 20th century period of Urban Renewal. The monumental Romanesque style church is the mother church of the Diocese of Providence and was built on the site of the city’s first Roman Catholic parish, established in 1838. Designed by the prolific church architect Patrick Keely, the Providence cathedral broke ground in 1878 and was consecrated over a decade later in 1889. For this commission the blending of Romanesque and Gothic Revival detailing was likely inspired by both H. H. Richardson’s newly completed Trinity Church in Boston and on German and French medieval precedents. The structure is dominated by the two crenelated towers and displays strength with its bold proportions and use of reddish-brown stone. Inside, the cathedral is even more remarkable than its imposing exterior, distinguished by an overall multicolored, small-scale pattern of gray marble moldings and stained glass, complemented by a large Casavant organ with more than 6,600 pipes. Today, the miraculous cathedral is somewhat diminished in beauty due to the surrounding dead plaza, a scar on the built environment in Providence from Urban Renewal. In the 1960s and 70s, the entire western edge of Downtown had been slotted for redevelopment at a time when federal dollars funded mass demolition and rebuilding across American cities. The plan was designed by Modernist architect, I.M. Pei, who had envisioned a European-inspired courtyard, with a mix of residential and retail uses surrounding the church in the new development. Pei worked with the modernist landscape architects Zion and Breen on Cathedral Square, which was called a “conspicuous failure” within just a few years, a sentiment that has lasted a half-century since. The city has more recently pursued redesign proposals aimed at reconnecting Cathedral Square with the surrounding neighborhood, with the Cathedral of Saints Peter & Paul as the centerpiece.

Former Central Congregational Church – Memorial Hall, RISD // 1853

An early example of the Romanesque Revival style, the former Central Congregational Church on Benefit Street in Providence’s East Side is architecturally significant as one of the remaining designs by architect, Thomas Tefft and built from 1853-1856. Thomas A. Tefft (1826-1859) was one of the nation’s first professionally trained architects and was a master of Rundbogenstil, a German-branch of the Romanesque style until his untimely death in Italy when he was just 33. When this church was completed in 1856, Tefft was just thirty years old. The brownstone facade is adorned by triple-arched entrances and corbelling. The congregation grew and decades later, acquired a site in the neighborhood for a larger, Carrere and Hastings-designed church, vacating this building in 1893. The Rhode Island School of Design (RISD) purchased this former church in 1902 following a donation by Eliza Radeke and her brothers who named the building Memorial Hall. The firm of Hoppin and Ely was hired to update the former church for use by the college, which primarily took place on the interior. The original pair of tall bell towers were damaged during the 1938 hurricane and later were removed in 1950, truncating the verticality of this great Tefft-designed building, but she still shines! Memorial Hall has been incorporated into the RISD campus and houses studio spaces.

St. Stephen’s Episcopal Church // 1860

St. Stephen’s Episcopal Church is a landmark Gothic Revival church in Providence, Rhode Island, built in 1860 from plans by famed architect, Richard Upjohn. Constructed of gray stone with brownstone trim, the church is unique for its siting with the nave/long-side parallel to the street. The church was built for the local congregation, who two decades earlier, constructed the original St. Stephen’s Church on Benefit Street (now home to the Barker Playhouse), but sought to relocate to a more central location and in a more substantial building. With its entrance at one end and tower at the other, the nave is lined with a row of four gabled bays with lancet windows connecting the two. The church was modified over time, with Upjohn’s original intention for a 180-foot stone tower never undertaken, it would be capped by a copper-clad conical spire in 1900 from architects, Hoppin and Ely. The chancel was remodeled in 1882 by Henry Vaughan, and the Tudor Revival style Guild House immediately west of the church was built in the late 1890s Martin & Hall, architects. The congregation continues to this day, and preserves this significant building fitting of an English estate.

Old St. Stephen’s Church – Barker Playhouse // 1840

The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


First Baptist Church, Providence // 1774

The First Baptist Church of Providence, also known as the First Baptist Church in America is the oldest Baptist church in the United States. The Church was founded in 1638 by Roger Williams, who before building this church in 1774, often met in private residences or in more plain meetinghouses to not show vanity. By the early 1770s, a new building for Providence Baptists was needed, and it was conceived in a very large (and ornate) way. Built to accommodate over 1,200 people (just under a third of the entire population of Providence at that time), this church was built “for the publick Worship of Almighty God; and also for holding Commencement”, referring to the commencement ceremonies of Rhode Island College (later Brown University), also founded under Baptist auspices. The church was designed by local amateur architect, Joseph Brown, who was likely inspired by Sir Christopher Wren’s London churches in James Gibbs’s Book of Architecture (1728). The construction was greatly aided by the fact that the British had closed the port of Boston as punishment for the Boston Tea Party. Many shipwrights and carpenters were thrown out of work and came to Providence to build the meetinghouse there. The structure was dedicated in May 1775, and the 185-foot steeple was added shortly thereafter. This was the first Baptist meetinghouse in New England to have a steeple, and it has survived dozens of hurricanes and hundreds of years of change since. The church is a National Historic Landmark and remains as one of the most significant buildings in New England.

Congdon Street Baptist Church // 1875

The Congdon Street Baptist Church on College Hill is extremely significant as part of the rich history of Providence. Its origins began in 1819, when Moses Brown, an abolitionist, industrialist and member of the Brown Family (who profited on the institution of slavery) gave land to “the people of color” of Providence for a schoolhouse and meeting house. The original building stood slightly north of the present structure and it was built in 1821. The structure provided the first schoolhouse for Black children in Providence. In 1869 the building was torn down, without the approval or knowledge of the congregation by white neighbors because “its proximity displeased them”… Eventually the congregation arranged an exchange of lots with one of the church’s neighbors and architects Hartshorn & Wilcox were commissioned to design the new church building. Hartshorn was the successor of Thomas A. Tefft and this church echoes many of his designs in the Italianate style. The new building was completed in 1875 at the cost of $16,000. It was renamed the Congdon Street Baptist Church. The church has since 1875 served as an important landmark and gathering place for many Providence’s Black residents past and present.