connecticut history

Former Lupoli Brothers Funeral Home – H. L. Hotchkiss House and Stable // 1841 & 1935

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A rare example of the Art Deco architectural style in New Haven, the former Lupoli Brothers Funeral Home on Chapel Street in Wooster Square is more than meets the eye! This Art Deco jewel box was originally constructed in 1841 as a large, single family home and modernized nearly 100 years later in its current design. In 1841, Henry Lucas Hotchkiss (1810-1861), a businessman and president of the L. Candee Rubber Company, had a two-story Greek Revival style home built on this lot for his wife, Lucy. The home was originally two stories, but a third floor was added in the 1860s, around the time the rear stable (still extant) was constructed, for another owner. In the early 20th century, as the Wooster Square neighborhood became a center of Italian-American life and business in New Haven, the property was purchased by Liberato Lipoli (1862-1934) who moved to Connecticut from the Piedmont region of Italy. A year after their father’s death, sons Mario, Gennaro, Antonio and Louis Lupoli, established a funeral parlor catering to the local Italian American community. In 1935, the Lupoli Brothers hired local architect, Lester Julianelle to reimagine the former Hotchkiss House in a modern style. The result is the refaced building with Classical Revival and Art Deco elements including the iconic entry reading, “Lupoli Bros” in the iconic lettering. The Lupoli’s closed the parlor here in 2008 and the building was converted to eight condominium units.

Willis Bristol House // 1845

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The Willis Bristol House on Chapel Street in the Wooster Square neighborhood of New Haven, Connecticut, is one of the finest and most architecturally distinctive residences in New England. Built in 1845 for Willis Bristol (1804-1875), a partner in the shoe manufacturer of Bristol & Hall, the home was designed by Connecticut architect, Henry Austin, who designed many of the other great mansions in Wooster Square around this period. The Bristol House is Italianate in style with Exotic Revival detailing which has often been described as Moorish Revival, but it is actually more Indian Revival, an extreme rarity in 19th century New England. It is believed that Henry Austin was influenced by an illustration of columns and capitals at the Ellora Caves in India published by Henry Repton in Designs for the Pavilion at Brighton (1808) and through this worked picked up a fascination with Indian architecture that was to influence his designs in the mid-19th century. Many of Austin’s designs in Wooster Square feature these Indianesque columns on their porches. The Willis Bristol House remained in the family until 1876 and was subsequently used as a congregation house, school, beauty parlor, and presently as apartments. The owners should be commended for preserving and protecting this ornate and unique residence for all to enjoy.

Wooster Square Brownstone Row // 1871

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This extraordinary row of brownstone homes is located on Chapel Street in New Haven, Connecticut, and overlooks Wooster Square as its southern anchor. Built in 1871, the symmetrical row of six rowhouses are clad with brownstone facades which read more like Brooklyn townhouses than what is typical in New Haven, which is why these are so special. The row was designed by New Haven architect, David R. Brown, who got his start as an apprentice under Henry Austin, and became a prolific local designer. The row was likely constructed by one owner on speculation and subsequently sold to individual owners, who have maintained the structure over 150 years since. The Brownstone Row is Italianate/Second Empire in style with window surrounds, bracketed cornice and cupolas on the flanking homes with the center two residences capped by mansard roofs.

Soule-Parmelee House // 1844

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The Soule-Parmelee House on Chapel Street in New Haven’s Wooster Square neighborhood is an excellent example of a mid-19th century Greek Revival style residence though with some deferred maintenance. The stately home was built in 1844 for Henchman Sylvester Soule (1800-1860) a merchant and trader who also partook in the California Gold Rush. After Soule’s death, the stucco Greek Revival style house was purchased by Henry S. Parmelee a piano maker, founder of the New Haven Trolley line and inventor of the first practical automatic sprinkler system, which he is said to have had installed in both his factory and his home here. Today, the Soule-Parmelee House operates as a bed & breakfast as the New Haven Historic Mansion.

Phebe Wallace House // 1854

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The Phebe Wallace House on Greene Street in New Haven, Connecticut, at first glance, may appear as a typical mid-19th century house, but some of the architectural features and details make it stand out! The residence was built in 1854 for Phebe Barney Wallace (1792-1872), a widow of William B. Wallace who died decades earlier. Phebe lived here with her daughter, also named Phebe, and a servant. The house exhibits a traditional Greek Revival form with gable roof oriented towards the street, with an off-center entry with Ionic portico, but the massive overhanging eaves without brackets with paired arched windows in the gable and balcony off the side of the house showcase the emerging Victorian influence in American residential architecture.

Bromley-Bradley House // c.1850

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One of the eclectic mid-19th century residences in New Haven’s Wooster Square neighborhood is the Bromley House, an exuberant blending of architectural styles that have been lovingly preserved. The history is a little murky on this residence but from research, the home was built around 1850 and was possibly a two-story flat-roofed Italianate style design with three-bay facade and off-center entrance. The home was acquired by Joseph Bromley, who appears to have added a third-story with gable roof. After the Civil War, the property was purchased by Lyman Erving Bradley, a veteran of the war who was employed as a police officer and later as private security for an area factory. It appears that Mr. Bradley, before his death in 1901, had the property expanded with a whimsical front porch, three-story side addition, and applied ornament in the Queen Anne style. The home is today a three-unit condominium, similar to the three-deckers found in cities all over New England.

Olive Street Rowhouses // c.1865

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The Wooster Square area of New Haven, Connecticut, is comprised of a lovely collection of houses and institutional buildings from the 1830s through the late 19th century, showing the ever-changing taste of architectural styles from Greek Revival to Italianate to Second Empire and Queen Anne. These rowhouses on Olive Street serve as bookends to long rows of houses on Court Street, a narrow, one-way street radiating from Wooster Square. The buildings were developed by the Home Insurance Company, a fire insurance firm and developer that helped fuel the development of residential New Haven in the 1860s by investing in real estate, primarily with fireproof masonry buildings. These Italianate style rowhouses were built in the 1860s after the Civil War and were sold on speculation to middle-class families. All buildings retain the original bracketed cornices, brownstone sills, lintels, and basement facing, and projecting porticos at the entries.

St. Michael’s Roman Catholic Church // 1904

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St. Michael’s Roman Catholic Church in Wooster Square, New Haven, Connecticut, was established in 1889 to serve a burgeoning community of Italian immigrants and is said to be the oldest Italian Catholic church in the state. New Haven’s census of 1870 listed just ten Italian residents and by 1900, the census listed more than 5,000 Italian-born residents. Most of these Italian immigrants were drawn to New Haven for employment in the growing industrial and railroad industries and the proximity to New York, where many arriving immigrants passed through. New Haven’s Italian community centered around Wooster Square, where many today know all about the many Italian groceries and nationally known pizzerias. The Italian Community acquired a c.1855 church here by 1899 and following a fire, rebuilt the church in the current form. The New Haven-based architectural firm of Brown and Von Beren furnished plans for the Italian Renaissance Revival style renovations, which was completed in 1904 with bold central tower and stucco walls, retaining many original Italianate windows. The church has served as an important cultural and institutional landmark in New Haven for over 120 years and the congregation remains active.

Ye Olde Manse of Willington // c.1728

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Known locally as the ‘Ye Olde Manse‘, this stunning Georgian cape house is located at the eastern edge of the town green in Willington, Connecticut. Thought to be the oldest extant house in the small, rural community, the gambrel-roofed homestead was possibly built by John Watson of Hartford, who was thought to have been an original proprietor of Willington, but was instead an assignee of George Clark who was. In the 19th century, the homestead operated as the congregational church parsonage. Today, the Georgian cape house with gambrel and saltbox roof is a single family home and has been lovingly preserved by centuries of stewards of this old manse.

Clara Hall Elliott Memorial Church // 1909

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This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.

Villa Bella Vista // 1908

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Villa Bella Vista in Chester, Connecticut, stands as a striking and deeply personal interpretation of an Italian Villa, designed not by a professional architect, but by its remarkable owner, Eila Pierre. Known even among friends as Madame Pierre, she was a turn-of-the-century feminist of independent means who defied convention at nearly every turn. Drawing inspiration from the indigenous farmhouse architecture of northern Italy, Pierre personally designed the well-preserved stuccoed stone house, which was later constructed by local Italian immigrant masons who settled in Chester. Born Ila Rowland Stone (1870–1931), she was newly married to Reverend Dwight Stone, a Yale-educated minister of the town’s Congregational Church. Within just two years of marriage, it unraveled. Reverend Stone resigned his post, and by 1906, the couple’s uncontested divorce, scandalous for the time, was finalized. Casting off both marriage and social expectations, Ila reinvented herself as Eila Pierre. Despite the scandalous divorce and cheating rumors, she chose to remain in Chester and build a summer home that reflected her independence and worldview. Plans for Bella Vista were underway as early as 1904, when she purchased land on Old Depot Road. To prepare for the design, Pierre embarked on an extended tour of northern Italy, studying villas firsthand and bringing along a young local stone mason, Martin Lanzi, who later built his home across from Madame Pierre’s mansion. Villa Bella Vista, completed in 1908, includes common architectural details in the Italian Villa style with the campanile, or tower, the colonnaded piazza, and stone masonry that define the Latin prototype, all unique to Connecticut, which makes this home so special.

Mitchell-Pratt House // 1820

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This architecturally unique and stunning Federal­ style house in Chester, Connecticut, was built in 1820 on the Middlesex Turnpike by Abram Mitchell for $10,000, double what he originally hoped to pay for the residence. The principal builder was Samuel Silliman, a locally well-known master carver, who clearly showcased his skill inside and out, much of which has been preserved by two centuries of owners. In 1845, the property was purchased by George Spencer, and presented as a wedding gift for his daughter, Julia, who married Dr. Ambrose Pratt (1814-1891). Dr. Pratt became well-known for his practice of hydropathology and temporarily used his house as a sanitarium known as the Chester Water Cure. The house was acquired by the local Roman Catholic Church and became the parish center until the residence was purchased and moved away from the busy street to its current location in 1966. In the 1980s, the house was purchased by famed artist, Sol Lewitt. The house has a large spider web window, still containing the original glass over the door and full-height pilasters dividing bays and inside, many stunning carved mantles and woodwork.

Jonathan Warner House // 1798

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The Jonathan Warner House in Chester, Connecticut, is one of the finest Federal style houses in the state and has been meticulously preserved for over two centuries. The house was built in 1798 by Jonathan Warner (1756-1828), a wealthy farmer who invested in merchant shipping ventures and also operated the nearby Chester–Hadlyme ferry transporting people across the Connecticut River for a fee. When he built his house Jonathan Warner used local workmen and timber, importing glass and paint from New York, wallpaper from Hartford, and stone and hardware were brought from Connecticut and New York. The farmhouse remained in the Warner family until 1922 when it was purchased by Malcolm Brooks, who retained all of the receipts and correspondence on the house’s construction and maintenance. Architecturally, the house stands out for its proportions and detailing, specifically at the front door with fanlight and sidelights, which are framed by fluted pilasters, pediment and dentil molding. There is a Palladian-esque window above the entry which is framed by two free standing Ionic columns on brownstone pedestals. What is your favorite detail of this house?

Gilbert-Zanardi House // 1830

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This unique Greek Revival style house is located on North Main Street in Chester, Connecticut, and was built around 1830 for John Gilbert. Johnʼs sister (Abby Gilbert Daniels) lived in a Greek Revival house on Liberty Street that had been built a few years earlier and was said to have been designed by Ithiel Town, a renowned Connecticut architect who specialized in Greek Revival style designs. It is thought that Town may also be the architect of John Gilbert’s residence seen here. The temple-front facade of the residence sits on a raised basement with the side-hall entrance and full-height hung windows on the facade sheltered under a portico supported by four square Doric columns. In the early 20th century, the property was purchased by Antonio Zanardi, who immigrated to Chester from Italy and worked as a watchman in a local factory. Antonio and his wife, Claudina, had a large family and expanded the house with a side wing in the early 1900s, also adding greenhouses and growing grapes on the terraced rear yard.


Chester Public Library // 1907

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The Chester Public Library in Chester, Connecticut, was formed from a private library when in 1875, a Library Association was formed with members paying fees to take out books. The library grew throughout the 19th century and was housed in rented spaces, including in the Old Stone Store, until the early 20th century, when the collection grew to a point a purpose-built library was needed. A generous donor stepped forward, Mr. Samuel Mills Ely (1837-1909), who grew up in Chester, but made his fortunes in Binghamton, New York. Samuel Ely donated funds to his hometown as a memorial to his parents, Richard and Mary Caroline Ely. The library opened in 1907 and is built of native granite and trimmed with Indiana limestone and resembles many of the Carnegie libraries built at the time with a central, pedimented entry pavilion and recessed side wings, but no Carnegie funds were allocated for this project. The architect is also not known at this time.