Located on Suffield’s idyllic Main Street, the Alexander King House stands as a well-preserved example of a Georgian home in Connecticut. Alexander King (1737-1802) is a prominent figure in Suffield’s history. He was a graduate of Yale, and later practiced medicine in town, as well as serving as Selectman and Town Clerk for almost thirty years. He was also a Justice of the Peace, Representative to the Assembly, participant in agitation against British colonialism, and delegate to the Connecticut Ratifying Convention of 1788, when the state ratified the U.S Constitution. The home is owned and maintained today by the Suffield Historical Society, who operate the home as a house museum with exhibits on the town’s rich history.
Ebenezer Gay (1718-1796), the third minister of the First Congregational Church of Suffield, was born in 1718 in Dedham. His father was a farmer and his uncle was the famous minister, Ebenezer Gay of Hingham. Ebenezer graduated from Harvard in 1737, and held his first preaching job three years later. Reverend Gay became a candidate for a pastor in the Suffield Congregation, becoming ordained in 1742. That same year he married his wife, Hannah, and they had this stately Georgian home built adjacent to the town’s church. When he was not traveling to preach in other parishes and visiting family, Gay supervised work on his farm, keeping slaves as was customary for ministers, magistrates, and tavern-keepers. Reverend Ebenezer Gay enslaved at least two people who were later freed by his sons after his death. One of the enslaved was “Titus”, who later was known as “Old Ti“. Titus was freed from enslavement in 1812, but continued to work for Ebenezer Gay Jr., the reverend of the Congregational Church in town, where he worked as a Sexton, janitor, and bell-ringer until his death in 1837. Ebenezer Gay Jr. also ran a school in one room of this home with a library in another. The gambrel roof Georgian mansion features a stunning Connecticut Valley doorway with swan’s neck pediment.
Located on Suffield’s iconic Main Street, this enchanting 19th century residence stands as a testament to the impact and role the tobacco industry had on the community historically. The residence seen here was built for Charles Loomis of the Loomis Family, who made their fortune in the tobacco farming and rolling industry in Suffield, Connecticut. Charles F. Loomis used his tobacco money to have this asymmetrical Italianate Villa constructed in 1862. The home features a prominent three-story tower capped with iron cresting, broad overhanging eaves with brackets and some stickwork, and a gorgeous door with arched transom and sidelights.
Dr. Asaph Bissell was born into the wealthy Bissell family which started here when John Bissell, the progenitor of the family in America, came from Somerset, England, and landed in Plymouth, Massachusetts, in 1628. He became one of the settlers of Windsor, CT. His descendant, Asaph Bissell (1791-1850) became one of Yale’s earliest medical graduates and built this stately Greek Revival style home on Main Street in Suffield, Connecticut, where he practiced medicine. Dr. Bissell often made house calls from his home right on Main Street until his death in 1850, after which, it was inherited by his eldest son, Charles Bissell. The house is Greek Revival in style with its entrance on the side elevation sheltered by a Classical porch, all facing southwards. The street-facing facade is four bays with large corner pilasters, a massive entablature, and pedimented gable-end with fanlight set within it.
One of the older homes on Main Street in Suffield, Connecticut, the Moses Rowe House was built in 1767 was later “modernized” to its present appearance. The house was constructed as a two-story Georgian home with minimal detailing, as the family home of Moses Rowe (1733-1799), his wife, and nine children. According to historical maps of the area, the home appears to have been purchased by Horace Sheldon, who in the 1830s, modified the home in the Greek Revival style, increasing the height of the home, adding side porches and the entablature at the roofline.
The finest Gothic Revival style residence in Milford, Massachusetts, can be found tucked away on Claflin Street, and it features the iconic hallmarks of the style. With its steeply pitched roof, blind lancet windows, drip moulds at the windows, and intricate barge boards with hanging pendants, the Nash-Wood House does not disappoint! The residence was built in 1858 and owned at different times by men who worked in the local shoe and boot manufacturing companies in Milford; William Nash and Peleg E. Wood. The property, with its playful paint colors, has been lovingly preserved my subsequent owners.
Benjamin Davenport Godfrey (1813-1888) was a wealthy boot and shoe manufacturer and inventor who built this stately mansion and detached stable in Milford, Massachusetts. The residence was built in 1854 in the Italianate style and was once one of the largest properties in the community, a true show of his success and wealth. Benjamin Godfrey would eventually retire and move to Newton, selling the property to Frank Harvey, a medical doctor, who resided here and operated a private hospital next door. The property would sell again in 1944 and has operated as a funeral home ever-since. The stately residence and stable echo similar architectural similarities, including the boxy forms, hipped roof, flushboard siding, and bracketed cornice and windows.
Similar to the Brimmer Street Terrace development nearby, this set of three rowhouses on Chestnut Street on the Flat of Beacon Hill, is an excellently designed development of residences as a collection rather than individually designed townhomes. The Chestnut Street Rowhouses replaced a stable formerly on the site, and were designed by the architectural firm of Richardson, Barott & Richardson, made up of Philip Richardson, Chauncey Edgar Barott, and Frederic Leopold William Richardson. Philip and Frederic Richardson were sons of architect Henry Hobson Richardson, but they did not reach the same level of notoriety as their late father, and charted their own course. The rowhouses read as a single composition with a unique center section flanked by two matching wings. The center house has a three bay front façade with the first-story clad in limestone which is all recessed and supported by Doric columns.
The Dodge-Brown House on Thomas Street in Providence, Rhode Island, was built in 1786 by Seril Dodge (1759-1802), a silversmith and clockmaker. Seril Dodge was a middle-class resident who did well in Providence circles, as an artisan and shop keeper. The house was originally a two-story residence with central entrance that was raised up in the early 20th century to facilitate a new storefront. Seril Dodge and his family only lived here briefly before moving to a brick house next door. Dodge sold the property to Nicholas Brown II (1769-1841) who rented the home to his stepmother, Avis Binney Brown, who became the widow of one of Providence’s richest men, Nicholas Sr. It continued to stay in Brown family hands through the nineteenth century, but only as an investment. The house was raised one story above street level in 1906, when the handsome Colonial revival storefront was installed from plans by the firm of Stone, Carpenter and Willson. The original front door with elaborate pedimented and pilastered enframement is now a door to a small second floor balcony. Since 1919, the Providence Art Club has owned the building, who for years had the ground retail space occupied as an art store, but now contains a club gallery.
This house on Gardner’s Neck Road in Swansea, Massachusetts, was designed in 1903 by Fall River-based architect, Edward I. Marvell, for Francis L. Gardner, a descendant of the Gardners for whom Gardner’s Neck is named. Francis Gardner’s father, Leland, was a successful market gardner who farmed locally with the use of greenhouses, shipping fresh produce and other goods to Fall River and transportation to other nearby cities. This business continued under his sons, Francis and Chester until about 1925, when they began selling land on Gardner’s Neck for development. Francis’ house is an excellent early 20th century residence that blends multiple styles popular at the turn of the 20th century in a square form.
This large mansion in Swansea, Massachusetts, was constructed in the early 1800s for Mason Barney, a shipyard owner, likely by his own shipwrights. Barneyville, formerly known as “Bungtown” in the early 1770s, was a bustling village in Swansea where young men worked from sunup to sundown sawing, filing, shaping, boring, and fastening planks and timbers together for the Barney Shipyard. The shipyard was founded in the 1770s by Jonathan Barney, a prominent boat builder in New England established the shipyard in the 1770s. The Barney Shipyard saw its greatest success under Barney’s son, Mason, in the early 18th century. When Mason Barney (1782-1868) inherited his father’s shipyard, he also had this house built for his family, just a stone’s throw from the shipyard where he could oversee the many ships built and sailed down the river to Warren, Rhode Island, for fitting. By the early 20th century, the shipyard had already closed and this property was purchased by Lorenzo P. Sturtevant, a jeweler who completely updated the old Barney House in the Colonial Revival style, adding the entry porch and oversized dormers. By the end of the 20th century and early 21st, the house was abandoned and decaying until a few years ago when new owners renovated the old Barney-Sturtevant Mansion back to a livable home.
This modified First Period house on Main Street in Swansea, Massachusetts, dates to about 1720 and is a New England Colonial in all the best ways. The residence was built for Jonathan Hill (1684-1737) who purchased what was once a seventy-acre farm on the site in 1720 from Ebenezer Eddy, a local blacksmith. Jonathan Hill farmed the land nearby until his death in 1737, and in his will, the property passed to his widow, Elizabeth which was mentioned as “my new house built for the bringing up of my children.” The large colonial home is a center-hall form with a central stair surrounded by four rooms on each floor. Subsequent owners for over 300 years have lovingly maintained and preserved this important early house.
This unique two-story house on Main Street in Swansea, Massachusetts, is said to date to about 1734 but for the most part, its appearance dates to 100 years later. It is possible this was once a one-story, brick house, but by 1836, the property was owned by Samuel Sherman Hull (1788-1862) and Sarah Waite Hull (1799-1863) who married in 1835. It was during their ownership, that the house was expanded and “modernized” in the Greek Revival style in the 1830s or 1840s, when the wooden upper floor was added with elaborate central entrance with sidelights and pilasters at the corners and entry. The property was farmed by Mr. Hull and by the end of the 19th century, was owned by Mrs. Caroline A. Chace. It is possible that the brick floor operated as a store with a residence above but now is a single-family home.
Built in 1855, the Birch-Stevens Mansion of Swansea, Massachusetts, is a grand Italianate style residence distinguished by its low hipped roof with belvedere, broad overhanging eaves with brackets, paired arched windows, and expansive wrap-around porch, all of a scale not commonly found in such a small community. The residence was built for James Birch and overseen by his new bride, Julia Chace. Before construction on the home, James Birch (1828-1857), not a wealthy man, worked as a stagecoach driver in Providence. His bride-to-be desired a large mansion in her native Swansea, equipped with servants and all the finer things of life. Since this dream was not attainable in his present circumstances, Birch, an enterprising 21 year old, decided to join the Gold Rush in California to make his fortune. In California, James became a stagecoach line entrepreneur and founder of the California Stage Company, the largest stage line in California in the 1850s. James made a fortune and returned to his wife in Swansea bringing money for her to begin constructing their grand mansion. James left again, this time establishing the San Antonio -San Diego Mail Line, the first transcontinental mail route in the United States. In 1857, while heading home, James sailed from San Francisco to Panama, took a train across the Isthmus, and sailed for New York on the steamer SS Central America. During the voyage, his ship was struck by a hurricane and later sunk. Many survivors clung to pieces of the ship’s wreckage for days with many dying to exposure or were swept away to their deaths, like James. He was just 28 years old. Back in Swansea, Julia was heartbroken but remarried her late-husband’s business partner, Frank Shaw Stevens, an equally successful businessman. Julia died in 1871, and Frank married a younger Elizabeth Case. The couple resided in this mansion for decades and donated substantially to their community, including funding the Town Hall, Public Library, Episcopal Church, and local public schools. In her will, Elizabeth Case Stevens bequeathed the large mansion in 1837 to the Frank S. Stevens Home for Boys which began as a boy’s orphanage. The organization remains to this day with an expanded mission, and maintain the sprawling estate and its various outbuildings, including the historic stable and farm structures.
Among the area’s best examples of a high-style Colonial Revival residence of the early 20th century, the Eisemann Mansion on Monmouth Street in Brookline’s Longwood neighborhood stands out not only for its scale and massing, but unique architectural details. The dwelling was built in 1905 for Selly and Albert Eisemann, both German-born Jews who immigrated to the United States and originally lived in New Mexico before moving to Brookline in their retirement. Albert was a retired wool merchant, and clearly made a name for himself out west, hiring local architect, James Templeton Kelley, to furnish plans for his large mansion in Longwood. With a boxy form and five bay facade (with six smaller windows at the third floor), the center-hall mansion is notable for its elaborate first-floor windows with individual cornices, recessed entry set between Ionic columns, and recessed niche balcony over the entry as a unique interpretation of a Palladian motif.
Buildings of New England 
