Boston Residential Architecture

Martha Silsbee House and Studio // c.1922

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Built from a historic stable building, this unique building on Lime Street in Beacon Hill served as a residence and studio for Martha Silsbee, a prominent New England watercolor and pastel artist. For her Boston residence, Martha Silsbee hired the firm of Richardson, Barott, and Richardson, an office founded by Philip and Frederic Richardson, sons of famed architect Henry Hobson Richardson, who had designed a house nearby with similar design elements years prior. Taking cues from Venetian architecture, the interior spaces were covered with cream-colored plaster with iron gates and walls lined with art. The design includes a massive studio window on the facade, which flooded Ms. Silsbee’s studio where she painted when not at her residence in the Dublin Artist Colony in New Hampshire. The facade also features pointed arches and artistic glass at the entrance. After her death, the property sold at auction. After WWII, the former studio and residence was purchased by Georges F. Doriot (1899-1987), a Parisian businessman who later taught at Harvard Business School and in 1946, founded the American Research and Development Corporation, the first publicly owned venture capital firm in the United States.

Converse-Brown Townhouse // 1912

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One of the most amazing townhouses in Beacon Hill can be found here on Lime Street, where an oversized mansard roof addition with multi-light dormer, dominates the facade. The townhouse was built in 1912 from plans by architect Richard Arnold Fisher, who lived a few houses away, replacing a livery stable formerly on the lot. The site was developed on speculation by the Brimmer Street Trust, a real estate firm run by Gerald G. E. Street and William Coombs Codman, who sought to develop the area into high-end residences and art studios, protecting the area from unsympathetic developments. A few years after the house was built, it was owned by Frederick Shepherd Converse, a composer who also taught at the New England Conservatory of Music. By 1927, the house was owned by a young Waldo Hayward Brown, who at 32-years-old, occupied the house with his wife, Frances, three young children and four servants. The year he purchased the property, he hired the original architect, Richard Arnold Fisher, to add a In 1927 Brown filed a permit application to build a tall new room over an existing roof terrace at the front of the house, where the architect designed it as a mansard addition, which is of a large scale and broken up by the massive studio window. The blending of Tudor Revival and the later mansard roof surprisingly work here to create the unique composition we see today.

Roberts-Wirth Townhouse // 1912

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This charming townhouse on Lime Street on the Flat of Beacon Hill, was built in 1912 for the Brimmer Realty Trust by architect, Richard Arnold Fisher, who lived two houses down the street. After the developers built the house on speculation, the townhouse was purchased by an A. G. Burgess, and soon after by Odin Roberts, a prominent patent lawyer with Roberts, Roberts & Cushman. After WWII, the townhouse was purchased by Jacob Wirth Jr., who took over his father’s iconic German restaurant, Jacob Wirth’s after his death. Jacob Wirth Jr. lived here until his death in the 1960s and it remained as the residence of his widow, Dorothy Wirth until 1995. The brick townhouse stands out for its two-story projecting copper oriel and the unique parapet at the roof.

Noyes Studio – Lee Residence // c.1860 & 1939

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This handsome building at 81 Chestnut Street in Boston, began as a two-story brick stable and was later modernized with an additional floor and renovated for use as an artist’s studio, a perfect encapsulation of the history of the Flat of Beacon Hill from the “horsey end of town” to upper-class enclave and artist community. The stable was built around 1860 for Harleston Parker (1823-1888), the father of the more well-known, architect, J. Harleston Parker, and remained as a stable throughout the 19th century. In the early 20th century, the two-story building was converted to a auto repair shop but changed use in 1916 when owner, Edward H. Noyes hired architect, Harry Browning Russell, to convert the old stable to an artist studio. The second-story windows were enlarged and former carriage door were enclosed with small rounded art glass, likely for and by George Loftus Noyes, a painter who worked for a time at the New England Glass Company. Inside, a central landscaped courtyard flooded the spaces with natural light. In 1936, George Noyes moved to Vermont, divorcing his wife, Maybelle, but leaving her with the Boston studio. Maybelle remarried to George Lee, and soon-after hired architect, Frank Chouteau Brown, to add a third-story to the studio for conversion to a year-round residence. Brown added the unique Moorish arched windows and brickwork at the third floor.


Harding-Hall House // 1914

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This narrow three-story, two-bay brick house on Byron Street on the Flat of Beacon Hill, is one that I had never noticed before, but it instantly became one of my favorite houses in Boston. Built in 1914 as a two-story residence for Charles Lewis Harding (1879-1944) a wool merchant and agent for mills in the New England area. It appears that Mr. Harding had the building constructed but never resided here and may have rented out space or kept his vehicle inside. After his death in 1944, the property was owned by Ariel Hall and her husband, painter and etcher Frederick Garrison Hall. She removed the garage replacing it with a large window, and added the mansard roof, converting the entire building into a single-family residence from plans by architect, William Chester Chase. They likely expanded the second-floor windows to the present configuration for an art studio for Mr. Hall before his death in 1946. It is unclear the vintage, but the building also features a painted statuette of a Chinese figure, mounted on a pedestal in the space between the arches of the windows at the second floor.


Eleonora R. Sears Studio and Garage // 1929

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In 1929, Eleonora R. Sears (1881-1968), a tennis champion and great-great-great granddaughter of President Thomas Jefferson, had a 19th century stable she inherited from her late father, demolished and replaced with this stunning residence with garage on Byron Street in Boston’s Beacon Hill neighborhood. The present three-story building was designed by Henry Forbes Bigelow, who lived a few blocks away in his own mansion, as a unique Colonial Revival style building with symmetrical facade. Eleonora Sears was one of the first American women to drive an automobile and fly a plane and lived here with her chauffeur when she was not at one of her other properties. After Eleonora died in 1968, her Beacon Hill residence was converted into condominiums, while the facade retains its architectural features when built nearly 100 years ago.

Burke’s Hack & Livery Stable // c.1865

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This handsome two-story brick stable on Byron Street in Boston’s Beacon Hill neighborhood was built around 1865 for the Sigourney family, and its front façade retains a distinctive appearance associated with that period. The brick façade sits on a granite base, and the first story contains two entrances characteristic of its stable use: a vehicle door providing access to ground floor and a domestic entrance connecting to stairs leading to upper levels including stableman’s quarters on the top floor. Around the time of WWI, the property was owned by James F. Burke, who added the painted sign over the carriage entry. The stable was converted to a residence in about 1964 for owner, Jay Schrochet by architect, Benjamin S. Fishstein and remains a single-family home today.

Harris and Mildred Livermore Mansion // 1919

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The four-story brick residence on Beaver Street in Beacon Hill was constructed in 1919 in the style of a Venetian palazzo for Harris Livermore, president of the Coastwise Transportation Corporation, and his wife, Mildred. The large home was designed by the firm of Richardson, Barott & Richardson, an office founded by Philip and Frederic Richardson, sons of famed architect Henry Hobson Richardson. The large mansion was featured in architectural publications, highlighting the popularity for Italian styles and the interior design of the home. The facade is finished in brick a stone base, with notable lancet windows with blind arches in groups of three and projecting oriel bays. At the fourth floor, two windows are surmounted by Venetian arches. After Harris Livermore died in 1929, the property was inherited by his daughter, Elizabeth, and her new husband F. Murray Forbes Jr., a prominent Boston attorney.

Deutsch House // 1915 & 1981

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Originally built in 1915 as a two-car garage, this fanciful and diminutive residence was created atop the former garage in 1981 to become one of Boston’s best examples of Post-Modern architecture. Located at the corner of Beaver Place and Beaver Street on the Flat of Beacon Hill, the one-story brick garage was constructed behind 91 Beacon Street for Helen and Robert Emmons to store their personal automobiles. By 1981, the garage parcel was separated from the Beacon Street address and owners, Ira and Margaret Deutsch filed to build a one-story addition to the garage to create a residence. The couple worked with architect, Graham Gund, who designed a vertical, second-story addition to the brick garage, creating one of the most whimsical and unique buildings in Boston. The stuccoed walls with gables are covered with a projecting trellis which is set behind the framing of the windows to create a three-dimensional facade element.

Amy Gore Iasigi Townhouse // 1906

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This granite-faced townhouse at 76 Beacon Street in Beacon Hill was built in 1906, and was designed as an early 20th century continuation of the Asher Benjamin-designed row of granite-faced townhomes to its east, built in 1829. The handsome residence was built in 1906, when Amy Gore Iasigi, the widow of merchant and statesman, Oscar Iasigi (1846-1884), purchased the site a year prior and hired architect, A. W. Longfellow, to design a new townhouse for the site. Ms. Iasigi resided here with her daughter, Nora Iasigi Bullitt, who with her mother, helped establish of a manual training school for girls in Lenox and Stockbridge, Massachusetts. Nora was also a prize-winning sculptor, having studied under Daniel Chester French. As a woman of exceptional means, Amy G. Iasigi had seven domestic servants maintain her city mansion and carriage house on Byron Street. After her death in 1927, the proeprty was owned and occupied by wool merchant Robert Hooper Stevenson. The relatively modest Iasigi Townhouse’s granite facade is of a slightly different color than the 1820s granite townhouses nextdoor, importantly distinguishing it from its neighbors, and it also features flared granite lintels with pronounced keystones.

Chestnut Street Rowhouses // 1917

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Similar to the Brimmer Street Terrace development nearby, this set of three rowhouses on Chestnut Street on the Flat of Beacon Hill, is an excellently designed development of residences as a collection rather than individually designed townhomes. The Chestnut Street Rowhouses replaced a stable formerly on the site, and were designed by the architectural firm of Richardson, Barott & Richardson, made up of Philip Richardson, Chauncey Edgar Barott, and Frederic Leopold William Richardson. Philip and Frederic Richardson were sons of architect Henry Hobson Richardson, but they did not reach the same level of notoriety as their late father, and charted their own course. The rowhouses read as a single composition with a unique center section flanked by two matching wings. The center house has a three bay front façade with the first-story clad in limestone which is all recessed and supported by Doric columns.

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Henry Forbes Bigelow House // 1916

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This massive five-story, five-bay building at 142 Chestnut Street on the Flat of Beacon Hill is today, an 11-unit condominium building, but it was originally built as a single-family home, designed by a prominent Boston architect as his own residence. Henry Forbes Bigelow (1867-1929) was born in Clinton, Massachusetts and graduated from the Massachusetts Institute of Technology in 1888. He was hired by the firm of Winslow & Wetherill and soon became a partner of the same firm, which changed its name to Winslow, Wetherill and Bigelow. The firm designed many commercial buildings, hotels, stately mansions, and academic buildings in the New England area. Henry F. Bigelow purchased a two-story stable and cleared the site to erect his home in 1915-1916. This building remained his primary residence until his death in 1929. After his death, the Bigelow heirs sold the Chestnut Street mansion to Bernard Brooker, President and Treasurer of the Building Finishing Corporation, a real estate development company, who converted the building into apartments, which were later converted again into the 11 condominium units. The handsome structure could be classified as Renaissance Revival in style with its cubic form, recessed central entrance, cornice-like window headers, limestone base and entry, iron balconies, and corbeled cornice. The building was designed with an enclosed courtyard with fountains, which today, provide a private space for residents.

David Sears Mansion – Greek Consulate // 1911

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The David Sears Mansion (now the Greek Consulate) at 86 Beacon Street in Boston, is a large, architecturally significant example of a mansion built in Beacon Hill in the early 20th century for a member of a prominent local family. In 1910, Dr. Henry Francis Sears (1862-1942), who had inherited his father’s property on this site, that included two townhouses and a double-stable at the rear, demolished the two houses and built a new mansion on the double lot. The architectural firm of Wheelwright & Haven was hired to furnish plans, which resulted in the symmetrical, four-story mansion with fifth floor mansard punctuated by dormers. The brick structure is trimmed with marble, including at the entry portico, keystones and headers at the windows, and the ornamental panels between the second and third floors in alternating wreath and swag motifs. In the 1920 census, Henry F. Sears lived here with his wife Jean, their four children, his older brother David Sears, and nine domestic servants. After Dr. Sears’ death in 1942, the property was conveyed to the Charlotte Cushman Club of Boston, a boarding house for touring actresses needing respectable, inexpensive, safe lodgings as single women performers were unwelcome in many hotels. In the 1950s, the property became the Katherine Gibbs School, a satellite campus of the higher education institution founded by Katharine Gibbs with the goal to provide educational opportunities to women, eventually becoming Gibbs College. The most-recent chapter of the mansion’s history began in 1993 when the building became home to the Consulate General of Greece in Boston, with the consulate occupying the first two floors of the interior, with condominium units above.

Burnham Townhouse – Engineer’s Clubhouse // 1911

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Located at the boundary of the Beacon Hill and Back Bay neighborhoods, this prominent townhouse on a corner lot at Beacon Street and Mugar Way was built in 1911, replacing an 1840s townhouse of the same form. The Colonial Revival style townhouse was built for Henry D. and Johanna H. Burnham from plans by the architectural firm of Wheelwright, Haven & Hoyt. Henry Burnham was the son of cotton broker, John Appleton Burnham and was in the real estate business. Henry and Johanna lived at 96 Beacon Street through at least 1938. The house was bought by the Engineer’s Club, a social and professional organization, in 1947. In the 1950s, the formerly mid-block townhouse suddenly became a corner lot with the construction of Storrow Drive, its off ramp as Mugar Way, and the addition of the Fielder Footbridge connecting Beacon Hill to the Esplanade. The Engineer’s Club took over renovations at the interior, which were done to adapt the former single-family residence for clubhouse functions, including a large banquet hall. In the 1960s, the property was acquired by Emerson College and used it as a college center and cafeteria until the early 2000s when it was converted into condominiums by Grassi Design Group, adding new openings to the formerly solid brick side wall.