Mansion

Ashton Croft Mansion and Carriage House // c.1892

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Tucked behind the Jesse Lee Memorial Church on Main Street in Ridgefield, you will find this stately Queen Anne/Tudor Revival estate. The ‘Ashton Croft’ Manor House, now called Wesley Hall, is part of the Jesse Lee Memorial United Methodist Church complex and it has been modified several times blending two distinct styles into a single, pleasing composition. This house was originally constructed by Henry and Elizabeth Hawley circa 1892 in the Queen Anne style. The house was later sold to Electa Matilda Ziegler, a wealthy New York City widow in 1912, who reconfigured the structure to include half-timbering on the gables and upper story walls in the Tudor Revival style. She spent summers at a mansion in Darien, Connecticut, and would sell her Ridgefield property to Sanford H.E. Freund, a New York City attorney. The local order of Odd Fellows bought the estate from the Freund family in 1956. Three years later, the organization sold most of the property — retaining the carriage house for its lodge — to Jesse Lee Methodist Church, which planned to eventually build a new church there to replace the old one at Main and Catoonah Streets. Today, the entire former Ashton Croft estate is owned by the local Methodist Church and is known as Wesley Hall.

Skinner Mansion // 1886

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One of the best early examples of Classical Revival residential architecture in Boston can be found on Beacon Street in the Back Bay, at the Skinner Mansion. Built in 1886 for dry goods merchant Francis Skinner (1840-1905) and his wife, Eliza Blanchard (Gardner) Skinner (1846-1898), the house exhibits a light stone facade with carved detailed panels and fluted pilasters, stone parapet with urns at the corners and a decorative wooden entrance with ironwork. Eliza was the sister-in-law of Isabella Stewart Gardner who herself lived on Beacon Street until erecting what is now the Isabella Stewart Gardner Museum, in the early 1900s. The Skinners hired architects Shaw & Hunnewell to furnish plans for their Boston townhouse, and they did not disappoint! Today, the mansion is occupied by medical offices, but retains the residential charm and character as it is located in a local historic district.

A. C. Houghton Mansion // 1897

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The first mayor of North Adams, Albert Charles “A. C.” Houghton (1844-1914), built this house on Church Street in 1897. Albert was born in Stamford, Vermont and would become president and principal owner of Arnold Print Works (now Mass MoCA campus) and the Beaver Mill in town. He did well for himself and had this large mansion built from plans by Berkshires architect Henry Neill Wilson. Tragically, on August 1, 1914, A. C. Houghton was being driven in town by his driver with his daughter Mary and her husband in the car. They crashed and both Mary and her husband died, with seventy-year-old Albert succumbing to his wounds over a week later in his home. His driver soon thereafter shot himself. The Houghton mansion was inherited by Albert’s wife Cordelia, who passed away in 1918. Their daughter Florence Gallup next inherited the mansion but was living in the Boston area, and she decided to sell the family home to the local Masonic Lodge in 1927. They likely added the brick addition at the rear for meetings and events soon after. It is not clear to me what the mansion is used for today, any locals have more information?

Lord-Gould House // 1799

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Believe it or not, this stunning Federal mansion in Kennebunkport was a marriage present! When Phebe Walker married Nathaniel Lord in 1797, Phebe’s father, Daniel had this home built for the new couple. Phebe and Nathaniel had a total of nine children before Mr. Lord died in 1815 at 38 years old. Before his death, the wealthy couple used part of their property to erect a larger home, which is now known as the Nathaniel Lord Mansion. The couple sold the property, and it was owned for some time by Captain Alden B. Day, who passed it down to his daughter Nellie and her husband, William Gould. The property remained in the Day-Gould family until 2017. The house is very well-preserved and looks much like it would have appeared when built in 1799 besides the later entry added in the mid-19th century.

Woods-Gerry House // 1860

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There are always those houses that just stop you in your tracks… For my last post (for the time being) on Providence, I wanted to share this significant property, known as the Woods-Gerry House, perched atop College Hill. Owner Marshall Woods, who married into the Brown family and was active in the affairs of Brown University. Locally he was also involved on the building committee for St. Stephen’s Church where he was a factor in selecting renowned architect Richard Upjohn to design the church. He must have liked Upjohn so much (or got a good deal) that he hired Richard Upjohn to design his new home on Prospect Street. The exterior of the three-story brick building stands out amongst the other Italianate mansions built in the same decade nearby, but is elevated design-wise with a bowed centerpiece on its east elevation with the handsome new front entrance renovated in 1931 by then-owner, Senator Peter Gerry, who was a great-grandson of Elbridge Gerry, the fifth Vice President of the United States (who had given his name to the term gerrymandering). Today, this significant building is owned by the Rhode Island School of Design and houses the Woods Gerry Gallery. The grounds are also very well designed.

William Binney House // 1859

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Another of Providence’s stunning monumental Italianate mansions on College Hill is this, the William Binney House, which was built in 1859 from plans by local architect Alpheus C. Morse. In the mode of an Italian Renaissance palace, it features a strong, symmetrical facade, molded string course, classic trim detail at the windows and doors in brownstone, and a shallow hip roof. The original owner, William Binney (1825-1909) was born in Philadelphia and became a prominent attorney and became involved on various boards, building more wealth. Additionally, he was elected as member of the Rhode Island Assembly and the Providence City Council continuously 1857 to 1874. The house’s rear ell and wooden bay would provide sweeping views to Downtown Providence even today from the aptly named Prospect Street.

De La Salle // 1884

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The Weld family has long been a prominent family in Boston, with ancestors dating back to the 17th century in New England. One of these men was William Fletcher Weld, a merchant, later making investments in railroads and real estate. By the time of his death in 1881, he had an estate of approximately $20 million, or more than half a billion in today’s dollars, and he left nearly all of it to his family. His eldest son, William Gordon Weld II, received a large inheritance and he began construction on this summer “residence”cottage” in Newport. The house was designed by local architect Dudley Newton, who had the estate built of locally-quarried granite. Architecturally, the dwelling is eclectic in style with Dutch Renaissance gables with conical roof forms seen typically in Queen Anne and Romanesque buildings. Weld spent his summers here for over a decade until his death in 1896. His widow Caroline, summered in the mansion until her death in 1918. By this point, Newport was beginning to fall out of favor as a wealthy resort community, and the many Gilded Age mansions were increasingly viewed as costly white elephants from a previous era. This property was sold by the Weld family in the early 1920s and became the De La Salle Academy, a Catholic school for boys, and remained in use until it closed in the early 1970s. After the school closed, the mansion was converted to condominiums and some townhomes were built on the expansive property.

Berkeley House // 1885

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In 1885, a 28-year-old Leroy King (1857-1895) and his wife Ethel Rhinelander King (1857-1925) hired one of the country’s most prominent architects, Stanford White, to design a Newport home for their family. Leroy was the son of Edward King, a prominent local merchant, and upon his fathers death in 1875, inherited some of the $100+million dollar fortune he had amassed in today’s dollars. The corner lot at Bellevue and Berkeley avenues was purchased and work was underway on the new mansion. The house is a really interesting take on the Shingle style, but instead of cedar shingle siding, employs fireproof construction. A central hall, large gabled masses, picturesque window arrangements, and a spectrum of surface textures (here conveyed largely in natural stone and brick with flourishes of shingle and pebble dash work), align this house with McKim, Mead & White’s earlier efforts in this style. The interior has been meticulously preserved and maintained by the owners.

Brook Farm // 1894

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By the late 1800s, Vermonters had left the state in high numbers as agriculture began to sharply decline as a career path in New England, with many leaving to urban centers and manufacturing towns. Vermont politicians responded to the de-population with initiatives to encourage the redevelopment of existing farms by seasonal residents with money who could summer there to escape the hustle and bustle (and dirty air) of urban centers. Towns threw events like “Old Home” days with activities to entice affluent family members to return home and bring their money with them. After 1850, railroads made it easier for urban families to trade the heat and congestion of the city for the beauty of Vermont. One of these wealthy expats was James Hale Bates (1826-1901), who was born in Cavendish, Vermont, and moved to New York and worked in advertising, operating a major firm there. He retired in 1895, after the completion of Brook Farm one year earlier, a gentleman’s farm that he had built in his ancestral hometown of Cavendish. This massive Colonial Revival mansion was the centerpiece among sweeping fields and orchards contained by rustic stone walls. It is believed that Vermont architect, Clinton Smith, designed the estate house and many of the out-buildings on the site from the carriage and cow barns to the caretaker’s house and creamery. In recent years, the estate was operated as a vineyard, but it appears to be closed now. This is one of the hidden gems of Vermont and one of the most stunning Colonial Revival homes I have seen!

Naulakha // 1893

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Located on a hillside in rural Dummerston, Vermont, you will find Naulakha, one of the most significant properties in the region. Naulakha (pronounced now-LAH-kuh) was built in 1893 for Rudyard Kipling an english journalist and author born in British India, an upbringing which inspired much of his professional work. In 1892, Kipling married Caroline Balestier, who was born into a prominent New England family. The couple honeymooned in Vermont near Carrie’s family home. The couple would settle in Vermont in a cottage which was soon outgrown, leading the couple to buy 10 acres of land from Carrie’s brother Beatty Balestier and built their own house. The new Shingle-style home they had built was named Naulakha after a book written by Rudyard and Caroline’s late-brother Wolcott. Kipling wanted a home that merged the distinctive qualities of the Indian bungalow with those of the American Shingle Style and he worked closely with his architect, Henry Rutgers Marshall of New York City, a Balestier family friend to achieve this.

The rectangular mass of the home parallels the contours the hill upon which its sited, and sits atop a raised fieldstone basement salvaged from stone walls on the property. From the home, Kipling wrote some of his most influential work, including the Jungle Books (1894, 1895), Captains Courageous (1896, The Seven Seas (1896), and The Day’s Work (1898). Sadly, the Kipling’s moved out of Naulakha after just a few years, largely from familial disputes with Caroline’s brother, Beatty. The family removed to England where they settled, though Rudyard always mentioned how much he missed his secluded life in Vermont. The property was then purchased by the Holbrook family, who made slight modifications to the property, but all maintaining the original design and feeling. In 1992, the British-based Landmark Trust acquired Naulakha as its first American building, later creating the Landmark Trust USA to maintain the property and more. The Landmark Trust USA rents out Naulakha and the adjacent carriage house for short-term rentals to provide revenue for maintaining these properties.

For more on my stay at the absolutely stunning Kipling Carriage House, check out my later blog post here.