Tudor Revivals may just be my favorite style of house. The interesting roof forms and gables, the use of stone, brick or stucco, and the presence of garrisoning and half-timbering in designs are always so charming. This enchanting Tudor Revival home in Providence, Rhode Island, was built in 1900 by local architect Howard K. Hilton (1867-1909) as his personal residence with wife Rose. He first worked in the office of H. W. Colwell and continued his training under Ellis Jackson joining him in partnership (Jackson & Hilton) and under the firm name was identified with the design of several churches, schools, hospitals and various other buildings in his native city before he retired in his final years. This home is very unique for its site on a narrow urban lot with the door at the side, brick first floor with jettying at the second floor of wood construction with half-timbering. While writing this, I noticed that there are also projecting gargoyles which serve as water spouts to send water away from the structure during rainfall events. Tudors are really the best!
Harriswood Crescent // 1889
Harriswood Crescent was built in 1889-90 at the height of Roxbury’s development as a streetcar suburb which coincided with the electrification of the streetcar lines in Boston. The area of Roxbury in which the Crescent is located, known at the time as Boston Highlands due to its rocky terrain and steep grades, was an extremely desirable residential location. As land values raised, middle and upper-class families looked for varied housing types that fit their demands. Seen as a great investment of the family estate, the heirs of wealthy businessman Horatio Harris (1821-1876) redeveloped lots on one side of a rocky park for fine townhouses, which were named Harriswood Crescent. The name was probably chosen for its historical associations with Boston’s Tontine Crescent and the great Georgian crescents of London and Bath in England. Architect J. Williams Beal designed the row, which was one of his first commissions upon returning to Boston in 1888 after employment as a draftsman at McKim, Mead & White and a long study in England to view architecture. Built at 15 separate units, the row of Tudor style houses is among the only of such developments in Boston, and New England at large.
LeClear House // c.1915
Waban in the late 19th and early 20th centuries was a hotbed for architect-designed houses as their own residences. This Colonial Revival/Tudor Revival style estate was designed by Gifford LeClear (1874–1931), a prominent architect in the Boston area. Gifford LeClear was born in Rutherford, New Jersey to Thomas and Cornelia (King) LeClear. He was educated in the private schools in Boston before entering Harvard University. He graduated with a Bachelor of Arts degree in 1895 and Master of Arts in 1896. He then worked for a year in the engineering department of the West End Street Railway before forming his partnership with Densmore in 1897. The partnership of Densmore & LeClear was formed in April 1897, practicing as mechanical and electrical engineers. One of the firm’s major projects in this role was the design of the building systems for the new campus of the Harvard Medical School in Boston.
James R. Bancroft House // 1924
At the very end of Windsor Road in Waban Village, Newton, you will find this large, stuccoed Tudor home. The property was one of the last developed on the street and was designed by Newton-based architect William J. Freethy. The first owner of the house was James R. Bancroft, a nationally known economist who taught at Boston University and for years served as President of the American Institute of Finance. The Bancroft House is a refined example of the Tudor Revival style with stucco siding without half-timbering or other masonry detailing which is seen in so many other examples nearby.
Emmett House // 1917
This refined brick Tudor Revival house in the Waban Village of Newton was built in 1917 for Lila and James Emmett. The couple hired Boston architect Edward B. Stratton to furnish plans for the home, which fits in to the early 20th century neighborhood. The symmetrical home has two gables at the facade which frame the central bay with a segmental pediment at the entrance.
Windle House // c.1912
William “Willie” Winfred Windle (yes that is a real name) was born in Millbury at the height of the town’s industrial growth and prosperity. He ran the W.W. Windle Mill just west of downtown and with his wealth, was able to buy a house lot on one of the most fashionable residential streets in town. His home was built in the early 20th century and is a stunning example of Tudor Revival architecture. In 1911, Windle traveled to England to inspect mills there and was likely inspired by some of the residential architecture he viewed on the trip. The house elegantly blends stone walls with half-timbered wood, with a prominent entry. The timber and stone entrance porch which has decorative bargeboard and corbels, has been enclosed. The home remained in the Windle family at least into the 1940s, when it was occupied by William Winfred Windle’s son, Winfred Woodward Windle. By the 1970s, the home was occupied as the Millbury Society of District Nursing.
Fairholme // 1875
One of a handful of massive summer cottages in Newport that have always remained a single-family house is this beauty, known as Fairholme. Originally built in 1875, the summer cottage was built in the popular Stick style for Philadelphia arts patron and engineer Fairman Rogers by architect Frank Furness, also of Philadelphia. The estate was purchased, expanded and modernized at the turn of the 20th century by Philadelphia banker John R. Drexel (1863-1935) and his wife, Alice Troth (1865-1947). It is likely that Philadelphia architect Horace Trumbauer was hired by the Drexel’s to modernize the home, as he was hired in 1903 to design their Manhattan townhome. The enlarged home in the Tudor Revival style saw a couple successive owners, all uber wealthy bankers and industrialists. The waterfront mansion which neighbors The Breakers and Anglesea (both featured on here previously), sold in 2016 for $16.1 Million!
Sunset Cottage // 1910
Sunset Cottage was designed by local architect Milton Stratton and cost $20,000. The cottage was constructed for New Yorker Gertrude Stevens Rice, a decade after the death of her husband William. She and her husband formerly resided at The Tides, a home nearby, but she decided to construct a new home to summer at with her sister. The shingled home originally had half-timbering in the gables, but other than that, looks almost identical to when it was built 110 years ago!
“The Poplars” // 1899
It’s Tudor Tuesday so I have to share one of the great Tudor Revival cottages in Bar Harbor, Maine, “The Poplars” (because any good summer cottage needs a name)! The cottage was built in 1899-1900 for Lewis A. Roberts, a retired book publisher from Boston, who purchased the lot which contained a summer cottage and stable, razing both. He hired the local firm of Goddard & Hunt, an architect/builder duo who worked on many projects in the village. The Tudor Revival cottage was only occupied in the summer months by Roberts and his family as the home was not winterized at the time. The cottage was built of wood and rough stucco work with rough timber trimmings all hallmarks of the Tudor style. The home was later known as the Stratford House, and became an inn until just a couple years ago. It was recently listed for sale and has 13 bedrooms and 13 bathrooms!
Ullikana // 1885
One of the earlier summer cottages in Bar Harbor is Ullikana, a Queen Anne style cottage, verging on Tudor Revival style. The cottage was built in 1885 for Alpheus Hardy (1815-1887) a trader in Boston. Hardy gained his wealth in shipping. He got his start by buying a small and fast ship that could make the voyage to the Mediterranean and back so quickly that he and his other investors captured much of the fruit importing business. His company would grow to have over 15 ships going as far as China. Hardy hired the Boston architectural firm of Cummings & Sears to design a new summer cottage in Bar Harbor, Maine, an ever-growing rival to Newport. He could only enjoy the cottage for two years, when in 1887, while cutting coupons, he dropped the scissors, the sharp points piercing his leg. Blood poisoning followed and death resulted. The summer cottage was owned by his family as a rental cottage for a number of years until it was purchased by the Maine Central Railroad, and rented to the recently widowed Princess Miguel de Bragança of Portugal, the former Anita Rhinelander Stewart. The cottage is now an inn.