Captain Hadley House // c.1850

Built around 1850 for Captain Hadley this stately home in Marion, Massachusetts, is significant as a two-story transitional Greek Revival/Italianate landmark that has ties to one of the most prominent local families and has spent nearly two centuries as the visual entrance to the historic village. The home was built for sea captain, Stephen Delano Hadley (1814-1892) and his wife, Mary Soule. The home was at the northern end of the Old Landing, near the working harbor, and saw other owners in the 19th and 20th centuries until it became an office building. In the 2010s, the prominent site along a busy thoroughfare was eyed by CVS to redevelop the site with a suburban style store and parking lot. The community rallied with petitions signed by thousands and local groups mobilized to save the building and character of the community. The Sippican Historical Society and Sky Development Ltd. partnered to purchase the building and acquire a deed restriction on the site, preserving it in perpetuity. Today, the Captain Hadley House, as it’s still known locally, continues under new ownership as a small medical office, its Italianate details preserved under the historical society’s watch as one of Marion’s most recognizable surviving nineteenth-century landmarks.

St. Rita’s Roman Catholic Church // 1916

A Roman Catholic parish was established in the South Coast/Cape Cod area by 1830 in Sandwich, where a large glass company employed a number of Irish immigrants. Over the course of the 19th century, several mission churches were established, and eventually a second parish, St. Patrick’s, was established in Wareham in 1911. Soon after, a mission was established in nearby Marion to serve the summertime Catholic community there, where many Irish laborers worked on the coastal estates there. A parcel of land was acquired by the Roman Catholic Bishop of Fall River and noted ecclesiastical architect Matthew Sullivan, was selected to furnish plans for the small church. Matthew Sullivan was a partner in the firm of Maginnis, Walsh and Sullivan, which was widely known for its ecclesiastical work, where he too specialized in religious buildings. St. Rita’s Roman Catholic Church is an example of an early 20th century chapel in the Craftsman style, characterized by eaves marked by long projecting rafter tails and a bold entry framed by Tuscan columns, but with the unique use of brick walls.

Marion Congregational Chapel // 1885

Completed in 1885 in the small coastal village of Marion, Massachusetts, the Marion Congregational Chapel was one of the last major gifts from Elizabeth Pitcher Taber (1791–1888), the wealthy widow whose patronage shaped the town’s entire civic landscape. Ms. Taber in her later years had already funded Marion’s library, founded Tabor Academy, and built its academy hall before purchasing a vacant lot on Main Street to build this chapel for her church, the First Congregational Church of Marion. Built in 1885, the chapel is designed in the texturally rich Shingle Style that was then sweeping New England’s coastal towns by the late 19th century with its continuous wood-shingle siding and gabled massing gave it a warmer, more approachable character than the town’s earlier Greek Revival and Italianate landmarks. The chapel stands out for its rubblestone entry tower and the trio of polygonal bays on the primary facade. For its first several years it doubled as Marion’s only real venue for public lectures and amateur theater, an arrangement that reportedly so dismayed Taber over the poor quality of the “worldly theatricals” staged there that she went on to fund a dedicated Music Hall, designed by architect William Gibbons Preston nearby. Given the fact Ms. Taber so-often utilized Preston as architect for her gifts to Marion (and as he was a summer resident here), it is probable that he too designed this Shingle style chapel. The Congregational Chapel stands today as a smaller, later addition to Marion’s Congregational history, which stretches back to the town’s original 1799 meetinghouse (now the Marion General Store) and the Greek Revival church built across the street in 1841 which is still home to the First Congregational Church of Marion.


Blankinship House // 1852

This perfect mid-19th century cottage showcases what makes coastal New England so special. Located on Main Street in the walkable historic center of Marion, Massachusetts, this 1852 home was built by Warren Blankinship (1816-1898), a carpenter, as his own residence. It was built just before his second marriage to Mercy Wing in 1853. A series of tragedies struck Blankinship’s marriages as he outlived three of his four wives. A well-preserved example of a modest Greek Revival home, it is clad in cedar shingles, a hallmark of many coastal homes in New England. White Cedar shingles are so popular historically as the species is such a hard wood that pieces are naturally insect and rot resistant and hold up amazingly well to salt air. Early colonists noted the use of the tree for canoes and other objects by Native people and followed suit, constructing homes from the native tree.

Bird Island Light // 1819

Perched on a tiny, treeless island at the entrance to Sippican Harbor in Marion, Massachusetts, Bird Island Lighthouse has stood since 1819, when Congress appropriated $11,500 to buy the island and erect a light guiding the whaling ships and lumber, nail, and salt cargo vessels that crowded Buzzards Bay. A 25-foot-tall conical rubblestone tower was constructed, surmounted by a 12-foot tall iron lantern with small stone keeper’s dwelling connected to the tower by a covered walkway, that has since been demolished. William S. Moore, a veteran of the War of 1812, was appointed as the first keeper, which went into operation in 1819. Today, there have been legends about murder and hauntings on the island. Some accounts claim that Moore murdered his wife—described as a “Boston society girl”—at the lighthouse and disappeared soon after. A rifle was purportedly found in a secret hiding place, along with a bag of tobacco, when the original keeper’s house was torn down in 1889. The gun was believed by some to be the murder weapon. Others have claimed that Moore prevented his ailing wife from seeking medical attention on the mainland, and that she died as a result. The truth about Moore will probably never be completely separated from the fantastic legends concerning his life. The light was decommissioned in 1933 and sold by the Federal Government in 1940, later purchased by the Town of Marion in 1966. The Sippican Historical Society oversaw the restoration of the tower with the surrounding island serving as a protected sanctuary for nesting roseate terns.

Tabor Hall // c.1880

This beautiful Italianate building was constructed around 1880 for the newly established Tabor Academy, which was founded in Marion, Massachusetts by Ms. Elizabeth Taber in 1876. After Ms. Taber funded the constructed of a town library and museum and Academy Building (now the Marion Town Hall) for her hometown, she endowed money for Tabor Hall, which was to house the school’s Principal, some boarding students, and most importantly, herself. The structure was originally located on Spring Street, just north of the library, 1936, when the “Tabor Swap” occurred. The swap was a deal between the academy and the Town of Marion, who exchanged properties. The town received the library building, the academic building (soon after converted to Town Hall) and land where this building once sat and erected the Sippican Elementary school on the land, and had Tabor Hall moved a block away to this site on Cottage Street. Tabor Hall has since been a private home, and recently (before this image) has been renovated with new siding.

Elizabeth Taber Library // 1872

Built in 1872, the Elizabeth Taber Library and Natural History Museum was the first of a number of philanthropic gifts to the town of Marion by Elizabeth Sprague Pitcher Taber (1791-1888), a wealthy widow and resident. This stunning Italianate style library and museum was funded following over $20,000 in donations to Marion for the design, construction and furnishing of a new library in town, that would also house a natural history museum for the advancement of education. By the late 1870s, the Taber Library and Natural History Museum had become a key component of the Tabor Academy campus, founded just years later. The structure, like the Tabor Academy building and Tabor Hall, was designed in the Italianate style and features a dentiled pediment on the facade, an octagonal cupola with balustrade at the roof which is adorned by oculus windows, and an ornate portico supported by fluted Corinthian columns. The building remains as Marion’s Public Library with its Natural History Museum on the second floor

Tabor Academy Building – Marion Town Hall // 1876

This building, one of the most architecturally significant in the town of Marion, Massachusetts, was constructed in 1876 as a new academy building in the community. When built, Marion was not yet a summer resort community and suffered the decline of the shipbuilding and sea-faring trades that saw the region prosper throughout much of the first half of the 19th century. The new academy building was largely funded by Marion resident, Elizabeth Sprague Pitcher Tabor (1791- 1888). Following the death of her wealthy husband, New Bedford clockmaker and whaling vessel shareholder Stephen Taber, Mrs. Taber focused her attention on improving the circumstances of her hometown of Marion by financing and overseeing construction of new buildings in town. In her later years, Elizabeth founded Tabor Academy in Marion, naming it after Mount Tabor in Palestine rather than after herself (but the close spelling was likely intentional). Tabor Academy served as a private school for boys and girls over 12 years of age, and was to remain free for local students. With the rise of public schools in the state, many academies began to struggle with admitting students, especially those that had parents willing to pay additional money for enrollment. The school struggled around the Great Depression and thus, traded buildings with the Town of Marion in the 1930s and this building became the Marion Town Hall, a use it retains to this day. The building itself is a stunning Italianate design, likely constructed from plans by Boston architect and summer resident in Marion, William Gibbons Preston. The Town of Marion has done an exceptional job maintaining and preserving this significant and iconic piece of architecture and local history into the 21st century.

White-Cushing Cottage // 1906

The White-Cushing Cottage on Pleasant Street in Marion, Massachusetts, showcases the eclectic Victorian architectural styles of the late 19th and early 20th centuries that are adored by so many. The residence was built for George F. And Clara A. White, who acquired the property in 1906. The couple moved to Marion from Brooklyn, New York, and had this home built while George was employed in the linen supply business. It is likely this was their summer residence as the couple also had a home in Newton, Massachusetts, just outside Boston. After Clara’s death in 1916, George sold their Marion home to Mathew Cushing (1859-1925) and his wife, Edith, who lived in Middleborough and too likely used this home in the summers. Mr. Cushing worked as a theatre manager until his death in 1925, and his wife continued to live in the house with her son, Bartlett. The White-Cushing House has elements of the Shingle style, which is commonly seen in the summer cottages of Marion and many coastal communities. The cottage has a flared gambrel roof and a distinctive wall dormer at the facade with an integrated wrap-around porch. 

First Universalist Church, Marion – Marion Arts Center // 1833

I do love a good adaptive reuse story! This historic church building on Main and Pleasant streets in the Wharf Village of Marion, Massachusetts, was constructed in 1833 for the town’s growing and new Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form than some larger churches. By World War II, the church’s membership had dwindled to only a few old Marion families and eventually closed. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.

Dr. Ellis House – Sippican Historical Society // 1834

This house sits on Main Street in Marion, Massachusetts, and it is an example of a modest mid-19th century Greek Revival style residence seen in the main village here. The house was built in 1834 for Dr. Walton Nye Ellis (1808-1867), who served as physician in Marion. Born in Wareham, Ellis moved to Marion, and married Susan Delano (1809-1840), she passed away in 1840, and not long after her death, Dr. Ellis remarried. In 1855, Dr. Ellis organized a meeting of prosperous Village men, mostly sea captains, with the purpose of planning a library for the town. They pooled resources and funded a library which was located in a large closet on the second floor of his home seen here. The library’s books could be borrowed for a few cents a week. Subsequent funding from Elizabeth Taber helped create the Taber Library just decades later. In the 1960s, the home was gifted to the Sippican Historical Society, who remain in the building to this day.

Marion Masonic Hall // 1911

Since its founding in 1863, Marion’s Masonic organization, Pythagorean Lodge, has been one of the town’s most important social and charitable organizations. The organization originally met in a historic Greek Revival style building near the harbor, but it was eventually deemed obsolete for the well-connected group of men who were members there. In 1908, discussions began to build a new, purpose-built Masonic Hall in the village. It was intended to have a three-story building with retail space and apartments on the ground floor to supplement the cost of maintenance, reception and member’s rooms on the second floor, and the banquet hall and kitchen on the top floor. Approximately one-third of the cost for the new building was funded by Henry E. Converse, of the Converse Rubber Company (now the iconic shoe brand), who was a member of the local lodge and summer resident of Marion. Opened in 1911, the new building was designed in the Colonial Revival style with fanlight windows, corner pilasters, and columned entrance, but today lacks the original flair with its unfortunate vinyl siding.

Sherman’s Inn – Beverly Yacht Club // 1784

One of the oldest homes in Marion, Massachusetts is this beautiful gambrel-roofed Cape house on Water Street, backing up to the town’s iconic harbor. The residence dates to at least 1784 constructed seemingly as an inn for sailors who would dock their ships in the harbor just behind the property. It was later acquired by Edward Sherman (1790-1867), a shipwright and carpenter who built schooners at the wharfs in town, becoming Sherman’s Inn. In 1868, his son Edward Franklin Sherman (1821-1907), also a ship carpenter, sold the waterfront property after his father’s death to Andrew A. Harwood, an admiral in the United States Navy, Commodore of the Washington Navy Yard, and through his mother, a great-grandson of Benjamin Franklin! During the early twentieth century, the iconic property became the home of Dr. William McDonald, physician to Franklin D. Roosevelt during the 1920s. Roosevelt sought Dr. McDonald’s medical advice after contracting polio. The Beverly Yacht Club acquired the building in 1955 and have maintained the building ever since. Interestingly, the Beverly Yacht Club was originally named after the town of Beverly, north of Boston, when members broke from the Eastern Yacht Club of Marblehead. For the first 23 years, the club had no fixed location, but eventually settled in Bourne, and then merged with the local Sippican Yacht Club. The Great Hurricane of 1938 destroyed their clubhouse and they were “homeless” for years until moving to Marion into this 1784 home, later expanding it to meet growing needs.


Andrew and Cynthia Allen House // 1821

If you look closely, you will see that the two windows to the left of the door to this house are slightly farther than those to the right. This minor detail is a clue that this historic home on Main Street in Marion, Massachusetts, was originally built as a half-cape (with two windows and a door to the side) and later expanded to its present full cape form. The house was built in 1821 by Andrew M. Allen (1795-1874), a housewright for his own residence. Andrew and his wife Cynthia had five daughters, which likely necessitated the expansion of the family home by the mid-19th century.

Briggs House // c.1820

This tiny half-cape house on Main Street in the harbor town of Marion, Massachusetts, was likely built around 1820 for Silas Briggs (1792-1833), a mariner, who married Desire Clark a year prior. Silas would pass away by 1833, leaving Desire widowed to raise three children and maintain their home. When he came of age, the house was inherited by Timothy H. Briggs, who followed his father’s footsteps to become a sea captain. Timothy lived here with his wife, Josephine and elderly mother, never needing to expand the home into a full cape like what was done to so many other residences in the mid-19th century. Captain Timothy Briggs died in 1877 while at sea and his widow too lived in the home into the 20th century. The old Briggs House retains its original half-cape form, 12-over-12 sash windows, central chimney, and elaborate door surround, which makes the small but mighty cottage one of my favorites in Marion!