Colonial Revival Architecture

Edgar-Wolfe-Moore House // 1864

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At the head of Touro Park, this large home has stood since it was built in 1864 for Daniel Edgar of New York, who made it his summer home for eight seasons. It was designed by noted local architect, George Champlin Mason in the Italianate style and included a broad veranda, brackets, and other intricate details. In 1872, Edgar sold the property to Catherine Lorillard Wolfe, who occupied the house until 1883 when her property “Vinland” was completed on Ochre Point Avenue. In 1948, the house was purchased by Cornelius C. Moore, who remodeled the exterior in 1949-1950, removing its Italianate trim and replacing it with Neo-Federal detail we see today. The house was most-recently in use as the Touro Park Inn, but was recently purchased and is a single-family home.

Warren Industrial Trust Building // 1906

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This monumental Georgian Revival bank building sits on Main Street in Warren, Rhode Island, and is one of the finest buildings of the style in the entire state. The Warren Industrial Trust in 1906 hired Edmund R. Willson of the Providence architectural firm of Stone, Carpenter & Willson to design the bank for the town after it had absorbed the town’s multiple banks, under one roof. Four Corinthian columns support a robust pediment over the entrance with the red brick elevations enlivened with arched windows, oversized keystones, and pilasters with contrasting capitals and bases. The building shows that Colonial Revival architecture, while often seen as a refined, classical style, can be festive and ornate.

Jesse Lee Memorial Church // 1965

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Believe it or not, this church in Ridgefield Center was built in 1965! To know its full history, we have to go back to 1787, when the Methodist Episcopal Church had its beginnings in Ridgefield, the third in New England. Its first meeting was held – just 21 years after Methodism had been introduced into the U.S. from England. In 1789 Jesse Lee, a native of Virginia, was sent north as a circuit rider. His third sermon in Connecticut was preached at the Independent Schoolhouse on Main Street in Ridgefield. In the 1840s, a second meetinghouse in town was built, and the congregation grew. A third church and rectory were built on Main Street in 1884. When a large Main Street estate was available for a new, stately building, the congregation jumped at the opportunity, and hired ecclesiastical architect Harold Wagoner to design a refined, Colonial Revival style church, which was built in 1965. Executed in brick, the church has great verticality, created by the colossal columns supporting its pedimented portico and the spire that rises over an open belfry to a height of 149 feet. Set back from the street, the church still has a commanding presence.

The Colony // 1898-1969

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In 1898, before the Berzelius Society at Yale built their present “tomb” in New Haven, the organization funded one of the finest residence halls in town at the time. The building was known as “The Colony” and would house Seniors who were members of the secret society. Located on Hillhouse Avenue, the stately Colonial Revival/Neoclassical building was designed by architects Henry Bacon and James Brite. Bacon is best known for having designed the Lincoln Memorial on the National Mall. Yale purchased the Colony dormitory in 1933 for student housing, later using it for faculty offices before demolishing it in 1969 to facilitate construction of the Yale Health Services Center, one of the least inspiring buildings on the campus.

New Haven Museum // 1929

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New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University – McClellan Hall // 1924

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Located in the Old Campus Courtyard of Yale University, McClellan Hall stands as an early example of Colonial Revival on the college’s campus. Built in 1924 across from and as a conscious reproduction of the 1752 Connecticut Hall, McClellan Hall adds to the architectural diversity of the Yard, providing some warm red brick to the mix. The building was constructed thanks to a financial gift to Yale by Helen Mynderse McClellan in memory of her late husband Edwin McClellan (1861-1924), Yale ’84. The college hired architect Walter B. Chambers, who would design the building to provide symmetry in the yard against the one Georgian building there, Connecticut Hall. This was following a recommendation by campus architect James Gamble Rogers who advocated for this, stating that the Colonial style was enhanced by symmetrical groupings. The dormitory, which became known as “Hush Hall”, was a secret until workers began digging in the Yard. The decidedly Gothic style campus was disrupted by the Colonial building, which was more Harvard than Yale, and protest began by some students and faculty. President Angell would have to suspend construction for two months to allow the furor to die-down. Today, McClellan Hall is an important visual aspect of the yard, providing a beautiful tapestry of styles within the enclosed space.

Derby Townhouse // 1886

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Hasket Derby (1835-1914), was the grandson of Elias Hasket Derby, a prominent trader in Salem, MA., who was thought at one time to be the richest man in the United States. Hasket married Sarah Mason and the family lived in Boston. Dr. Hasket Derby was a renowned opthamologist and had this townhouse built in the Back Bay of Boston in 1886. He hired architect William Ralph Emerson, who ditched his prototypical Shingle style for the urban townhouse in the Colonial Revival style. The townhouse exhibits a brownstone swans neck pediment at the entry, three-story rounded bow, dentilled cornice and brick pilasters framing the bays. Its an often overlooked house in Back Bay, but so very special.

Greenfield Hill Congregational Church // 1855

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Local residents of northern Fairfield successfully petitioned the General Assembly to establish a Congregational church in 1725 as a new Northwest Parish, a distinct group from the Fairfield Congregational Church. Their first meeting house was erected just years later in 1727. A larger, more substantial meetinghouse was built in 1760. The area of Greenfield Hill has always been remote and more suburban, but became important in the late 18th century when Timothy Dwight became minister of the Greenfield Hill Congregational Church in 1783. Dwight would go on to become the eighth president of Yale College (1795–1817). With increased funds and affluent members, another church was built in 1850 from plans by esteemed architect Richard Upjohn, in the Gothic style. Sadly, just years after it was completed, a fire from a furnace inside destroyed the church. So again, they rebuilt in 1855 with the building we see today, sort of. Architect Alfred Nash furnished plans for the building which was more Italianate in design. The church would be modernized in the 1940s in the Colonial Revival style, from plans by local architect Cameron Clark, likely inspired by the collection of Colonial-era homes nearby, including his own home in Greenfield Hill. The church remains a visual anchor for the affluent neighborhood.

Blue Hill Town Hall // 1895

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Blue Hill is a charming coastal town in Hancock County, Maine that retains so much of the charm that has been lost in many other coastal New England villages. Originally settled by the Penobscot Tribe, the town as we know it was incorporated in 1789 under the name “Blue Hill”, named after the summit overlooking the region. The town thrived early as a lumber and wood shingle exporter, later shifting to shipbuilding. The town was also noted for the quality of its granite, some of which was used to build the Brooklyn Bridge, New York Stock Exchange Building, and the U.S. Custom House at Norfolk, Virginia. In 1876, local quarries employed 300 workers. The town’s wealthy summer residents likely sought a new Town Hall for Blue Hill, as in the 1890s funding was acquired to erect a new building. It came as no surprise that George Albert Clough, an architect born in Blue Hill would furnish the plans for the new town hall. George was the son of Asa Clough an early settler and shipbuilder in town. He moved to Boston to work as an architect and later became the City of Boston’s first “City Architect” designing municipal buildings. For the Blue Hill Town Hall, he designed it in the Colonial Revival style, which remains well-preserved to this day.

Stephen O. Metcalf House // 1892

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I am on a Colonial Revival style kick lately, so bear with me on this recent span of posts on houses in the style! This estate house is an earlier example in Providence, built in 1892 for Stephen Olney Metcalf (1857-1950) a multi-millionaire who was in business in woolen textiles and insurance before diversifying his portfolio further serving as President of the Providence Journal and Evening Bulletin. To make an architectural statement, Mr. Metcalf called the renowned Boston firm of Andrews, Jacques and Rantoul to design his new residence. The oversized Colonial Revival house is an excellent example of how Revival architecture tend to be a more free interpretation of their prototypes, being larger and having exaggerated features and proportions. In his will, Stephen O. Metcalf bequeathed this residence to the Rhode Island School of Design (RISD), an institution his mother helped found, and his daughter served as President. The mansion remains the RISD President’s House to this day.