Former Lupoli Brothers Funeral Home – H. L. Hotchkiss House and Stable // 1841 & 1935

A rare example of the Art Deco architectural style in New Haven, the former Lupoli Brothers Funeral Home on Chapel Street in Wooster Square is more than meets the eye! This Art Deco jewel box was originally constructed in 1841 as a large, single family home and modernized nearly 100 years later in its current design. In 1841, Henry Lucas Hotchkiss (1810-1861), a businessman and president of the L. Candee Rubber Company, had a two-story Greek Revival style home built on this lot for his wife, Lucy. The home was originally two stories, but a third floor was added in the 1860s, around the time the rear stable (still extant) was constructed, for another owner. In the early 20th century, as the Wooster Square neighborhood became a center of Italian-American life and business in New Haven, the property was purchased by Liberato Lipoli (1862-1934) who moved to Connecticut from the Piedmont region of Italy. A year after their father’s death, sons Mario, Gennaro, Antonio and Louis Lupoli, established a funeral parlor catering to the local Italian American community. In 1935, the Lupoli Brothers hired local architect, Lester Julianelle to reimagine the former Hotchkiss House in a modern style. The result is the refaced building with Classical Revival and Art Deco elements including the iconic entry reading, “Lupoli Bros” in the iconic lettering. The Lupoli’s closed the parlor here in 2008 and the building was converted to eight condominium units.

Willis Bristol House // 1845

The Willis Bristol House on Chapel Street in the Wooster Square neighborhood of New Haven, Connecticut, is one of the finest and most architecturally distinctive residences in New England. Built in 1845 for Willis Bristol (1804-1875), a partner in the shoe manufacturer of Bristol & Hall, the home was designed by Connecticut architect, Henry Austin, who designed many of the other great mansions in Wooster Square around this period. The Bristol House is Italianate in style with Exotic Revival detailing which has often been described as Moorish Revival, but it is actually more Indian Revival, an extreme rarity in 19th century New England. It is believed that Henry Austin was influenced by an illustration of columns and capitals at the Ellora Caves in India published by Henry Repton in Designs for the Pavilion at Brighton (1808) and through this worked picked up a fascination with Indian architecture that was to influence his designs in the mid-19th century. Many of Austin’s designs in Wooster Square feature these Indianesque columns on their porches. The Willis Bristol House remained in the family until 1876 and was subsequently used as a congregation house, school, beauty parlor, and presently as apartments. The owners should be commended for preserving and protecting this ornate and unique residence for all to enjoy.

James E. English House // 1845

The oddly proportioned James E. English House stands on Chapel Street in New Haven’s Wooster Square neighborhood and remains one of the most interesting mid-19th century residences in the city. Built in 1845 for James Edward English (1812-1890), a prominent businessman who later became Governor of Connecticut and U.S. Senator. James English started his career as a carpenter and expanded to open the English & Welch Lumber Company. He was a savvy businessman and helped restructure the New Haven Clock Company into one of the largest clock manufacturers in the region. From his success, he purchased property in the new fashionable Wooster Square district and moved into this residence which was designed by architect, Henry Austin, who designed many other homes in the neighborhood. English got engaged in politics and served as the 43rd and 45th Governor of Connecticut and later as a U.S. Senator (1870-1871). Upon returning to Connecticut, James English continued his lumber business and with his own product, expanded his Wooster Square home, vertically. In the mid-1870s, the house, which was originally two stories, was given a third floor, creating the strong vertical proportions we see now. Today, the James E. English House operates as the Maresca & Sons Funeral Home, one of the many prominent Italian-American-owned businesses that helped revitalize the neighborhood in the 20th century.

Wooster Square Brownstone Row // 1871

This extraordinary row of brownstone homes is located on Chapel Street in New Haven, Connecticut, and overlooks Wooster Square as its southern anchor. Built in 1871, the symmetrical row of six rowhouses are clad with brownstone facades which read more like Brooklyn townhouses than what is typical in New Haven, which is why these are so special. The row was designed by New Haven architect, David R. Brown, who got his start as an apprentice under Henry Austin, and became a prolific local designer. The row was likely constructed by one owner on speculation and subsequently sold to individual owners, who have maintained the structure over 150 years since. The Brownstone Row is Italianate/Second Empire in style with window surrounds, bracketed cornice and cupolas on the flanking homes with the center two residences capped by mansard roofs.

Henry Cowell House // c.1869

The Henry Cowell House, one of the great Italianate style residences in the Wooster Square neighborhood of New Haven, tells the story of the neighborhood from enclave of wealthy merchants and businessmen to vibrant immigrant area, to reborn middle-class neighborhood. The residence was built for Henry Cowell (1829-1904), a professional photographer and businessman who owned multiple properties in New Haven. The Cowell family, who lived in the house through the turn of the century, bequeathed it to a French order of nuns in 1912 who turned it into the St. Joseph’s Guest House, a residence affiliated with an area church. The Sisters of Holy Ghost managed the Cowell and neighboring Max Adler House, and constructed an addition between the structures to serve as a chapel and classrooms in 1929. The properties, which also served as housing for single women, were sold and converted into condos in the 1980s, with the current condo board taking great steps to preserve the significant buildings. The Henry Cowell House retains its boxy form with cupola at the roof, stucco walls scored to resemble ashlar masonry, and ornate entry porch.

St. Paul’s Episcopal Church, New Haven // 1829

Built beginning in 1829, St. Paul’s Episcopal Church on Chapel Street in Wooster Square, New Haven, Connecticut, was one of the first churches in the nation built in the Gothic Revival style and a visual entrance to the iconic neighborhood. Constructed from local brownstone, the design of the building is attributed to a partnership between master builder and contractor, Sidney Mason Stone, and Sherman Croswell, son of the congregation’s pastor, Rev. Harry Croswell, who possibly consulted with architect, Ithiel Town. St. Paul’s is said to be the first attributed work of Sidney Mason Stone, who went on to build and design over 100 churches, homes, and buildings all over the region. The church originally featured two end towers were built of wood but were ambitiously removed in 1893 to be replaced with stone belfries, which was likely the original design. Sadly, funding ran out and only one tower was rebuilt of stone, leaving the lopsided single-tower look today.

Nelson Hotchkiss House // 1850

Nelson Hotchkiss was a New Haven lumber dealer and developer in the Wooster Square district and had this stately home on Chapel Street built for his family. While the architect is not confirmed, it is probable that the residence (along with neighboring homes also developed by Hotchkiss) was the work of Henry Austin, who partnered with Hotchkiss on developments in New Haven and Trenton, New Jersey. The Nelson Hotchkiss House was built in 1850 and is an excellent example of Italianate style with boxy form, broad overhanging eaves, brick walls covered with stucco and Austin’s signature Greek Doric columns with fluted shafts and foliate capitals. The house maintains a window hood over the upper floor window with delicate carved wood bargeboard.

Max Adler House // 1879

The Max Adler House on Greene Street in New Haven’s Wooster Square neighborhood is a flamboyant example of Victorian-era residential architecture that is hard to classify as an architectural style. The residence was constructed in 1879 for Max Adler (1841-1916) a German-born Jewish immigrant who grew up in New Haven and became a leader in industry at a young age. Max founded the Strouse & Adler Corset Company, which is said to be the first corset factory in the United States. The company did very well and he was able to erect this residence overlooking Wooster Square park for his family. Architecturally, the house has a mansard style roof, a feature of the Second Empire style; applied stickwork in the wooden bays, porch and dormers, a feature of the Stick style; and embroidered panel brickwork and terra cotta, elements of the emerging Queen Anne style. The Adler House has been lovingly preserved and is one of New Haven’s finest Victorian-era residences.

Former St. Casimir’s Church // 1872

Built in 1872, this Victorian Gothic style church on Greene Street in the Wooster Square area of New Haven, Connecticut, has had a varied history that tells the full story of its neighborhood. The church was originally constructed as the Davenport Congregational Church and was designed by New Haven architect, Rufus G. Russell, who formerly worked many years for Henry Austin, the city’s leading architect, before opening his own firm. In the early 20th century, the neighborhood demographics shifted to a more diverse area of recently arriving immigrants who worked in nearby industry and the edifice was occupied by an Italian Baptist church. 1927, the church was purchased by a local Lithuanian congregation, who re-established the building as the St. Casimir Catholic Church. For nearly 100 years, the church remained an active use anchoring the iconic Wooster Square park until the congregation closed, leaving the building’s fate unclear. Luckily, developers purchased the property, which is located within a local historic district, and converted the church into residential units.

Strouse, Adler Company Corset Factory // c.1880

The Strouse, Adler Company Corset Factory is a historic factory complex at 78-84 Olive Street in New Haven, Connecticut that has been adaptively reused into apartments, serving an important second life. Developed between 1876 and 1923, the complex was the largest and oldest of New Haven’s several corset manufacturers, and remained in continuous operation for that purpose until 1998. The company was originally founded in 1861 as J.H. Smith and Company, and was the nation’s first manufacturer of corsets. The business was purchased the following year by Isaac Strouse, who took on Max Adler, a local dry goods retailer, as a partner. The company adopted the name Strouse, Adler in 1899 and was incorporated in 1927. The complex eventually closed and was converted to apartments, serving an important need for housing in the region.

Ye Olde Manse of Willington // c.1728

Known locally as the ‘Ye Olde Manse‘, this stunning Georgian cape house is located at the eastern edge of the town green in Willington, Connecticut. Thought to be the oldest extant house in the small, rural community, the gambrel-roofed homestead was possibly built by John Watson of Hartford, who was thought to have been an original proprietor of Willington, but was instead an assignee of George Clark who was. In the 19th century, the homestead operated as the congregational church parsonage. Today, the Georgian cape house with gambrel and saltbox roof is a single family home and has been lovingly preserved by centuries of stewards of this old manse.

Lillibridge Farmhouse // c.1770

Located in northern Willington, CT, this farmhouse on a quiet, country road, dates to before the Revolutionary War! David Lillibridge (1744-1831) of Exeter, Rhode Island, served from 15 to 17 in the French and Indian War, and manned Fort Stanwix. In 1767, when he was a lieutenant in his local militia, he converted, and entered the Baptist ministry. In 1777, he purchased a farm from Moses Holmes, but it is unclear if this residence was existing or if he built this large farmhouse. In Willington, David Lillibridge became a farmer-preacher, establishing a Baptist ministry here. The home remained in the Lillibridge family at least until the 1870s, when it was owned by Burnham Lillibridge. The Georgian saltbox residence is set back from the street and sits upon the bucolic rolling fields of the property.

William H. Hall House // 1896

Located between his family factory and the memorial church built for his late sister, the William H. Hall House in South Willington, Connecticut, is among the community’s finest Victorian residences built for a wealthy industrialist. William Henry Hall (1867-1922) was the son of industrialist Gardiner Hall Jr., who established the business under his name, which manufactured thread and spools, hiring hundreds of employees. After the death of his father, William Hall became the head of the company, but clearly was successful long before this as he had this stately Queen Anne style mansion built in 1896. Beyond his work at his family’s business, William H. Hall served in the Connecticut House of Representatives in 1893–1897 and again in 1905, 1909, and 1911, and he was generous with his money throughout his life and in his will. Hall served on the board of trustees of his alma mater, Wesleyan University, from 1912 until his death, with his estate donating $175,000 to Wesleyan to construct a chemical laboratory named in his honor. Closer to his home, his heirs partially funded the the Hall Memorial School in South Willington in his honor. The property remained in the family after his death, and in the 1980s, it became an assisted living facility, with large additions constructed, but the Hall House remains a great architectural landmark for the mill village.

Clara Hall Elliott Memorial Church // 1909

This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.

Gardiner Hall, Jr. Company Factory // 1860+

In 1860, Gardiner Hall Jr. (1839-1915) founded a spool cotton thread business called the Hall & Manning Company, and later renamed the Hall Thread Company. The new business failed in a year with the onset of the Civil War and the accompanying shortage of cotton. During the war, in 1861, Hall designed and patented a machine for finishing thread and moved to South Willington, Connecticut, founding the Gardiner Hall Jr. Company. He had a three-story mill building constructed around 1862 where his small operation took off. In the following decades, the factory complex expanded rapidly, and machine, blacksmith, and bleach and dye shops were built on the property to increase production. Coinciding with this growth, Gardiner Hall built tenements, a boarding house and a community building for his growing workforce in the 1870s nearby. Before his death in 1915, Hall donated funds to erect a memorial church in memory of his daughter, and donated generously to his workers. His son, William Henry took over operations and was succeeded by his sister, Rosa Hall, until the factory closed in 1954. The industrial buildings were used for decades from various manufacturing companies and today are occupied by retail stores, a tattoo parlor, and event space, perfect adaptive reuse!