Thayer Block – Home National Bank of Milford // 1912

The Thayer Block and its twin, the Claflin Block, on Main Street in Milford, Massachusetts, stand as prototypical early 20th century commercial blocks commonly found in nearly any city in New England. The two-story commercial block was built in 1912 and was long the location of the Home National Bank of Milford. The bank added the iconic clock on the facade, which is one of the remaining clocks made by the McClintock-Loomis Clock Company or successive company, O.B. McClintock Co., which specialized in sidewalk clocks for banking and financial institutions. The green marble storefront was likely added in the 1950s or 1960s and is an eye-catching change to the building. Today, the bank space is occupied by the Rail Trail Flatbread Co., a local restaurant and bar.

Gillon Block // 1888

Located on Main Street in Milford, Massachusetts, the stately Gillon Block is one of the town’s finest buildings and an excellent example of eclectic, late Victorian commercial architecture. The block was erected in 1888-9 for owner Patrick Gillon (1843-1899), who inherited his late-father’s distillery and bottling business in Milford, and designed by local architect Rinaldo V. Carey. The panel brick facade is divided into seven sections with a central projecting section topped by a tower capped by a copper onion dome. The four-story block included retail space at the ground floor with offices and meeting halls on the upper stories, rented to tenants and organizations.

Thom Block // 1891

The Thom Block on Main Street in Downtown Milford, Massachusetts, is a historic mixed-use commercial block built of locally quarried Milford “pink” granite. The structure was constructed in 1891 by owner (and likely builder), James Thom, who arrived to Milford around 1889 and was hired by the Milford Pink Granite quarries as a foreman. Mr. Thom was the target of a vicious attack by a disgruntled quarry-worker and James would submit his resignation, turning his pursuits toward a local bicycle and horse racetrack and two of the town’s semi-professional baseball teams. He also got involved in real estate, in 1891 submitting plans for this building on Main Street that bears his name. Shortly after completion, a fire gutted the inside of the building and was rebuilt. Thom’s insurance did not fully cover the loss and he defaulted on the mortgage, selling the building and moved out of Milford. The Thom Block retains the polychromatic piers between storefronts and at the corner, which feature rounded granite blocks of polychromatic polished granite. The major ornament of the upper stories is a large plaque on the Main Street facade just above the recessed entrance with two Corinthian colonettes, spanned by a frieze and plinth on which “THOM” and “1891” are carved, respectively, showing us over a century later the original owner and his story.

Milford Opera House Block // 1881

While altered, the Milford Opera House Block on Main Street, stands as one of the architecturally distinctive and significant 19th century buildings in Milford, Massachusetts. As the town prospered in the decades following the Civil War, and wealthy residents, including William F. Draper, an executive with the Draper Corporation in nearby Hopedale, sought to use their wealth to improve their community. In 1880, planning began to erect an opera house building, which would bring the arts to the community, and after months of discussion and planning, funding and a site on Main Street was secured. Architect, Frederick Swasey was hired by the association, who furnished plans for the Victorian Gothic building to contain five retail stores on the ground floor with an auditorium above capable of seating 1,100. The building suffered from a fire in 1912 and use as an opera house ceased and starting in the 1920s and the building began showing moving pictures. Later in the 20th century, the building was altered with the storefronts enclosed, windows on upper stories changed, iron cresting at the roof and clock face removed, but the building still retains its ornate entrance and is an important landmark on the town’s Main Street.

Harrison Block // 1889

One of the few historic commercial buildings in Hopedale Village is this Romanesque Revival style example on Hopedale Street which, like so many other buildings in the village, was largely funded by members of the Draper Family. The commercial block was built in 1889 by Gen. William F. Draper and named in honor of President Benjamin Harrison, 23rd president of the United States, as a multi-use building, containing a drug store, a retail, a club house on the second floor, a storage and cobbler at the rear of the building in the basement, and a lodge on the third floor for large meetings. Less ornate than many other buildings in town built for the Draper’s, all decorative features on the Harrison Block are confined to the façade. With original storefronts of wood and glass display windows at the ground floor, tripartite windows at the second floor, and large, round-arched windows at the third floor, evoking the Romanesque style of the Town Hall (also funded by the Draper Family) nearby. 

The Old Carriage Shop // c.1790

The old Carriage Shop on Water Street in Warren, Rhode Island, is an early and surviving industrial building from the late 18th century that adds to the charm and history of the great waterfront town. The two-story building has a three-bay facade with a center entrance and 48-pane fixed sash windows on the first floor and 12-over-12 sash windows on the second floor. The stepped parapet masks the low gable roof of the building behind that extends far back in the lot. The building was a workshop and paint shop for Gardner & Hoar, builders and carpenters, in the mid-19th century, and later as a blacksmithing shop and carriage shop before the turn of the 20th century. Luckily for us, the building has been preserved and while not finding a place in architectural journals, the building is an important remaining building that strongly contributes to the character of the town.

Hall’s Block // 1883

This diminutive commercial building on Water Street in Warren, Rhode Island stands out as one of the state’s best examples of a historic Victorian-era wooden commercial building, and its preservation is notable. The late-Italianate style wooden block dates to 1883, and exhibits its original wooden storefronts, second floor round arched windows with stained glass, and ornate detailing including the brackets, parapet and period-appropriate paint colors which allow those details to pop. The shop was owned in its early days by the John C. Hall, a carpenter who built the house next door. The building was used as an antique shop on the ground floor with a studio for author and illustrator, David Macaulay on the second floor. These types of smaller-scale commercial spaces are some last remaining (relatively) affordable spaces for small businesses to operate, and they add so much intrigue to the streetscape, especially compared to suburban cookie-cutter banks and stores.

Burr-Eddy-Peck House // c.1786

This Federal style residence on Main Street in Warren, Rhode Island, features one of the town’s most spectacular entries, likely dates to the 1780s and exhibits later alterations. The house was originally owned by Rufus and Anna Burr, and was possibly built following their marriage in 1786. The late 18th century front entrance is one of Warren’s most elaborate examples with fluted Ionic pilasters supporting embellished frieze blocks, above which the pediment rests and contains a elli[tical fanlight transom. In the 19th century, the property was owned by James Maxwell Eddy (1811-1901), who, after the Civil War, elongated the southernmost bay on the facade, adding a bay window on the side which ties into the roofline with a half-hipped connector. In the 20th century, this was the home of illustrator Henry Jarvis Peck 1880-1967, whose work was re gularly published in Colliers, Harper’s Weekly, Ladies Home Journal, and other prominent magazines. The shingle siding was likely added in the first half of the 20th century.

George Hail Free Library // 1888

The George Hail Free Library on Main Street in Warren, Rhode Island, is a unique, Victorian-era public library building that has been lovingly preserved by the community. Built in 1888, the building cost just over $16,000 and was designed in a more vertical expression of the Romanesque Revival style by the Providence architectural firm of William Walker and Son and built of rough-faced granite. The library is named after George Hail (1793-1873), a merchant, philanthropist, industrialist, and native son of Warren. His second wife, Martha Hail died in 1882 and left $5,000 and their home to the Warren Public Library provided that the name of the Library be changed to the George Hail Free Library in memory of her husband. The Library Committee agreed and planning began soon after for a new, purpose built library we see today. The exterior is distinguished, but the interior is also well-preserved, with original cherry woodwork grained to resemble mahogany, brass gaslighting fixtures, fireplaces, and leaded glass windows patterned with stained glass, together with some of the original furniture, that preserve a sense of the original setting.

Warren Industrial Trust Company // 1906

This monumental Georgian Revival bank building on Main Street in Warren, Rhode Island, and is one of the finest buildings of the style in the entire state. The Warren Industrial Trust in 1906 hired Edmund R. Willson of the Providence architectural firm of Stone, Carpenter & Willson to design the bank for the town after it had absorbed the town’s multiple banks, under one roof. It would be one of his final commissions before his death. On the facade, four Corinthian columns support a dentilled pediment over the entrance with the red brick walls enlivened with arched windows, oversized keystones, and pilasters with contrasting capitals and bases. The building shows that Colonial Revival architecture, while often seen as a refined, classical style, can be festive and ornate.

Warren Town Hall // 1890

Warren, Rhode Island, is one of the lesser-visited coastal communities of the state, but retains one of the best waterfront historic districts in all of New England. With a small population of just over 11,000 residents, the downtown is extremely walkable with a tight network of streets, lined with stellar buildings and homes of nearly every architectural style and period, and are largely preserved showcasing what New England communities were like in centuries past. On bustling Main Street, the Warren Town Hall was designed by the Providence-based firm of William R. Walker & Son, architects, and constructed between 1891-1894. Designed in the Romanesque Revival style, the two-story building with five-story central tower also features Classical detailing like the terra cotta swags and brick pilasters. Before the 1938 Hurricane, the tower was even higher, incorporating an open stage topped by a parapet and a clock face on each of the segments of its still extant dome, which now has a slightly reconfigured mini-cupola topping. Additional detailing includes a terra cotta bust of the sachem/leader Massasoit with leafage, above a fluttering ribbon inscribed “Sowams,” the Wampanoag settlement that preceded Warren. The Warren Town Hall remains well preserved by the local government and a visual landmark on the town’s Main Street.

Leet Store // 1909

The handsome rubblestone commercial block at the corner of Main and Water streets in Chester, Connecticut, was built in 1909 by Italian stone masons for Joseph H. Leet and contained a grain and feed store, with other spaces in the building rented out. Decades later, the old Leet Store became a auto repair shop and the upstairs space was used as a meeting hall and theater for the community. The building was restored in 1979 and expanded at the rear with a two-story wood-frame addition for additional commercial space.

Old Stone Store, Chester // 1809

Colloquially known as the “Stone Store,” this handsome stone structure in Chester Village, Connecticut, was built by William Buck in 1809, a merchant involved in the West Indies trade. The stone for the building is believed to have come from the Chester quarry in town and was likely more vernacular without the columned portico. The four-columned Doric portico was likely added in the 1830s or 1840s as the Greek Revival style surged in popularity. The two side wings were added in the 20th century. The Old Stone Store has held various uses from a store, tavern, post office and liquor store, while the upper floor has served as a private school, the town’s library and an apartment. The Old Stone Store today acts as the western terminus of the town’s Main Street commercial district.

Chester House Hotel // c.1840

This altered building in the center of Chester Connecticut’s village Main Street, has historically been known as the Chester House, a hotel and tavern to provide lodging and drinks to travelers passing through the area in the mid-late 19th century. The structure, built atop a raised stone foundation, was constructed in the Greek Revival style around 1840, and long had a sheltered two-story portico supported by four monumental columns under a gabled roof which resembled a pediment. In 1903, a fire destroyed the upper floor and the roof was removed, creating a flat roof design. Later in the 20th century, a shallow side gable roof replaced the flat roof and the columns on the facade were also removed, giving the building the appearance we see today. The hotel closed, but the historic structure remains an anchor to the town’s vibrant commercial center, and houses a local business.

Chester Flatiron Building // 1913

At the junction of West Main and Main Streets in Chester Village, Connecticut, this unique flatiron commercial building stands overlooking the Pattaconk Brook that cuts through the center of town. In 1913, this two-story block was built with ground floor retail and a second floor residence for owner, Elmer Pierce, who ran his pharmacy downstairs. By 1920, the building was owned by Jacob Feinstein, who raised his family on the second floor and had his clothing business, “Feinsteins” in the store below. Later, the retail space was occupied by Child Design, a wooden toy store, and after that, a lighting fixture store. Historic main street buildings are often incubators for small and local businesses, keep the chain stores near the highways!