Built around 1830, this little cottage is among the many photogenic buildings found along the idyllic Main Street in Marion, Massachusetts. The structure is said to have been originally located behind the Congregational Church and moved to its current location after 1855. By 1879, the structure was converted to a residence and owned by Ms. Sarah Ryder, then the widow of John C. Ryder. The vernacular cottage is sheathed in weathered shingles, which enhances its beauty and connects it architecturally with the coastal community.
Tucked into the heart of Wharf Village, the main village in the charming coastal community of Marion, Massachusetts, this building which is known today as the Marion General Store, wears its history quietly beneath a deceptively simple Greek Revival facade. The structure was constructed in 1799 as Marion’s first Congregational Meeting House, where religious services of the congregational church were conducted before the separation of church and state. The construction of this wood-frame building did more than give the faithful a place to worship, it anchored Wharf Village as the commercial and civic center of town, setting in motion the currents that would eventually set Marion off from its mother-town, Rochester in 1852. By the 1830s, the old meeting house was in poor condition, and along with the push for a separation of church and state and tax dollars no longer going to the Congregational Church, a grander Greek Revival church was built across the street. The Old Meeting House was also renovated in the Greek Revival style and operated as Delano Hall, a store with dance hall and meeting space on the upper floor. The building lives on today as the Marion General Store, with its old clapboards and pilastes holding the layered history and architecture of the seaside community that grew up around it from working port town to wealthy coastal village.
Located next to the Pettee Stone Barn in Newton’s Upper Falls village, this equally charming stone cottage was built around the same time by Otis Pettee, a wealthy industrialist and founder of the Pettee Machine Works, which manufactured cotton and silk machinery. This cottage served as a shop and later as the residence of the caretaker of the silk mill which also had space and equipment to raise the silk worms in the adjacent barn. Later in the nineteenth century, the cottage was owned by George Pettee (1827-1896), son of Otis Pettee. In the 20th century, the structures were operated by the New England Spun Silk Corporation and it now is a single-family residence. The facade of the Pettee Cottage is three bays wide with twelve-over-twelve windows with wood shutters.
This historic stone barn in Newton’s Upper Falls village is representative of the ingenuity and resourcefulness of this once thriving nineteenth century mill village. Known as the Pettee Stone Barn, the structure dates to 1839 when Otis Pettee (1795-1853), who managed an iron foundry and machine-works for cotton machinery, built this structure as a warehouse. The barn was said to have been used additionally as a location for raising silkworms by Pettee’s company. After the business closed, the handsome barn was used later in the 19th and early 20th century as a carriage and horse barn for a shipping company and today, is rented to local businesses. Architecturally, the barn is significant for its use of fieldstone walls with door and window surrounds of cut stone and brick. A monitor roof runs the length of the gable ridge and illuminates the interior spaces. The Stone Barn remains remarkably preserved today and is a landmark in the community.
When the short-lived Charles River Railroad opened in 1852, first connecting the Boston and Worcester Railroad in Brookline to Newton’s Upper Falls village, the small community here saw immediate prosperity and turned into a thriving industrial village. In 1847, a petition was filed with the Legislature of Massachusetts to build a rail line linking greater Boston to the Rhode Island border. While a more direct route was easier, Otis Pettee (1795-1853), who owned an iron foundry called Pettee Works where he manufactured cotton machinery, seems to have been the principal promoter for the line to pass through the village of his factory. Pettee died soon-after the line was finished, but his persistence for this track served two additional benefits. Firstly, it opened up development into other Newton villages for early suburban development, and secondly, it served as a major line to bring gravel from Needham to fill the Back Bay, opening that iconic Boston neighborhood to development. The Upper Falls Depot dates to about the time that the initial line opened in 1852 and is a typical, vernacular train depot in New England from this period. The Charles River Railroad merged with the New York and Boston Railroad in 1855 and was later sold to the Boston and Albany Railroad. Following the near death of the railroad system in the United States in the latter half of the 20th century, much of the former Charles River Railroad today has survived despite the abandonment of much of the rest of the former New York and New England Railroad lines. This section is currently a part of the D-Branch of the MBTA’s Green Line.
There is something so enchanting about vernacular buildings with a backdrop of New England nature. This mid-19th century barn is located in the Chocorua Basin area of Tamworth, New Hampshire, and it tells the story of the area from its agricultural past to become a prominent summer colony in the White Mountains. The barn was once part of the Emery Farm that was purchased by Boston couple, Rebecca and Marshall Sears Scudder, the son of hardware dealer Charles Scudder of Brookline, who had the house moved and used the property as their summer retreat. The Emery Farmhouse was renovated and renamed, ‘Birchentower’ and purchased by Scudder’s half-brother, Horace Elisha Scudder (1838-1901) in 1889 from Rebecca following the death of her husband. Horace was a writer of numerous novels, children’s books, histories and biographies and introduced Hans Christian Anderson to the English-speaking world. A year after buying Birchentower, he became editor of the Atlantic Monthly, a post he held for eight years. The Scudders preserved the old Emery Barn across from the summer cottage which now sets the bucolic scene from the new scenic vista overlooking Chocorua Lake and Mountain beyond.
Tucked into the village of Wonalancet at the foot of the Sandwich Range in Tamworth, New Hampshire, Wonalancet Farm began as a modest 1814 farmhouse on roughly 1,300-acres of land land once worked by Theophilus Brown and was updated to its present form as a late 19th century inn and farmhouse. The farm was purchased in 1890 by a young Katherine Sleeper, who set out to convert the historic farmhouse into a proper mountain inn, adding the porches, additions as guest wings that gave the classic New England farmhouse its present form. She hired Arthur Walden, her cousin by marriage and friend, to manage the new Wonalancet Farm and maintain the farm’s crops while she ran the inn. In managing the farm’s large property, Arthur was given the opportunity and means to breed and train sled dogs. These efforts produced the Chinook breed, which is now the official state dog breed of New Hampshire. Katherine would marry Arthur in 1902 and remained business and life partners and together, succeeded in protecting thousands of acres of old-growth forest in the White Mountains. When the Great Depression and summer tourism shifted in New Hampshire, the couple were forced to sell the inn, and moved nearby. In their other home, a fire broke out and trapped Katherine inside. While rescuing her and attempting to extinguish the fire, Arthur died. Katherine was unable to recover from the emotional and physical trauma; she died two years later. After the Sleepers, Wonalancet Farm operated as a dairy, sheep, and hay farm ever-since. Much of the surrounding land is preserved as conservation land, a testament to Katherine Sleeper Walden and her ever-lasting impact on Wonalancet.
A stellar example of a vernacular commercial building in New England, the Remick Store on Main Street in Tamworth, New Hampshire, has been reinvisioned in the 21st century to suit the changing needs of the community. The block was built around the time of the Civil War by Levi Remick, who either modernized and enlarged his father’s store or built it anew. Levi’s father, Enoch Remick operated a stagecoach stop and inn in Tamworth Village and also worked as the county Sheriff from his large farmhouse. Levi & grandson, Charles ran the store under the name “Levi Remick & Son”, which later trasferred to Charles’ sons, Waddy and Earle. After successive ownership, the store closed its doors for business in early 2009 and was renovated and re-opened in 2011 as the Tamworth Lyceum, which besides containing a store, it includes a gathering space for lectures, wine and beer tastings, music and community events, and an art studio, serving as an informal community space.
This now significantly altered Federal period residence is located in Tamworth, New Hampshire, and is a visual representation of the shift of the community from an agricultural economy to a tourism-based economy. The residence was built in the first half of the 19th century and owned by Henry Alonzo Wiggin (1808-1871) who was listed in the Census as a farmer. The formerly vernacular Federal period farmhouse was converted and expanded into an inn in the late 19th or early 20th century and became known as the Swift River House. When converted to an inn, the house was given the projecting addition on the facade at the second and third floors with the full-length porch, and covered with shingles. The structure served a vital role in the tourism economy when Lakes Region towns saw huge increases in visitors for the summer months. In 1929, Dr. Edwin Remick purchased the property for his son, Dr. Edwin Remick Jr., and his new wife, Marion. The father and son doctors maintained a medical office nearby in the Enoch Remick House, which now alongside this structure, are house museums operated by the Remick Country Doctor Museum & Farm.
The First Free Will Baptist Church of Tamworth, New Hampshire, was founded in 1781 and centered around the charming mountain village of Chocorua. Members met for years in private homes, schoolhouses, and even barns until a lot was acquired in 1834 for the congregation and this church built a year later in 1835. The church was remodeled in 1885 to its current form, which likely saw the building raised and the steeple added. The church was renamed in 1921 to the Chocorua Baptist Church and again to the present name, Chocorua Community Church. The Chocorua Community Church is a typical 19th century vernacular New England church with a basic form, gable roofed main block, two-stage belfry tower topped by a spire. The composition of the facades with double doors and blind lancet window above is typical of the vernacular church architecture of the period, and while not architecturally distinctive, the church is significant as a community center of the Chocorua Village of Tamworth.
The village of South Tamworth, New Hampshire grew during the 19th century. In 1824, a Methodist Episcopal Society organized, and constructed the South Tamworth United Methodist Episcopal Church in 1832. Lumber mills, homes, a store and blacksmith shop were built and the small hamlet thrived. Also at this time, the local Women’s Christian Temperance Union was active in South Tamworth, and reported that they were, “holding the fort, and trying to keep the boys from drinking cider.” In 1894, 30 South Tamworth residents banded together to establish the Union Hall Association, to “promote the causes of Temperance, Religion, Education and Music among ourselves, our associates and successors, and for the general good of the public.” This structure, Union Hall, was built around the time of the association’s founding in 1894 and is a vernacular example of a New England community building. Since its construction, the South Tamworth Union Hall has served as a vital community space hosting dances, community meetings, and local events. By the late 20th century, the building began to show its age and with little use, the hall was threatened with demolition. A band of area residents fundraised and oversaw a restoration of the building in the 1980s with the Union Hall Association continuing to rent the building to local organizations and for private functions, preserving the important role the structure has played in the history of the local community.
The modern history of Tamworth, New Hampshire began in 1766 with the granting of a charter from King George III of England to the town in the name of Benning Wentworth, Colonial Governor of New Hampshire. Settlers ventured slowly north into the towering forests with Native paths bisecting giant swaths of otherwise untouched rugged terrain. Colonial settlers burned and chopped the great trees, built the first homesteads, and planted the first crops to establish a town. The hardy people of Tamworth, persevered through the smallpox epidemic of 1813; the “cold years” and famines of 1815, ’16, and ’17; the “siege of the wolves” on Great Hill in Tamworth in 1820. As soon as the first farms were established, saw, shingle, and turning mills proliferated in every part of town, along with new houses, churches, and schools were built close to them. By the early 20th century, the town became a sort of summer colony where wealthy city-dwellers traveled here for the cool summer breezes and to get away from the stress and pollution of urban centers. The Methodist Church in Tamworth was originally organized in 1824 and less than a decade later, in 1832, its first house of worship was constructed. This building, a vernacular meeting house, was largely rebuilt by 1862, where the structure is said to have been raised and enlarged with the belfry and stained glass windows added at that time.
Located on Main Street in Ashland, New Hampshire, the Shepard Block is an architecturally distinctive mixed-use building constructed of a less common building material for commercial buildings, concrete blocks. Now known as concrete masonry units, concrete blocks exploded onto the building scene in the late 19thand early 20th centuries with a flurry of different patents for block designs and production. After Harmon Palmer invented the first commercially successful concrete block machine in 1900, the industry expanded rapidly with multiple manufacturers producing the blocks with their stone-like surface created through either a mold or the use of special aggregates in the concrete mix. Although stonelike concrete blocks were popular for the first quarter of the 20th century, they fell out of fashion following World War II. The Shepard Block in Ashland was built in 1907 by owner, Henry Harrison Shepard who, ironically, made his fortune as a lumber dealer. The upper floor contained a public hall space for the local Mount Prospect Lodge of Masons, and now the building contains 36 apartments and three retail spaces at the ground floor, a great way to provide housing without sacrificing history and character of a Main Street.
The Ashland Grist Mill stands as one of Ashland, New Hampshire’s most recognizable historic landmarks, reflecting the town’s long tradition of water-powered industry along the Squam River. The present mill was built in 1903 after an earlier gristmill on the site was destroyed by fire, continuing a milling legacy that dates back to the late 18th century when some of the area’s first sawmills and gristmills utilized the river’s strong current. Architecturally, the three-story vernacular industrial building is notable for its massive timber-frame central section flanked by balloon-framed wings, a practical design that absorbed the vibration of the heavy milling machinery while providing ample space for grain storage and flour production. Its attached dam, now a concrete structure replacing the original wooden dam, remains an important feature of the historic landscape, both of which were listed on the National Register of Historic Places. In the late 20th century, the mill was thoughtfully restored and adapted for professional offices, preserving its distinctive exterior and ensuring that this enduring symbol of Ashland’s industrial heritage continues to serve the community while honoring its past.
One of the most charming cottages in Edgartown is this half-cape on South Summer Street, which retains its unique character amidst the extreme wealth and desire for expansion of summer homes on Martha’s Vineyard. This home dates to around the turn of the 19th century (possibly older) and in the 1800s, was home to John Sprague Smith (1808-1893) and his wife, Mary Norton Smith. John S. Smith, like most of the community, was a mariner and lived in the house until his death in 1893. The house was not originally on this lot, however, as it was originally built on the south side of S. Water Street and moved to its present location by later owner, Allen P. Stewart, a fisherman, woodcarver and artist who made wooden ducks. The house has since been added onto at the rear, but the diminutive and charming facade has been retained, with its early 20th century shed dormer on the front slope of the roof.
Buildings of New England 
