This stunning Gothic Revival style house in Richmond, Vermont, was built around 1850 for Orson Goodrich (1808-1877), likely after the death of his first wife, Ann in 1849. Goodrich was a farmer who had a large property off the Main Street, which likely ran all the way to the Winooski River. The house is an excellent example of Carpenter Gothic, a wooden Gothic Revival home with decorative bargeboards at the roof (which look like icicles in the snow), pierced wooden columns at the porch, and a lancet window at the second floor gable end. The home was such a statement piece, that the home was one of a handful of buildings portrayed in the 1857 Map of Chittenden County, Vermont.
Located in Richmond, Vermont, this four-and-a-half-story, wood-frame barn with striking monitor roof, is one of two nearly identical such barns on adjacent farms in the small rural farming community. In 1871, Uzziel Stevens Whitcomb (1817-1899) and his brother, acquired adjacent farms on East Main Street in the Winooski River Valley. Uzziel’s farm grew and he created one of the largest dairy farms in Vermont, spanning around six hundred acres with about 120 cows. Uzziel’s son, Moses S. Whitcomb (1842-1933), continued his father’s massive dairy farm and acquired nearby farms, growing his property to span over 900-acres of farmland. In 1901, with one of the largest dairy farms in the state, he erected the first and larger barn, now known as the East Monitor Barn, and in 1904, added a second to the west, the West Monitor Barn. Unlike many barns west of the Green Mountains, this one followed the more traditional northern New England bank barn design with a manure basement, cow stables on the second floor, and two-floors of hay storage above. The barn is now commonly used as a venue for weddings and other special events!
The Richmond Congregational Church is a stellar example of an early 20th century, wood-frame church building in the small town of Richmond, Vermont. Designed by prominent Burlington architect, Walter R. B. Wilcox in 1903, the building blends many styles that were popular at the time, namely the Shingle, Queen Anne, and Colonial Revival styles, into a single composition. The parish hall addition was built in 1984, and is in a sympathetic Colonial Revival style, designed by Burlington architect Donald Albertson. The congregation remains active and maintains the church building, which was listed on the National Register of Historic Places in 2001.
Jonesville Academy is a historic schoolhouse located in the village of Jonesville, in the town of Richmond, Vermont. The large, wooden schoolhouse was constructed around 1868 in the Italianate style with center entry tower, bracketed cornice, window and door hoods, and round arched windows, all hallmarks of the style. The building was constructed at the height of the area’s success as an industrial village, and operated as a high school and later as an elementary school until 1955, when schools in Richmond were consolidated. After the school closed, the building operated as a grange hall for a number of years until it reverted back to private ownership, and is today a single-family residence.
This handsome house in the small town of Richmond, Vermont, was built in 1902 for F. H. Goodwin, a partner of the Richmond Underwear Company, which started in 1900. Goodwin’s brother and his partner were brought from Peekskill, New York to the small town of Richmond to create and manage a new industry to revitalize the town, a program funded by the citizens. F. H. Goodwin was hired as a manager of the company, and built this home in a blending of Shingle and Arts and Crafts styles, common in the early 20th century. The house was unique in that it was the first in town to be electrified as it was directly connected on the grid with the factory next door.
Adaptive reuse of old churches in New England is fairly common; with most conversions into housing or community centers, but have you seen a church turned into a library? Located in the charming town of Richmond, Vermont, this Victorian Gothic landmark was constructed in 1880 after Universalists in the community decided to leave the Round Church where they shared meeting space with other congregations in town. After WWII, the dwindling congregation sold the church to a resident who then offered the property to the Richmond School District, which had its large school next door. Voters accepted the gift at Town Meeting and passed a bond to convert the building into a cafeteria and gymnasium for the school next door. In the mid-1980s, with a new school built elsewhere in town, the school building was abandoned and converted to the Town Hall, with this former church, which served for years as the school gymnasium and cafeteria, eyed for demolition. It was explored to raze the former church and build a new, modern library building in its place. Preservationists petitioned to save the building, acquiring funds to restore the exterior and convert it to a library, and succeeded. Now the town of Richmond is home to one of the greatest examples of adaptive reuse in the state of Vermont.
The Old Round Church in Richmond, Vermont, was built in 1812 on the village common to serve the town’s many congregations as a union church. The building is a master-work of housewright William Rhodes, who documented its construction in his journal and is a vernacular, yet grand Federal period church. While known as the Round Church, the building is actually a sixteen-sided hexdecagon with shallow angle cuts to create the rounded form, so the term round church sounds a little better than the Old Hexdecagon Church! Fifty feet in diameter, the two-story church rises to a hipped roof which is surmounted by a two-stage octagonal belfry with a bellcast cap and weathervane. Within a few decades of the church’s opening, the founding denominations began to move out, building their own houses of worship, and in 1880, the Old Round Church reverted to the Town of Richmond and continued in use as the town’s meeting hall until 1973, at which time safety concerns forced its closure to the public. The Richmond Historical Society was formed in 1973, shortly before the church had to be closed and in 1976, the town deeded the church to the society, who then gathered funds to restore the building. The Old Round Church remains one of the most unique architectural designs in Vermont and is always a treat to drive by in all seasons. The beloved building was declared a National Historic Landmark in 2000, one of just 18 in Vermont.
This handsome brick building is located in the historic downtown of Richmond, Vermont, and was built at a time of rapid growth of the small community. Pupils in the town of Richmond originally went to school in small, one-room rural schoolhouses, with the Richmond Academy serving the main village. The old academy building was constructed in 1868 and taught classes from elementary through high school. The building was outgrown as the town grew in the first decade of the 20th century, necessitating a new, larger schoolhouse for the main village. This new school was constructed in 1907, apparently just as the right side and tower, which was expanded with the left half four years later in 1911. Blending Craftsman and Romanesque styles, plans for the school were drawn up by Vermont architect, Frank Lyman Austin. Another rear addition in the 1950s was constructed to meet increased demand until the 1980s when a new elementary school was built in town. Since 1989, the former Richmond School has been home to Richmond town offices. The building, while altered, is an important landmark of the town, showcasing a blending of architectural styles popular in the early 20th century.
Located across from the Federal style Unitarian Church and Romanesque style Masonic Temple and rounding out the nicest intersection of Burlington Vermont, I present, the Richardson Building. The Richardson Building was constructed in 1895 by developer Albert Richmond, and can be classified as Chateauesque with its rounded bays surmounted by conical roofs and finials, showing the complexity of a French Chateau. The building was likely constructed for a commercial interest as an income property with retail at the ground floor and professional offices above. In 1911, the famous building was purchased by Frank D. Abernethy, who purchased his partner’s share of their business and created the Abernethy’s Department Store, soon the largest department store in town. Despite being a prominent, long-term fixture on Church Street, Abernethy’s went out of business in November 1982. The building was later renovated and new tenants moved in.
This large, imposing brick structure across from the Unitarian Church in Burlington, Vermont, was built in 1898 as the state headquarters of the Grand Lodge of Vermont, Free and Accepted Masons. Masonry, also known as Freemasonry, is the oldest and largest fraternity in the world, and they erected architectural landmarks in cities and towns all over the globe. At the end of the 19th century, the Masons in Vermont wanted a large new headquarters to host events and meetings for those visiting from all over. The building was designed by John McArthur Harris of Wilson Brothers & Company of Philadelphia at the time the firm was working on major buildings for the UVM campus. Above the retail use at the ground floor for rental income, multiple floors of meeting and banquet rooms, parlors, library, offices, and regalia spaces culminated in a fifth-floor assembly hall surrounded on three sides by a sixth-floor gallery. At the roof, the gables, along with small hipped dormers, animate a great hipped roof that evokes the symbolic Masonic pyramid. The massive roof, round arches, and a striking stair-step side elevation give the building a purely Richardsonian character, minus the carved sandstone and monumental arches.
The building that gives Burlington’s iconic Church Street its name is this, the Unitarian Church of Burlington. One of the most stunning Federal style churches in New England, the church is the oldest surviving place of worship in Burlington, built in 1816. The church was designed by English architect Peter Banner (possibly with assistance of Charles Bulfinch), years after his crowning achievement, the Park Street Church in Boston was completed. From the head of Church Street, the church oversaw the growth of Burlington from a small lakefront town to the largest city in the state. In August 1954, the church steeple was struck by lightning, causing it to shift over two feet in a matter of months, unknown to the congregation and public. It was decided that due to concerns the steeple may collapse through the building, it was selectively demolished and reconstructed. The church remains an active part in the city and architectural landmark for Burlington.
St. Paul’s Church in Burlington, Vermont, was organized in 1830, when Burlington’s population was about 3,500. About 55 Episcopalians met at a local hotel and laid the groundwork for the parish. In 1832, the fledgling parish dedicated its new building, a neo-Gothic limestone structure, which was enlarged multiple times as the congregation grew as the city did. In 1965, the Diocesan Convention voted that St. Paul’s Church be designated a Cathedral Church of the Diocese (one of two in the state). Just six years later, it was destroyed by fire, sparked by an electrical malfunction in the basement, leading to a new evolution of the church. At the time of the fire, the City of Burlington was engaged in massive urban renewal projects. As a part of this program, the City offered to swap the land on which Old St. Paul’s had stood for a spacious new tract overlooking Lake Champlain and the Adirondacks. Although the decision to change locations was a contentious one, the parish did accept the offer. When discussing designs for a new cathedral, there was a strong desire to make a new statement in architecture, diverging from the traditional Gothic or Colonial designs seen all over the country. An international competition was held to determine the architect of the new Cathedral. The winner was the local firm Burlington Associates, now Truex, Cullins & Partners. Completed in 1973, the Cathedral is made of stressed concrete. The structure stands strong and firm, yet is welcoming. Windows provide sweeping views of Lake Champlain and the distant Adirondacks.
One of the last remaining grand 19th-century lakeside mansions in the city of Burlington, Vermont, the Follett House stands as an excellent example of Greek Revival architecture and preservation. The Follett House was built in 1841 for Timothy Follett, a prosperous Burlington developer and former Chittenden County judge. Follett hired architect Ammi B. Young to design his estate. Young would go on to become the first Supervising Architect of the U.S. Treasury Department. As a federal architect, he was responsible for creating monumental civic buildings across the United States numerous custom houses, post offices, courthouses and hospitals, many in his favorite Greek Revival style. The house is oriented facing west toward Lake Champlain, with a terraced lawn extending towards the water. The main facade features monumental columns creating a greek temple front, supporting a pediment. The secondary entry is a more modest interpretation of the style with a smaller classical portico. After the home was built, Follett became president of the Rutland & Burlington Railroad, the first Railroad between Boston, MA and Burlington, VT, from 1845-1852. He lost the house, along with his personal fortune, when the railroad went bankrupt in 1852. The house was soon after bought by Henry R. Campbell, superintendent of the rival Central Vermont Railroad.
On July 14, 1873, Mrs. Mary L. Fletcher and her daughter, Miss Mary M. Fletcher, gave the city of Burlington, VT, $20,000 for the founding of the Fletcher Free Library. Half of this sum was to be spent on books; the other half was used to start an endowment for the library. By 1901, the library had outgrown its location in the old City Hall building. In the same year, Andrew Carnegie made a gift of $50,000 for the construction of a new library. In 1902, an architectural competition was created with entries from Boston, New York, Buffalo, Montpelier, Vermont, and Lowell, Massachusetts, but a young Burlington architect, Walter R. B. Willcox won the commission. Willcox designed the new ornate library that year and in August, 1904, the new library was dedicated and opened for business. In the early to mid-1970’s there was some pressure from the citizenry to demolish the Carnegie building and rebuild on the site, which coincided with Burlington’s large urban renewal policies in the downtown area. In response, a group of Burlington residents formed The Committee to Save the Fletcher Free Library Building. A petition was circulated, and as a result, the building was added to the National Register of Historic Places in 1974. In 1977, a grant of $234,000 made possible the stabilization and external repair of the building, and later an addition was constructed, to allow the historic library to meet the needs of the much larger city.
The Chittenden County Superior Courthouse in Burlington, Vermont was built in 1906 and is one of the most bold architectural designs in the city. The building was actually constructed as the U.S. Post Office and Custom House for Burlington, but changed use in the 1980s after the Old County Courthouse was destroyed by fire. The building was the work of U.S. Treasury architect James Knox Taylor. Taylor designed, many major eastern federal buildings during the late 19th and early 20th centuries. He provided plans for this Beaux Arts structure with a well-appointed exterior finished in marble and dressed granite. Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, blossoming in the United States in the early 20th century after many American architects studied at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century.
Buildings of New England 