Church

Channing Memorial Church // 1880

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The Channing Memorial Church of Newport, Rhode Island was named in the memory of William Ellery Channing (1780-1842), an ardent abolitionist and founder of the Unitarian faith in America. In 1835, ten men formed the first Unitarian Society in Newport in October 1835 and met in the home of Channing’s grandfather, William Ellery, one of the 56 signers of the United States Declaration of Independence. In 1879, the congregation’s minister, Rev. M. K. Schermerhorn, conceived the idea of a memorial to William Emery Channing, whose centenary would be the following year. He decided upon the ambitious project of a new church building and planning began immediately. On Rev. Channing’s 100th birthday, the cornerstone laying ceremony occurred in 1880. The Victorian Gothic stone church designed by Elbridge Boyden took a year to be completed and was was built from granite, cut in Lyme, Connecticut. Inside, two stained glass windows, the first ecclesiastical commission of John LaFarge, flood the interior spaces with warm colored light. The church looks much as it did when completed almost 150 years ago, thanks to an active congregation preserving this great landmark.

Warren Baptist Church // 1844

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Photo by Kenneth Zirkel

Stone churches are some of the most entrancing and imposing buildings, so I always have to feature them when I see them! This is the Warren Baptist Church on Main Street in Warren, Rhode Island. Built in 1844 from plans by famed architect Russell Warren, the Gothic style edifice features randomly laid rubblestone which adds to the intrigue. This is the third church building on this site. The first (1764) was burned by the British in 1778; its replacement in 1784 was demolished for the present building in 1843. Interestingly, this is the site that the predecessor college for Brown University began! The Baptist school, an institution parallel to those of the Congregationalists at Harvard and Yale and the Presbyterians at Princeton, was first known as Rhode Island College. In 1770, the school moved to Providence, the home of Baptism in this country and where Baptists promised more financial support than those in Newport , and changed its name to Brown University in 1804. This Baptist congregation is still very active in town and they maintain the building and its stunning stained glass windows very well!

Sacred Heart Church, Newton // 1899

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Built in the Italian Renaissance Revival style by architects Rand & Taylor, the Sacred Heart Church in Newton Centre of 1899 reflects much of the lesser-known history of the affluent suburb of Boston. As Newton’s population nearly doubled between 1870 (12,800) and 1890 (24,000), many Irish Catholic residents who worked in the mills and factories of the Upper and Lower Falls areas of town began to move to the suburbs, taking jobs at households of the affluent class in Newton Centre, as cooks, maids, gardeners and more. Residents of Newton Centre wanted a Catholic Church closer to their homes and work, so they established their own congregation in 1890. As the congregation grew, it was obvious that a new church in Newton Centre would be needed to provide services there. Ground broke on the church by 1891, but it took nearly 10 years until the building was completed. Architect Bertram Taylor of the firm Rand & Taylor, and resident of Newton Centre, is credited with designing the large edifice, which is dominated by twin hipped-roof bell towers. The interior of the church has some of the most elaborate plaster work in the Boston area and stained glass windows lining the walls. Early Pastors of Sacred Heart included two who went on to important posts: Francis C. Spellman (1933-39) became Archbishop of New York; and Richard J. Cushing (1939-44) became Archbishop of Boston.

Trinity Church, Newport // 1725

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Trinity Church in Newport, Rhode Island is one of the largest extant 18th century churches in New England, and founded in 1698, it is the oldest Episcopal parish in the state. Built in 1725, the Georgian style church was built just as the influence of Sir Christopher Wren’s churches reached the colonies, about a quarter century after his work had come to dominate ecclesiastical design in London. Trinity is the second major church built in the original colonies influenced by Wren, following Old North Church in Boston’s North End (1723). Stylistically, both churches are similar, with the notable difference in material (Old North in brick and Trinity Church in clapboard). Local builder Richard Munday, is credited with the design of Trinity Church. By the late 19th and early 20th centuries, many members of the Vanderbilt family and other wealthy residents attended sermons here when summering in Newport. When Newport was undergoing Urban Renewal in the mid-20th century, Queen Anne Square (the park which fronts the church) was created in the 1970s to establish a town common in a city which had never truly had one. “Early” buildings in the area to be bulldozed for the common were moved to other sites to enhance the “colonial” rehabilitation of the area around the harbor, making this one of the few examples of urban renewal having a positive impact on a city.

Yale University – Battell Chapel // 1874

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As the Old Campus of Yale was being enclosed at its north and east by Farnam and Durfee halls, architect Russell Sturgis was again tasked to design a new building, but for a corner site; though this time, he would design a college chapel. Built between 1874–76, it was funded primarily with gifts from Joseph Battell. Succeeding two previous chapel buildings on Yale’s Old Campus, it provided space for daily chapel services, which were mandatory for Yale students until 1926, which were all-male and mostly Protestant. The large stone chapel is constructed of New Jersey brownstone with decorative elements in sandstone. The design of the Victorian Gothic chapel is great, but how it sits with the entrance unceremoniously dumping out to the end wall of Durfee Hall leaves much to be desired.

Troy Meeting House // 1840

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Located in the rural town of Troy, Maine, the 1840 Troy Meeting House is a classic example of a type of meeting house or church that was built by some rural communities in the state in the decades prior to the Civil War. Built as a Union Church, without a specific denomination, the building served the members of the Troy Meeting House Society, and by extension as the only church in the town. The building features both Greek Revival and Gothic Revival stylistic details on the exterior and its design is similar to others in the surrounding towns, likely being from the same builder.

St. Margaret Catholic Summer Chapel // c.1895

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When the Grindstone Neck Summer Colony of Maine was in full-swing, wealthy summer residents would frequent the colony’s Episcopal chapel (featured previously). What the summer residents did not really plan for was the influx of other residents as summer staff, largely Irish servants who in large part were Catholic. As a result, the St. Margaret Catholic Chapel was built to provide a house of worship, largely for those summer workers on Grindstone Neck. Keeping with the rustic architectural character of the colony, the chapel was designed in the Shingle style. I could not find any information on the architect, so any additional insight would be greatly appreciated!

St. Christopher’s-by-the-Sea Episcopal Church // 1892

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In 1891, a proposal was made to build a summer Episcopal chapel, to be known as St. Christopher’s by the Sea, on Grindstone Neck in Winter Harbor, Maine. This project was supported by local area residents and by the summer community on Grindstone Neck. The construction of the church started in 1892, but it was not until August 6, 1893 that the first service was held in the chapel. The Rev. Julius Atwood, rector of St. James’ Church in Providence, Rhode Island, officiated and preached the first sermon. The church was designed by Lindley Johnson, a Philadelphia-based architect who also summered in a cottage on Grindstone Neck and designed other cottages in the colony. The Shingle style chapel is architecturally unique and rustic, a quality which is also visible at the interior, which is rustic in appearance with exposed beams and shingled walls.

South Britain Methodist Episcopal Church // 1839

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Constructed in 1839 by the Methodist Society of South Britain, Connecticut, this dilapidated old church has classic Greek Revival features including a flush sided facade divided into bays by Doric pilasters, a central double-leaf four-panel door, and high narrow windows. The church sits in the South Britain National Register District, which sadly does not provide any tangible protections for the building, which has been decaying for years. The square belfry was removed (or collapsed) a couple years ago and I would imagine there is some water damage from openings in the roof. What would you like to see this old church converted into?

St. Sergius Chapel // 1932

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Formerly known as “Churaevka,” the community known today as Russian Village in Southbury, Connecticut, was established in 1925 as an artistic community for Russians who fled to America after the Russian Revolution of 1917. The village was created by two Russian writers, Count Ilya Tolstoy, the son of Leo Tolstoy (the author of War and Peace and Anna Karenina), and the famous Siberian novelist George Grebenstchikoff. Although Tolstoy was first to discover the area while visiting his translator in Southbury, it was Grebenstchikoff who dreamed of establishing a cultural center and planned to create a rural community of cottages where Russian writers, artists, musicians and scientists could live and flourish statestide. The village was named after a mythical Siberian village mentioned in the works of Grebenstchikoff and the centerpiece is this chapel, St. Sergius Chapel, which was built in 1932-33 from plans by Nicholas Roerich. The small square-plan chapel was likely built of stone gathered from the neighborhood.