Church

Beneficent Congregational Church // 1809

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Located on Weybosset Street in Downtown Providence, the Beneficent Congregational Church, affectionately nicknamed “Round Top” for its striking dome, is significant architecturally and historically as an early Federal/Greek Revival style church and the oldest in Downtown Providence. The congregation was founded in 1743 during the “First Great Awakening” as a separatist spin-off of College Hill’s First Congregational Church (now First Unitarian Church). The offshoot occurred after when Deacon Joseph Snow, Jr. (1690-1773), a fiery preacher who was also a carpenter by trade, began preaching a more evangelical brand of Congregationalism than the more reserved members of the church could tolerate. Eventually, Father Snow, and his ardent followers established a second congregation on the west side of the Providence River in what was then an area of scattered residences and farms. The current church, the congregation’s second on the site, was constructed in 1809 from designs by Barnard Eddy and John Newman, but it was largely reworked into its present form in 1836 by the firm Tallman & Bucklin, who swapped the original Federal-era details for bolder Greek Revival trim, including the chunky Doric columns of the entrance portico, a paneled parapet, and an octagonal drum beneath the dome. That dome, along with the two-story front portico, survived the remodel unchanged in its overall form, and today it is sheathed in durable copper rather than the gold leaf that once covered it.

St. Rita’s Roman Catholic Church // 1916

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A Roman Catholic parish was established in the South Coast/Cape Cod area by 1830 in Sandwich, where a large glass company employed a number of Irish immigrants. Over the course of the 19th century, several mission churches were established, and eventually a second parish, St. Patrick’s, was established in Wareham in 1911. Soon after, a mission was established in nearby Marion to serve the summertime Catholic community there, where many Irish laborers worked on the coastal estates there. A parcel of land was acquired by the Roman Catholic Bishop of Fall River and noted ecclesiastical architect Matthew Sullivan, was selected to furnish plans for the small church. Matthew Sullivan was a partner in the firm of Maginnis, Walsh and Sullivan, which was widely known for its ecclesiastical work, where he too specialized in religious buildings. St. Rita’s Roman Catholic Church is an example of an early 20th century chapel in the Craftsman style, characterized by eaves marked by long projecting rafter tails and a bold entry framed by Tuscan columns, but with the unique use of brick walls.

First Universalist Church, Marion – Marion Arts Center // 1833

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I do love a good adaptive reuse story! This historic church building on Main and Pleasant streets in the Wharf Village of Marion, Massachusetts, was constructed in 1833 for the town’s growing and new Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form than some larger churches. By World War II, the church’s membership had dwindled to only a few old Marion families and eventually closed. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.

Marion Congregational Church // 1841

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Built in 1841, the Congregational Church in Marion, Massachusetts, is a stellar example of a mid-19th century ecclesiastical building designed in the Greek Revival style that represents the town’s evolution and prosperity through today. During the 18th century, area residents had to travel all the way to Rochester Center on Sundays to worship as this village was a part of Rochester until 1852, when it set off as its own town. Instead of keeping the Wampanoag name Sippican, meaning ‘land of many waters’, the people of present-day Marion chose their name in honor of General Francis Marion, a Revolutionary War hero from South Carolina who became a celebrated military leader during the American Revolution. The original 1799 Meeting House was replaced by this handsome structure, when ten Marion sea captains each contributed $1,000 towards its construction. The church’s completion in 1841 marked the beginning of the nine year co-pastorate of Rev. Oliver Cobb and his son, Rev. Leander Cobb at the height of prosperity for the coastal community. The church is characterized by its boxy, rectangular form with its primary facade treated as a portico in antis crowned by a closed pediment and the iconic multi-stage clock tower which remains an important landmark in town.

Mary Immaculate of Lourdes Catholic Church and Rectory // 1909 & 1938

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At the turn of the 20th century, Newton’s Upper Falls village was an industrial center in the region, with factories employing hundreds of workers, primarily recent immigrants from Ireland and Italy. A Catholic parish in Newton was originally established in the 1840s and within decades, the Roman Catholic church here included between 1,000-1,200 Catholics as far as Needham and Newton Centre. Originally known as St. Mary’s Catholic Church, the former structure was located on Chestnut Street in the village, but was eventually outgrown by the congregation. Ecclesiastical architect from Boston, Edward T. P. Graham, drew plans for the new church, which is unlike the typical Neo-Gothic edifices built in the early 20th century around Boston. The blending of Classical and Renaissance Revival styles works well with the design of Mary Immaculate of Lourdes in Newton, with its monumental classical portico and tympanum with figures in a bas-relief in the Classical style and the Italian Renaissance campanile with balconies and hipped roof towering over the structure. Inside, the sanctuary is illuminated by stained glass windows by Franz Xaver Zettler of Munich, Germany, which were custom-made for the church. On an adjoining lot, Timorthy G. O’Connell, a prominent Boston-area ecclesiastical architect, designed the parish rectory in 1938 in the Colonial Revival style.

Chocorua Community Church // 1835

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The First Free Will Baptist Church of Tamworth, New Hampshire, was founded in 1781 and centered around the charming mountain village of Chocorua. Members met for years in private homes, schoolhouses, and even barns until a lot was acquired in 1834 for the congregation and this church built a year later in 1835. The church was remodeled in 1885 to its current form, which likely saw the building raised and the steeple added. The church was renamed in 1921 to the Chocorua Baptist Church and again to the present name, Chocorua Community Church. The Chocorua Community Church is a typical 19th century vernacular New England church with a basic form, gable roofed main block, two-stage belfry tower topped by a spire. The composition of the facades with double doors and blind lancet window above is typical of the vernacular church architecture of the period, and while not architecturally distinctive, the church is significant as a community center of the Chocorua Village of Tamworth.

First Free Will Baptist Church of Ashland // 1834 & 1872

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A Baptist congregation was established in present-day Ashland, New Hampshire, in 1818, when it was still a part of Holderness. Within a few decades, the village grew alongside increased manufacturing to a point that by 1830, a dedicated sanctuary was needed for area Baptists. Built in 1834, the First Free Will Baptist Church stood on a rise in the center of the village. Constructed of brick and vernacular in style, the edifice oversaw the growth of the community until the 1870s when increased wealth of the congregation led to a major alteration of the building in the Italianate style we see today. The current Victorian character, including the arched stained glass windows and shingled tower are reflective of that period. The old vestry on Main Street, which dates to 1835, retains its traditional Federal style and has since been connected to the church by a wood-frame connecting addition from 1899. The buildings were listed on the NAtional Register of Historic Places in 1983.

St. Andrew’s Catholic Church, North Billerica // 1919

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Before Saint Andrew’s Parish in North Billerica, Massachusetts, was established, the industrial village was home to many Irish immigrants who arrived to the area to work at the Talbot and Faulkner mill complexes. The Irish brought with them, their culture and customs, including religious affiliation with the Catholic Church. The Irish families in North Billerica were about 5 miles from the closest Catholic church in Lowell to worship, so in 1868, a mission church was established in the village for area residents. By 1913, the parish consisted of the entire town of Billerica, had grown enough to be taken over by the Archdiocese of Boston. Soon after, a Rectory was built in the Colonial Revival style and just a few years after that, in 1919, plans were unveiled for a new Catholic church in Billerica. Plans by the firm of O’Connell & Shaw were drawn up and resulted in St. Andrew’s Catholic Church, a rare example of a Spanish/Mission Revival style church. The design is notable for its use of stucco walls, bell-shaped gabled parapet, inlaid tile panels, and squat, copper roofed belfry at the roof.

North Billerica Baptist Church // 1870

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As the Talbot and Faulkner mills of North Billerica thrived, bringing thousands of workers, their families and customs; new schools, social clubs, and schools were needed to provide quality of life improvements to those who worked tirelessly all days of the week in the cramped factories. As far back as 1828, Baptists began to informally meet to worship together in North Billerica. Years later, they built a small meeting house that grew alongside the surrounding community. By 1868, 27 members pooled resources and alongside funding from Thomas Talbot, politician and part-owner of the Talbot Mill in Billerica, it was decided that a proper church be built in the industrial village for area Baptists. Architect, Alexander Rice Esty, was hired to furnish plans for the building, which is of the Victorian Gothic style, built of wood and notable for its many lancet windows. The church has been modified a few times since its first service in 1870 and remains a vital cultural landmark in the industrial village. 

Federated Church of Martha’s Vineyard // 1828

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Built in 1828, the meetinghouse of the Federated Church of Martha’s Vineyard is the oldest church building on the island in its original location. The structure was built as the Congregational church in Edgartown, with its founding dating back to 1642 when Thomas Mayhew colonized the island. The congregation in Edgartown raised money by selling the rights to individual pews, and took 112 years to pay off the remainder of its debt. The Federal style church building was constructed by Frederick Baylies Jr., its architect and builder, who used Asher Benjamin’s design publications to bring the stately design to life. When constructed in 1828, the church fronted Main street beyond a deep common in front, which has since been infilled with houses, seemingly to help the congregation pay off its debt in the 19th century. The church became known as the Federated Church in 1925, when that year, the Edgartown Baptist Society merged with the Congregational Church, sharing this edifice for their congregations. In 1857, Frederick Douglass delivered his historic speech, ‘The Unity of Man’ to a packed audience at the Meetinghouse. Every 4th of July, a reading of Frederick Douglass’ powerful speech, “The Meaning of the Fourth of July for the Negro” is read by community leaders and members.

St. Elizabeth’s Catholic Church, Edgartown // 1925

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Catholics on Martha’s Vineyard began worshipping in the late-1870s when a small group, mostly of Portuguese origin, began meeting in homes. As the island grew into a summer vacation destination, Catholic summer residents desired a place to have Mass celebrated on the island. Throughout the 19th century, an occasional priest from New Bedford or Cape Cod would come to the Vineyard to celebrate Mass in private residences. Residents in Edgartown purchased land in the village for a small chapel, rectory for it’s full-time summer priest, and cemetery. As the summer populations grew, it was decided that a larger Catholic church was needed for Edgartown, and the Roman Catholic Bishop of Fall River, Daniel Feehan, funded the new church and hired architect, Joseph I. Higgins, to design the new building. The church was dedicated in the summer of 1925 and features elements of Gothic and Colonial Revival styles.

Edgartown Town Hall – Old Edgartown Methodist Church // 1828

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Edgartown, the historic whaling harbor village, is Martha’s Vineyard’s first colonial settlement and has prospered as one of the best-preserved collections of 19th century architecture in the United States. The streets of Edgartown’s village are lined by historic residences, shops and churches built by and for prosperous whaling captains and preserved today as part of New England’s elite summer destinations. Presently occupied by the local government of Edgartown as its Town Hall, this handsome Federal style building on Main Street was originally used as the community’s first purpose-built Methodist Church. Methodism on Martha’s Vineyard began after 1787, when a vessel commanded by Capt. Thomas Luce arrived to the island containing two stowaways escaping enslavement in Virginia; John Saunders and Priscilla, his wife. They were slaves to a Virginia planter, and both were zealous christians, and Methodist speakers, who helped foster a larger community on island. A methodist church was established in Edgartown in a building shared with Baptists until this handsome building was constructed in 1828 by local architect and builder, Frederick Baylies Jr. Just fifteen years later, the town grew in population and wealth and the local Methodists felt it necessary to build a much larger church, now known as the Old Whaling Church in 1843. This building was acquired by the Town in the 1840s and converted to a town hall with space for a fire engine and police. More recently, the building served as the fictional town hall of “Amity” in the 1975 film, Jaws, where the infamous chalkboard scratch scene took place.

First Church of Christ, Suffield // 1869

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Located adjacent to the Town Common, the First Church of Christ in Suffield showcases the grandiose architecture seen in many churches after the Civil War in New England. This brick edifice is the fifth in the history of the church which dates back to around 1680. This church building was designed by local architect John C. Mead, who designed other stately churches in the surrounding region. The church is a blending of Italianate and Romanesque Revival styles and originally featured a tall spire and secondary tower. In 1938, the New England Hurricane destroyed the tall spire (a similar event occurred to many New England Churches, including Old North in Boston). Even without the steeple, the church remains as a great architectural treasure in town.

Second Baptist Church, Suffield // 1840

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Early Baptists in the area of present-day Suffield, Connecticut, organized in the western part of town, and built a church there in 1769, far from the town center, which began to rapidly develop in the early 19th century. By the turn of the 19th century, residents not wanting to travel all the way to West Suffield to attend services, petitioned to create a Second Baptist Church congregation. By 1840, the members were able to fund this handsome brick edifice, built in the Greek Revival style by architect, Henry A. Sykes, who had trained under Ithiel Town of New Haven, clearly where he mastered church designs by a prominent practitioner of the Greek Revival style in New England. The Second Baptist Church of Suffield features a massive portico on its facade with six fluted, Ionic columns supporting the pediment above. The tower of the church is two stages, one squared and the upper round, with fluted piers and Ionic columns and carved consoles. The tower is capped by a gilded dome with weather vane.

Sacred Heart of Jesus Church, Milford // 1927 & 1941

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The Sacred Heart of Jesus Church in Milford, Massachusetts, was formed in 1905 as a local Catholic church that was the Italian response to the Irish, Saint Mary of the Assumption Catholic Church nearby. The congregation struggled to build an edifice that could compete with its Irish counterpart a few blocks away, that was until 1927, when funding was secured and construction began on the church. Architect, John W. Donohue was selected by the Roman Catholic Bishop of the Springfield Diocese, to furnish the plans for the building, which was delayed by the Great Depression. The church, which was long unfinished as a one-story building with basement, was ultimately constructed after plans were finalized in 1941 by architect, Anthony J. DePace, but construction did not begin until after WWII. Work on the upper church began in 1946 and it was dedicated in 1947. With its iconic Roman brick walls, red tile roof, bell tower, and entry staircase built of locally quarried Milford granite, the building showcases the Italian-American culture through its architecture.