Church

Chocorua Community Church // 1835

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The First Free Will Baptist Church of Tamworth, New Hampshire, was founded in 1781 and centered around the charming mountain village of Chocorua. Members met for years in private homes, schoolhouses, and even barns until a lot was acquired in 1834 for the congregation and this church built a year later in 1835. The church was remodeled in 1885 to its current form, which likely saw the building raised and the steeple added. The church was renamed in 1921 to the Chocorua Baptist Church and again to the present name, Chocorua Community Church. The Chocorua Community Church is a typical 19th century vernacular New England church with a basic form, gable roofed main block, two-stage belfry tower topped by a spire. The composition of the facades with double doors and blind lancet window above is typical of the vernacular church architecture of the period, and while not architecturally distinctive, the church is significant as a community center of the Chocorua Village of Tamworth.

First Free Will Baptist Church of Ashland // 1834 & 1872

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A Baptist congregation was established in present-day Ashland, New Hampshire, in 1818, when it was still a part of Holderness. Within a few decades, the village grew alongside increased manufacturing to a point that by 1830, a dedicated sanctuary was needed for area Baptists. Built in 1834, the First Free Will Baptist Church stood on a rise in the center of the village. Constructed of brick and vernacular in style, the edifice oversaw the growth of the community until the 1870s when increased wealth of the congregation led to a major alteration of the building in the Italianate style we see today. The current Victorian character, including the arched stained glass windows and shingled tower are reflective of that period. The old vestry on Main Street, which dates to 1835, retains its traditional Federal style and has since been connected to the church by a wood-frame connecting addition from 1899. The buildings were listed on the NAtional Register of Historic Places in 1983.

St. Andrew’s Catholic Church, North Billerica // 1919

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Before Saint Andrew’s Parish in North Billerica, Massachusetts, was established, the industrial village was home to many Irish immigrants who arrived to the area to work at the Talbot and Faulkner mill complexes. The Irish brought with them, their culture and customs, including religious affiliation with the Catholic Church. The Irish families in North Billerica were about 5 miles from the closest Catholic church in Lowell to worship, so in 1868, a mission church was established in the village for area residents. By 1913, the parish consisted of the entire town of Billerica, had grown enough to be taken over by the Archdiocese of Boston. Soon after, a Rectory was built in the Colonial Revival style and just a few years after that, in 1919, plans were unveiled for a new Catholic church in Billerica. Plans by the firm of O’Connell & Shaw were drawn up and resulted in St. Andrew’s Catholic Church, a rare example of a Spanish/Mission Revival style church. The design is notable for its use of stucco walls, bell-shaped gabled parapet, inlaid tile panels, and squat, copper roofed belfry at the roof.

North Billerica Baptist Church // 1870

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As the Talbot and Faulkner mills of North Billerica thrived, bringing thousands of workers, their families and customs; new schools, social clubs, and schools were needed to provide quality of life improvements to those who worked tirelessly all days of the week in the cramped factories. As far back as 1828, Baptists began to informally meet to worship together in North Billerica. Years later, they built a small meeting house that grew alongside the surrounding community. By 1868, 27 members pooled resources and alongside funding from Thomas Talbot, politician and part-owner of the Talbot Mill in Billerica, it was decided that a proper church be built in the industrial village for area Baptists. Architect, Alexander Rice Esty, was hired to furnish plans for the building, which is of the Victorian Gothic style, built of wood and notable for its many lancet windows. The church has been modified a few times since its first service in 1870 and remains a vital cultural landmark in the industrial village. 

Federated Church of Martha’s Vineyard // 1828

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Built in 1828, the meetinghouse of the Federated Church of Martha’s Vineyard is the oldest church building on the island in its original location. The structure was built as the Congregational church in Edgartown, with its founding dating back to 1642 when Thomas Mayhew colonized the island. The congregation in Edgartown raised money by selling the rights to individual pews, and took 112 years to pay off the remainder of its debt. The Federal style church building was constructed by Frederick Baylies Jr., its architect and builder, who used Asher Benjamin’s design publications to bring the stately design to life. When constructed in 1828, the church fronted Main street beyond a deep common in front, which has since been infilled with houses, seemingly to help the congregation pay off its debt in the 19th century. The church became known as the Federated Church in 1925, when that year, the Edgartown Baptist Society merged with the Congregational Church, sharing this edifice for their congregations. In 1857, Frederick Douglass delivered his historic speech, ‘The Unity of Man’ to a packed audience at the Meetinghouse. Every 4th of July, a reading of Frederick Douglass’ powerful speech, “The Meaning of the Fourth of July for the Negro” is read by community leaders and members.

St. Elizabeth’s Catholic Church, Edgartown // 1925

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Catholics on Martha’s Vineyard began worshipping in the late-1870s when a small group, mostly of Portuguese origin, began meeting in homes. As the island grew into a summer vacation destination, Catholic summer residents desired a place to have Mass celebrated on the island. Throughout the 19th century, an occasional priest from New Bedford or Cape Cod would come to the Vineyard to celebrate Mass in private residences. Residents in Edgartown purchased land in the village for a small chapel, rectory for it’s full-time summer priest, and cemetery. As the summer populations grew, it was decided that a larger Catholic church was needed for Edgartown, and the Roman Catholic Bishop of Fall River, Daniel Feehan, funded the new church and hired architect, Joseph I. Higgins, to design the new building. The church was dedicated in the summer of 1925 and features elements of Gothic and Colonial Revival styles.

Edgartown Town Hall – Old Edgartown Methodist Church // 1828

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Edgartown, the historic whaling harbor village, is Martha’s Vineyard’s first colonial settlement and has prospered as one of the best-preserved collections of 19th century architecture in the United States. The streets of Edgartown’s village are lined by historic residences, shops and churches built by and for prosperous whaling captains and preserved today as part of New England’s elite summer destinations. Presently occupied by the local government of Edgartown as its Town Hall, this handsome Federal style building on Main Street was originally used as the community’s first purpose-built Methodist Church. Methodism on Martha’s Vineyard began after 1787, when a vessel commanded by Capt. Thomas Luce arrived to the island containing two stowaways escaping enslavement in Virginia; John Saunders and Priscilla, his wife. They were slaves to a Virginia planter, and both were zealous christians, and Methodist speakers, who helped foster a larger community on island. A methodist church was established in Edgartown in a building shared with Baptists until this handsome building was constructed in 1828 by local architect and builder, Frederick Baylies Jr. Just fifteen years later, the town grew in population and wealth and the local Methodists felt it necessary to build a much larger church, now known as the Old Whaling Church in 1843. This building was acquired by the Town in the 1840s and converted to a town hall with space for a fire engine and police. More recently, the building served as the fictional town hall of “Amity” in the 1975 film, Jaws, where the infamous chalkboard scratch scene took place.

First Church of Christ, Suffield // 1869

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Located adjacent to the Town Common, the First Church of Christ in Suffield showcases the grandiose architecture seen in many churches after the Civil War in New England. This brick edifice is the fifth in the history of the church which dates back to around 1680. This church building was designed by local architect John C. Mead, who designed other stately churches in the surrounding region. The church is a blending of Italianate and Romanesque Revival styles and originally featured a tall spire and secondary tower. In 1938, the New England Hurricane destroyed the tall spire (a similar event occurred to many New England Churches, including Old North in Boston). Even without the steeple, the church remains as a great architectural treasure in town.

Second Baptist Church, Suffield // 1840

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Early Baptists in the area of present-day Suffield, Connecticut, organized in the western part of town, and built a church there in 1769, far from the town center, which began to rapidly develop in the early 19th century. By the turn of the 19th century, residents not wanting to travel all the way to West Suffield to attend services, petitioned to create a Second Baptist Church congregation. By 1840, the members were able to fund this handsome brick edifice, built in the Greek Revival style by architect, Henry A. Sykes, who had trained under Ithiel Town of New Haven, clearly where he mastered church designs by a prominent practitioner of the Greek Revival style in New England. The Second Baptist Church of Suffield features a massive portico on its facade with six fluted, Ionic columns supporting the pediment above. The tower of the church is two stages, one squared and the upper round, with fluted piers and Ionic columns and carved consoles. The tower is capped by a gilded dome with weather vane.

Sacred Heart of Jesus Church, Milford // 1927 & 1941

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The Sacred Heart of Jesus Church in Milford, Massachusetts, was formed in 1905 as a local Catholic church that was the Italian response to the Irish, Saint Mary of the Assumption Catholic Church nearby. The congregation struggled to build an edifice that could compete with its Irish counterpart a few blocks away, that was until 1927, when funding was secured and construction began on the church. Architect, John W. Donohue was selected by the Roman Catholic Bishop of the Springfield Diocese, to furnish the plans for the building, which was delayed by the Great Depression. The church, which was long unfinished as a one-story building with basement, was ultimately constructed after plans were finalized in 1941 by architect, Anthony J. DePace, but construction did not begin until after WWII. Work on the upper church began in 1946 and it was dedicated in 1947. With its iconic Roman brick walls, red tile roof, bell tower, and entry staircase built of locally quarried Milford granite, the building showcases the Italian-American culture through its architecture.

Saint Mary of the Assumption Catholic Church, Milford // 1870

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The grand St. Mary of the Assumption Catholic Church in Milford, Massachusetts, was built in 1870 and is tied to the period of great growth and prosperity for the community. After the Civil War, the quarrying and sale of the iconic local Milford “pink” granite boomed, and thousands of immigrants moved to the area for work, many of them Irish-born, bringing their traditions and religion. The local Catholic church was led by Father Patrick Cuddihy, who oversaw a building campaign and expansion of the church here in Milford. In the 1860s, Father Cuddihy hired architect, Patrick C. Keely to design the edifice, built of local granite quarried by many congregants. Once the foundation was laid for the church Keely was tasked to oversee the design of the new Cathedral of the Holy Cross in Boston, so he abandoned work in Milford, leaving the remainder of the overseeing of construction to ecclesiastical architect, James Murphy, who often worked alongside Keely. Original plans for a towering belfry were uncompleted for over a decade until 1887, when work began to erect the iconic Victorian Gothic tower, it was completed by 1888. The church remains an architectural and cultural landmark in the community which offers masses in English, Spanish and Portuguese, showing the rich cultural diversity in Milford.

First Universalist Church of Milford // 1899

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In the summer of 1785, a Universalist congregation was formed in Milford, Massachusetts, making it one of the first in the United States. The Universalists here were led by some illustrious ministers including Thomas Whittemore, an energetic advocate of abolition and an ardent foe of the Fugitive Slave Law; Ebenenzer Fisher who left the Milford congregation to become the first president of what became St. Lawrence University; and Adin Ballou who, after serving the congregation for six years, established a religious commune in the Hopedale section of Milford called “The Hopedale Community” that was to become a model for similar religious organizations. The congregation grew and by the late 19th century, it was decided that a new church in Milford should be built. Local architect, Robert Allen Cook, who was then in his twenties, was hired to furnish plans for this handsome edifice, which was built of locally quarried Milford “pink” granite. Robert A. Cook was a personal favorite architect of the Draper Family of Hopedale and Milford, who likely held sway in his selection. The church was built in 1899 and remains an excellent example of Victorian Gothic architecture with large lancet window and many beautiful stained glass windows in the sanctuary.

Milford Congregational Church // 1819

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The town of Milford, Massachusetts, incorporated from its “mother town” of Mendon in 1780 and decades later, after the War of 1812, the young town began discussions to build a new town hall. From 1741 when Milford was set of as a separate precinct, through its incorporation, all governmental functions were held at the meetinghouse, which served both religious and governmental functions. By 1819, it was decided that a new town hall structure would be built in town as residents with other religious affiliations did not want their tax dollars going to a separate institution. The Congregationalists too began construction on a new church, this building, in 1819. The Federal style edifice with towering steeple was largely reconstructed in 1868, when the church was enlarged at the rear, raised to allow a full basement, and the facade “modernized” in the Italianate/Romanesque style with round arched openings. The church was again renovated in the early 20th century, converting it back to the more traditional, New England Colonial Revival style with fanlight transoms and large Palladian window. The congregation today remains active and offers sermons in Portuguese, providing a house of worship for the large Brazilian-born population in Milford.

Former Central Congregational Church – Memorial Hall, RISD // 1853

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An early example of the Romanesque Revival style, the former Central Congregational Church on Benefit Street in Providence’s East Side is architecturally significant as one of the remaining designs by architect, Thomas Tefft and built from 1853-1856. Thomas A. Tefft (1826-1859) was one of the nation’s first professionally trained architects and was a master of Rundbogenstil, a German-branch of the Romanesque style until his untimely death in Italy when he was just 33. When this church was completed in 1856, Tefft was just thirty years old. The brownstone facade is adorned by triple-arched entrances and corbelling. The congregation grew and decades later, acquired a site in the neighborhood for a larger, Carrere and Hastings-designed church, vacating this building in 1893. The Rhode Island School of Design (RISD) purchased this former church in 1902 following a donation by Eliza Radeke and her brothers who named the building Memorial Hall. The firm of Hoppin and Ely was hired to update the former church for use by the college, which primarily took place on the interior. The original pair of tall bell towers were damaged during the 1938 hurricane and later were removed in 1950, truncating the verticality of this great Tefft-designed building, but she still shines! Memorial Hall has been incorporated into the RISD campus and houses studio spaces.

South Swansea Union Church // 1916

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The South Swansea Union Church on Gardner’s Neck in Swansea, Massachusetts, is an excellent example of a seaside New England church that blends architectural styles in a unique composition. The church was built in 1916 years after development of the Neck began in earnest as a partnership between local congregations and the South Swansea Sunday School. The new church became a union church for multiple congregations to have a shared house of worship as well as a space for sunday school for area pupils. The building that features elements of Shingle and Neo-Gothic Revival styles, was built by William L. Hunt & Son and now houses the South Swansea Baptist Church.