Located next to the Reverend Thomas Hawley House (last post), this gingerbread cottage on Ridgefield’s Main Street looks straight out of a fairy tale! The home appears to have been built around the Civil War (or a renovation of an earlier house) and blends Italianate and Gothic detailing elegantly under one roof. The home was built on land that was owned by the Hawley descendants and was occupied by a few members of the family until it sold out of Hawley ownership in the 20th century. The house was purchased in 2002 by Gregory and Valerie Jensen who restored the home. Mrs. Jensen is the founder of the Prospector Theatre, a non-profit cinema dedicated to providing a higher quality of life through meaningful employment to people with disabilities.
The Victorian Gothic style Richmond Building in Downtown Providence always catches my eye for its polychrome brickwork. The building was constructed in 1876, seemingly as an investment property for Dr. F. H. Peckham, a surgeon. The Richmond Building was used for many years for offices and retail use. Also, look at that amazing curved sash window!
I have gotten a lot of requests recently to feature an old New England mill town, and I wanted to highlight a lesser-known one, so here is Millbury, Massachusetts! This gorgeous mill building was constructed between 1879-1919, impacted by over forty years of growth and design. The Lapham Woolen Mill is the largest and most intact 19th century industrial building in Millbury and sits in the middle of Bramanville, an industrial village in the town, off Singletary Brook, a branch of the Blackstone River. The Lapham Woolen Mill was built on the location of the former Burbank paper mills, which were in operation in Bramanville between 1775-1836. The Lapham Woolen Mill was started in the mid-1870s by Mowry A. Lapham, who oversaw the company’s growth after the Civil War, manufacturing clothing and other woolen goods. After Mowry’s death, the company’s pollution into the brook got the best of them and they disbanded, selling it. The mill was then purchased by Josiah and Edward Mayo, and their business partner Thomas Curtis. The group renamed the existing business the Mayo Woolen Company. The complex was occupied by Steelcraft Inc., a manufacturer of medical supplies, until recently. The building’s future was threatened until 2020, when a proposal to restore the old mill, and add new housing on the site was proposed. Fingers and toes are crossed to see this gorgeous building restored!
Bellevue Avenue in Newport is best-known for its massive summer cottages, many of which are built of stone and look more like art museums than a house. “Rest Haven” is one of the most stunning summer cottages in Newport and can stand toe-to-toe with the later mansions which neighbor it. The Stick style cottage was built in 1870 as a spec. house for merchant and financier John N.A. Griswold, who had his own cottage farther up the street (last post). Similar to his own house, he hired world-renowned architect Richard Morris Hunt to design the house, which was to be sold soon after completion for a profit to Anna Gilbert of New York, a wealthy widow who wanted to keep up with high-society in Newport. Anna Gilbert’s son, Charles Pierrepont Gilbert, was a New York architect who trained at the Ecole des Beaux Arts in Paris. He and his wife, Clara, summered at Resthaven until 1916. The home was likely renamed “Le Chalet” by a subsequent owner. The cottage was altered over the years, but restored a number of years ago by Newport Collaborative Architects and Behan Bros, and looks stunning!
Architects William Robert Ware and Henry Van Brunt designed this parsonage in Easton, Massachusetts for the Unity Church in town (featured previously). The Victorian Gothic house is constructed of polychromatic stone, wood trim, slate and copper roof surfaces, and terracotta finials. The architecture is very well-developed and stands toe-to-toe with the other architectural landmarks in town, just a short walk away.
No, this is not Martha’s Vineyard, it is Collinsville, Connecticut! Perched on a hill near the banks of the Farmington River, this quaint little Victorian cottage is one of the better-preserved examples of worker’s cottages in the former industrial village. I could not locate much on the house’s history, beyond that it may have once been part of a larger home, and moved to this site in the 20th century.
The District 13 Police Station was built in 1873 in response to the needs of a growing community. Located in what is now Jamaica Plain, it was originally intended to serve the town of West Roxbury, which was itself annexed into Boston within the year it took to construct this building! The town of West Roxbury appropriated funds for a larger police station in the dense core of their town, but only acquired land in Sumner Hill, which was a rapidly developing neighborhood with large, upper-class mansions on large lots. To appease the neighbors, the town hired architect George Ropes to design this brick Victorian Gothic building with slate roof, punctured by a number of dormers. The building is one of the best-designed civic buildings in the present city of Boston and appears much as it would have when built 150 years ago. After West Roxbury was annexed, the City of Boston constructed an addition at the rear, designed in 1892 by Edmund M. Wheelwright, architect for the City of Boston, to serve as a municipal court building. The ornate building continued its use as a police station until the early 1980s until it was deaccessioned by the City of Boston and sold, subsequently converted to condominiums. I wonder if they kept the jail cells!
St. John’s Episcopal Church in Jamaica Plain, Boston, is a sprawling Victorian church dramatically sited on the crest of Sumner Hill, looking over the amazing neighborhood. The church was a local affair as it was designed by local architect Harris M. Stephenson and constructed in 1882 of rough-faced rubble Roxbury puddingstone (a locally harvested stone) with tan sandstone trim. Not all about the church is local though, some national players left their mark on the design. The church contains a collection of significant 19th century stained glass windows, including works by the studios of John LaFarge, MacDonald/McPerson, and Louis Comfort Tiffany. Additionally, there are two murals by nationally known artist George Willoughby Maynard. This church building is the second house of worship for the Episcopal congregation in Jamaica Plain. It was built on land bequeathed to the church by General William H. Sumner, lawyer, legislator, adjutant general, historian and developer of East Boston. The amazing Victorian Gothic building underwent a full restoration about a decade ago, thanks to preservation grants. The church remains an active congregation and advocates for both spirituality and social justice.
The First Reformed Church of Schenectady is the oldest congregation in the city. Founded by Dutch settlers, Schenectady’s first colonists, the first church lasted over a decade until it burned in the Schenectady Massacre in 1690, when a party of more than 200 French and allied Mohawk warriors attacked the unguarded community of Schenectady, destroying most of the homes, and killing or capturing most of its inhabitants. Sixty residents were killed, including 11 enslaved Africans. An expanding congregation after, outgrew its second and third buildings, replacing them with larger structures. The fourth was lost in Schenectady’s Great Fire of 1861, causing yet another building campaign. The present church building, an architectural landmark in Gothic design, was completed by the highly regarded Victorian-gothic architect Edward Tuckerman Potter in 1863. Potter is also known for his designs of the Nott Memorial Building (previously featured), in Schenectady, and Mark Twain’s home in Hartford, CT. A fire in the church gutted it in 1948, but the community at large banded together to fund the restoration efforts of the amazing architectural landmark.
The 16-sided Nott Memorial Hall is one of America’s most dramatic High Victorian buildings, is the centerpiece of the Union College campus (and a major reason for my stop in Schenectady when driving through New York). Union was the first non-denominational institution of higher education in the United States, and the second college established in the State of New York. Eliphalet Nott became college president in 1804, and envisioned an expanding campus to accommodate a growing school. In 1806 a large tract of land was acquired to the east of the Downtown Schenectady, on a gentle slope up from the Mohawk River. In 1812 French architect Joseph-Jacques Ramée, equally skilled in landscapes and structures, was then hired to draw up a comprehensive plan for the new campus. Ramée worked on drawings for about a year, and construction of two of the college buildings proceeded quickly enough to permit occupation in 1814. The Union College campus thus became the first comprehensively planned college campus in the United States! As part of Remee’s plan for the campus, a round, Neo-Classic “pantheon” building was proposed at the center of campus (a prescendent for Thomas Jefferson’s plans for the University of Virginia just four years later). The building never materialized in Unions early days. Construction finally began on the building in 1858, based on designs by Edward Tuckerman Potter, grandson of President Nott, but apparently took nearly 20 years to complete due to the Civil War and funding issues. The Nott Memorial as completed, is 89 feet in diameter and capped with a ribbed dome. The dome is sprinkled with 709 small colored glass windows, making it one of the finest buildings on a college campus in the United States!