Rhode Island Architecture Survey

Fleur-De-Lys Studios // 1885

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The Fleur-de-Lys Studios is of the most architecturally significant and unique buildings in New England and can be found on Thomas Street in the College Hill section of Providence. Built in 1885 and a vivid expression of the Queen Anne style and showing the emergence of the Arts and Crafts movement movement in America, the handsome building blending is the result of a partnership between artist, Sydney Richmond Burleigh and architect, Edmund R. Willson as a dedicated creative hub for working artists, a purpose it still serves today under the stewardship of the Providence Art Club, who received the deed of the property in 1939 by Burleigh’s widow. Its design draws heavily on medieval English and Tudor Revival influences, with a striking half-timbered façade, stucco panels, carved heads as hanging pendants, and projecting casement windows that break dramatically from the surrounding colonial streetscape. What truly sets the structure apart, however, is its richly symbolic ornamentation—allegorical figures representing painting, sculpture, and architecture adorn the exterior. More than a century later, the Fleur-de-Lys Studios remains both a National Historic Landmark and a living workspace, preserving its original spirit as a place where art and architecture are inseparably intertwined.

Dodge-Brown House // 1786

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The Dodge-Brown House on Thomas Street in Providence, Rhode Island, was built in 1786 by Seril Dodge (1759-1802), a silversmith and clockmaker. Seril Dodge was a middle-class resident who did well in Providence circles, as an artisan and shop keeper. The house was originally a two-story residence with central entrance that was raised up in the early 20th century to facilitate a new storefront. Seril Dodge and his family only lived here briefly before moving to a brick house next door. Dodge sold the property to Nicholas Brown II (1769-1841) who rented the home to his stepmother, Avis Binney Brown, who became the widow of one of Providence’s richest men, Nicholas Sr. It continued to stay in Brown family hands through the nineteenth century, but only as an investment. The house was raised one story above street level in 1906, when the handsome Colonial revival storefront was installed from plans by the firm of Stone, Carpenter and Willson. The original front door with elaborate pedimented and pilastered enframement is now a door to a small second floor balcony. Since 1919, the Providence Art Club has owned the building, who for years had the ground retail space occupied as an art store, but now contains a club gallery.

Pendleton House – RISD Museum // 1904

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Although the Pendleton House on Benefit Street in Providence, gives the appearance of a domestic residence, it was actually built for the purpose of displaying the once private collections of Charles L. Pendleton (1846-1904), which were given to the RISD Museum in 1904. Pendleton’s bequest, which included American and European furniture, silver, glass, ceramics, textiles, and paintings, came with the stipulation that the collection remain intact and on display in a suitable building for the benefit of the public. The stipulation occurred just before Mr. Pendleton’s death in 1904 and the Rhode Island School of Design immediately hired the local architect, Edmund Willson of the local firm of Stone, Carpenter and Willson, to furnish plans for a wing to the museum. Willson was an expert in the Colonial Revival style and sought to make the private collection of the Pendleton House befitting of a grand Providence mansion. It was Willson’s last major commission before his death. The building is crafted in a refined Colonial Revival style with symmetrical facade, traditional fenestration and Palladian motif, but is beefed up internally for is museum use with brick walls over a fireproof, reinforced concrete frame. The RISD museum has continually grown over the subsequent decades with wings connecting the Pendleton House with more contemporary buildings, all-the-while retaining the residential scale of Benefit Street in this iconic structure.

College Building, RISD // 1823 & 1936

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Spanning an entire city block on College Street between North Main and Benefit streets in Providence’s East Side, the College Building at the Rhode Island School of Design (RISD), is a valuable lesson in urban context and design. The building was constructed in 1936 from plans by the local architectural office of Jackson, Robertson & Adams, who had years prior, designed the Providence County Courthouse standing across the street. Designed in a plainer version of the Colonial/Georgian Revival style than the courthouse, the new College Building at RISD is broken up into multi-bay wings terracing up the slope of College Street, which breaks up the solid massing of the building in a pleasing way. Additionally, the designers incorporated the Federal period western wall of the 1823 Franklin House, an early 19th century hotel on the site. The result is possibly one of the first examples of a facadectomy in New England, if not the United States!

Waterman Building, RISD // 1892

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The Waterman Building located on Waterman Street on Providence’s East Side is architecturally significant as an example of the Romanesque Revival style, as well as historically significant as the first purpose-built building for the Rhode Island School of Design (RISD). The school originally opened in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the accessibility of design education to women, in rented space within the Hoppin Homestead Building in Downtown Providence. As the school grew coinciding with the appreciation of the arts in the late 19th century, the school’s board and president sought to provide a permanent site for the young institution. A site was purchased across from the First Baptist Church and the local firm of Hoppin, Read and Hoppin was hired to furnish designs. The short-lived partnership of Providence-born brothers Howard and Francis L. V. Hoppin and Spencer P. Read, laid out the building with studios on the upper two stories lit by arched windows on the second floor and skylights on the top floor, with a museum and classrooms occupied on the first floor. With an intricate brick facade adorned by terracotta medallions, unique cornice, and lattice brickwork in the spandrels, the building is befitting for an arts institution.

RISD Museum – Chace Center // 2008

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The Chace Center, also known as the RISD Museum in Providence, Rhode Island, is a contemporary infill project that serves as both an expansion of one of the region’s premier art museums as well as a front-door to a prestigious world-class college. The college hired the firms of Rafael Moneo Arquitectos of Spain as design architect and Perry Dean Rogers as the architects on record, for the project, which includes an auditorium, student exhibit spaces, museum shop, cafe, and information center as well as being an important connector between various buildings within the block, including Memorial Hall, a significant former church built in the 1850s, and the People’s Savings Bank, a 1913 Neo-Classical building. The $34 million center was built on a former parking lot in one of the few remaining open spaces near RISD, and it was named in honor of the late Beatrice and Malcolm Chace. It is not easy to fit a contemporary museum on a tight site surrounded by historic brick buildings, but the RISD Museum does just that, with the use of contemporary brick to set the building within its context with the contrasting pearl-glass volume at the facade providing a face to the steel and glass towers in Downtown Providence.

Former Central Congregational Church – Memorial Hall, RISD // 1853

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An early example of the Romanesque Revival style, the former Central Congregational Church on Benefit Street in Providence’s East Side is architecturally significant as one of the remaining designs by architect, Thomas Tefft and built from 1853-1856. Thomas A. Tefft (1826-1859) was one of the nation’s first professionally trained architects and was a master of Rundbogenstil, a German-branch of the Romanesque style until his untimely death in Italy when he was just 33. When this church was completed in 1856, Tefft was just thirty years old. The brownstone facade is adorned by triple-arched entrances and corbelling. The congregation grew and decades later, acquired a site in the neighborhood for a larger, Carrere and Hastings-designed church, vacating this building in 1893. The Rhode Island School of Design (RISD) purchased this former church in 1902 following a donation by Eliza Radeke and her brothers who named the building Memorial Hall. The firm of Hoppin and Ely was hired to update the former church for use by the college, which primarily took place on the interior. The original pair of tall bell towers were damaged during the 1938 hurricane and later were removed in 1950, truncating the verticality of this great Tefft-designed building, but she still shines! Memorial Hall has been incorporated into the RISD campus and houses studio spaces.

Buckingham House // 1903

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This unique Queen Anne style house at the corner of Washington and Eddy streets in Warren, Rhode Island, stands out for its use of materials and late Victorian design, a departure from the Federal and mid-19th century architecture the waterfront community is best-known for. The residence was built for Hannah and Erastus Buckingham and today remains essentially as originally built. Its slightly asymmetric massing combining multiple materials of brick and weathered shingles with diamond pane sash windows, illustrate early 20″ century design simplification while retaining the use of materials typical of late 19″ century Queen Anne style. Erastus Buckingham inherited his father’s oyster farming business, which harvested over 200 acres of beds in the bays off Nayatt, Conanicut, Quonset, Rocky Point and Patience Island before packaging and shipping to markets.

Smith-Waterman House // c.1820

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One of the many great examples of Federal period houses being “Victorianized” later in the 19th century, the Smith-Waterman House on Broad Street in Warren, Rhode Island, stands out as one of the most elaborate. The residence was originally built by 1820 and possibly owned by Nathaniel P. Smith (1799-1872). After his death, the house was inherited by his son, N. P. Smith Jr., who would later sell the property to John Waterman, the Manager and Treasurer of the Warren Manufacturing Company. It was under Mr. Waterman’s ownership that the once standard Federal style house was enlarged and given Italianate features, including the wrap-around porch, overhanging eaves with brackets, addition and the three-story tower at the rear.

The Old Carriage Shop // c.1790

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The old Carriage Shop on Water Street in Warren, Rhode Island, is an early and surviving industrial building from the late 18th century that adds to the charm and history of the great waterfront town. The two-story building has a three-bay facade with a center entrance and 48-pane fixed sash windows on the first floor and 12-over-12 sash windows on the second floor. The stepped parapet masks the low gable roof of the building behind that extends far back in the lot. The building was a workshop and paint shop for Gardner & Hoar, builders and carpenters, in the mid-19th century, and later as a blacksmithing shop and carriage shop before the turn of the 20th century. Luckily for us, the building has been preserved and while not finding a place in architectural journals, the building is an important remaining building that strongly contributes to the character of the town.

Cranston Cottage // c.1766

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The Cranston Cottage on School Street is one of the few such Revolutionary-era gambrel-roofed cottages in the charming town of Warren, Rhode Island, and showcases how many early New England homes were originally built before later additions as families grew. The house was likely built soon after Queen Street (since renamed School Street) was laid out in 1765, or it was moved to the site after the street was laid out and house lots platted. The original owner, Benjamin Cranston, had the house built, which was then just a three-bay, two-story cottage with central chimney for heating. Over time, additions were made to the cottage, including the kitchen ell on the side with chamfered hyphen with diamond pane window.

Warren Federal Blues Stable // c.1860

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The Warren Federal Blues is an active independent military organization of the Rhode Island militia that was founded in 1798 and today, serves primarily as a ceremonial honor guard and as historic educational organization in Warren, Rhode Island. Members originally served as marines to police navy seamen on the USS General Greene (1799), which was commanded by Christopher Raymond Perry, the father of Oliver Hazard Perry, who also served aboard the ship. The Warren Federal Blues still remain part of the Rhode Island militia but serve in a largely ceremonial and educational role using period muskets and cannon for special events. The organization purchased the historic barn of the Baker-Merchant House on Main Street in about 1990, saving it from demolition for expansion of church parking, and moved the former barn to this site, adjacent to the old Narragansett Engine House, creating a unique composition of diminutive, but spectacular buildings. The former barn, which dates to around 1860, though is likely older, features paired double-leaf doors on the facade, round-arch window in the attic, and a flared roof with cupola centered on the ridge. 

Baker-Merchant House // c.1750

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One of the most historic and architecturally unique houses in Warren, Rhode Island, is this pre-Revolutionary cottage on Main Street, that was modernized in the mid-19th century for later owners. Historians state that the house was built by Jesse Baker (1708-1751), who must have died shortly after its completion. At the time of the British burning of Warren during the Revolution in May 1778, Jesse’s widow resided here and saved the modest cottage from the hot embers of the adjacent burning Baptist Church, parsonage and arsenal by wetting every blanket and sheet in the house and spreading them over the roof of the home. The once modest, gambrel-roofed Georgian cottage, was purchased in 1868 by Dr. Joseph Merchant, a physician and surgeon, who “Victorianized” the house to the eclectic beauty we see today. Dr. Merchant added the projecting two-story corner tower, two-story front entry vestibule with Rundbogenstil tripartite window which reads like a Palladian window, projecting eaves with brackets, and stickwork in the north gambrel roof. The home was later inherited by Dr. Merchant’s daughter, Mary, and her husband, Howard K. DeWolf. 

William Winslow House // 1850

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The Smith-Winslow House on Warren’s Main Street is a striking two-story Italianate house with cubical massing with smooth stucco walls and bold detailing. The residence was constructed in around 1850
and was owned by Captain William Winslow captain of the schooner ‘‘Metamora’’, a trading vessel, and proprietor of Warwick’s Rocky Point, a shore resort and amusement park just across Narragansett Bay. The Winslow House was designed by Rhode Island architect, Russell Warren, who showcased his architectural prowess through the roof cupola, overhanging eaves, window hoods, and the unique Egyptian columns at the entry. Today, the residence operates as the Women’s Resource Center, a non-profit founded in 1977 to provide comprehensive domestic violence intervention and services that educate, advocate, and shelter any individual in need of assistance in the region.

Lyric Theater // 1914

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The most whimsical and unique building in Warren, Rhode Island, is this architectural landmark, the former Lyric Theater on Miller Street. Built in 1914, the building historically had a large projecting marquee, and today retains the large blind arch with applied ornament in the form of Ionic pilasters, panels, frets, and swags to decorate the facade. The Lyric remained active as a motion-picture theatre until 1967 and was converted to retail use in the 1980s, becoming an antique store in 1992.