This three-story brick and stone building in Downtown Providence was built in 1915 as a motion picture theatre, one of the first purpose-built movie houses in the city. Local architect Thomas J. Hill Pierce designed the building which had a central theatre core with offices at the street which enhanced the building’s income by optimizing rental space and providing a sound buffer between the street and the auditorium. Taken over by Publix, the building was briefly known as the Paramount Theatre from 1930-34, when the Strand name was restored. After WWII, populations were moving farther and farther from downtown, the theater struggled to attract customers, so like many other downtown movie theaters, the Strand shifted its clientele by featuring adult films, a revenue stream that only worked for a few years before the owners converted some of the auditorium space into commercial/office use. When Downtown Providence began to see a resurgence, owners re-opened the old Strand as a live music venue, known as Lupos Heartbreak Hotel and Roxy Providence. In 2017, new owners closed the theatre for a three month, $1 million renovation project, reopening as the Strand Ballroom, a wildly popular venue.
Not to be confused with the former B.F. Keith’s Boston Theatre (last post), the B.F. Keith Memorial Theater on Washington Street, remains as one of the most sophisticated architectural compositions found in Boston. The Keith’s Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. The B. F. Keith Memorial Theatre was erected under the close personal supervision of Edward Franklin Albee as Albee’s tribute to the memory of his late partner and friend, Benjamin Franklin Keith. For that reason, it was built with a degree of luxury in its details and design that is almost unrivaled. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater after consolidations and mergers. The Keith Memorial theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. In 1965, the theatre was purchased from RKO by Sack Theatres, and the new owners refurbished the building, and renamed it the Savoy Theatre. The theater used the frontage, formerly used by the B.F. Keith’s Boston Theatre on Tremont Street to showcase a large marquee. In the early 1970s the massive arch framing the opening between the stage and the auditorium was bricked up, and a second auditorium was installed within the stage. The theatre was then named the Savoy 1 & 2. The twinned theatre continued to operate as a pair of film houses until 1978, when it was bought by the Opera Company of Boston, who renamed the building the Boston Opera House. After a decade, the group could not maintain the ornate building and The Opera Company closed the theatre in 1991, and the building began a period of rapid deterioration. In the early 2000s, the gorgeous building was restored and re-opened as the Citizens Bank Opera House, which (pre-Covid) runs a steady rotation of touring Broadway productions, Boston Ballet Nutcracker holiday shows and more. Also, if you havent been inside the building for a tour, you are missing out!
The other day, I was walking in Boston Common along Tremont Street, when I noticed this oddly ornate building wedged between larger, modern buildings. I HAD to investigate! The building was actually constructed as an arcade/covered walkway which ran to Mason Street behind, with a tunnel running under that street into the B.F. Keith’s Theatre. In 1892, Benjamin F. Keith and his business partner E.F. Albee purchased land off Mason Street, a scarcely trafficked street between the busy Tremont and Washington Streets in Boston’s Theater District, with the goal of creating the city’s finest vaudville theatre. The duo hired J. B. McElfatrick & Son, architects who specialized in theatres, to design the new B.F. Keith’s. Due to the site being wedged between two main streets, entrances were built off both Tremont and Washington with flashing lights and marquees, guiding patrons inward. The Tremont facade was especially grand so that B. F. Keith’s New Theatre could be advertised on, and approached directly from, Boston Common, with lights flooding the park. The theater opened in 1894 and was over-the-top with intricate details and sculpture all over, appealing to the city’s wealthy as a place to see the arts. Although it was primarily a vaudeville house during Keith-Albee’s ownership, famed inventor Thomas Edison demonstrated his new Vitascope movie projector here on May 18, 1896. This was the first projection of a movie anywhere in Boston. As live shows made way for motion pictures, the theater adapted, but suffered around the Great Depression when would-be patrons decided to save their limited money. In 1939, the theater was converted to a movie theater named the Normandie. The theater was demolished in 1952 for a surface parking lot to provide better service to the Opera House (originally B.F. Keith’s Memorial Theatre, confusing I know) and Paramount Theater. Today, all we have left of the once beloved B.F. Keith’s Theater is the small annex, which is virtually unrecognizable from historic images as most of its decoration and the top two stories were removed.
Located on Cabot Street in Downtown Beverly, Mass, the aptly named Cabot Theater stands as one of the most iconic landmarks in the town and North Shore. The building was constructed in 1920 by Glover Ware and Harris Ware of Marblehead and named the Ware Theatre, at a cost of over $250,000 a century ago. The structure was designed by the architectural firm of Funk and Wilcox, who are credited for dozens of theaters in the Boston area. The lobby of the building was faced with pink marble with a gold-leaf embellished, vaulted ceiling. The auditorium, was furnished with a forty-three foot dome, chandeliers, and a $50,000 pipe organ. During the 1960s, the theater was sold to Loews who renamed it after its location on Cabot Street. In 1976, the building was purchased by Le Grand David and His Own Spectacular Magic Company, restoring the interior spaces, stage rigging, and dressing rooms. For 37 years, The Cabot hosted Le Grand David’s long-running magic show that entertained local audiences, made seven White House appearances and won recognition in the Guinness Book of Records and national magazines. The future of the theater was uncertain until it was purchased and a new board of directors was instituted who provide funding streams, new live acts and maintain the historic structure to this day.
The Larcom Theatre, in downtown Beverly, Massachusetts, was constructed in 1912, and is the oldest extant motion picture house in Beverly. The theatre was built on land that was formerly occupied by the home of Lucy Larcom, Beverly’s renowned poet and author, who wrote on the lives of the women in the textile mills of Lowell during the mid-1800s, and spiritual life in Massachusetts. Lucy Larcom was born in Beverly and after her father’s death when she was just 8 years old, the family relocated to Lowell as girls were wanted for employment in the mills. She excelled in school and later moved to Illinois and was employed as a teacher. She grew tired of the west and moved back to Beverly, later teaching at Wheaton Female Seminary (now Wheaton College) in Norton, MA. Larcom served as a model for the change in women’s roles in society. Larcom’s home in Beverly was just off the main commercial street and changing demands led to the redevelopment of the site for a motion-picture theater. Local architect George Swan was hired to design the modest theatre, which is adorned by masked faces. The theatre opened to showings of The Count of Monte Cristo, for just 10 cents a ticket! The theatre is used to this day as a multi-arts venue, under the name of Ms. Larcom.
Local theaters once dominated the urban landscape, providing flashing neon lights and marquees on Main Street USA. After WWII, many downtowns saw populations move to the suburbs and through the advancement in technology, many of these historic movie houses were demolished. Large cineplexes with 10+ screens were built, and the death of the small movie theater coincided with the death of many Main Streets in the mid and late 20th century. Fast forward to today, we see many Main Streets thriving (before the COVID crisis) thanks to women and minority-owned businesses investing in their communities.
One of the more identifiable buildings in Dock Square in Kennebunkport Village is one of the first you typically see when arriving from neighboring Kennebunk. The wood-frame building perched on stilts at the edge of the Kennebunk River features a prominent pyramidal roof and stunning windows. Through some digging, it appears the building was built in 1919 as the Lyric Theater, a 350-seat motion-picture cinema, that catered to the summer residents. Sometime after the 1970s, the theater was converted to retail use and now is home to Saxony Imports a place where you can pick up some presidential swag, gag gifts, or touristy clothing.
Built in 1916, this two-story former theater just off Main Street in Warren, RI evokes the recent memory of small motion picture theaters in cities and towns all over the region. The theater originally featured a large marquee and more muted colors on the exterior. After WWII, as with smaller theaters all over the country, this cinema struggled against the larger chains which featured 10+ screens and modern amenities, and ticket sales dwindled. The theater was sold in the late 1970s and converted to retail use. Since the 1990s, the building was occupied by the Imagine Gift Shop.
Believe it or not, the iconic Coolidge Corner Theater in Brookline was originally built as a church. In 1906, the church was constructed as the Beacon Universalist Church and designed by C.Howard Walker. The new church building included four stores on the ground floor to both provide income for the building via rent and service the bustling Coolidge Corner area of Brookline. There was a central entrance to gain access to the church itself for partitioners. By the 1930s, the commercial character of the area overtook the need for a church, and the building was sold.
In 1933, after many years of trying to get a moving picture theater at Coolidge Corner, this building was converted at an estimated cost of $75,000 into an Art Deco movie house. Architect Ernest Hayward was hired to design the extensive remodel of the church into a theater and public hall. When completed it was called “The Brookline” and was the first theater built in the suburban town of Brookline. The movie house originally seated approximately 1,000 people, with about 700 seats on the main floor and 300 in the balcony. Most of the original fine Art Deco details still remain, notably ceiling decorations, bas-relief sculptures, and various lighting fixtures both in the lobbies and on the side walls of the auditorium. As with many smaller theaters in America in the 1970s, large cineplexes with over ten screens overtook the business of smaller, more historic theaters and the Brookline Theater was sold, but never closed!
In 1989, the Brookline community successfully rallied together in a grass-roots campaign to save the theater. Today, the Coolidge Corner Theater Foundation runs a diverse program of art films, popular films, independent films, first-runs, local filmmaker showcases, and children’s matinees and is a great asset to Brookline and the greater Boston community.
Originally opening in 1928 as the Loew’s State Theater, this theater located at the heart of Downtown Providence exemplifies the high-style architecture at the height of motion-picture building activities. Designed by the firm of C. W. Rapp and George L. Rapp, of Chicago, who were among the most successful and prominent of American movie theatre designers, the complex building includes an elaborate 3200-seat theatre as well as offices and stores filling an entire city block. The Weybosset Street (main) facade is entirely faced in terra cotta tile; elsewhere the brick walls are exposed and rather plain, except for terra cotta detailing.
Upon its opening, the theater was overwhelmed by an estimated 14,000 people, who jammed into the space to see the interior detailing, which included: marble columns, intricate carvings, and massive chandeliers suspended from the ceilings. As with many grand theaters in downtown settings, viewership declined as populations shifted towards the suburbs and Loew’s built new movie theaters in developing areas to capture that growing market. In 1971 under new ownership it was renamed Palace Theatre presenting movies, live performances and rock concerts. It was closed in late-1975 for refurbishment, reopening in 1976 as the Ocean State Theatre presenting first run movies. In that time, the theater’s owner applied for a permit to demolish the building, until Providence Mayor “Buddy” Cianci pledged over $1,000,000 in city funds to keep the building open.
Beginning in 1999, the theater was extensively remodeled and largely restored to its original 1928 opulence, utilizing Federal Historic Rehabilitation Tax Credits. It was also expanded to be able to accommodate traveling Broadway productions and orchestra performances. In 1996, the renamed Providence Performing Arts Center became the anchor of Cianci’s Arts and Entertainment District of Downtown Providence, which offered tax breaks to attract artists to the struggling downtown area.