Federal Style

Phelps-Hatheway House // c.1762

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Set back from tree-lined Main Street in Suffield, Connecticut, the Phelps-Hatheway House stands as one of the largest, and best-preserved Colonial era homes in New England. The center-chimney residence was built by 1762 by Thomas “Shem” Burbank, where he and his wife, Anna Fitch Burbank, raised nine children. Due to the unstable national economy during and after the American Revolution, the family’s financial situation suffered and they would sell the residence in 1788 to Oliver Phelps. at the beginning of the Revolutionary War, Phelps joined the Continental Army and fought in the Battle of Lexington. He served as Deputy Commissary under George Washington and following the War, he became a prominent businessman and was elected to the Massachusetts Senate in 1785 and served on the Governor’s council in 1786 (Suffield was still a part of Massachusetts at this point). In 1794, Phelps commissioned the addition of a substantial wing designed by Thomas Hayden of Windsor. Under the employ of Hayden, a young Asher Benjamin, later to become one of the most important architects of the Federal period, was one of the workers on the new wing and is believed to have carved the Ionic capitals of the wing’s entryway. Inside, the addition was decorated with imported Parisian wallpaper. When Phelps died, the house was owned by the Hatheway family for a century and is currently open as a house museum, the Phelps-Hatheway House & Garden, administered by Connecticut Landmarks.

Gay Mansion // 1795

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In 1795, Ebenezer King Jr. (1762-1824) bought 26 acres of land on Main Street in Suffield, Connecticut, to build this stately manse. He at the time was at the height of his prosperity and lived lavishly from his new mansion until he sold his property in 1811. King’s estate was purchased by William Gay (1767-1844), a prominent lawyer and the son of Ebenezer Gay, who had been the longtime pastor of the Congregational church and lived nearby. Aside from his law practice, William Gay was also the postmaster of the town for 35 years, and for much of that time the post office was located here in his living room. The home remained in the Gay Family for generations until it was eventually purchased by Suffield Academy for use as the headmaster’s home. The symmetrical Federal style residence features a five-by-five-bay square form with center entrance. The facade is dominated by an elaborate Federal style entry with fanlight transom and Palladian stairhall window on the second floor, which is mimicked with a smaller version in the gabled peak at the roof.

John Fuller House // 1823

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This lovely brick, Federal style farmhouse was built in 1823 for John and Mary Fuller in rural Suffield, Connecticut, in 1823 and operated as a farm by the family for over fifty years. The town of Suffield purchased the house and farmland before the 1880s for use as the town’s poor farm. Poor farms (also known as almshouses) were often rural houses where paupers, mainly elderly and disabled people, were supported at public expense. The land was available for the elderly and workers to harvest crops for sale and sustenance. One of the “residents” at the poor farm was “Old Cato” a formerly enslaved person who was owned by Maj. John Davenport, a lawyer and politician in Stamford. Davenport offered Old Cato his freedom in 1812 if he enlisted to serve in the War of 1812, which he did. By the 1820s, he moved to Suffield CT, and worked at the West Suffield Congregational Church, paid to ring the bell at the church, likely also maintaining the property. He eventually ended up at the poorhouse and died, estimated to be over 100 years old. The old Fuller/Poor House was sold by the town in 1952 and converted back into a single-family residence.

Spencer – Mearkle House // c.1824

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Built in 1824 by Hezekiah Spencer, this beautiful Federal style residence is located on South Main Street in the charming town of Suffield, Connecticut. Hezekiah Spencer (1795-1873) lived and raised his family here with his wife, Cecelia, who farmed the land behind. During the 20th century, the house was occupied by Annie Mearkle, a poet who wrote under the name of Angela Marco. The Spencer-Mearkle House is a great example of a Federal style residence in a side-hall form, with its gable-end oriented to face the street. The house retains its original leaded glass fanlight in the gable and glazed door surround.

Charles Shepard House // 1824

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The Charles Shepard House on Main Street in Suffield, Connecticut, is a stately and well-proportioned Federal period residence that contributes to the iconic streetscape of historic homes that have been lovingly preserved by centuries of ownership. The residence was built in 1824 for newlyweds Charles Shepard (1792-1867) and Cordelia King of the wealthy local King Family of Suffield. Charles was a local attorney who practiced in town for a few years until he moved to Hartford following the death of Cordelia in 1825, soon after this house was completed. The large residence was later owned by William Henry Fuller a local businessman and politician. The house features larger first-floor double-hung windows, fan motifs in the flushboarded gable ends, dentilled cornice, and early 20th century rear addition and entry portico on the facade.

Dr. Howard Alden House – “Aldenheim” // c.1794

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Located on North Main Street in Suffield, Connecticut, the Dr. Howard Alden House (also known as “Aldenheim”) stands as a significant late-18th century estate that has been lovingly preserved for centuries. The residence was originally built in 1794 for Dr. Howard Alden (1760-1841) the main village’s primary physician. The estate remained in the family, first willed to Dr. Alden’s daughter, Susan Alden Pease and later by her daughter, Sarah Pease Fuller and her husband, wholesale tobacco merchant, Edward A. Fuller. While not architecturally ornate, the Federal period residence features a symmetrical facade, center entry with Classical door surround, and dentilled cornice.

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Greenough-Dwight House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes. 

Deacon Edward Taylor House // 1786

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The oldest building on the iconic Thomas Street in Providence, Rhode Island, is the Deacon Edward Taylor House, a stunning early Federal residence built into the sloping site. The property was developed in 1786 for Edward Taylor, a chaise maker who had a shop on Main Street, also serving as a Deacon of the nearby church. Edward had bought out his brother’s half of the property and had this home built for his family. With its three-story symmetrical, five-bay facade, the house features a stately pedimented entry and flared lintels all atop a brownstone foundation. The property passed through many hands in the 19th and early 20th centuries until 1961, when it was purchased by the Providence Art Club as part of their multi-building campus.

Seril Dodge House // 1791

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Years after Seril Dodge (1759-1802), a silversmith and clockmaker, built a house in 1786 on present-day Thomas Street in Providence’s East Side, he sold the property to the Brown Family and built this stately Federal period home next-door. Built in 1791, this three-story, side-hall brick house features belt courses above the first and second stories, a hipped roof, and flared lintels over the windows and doorway. After less than a decade, Seril Dodge moved back to his hometown of Pomfret, Connecticut, and sold this property to Moses Brown, who gifted the property to his son, Obadiah. Obadiah Brown (1771-1822) was a member of the Quaker faith and was a member of the Society of the Abolition of Slavery providing local jobs for free Blacks and sponsoring them in any legal disputes. Additionally, he helped secure the freedom of enslaved Africans who escaped to the north. This property was leased to the Providence Art Club in 1886 and acquired by the organization in 1906. Under the ownership of the Art Club, the side arcaded carriage entrance was added, likely designed by Stone, Carpenter and Willson, in conjunction with their 1906 renovation to the adjoining Dodge-Brown House. Today the building is known as the “Club House” and is home to the organization’s cafe, with an its intimate bar, and two exhibition spaces that are open to the public.

Dodge-Brown House // 1786

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The Dodge-Brown House on Thomas Street in Providence, Rhode Island, was built in 1786 by Seril Dodge (1759-1802), a silversmith and clockmaker. Seril Dodge was a middle-class resident who did well in Providence circles, as an artisan and shop keeper. The house was originally a two-story residence with central entrance that was raised up in the early 20th century to facilitate a new storefront. Seril Dodge and his family only lived here briefly before moving to a brick house next door. Dodge sold the property to Nicholas Brown II (1769-1841) who rented the home to his stepmother, Avis Binney Brown, who became the widow of one of Providence’s richest men, Nicholas Sr. It continued to stay in Brown family hands through the nineteenth century, but only as an investment. The house was raised one story above street level in 1906, when the handsome Colonial revival storefront was installed from plans by the firm of Stone, Carpenter and Willson. The original front door with elaborate pedimented and pilastered enframement is now a door to a small second floor balcony. Since 1919, the Providence Art Club has owned the building, who for years had the ground retail space occupied as an art store, but now contains a club gallery.

Luther Store // 1815

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The Luther Store in Swansea, Massachusetts, is a historic commercial building constructed in 1815 and uncommon as a rare brick block with saltbox roof. The structure was built for John Brown Luther, and was operated by the Luther family as a store until 1903. The Luther’s Corner area was in the mid-19th century the economic center of Swansea, and Luther’s Store served as post office and library. The building was acquired in 1941 by the Swansea Historical Society, which now operates it as a local history museum following a restoration by Fall River architect, Maude Darling-Parlin.

Gardner-Borden House // c.1795

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This elongated farmhouse on Gardner’s Neck in Swansea, Massachusetts, was built at the end of the 18th century for Hanna and Joseph Gardner, who had purchased his brother’s half of the land they inherited by their late father, Peleg. The house was one of a few farmhouses on the peninsula which became known as Gardner’s Neck as much of the land was owned and farmed by members of the Gardner Family. This c.1795 farmhouse began as a five-bay, center-entrance Federal cape house and was expanded in the 1870s by Fall River businessmen, William Almy and Andrew Jackson Borden. Yes, THAT Andrew J. Borden. The farmhouse was expanded to the south (left) with the addition of a second entrance and two bays by the business partners as a summer retreat. The Borden Family with daughter, Lizzie Borden, would spend summers here to escape the hot and polluted industrial city for cool coastal breezes until Andrew and his wife, Abby Borden, were brutally murdered by an ax in their Fall River home.

Barney-Sturtevant House // c.1805

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This large mansion in Swansea, Massachusetts, was constructed in the early 1800s for Mason Barney, a shipyard owner, likely by his own shipwrights. Barneyville, formerly known as “Bungtown” in the early 1770s, was a bustling village in Swansea where young men worked from sunup to sundown sawing, filing, shaping, boring, and fastening planks and timbers together for the Barney Shipyard. The shipyard was founded in the 1770s by Jonathan Barney, a prominent boat builder in New England established the shipyard in the 1770s. The Barney Shipyard saw its greatest success under Barney’s son, Mason, in the early 18th century. When Mason Barney (1782-1868) inherited his father’s shipyard, he also had this house built for his family, just a stone’s throw from the shipyard where he could oversee the many ships built and sailed down the river to Warren, Rhode Island, for fitting. By the early 20th century, the shipyard had already closed and this property was purchased by Lorenzo P. Sturtevant, a jeweler who completely updated the old Barney House in the Colonial Revival style, adding the entry porch and oversized dormers. By the end of the 20th century and early 21st, the house was abandoned and decaying until a few years ago when new owners renovated the old Barney-Sturtevant Mansion back to a livable home.

Deborah Sampson Gannett Farmhouse // c.1790

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Deborah Sampson (1760-1827) was born in Plympton, Massachusetts, and after a troubled childhood, she worked as an indentured servant until the age of 18. She subsequently worked as a teacher during the summer, though she had little in the way of formal education. In the early 1780s, Deborah tried to disguise herself in men’s clothing and enlist in the military to fight against the British forces. She was rebuffed but tried again under the name Robert Shirtliff (sometimes spelled Shurtleff) and this time was successful. Deborah was described as being exceptionally tall, plain looking, and masculine in appearance and mannerisms. She spent at least 17 months as a combat soldier and participated in several skirmishes and sustained multiple injuries. She was reportedly hit by musket fire in the summer of 1782 but refused medical treatment for a leg injury due to fears that her true identity would be discovered. Sampson is said to have extracted one piece of shrapnel from her leg by herself; another remained in her body for the rest of her life. Sampson’s time as a Revolutionary fighter came to a halt a few months before the end of the war, after she fell ill in Philadelphia and a doctor realized that Shurtleff was, in fact, a woman. Sampson received an honorable discharge and went back to Massachusetts. She married Benjamin Gannett (1757–1837), a farmer, on April 7, 1785, and the couple moved to this farmhouse in Sharon, Massachusetts, where she lived the remainder of her life as a farmer’s wife. After Deborah Sampson died at the age of 66, her husband petitioned Congress to receive a pension as the widower of a Revolutionary veteran. A committee ultimately decided to award him the money, concluding that the war had “furnished no other similar example of female heroism, fidelity and courage.” She was the only woman to earn a full military pension for participation in the Revolutionary army. The Deborah Sampson Gannett Farmhouse is a private residence.