Asher Benjamin

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Greenough-Dwight House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes. 

Charles Street Meeting House // 1807

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The Charles Street Meeting House at the corner of Charles and Mount Vernon streets in Boston’s Beacon Hill neighborhood is one of the finest examples of a Federal period meeting house in New England. The building is thought to have been designed by architect, Asher Benjamin, due to its similarities to his Old West Church on Cambridge Street built a year prior. At the time of construction in 1807, the church stood near the banks of the Charles River, but is now a distance away from the Charles following a land-filling campaign to expand buildable land in the city. The Charles Street Meeting House consists of a two-story gable-roof main structure with a three-story tower on the south (primary) elevation that supports a clock tower and wooden cupola with double Ionic pilasters supporting the domed roof. The building was constructed for the Third Baptist Church congregation, who used the nearby Charles River for baptisms. In the years before the American Civil War, it was a stronghold of the anti-slavery movement, and was the site of notable speeches from such anti-slavery activists as Frederick Douglass, William Lloyd Garrison, Wendell Phillips, Harriet Tubman and others. The Baptists sold the structure to the First African Methodist Episcopal Church in 1876, which was part of the first Black independent denomination in the United States. The AME Church sold the building in 1939 to the Charles Street Meeting House Society, and after a period of use as an Albanian Orthodox church, it was sold to the organization that is now, Historic New England, who were required to keep restrictions to preserve the building’s exterior. It served as a Universalist church from 1949 to 1979 with rented space inside to tenants, including a LGBT newsletter, Gay Community News, which was founded in the building in 1973. In 1980 the Meeting House was purchased by the Charles Street Meeting House Associates, who worked with the architectural firm of John Sharrat Associates to restore the building and adaptively reuse it into four floors of offices, with retail on the ground floor.

First Parish Church, Wayland // 1814

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The First Parish Church of Wayland, Massachusetts, is an iconic church that displays the typical early 19th-century meetinghouse form with Federal-style elaboration. Built in 1814, the church is two-stories with a five-bay gabled-front structure with a projecting enclosed portico of three entrance bays, and a four-stage bell tower that rises above the façade. Today known as Wayland, the town was originally called East Sudbury, after it split away from the western parish in 1780. In 1835, members of town meeting voted to rename East Sudbury “Wayland” in honor of Dr. Francis Wayland, a temperance advocate, abolitionist, and then president of Brown University. The First Parish Church of Wayland was built by Andrews Palmer of Newburyport, who used an Asher Benjamin design. The bell was cast by Paul Revere and Sons and first lifted into the bell tower in 1814. The property also includes the historic, twelve-bay horse/carriage sheds where parishioners would “park” their horses and carriages while attending services.

First Parish Church of Ashby // 1809

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Welcome to Ashby, Massachusetts; a rural and historic town that was first settled in 1676 but due to the continued threat of native hostilities, permanent European settlement in the town did not occur until about 1750. The town incorporated in 1767 and was reputedly named for the abundance and quality of white ash trees found in the area by early settlers. Today, the town has just over 3,000 residents. At the center of the town village, the First Parish Church of Ashby stands as a significant Federal-period meetinghouse, and an integral piece of the town’s history. The present building was constructed in 1809, replacing an earlier structure from 1771. Carpenters for the building were Joseph Kendall and Darius Wellington of Ashby, who utilized plans from Asher Benjamin’s American architectural pattern book of 1797. Facing the town common, the church is a two-story gable front building with a three-stage tower including an octagonal open belfry rising from the pedimented front pavilion.

Hinckley-Crocker House // c.1827

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In 1827, Isaiah Hinckley (1786-1880), a boatbuilder, purchased a pre-Revolutionary home built by Dr. Abner Hersey on Main Street in Barnstable Village. Hinckley, being a skilled tradesman, completely re-designed the house, creating the stunning Federal style manse we see today. It is likely that Hinckley used an architectural pattern book, like one of the many by Asher Benjamin, which provided plans and drawings for carpenters and other tradesmen to be able to build stunning homes and churches all over the country. In 1861, this estate passed to Captain Elijah Crocker, a sea captain who commanded the ship Akbar.

Ambrose Knight House // c.1810

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The most architecturally significant example of the Federal style in Waterford, Maine, is this c.1810 home built for Ambrose Knight, who operated a store in town. The high-style Federal home features a well-proportioned fanlight over the entrance with a Palladian window above, all with geometric moulding. The home was likely built by a housewright who employed designs from Asher Benjamin’s pattern books for builders, as the high-style features and Palladian windows are uncommon in this part of Maine.

Asa Waters Mansion // 1829

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In 1824, prosperous gunsmith Asa Waters II set out to build the stateliest residence in the country. It took two full years to amass the necessary materials for what is now known as the Asa Waters Mansion and Mr. Waters spared no expense. Asa Waters II (1769-1841) was born in Millbury in 1813 to Asa Sr. and Sarah Waters. Asa earned the art of gunsmithing from his father, and in 1808 the junior Asa and his brother Elijah opened the Waters & Co. Armory along the banks of the Blackstone River, in what is now Millbury Center. Following the untimely death of his brother in 1814, Asa Waters carried on the business solo and secured lucrative arms contracts with the United States government. His invention of a lathe to turn gun barrels into the first seamless barrels revolutionized the manufacture of guns throughout the world, and provided his company a stockpile of cash. As a result, he hired Boston-based architect Asher Benjamin, to design a country house suitable of his stature. The mansion features two prominent facades with the primary distinguished by a colonnade of fluted two-story columns with composite capitals. The mansion remained in the Waters Family until 1929, when it was sold to the Roman Catholic Diocese of Worcester, as a rectory of a local church. In 1977 the Town of Millbury acquired the Asa Waters Mansion, and with little funding to maintain the property; in 1994, the Asa Waters Mansion had fallen into quite a bit of disrepair. The town proposed to demolish the mansion for a parking lot, but a group of locals worked together as the Asa Waters Task Force and petitioned to save the house: funds were raised, tradesmen in the community donated materials and labor. Saving the architectural landmark for generations to come.

Phelps-Hatheway House // c.1762

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Set back from tree-lined Main Street in Suffield, the Phelps-Hatheway House is but one of many handsome eighteenth and nineteenth century homes in the town. The house began construction sometime between 1732-1762 as a modest gable-roof Georgian home built by Abraham Burbank. In 1788, the home was purchased by Oliver Phelps. at the beginning of the Revolutionary War, Phelps joined the Continental Army and fought in the Battle of Lexington. He left service in 1777 and, relying on his experience as a merchant, became Massachusetts Superintendent of Purchases of Army Supplies, a Deputy Commissary of the Continental Army. He was introduced to Robert Morris, the great financier of Revolutionary times. He supplied troops and received commendation from George Washington for his efforts. After the war ended, he became a prominent businessman and was elected to the Massachusetts Senate in 1785 and served on the Governor’s council in 1786 (Suffield was still a part of Massachusetts at this point).

Upon returning, Phelps hired architect Asher Benjamin (when he was in his early 20s!) to redesign the home into a gambrel roof mansion and construct numerous additions to make the house a suitable home for a wealthy, sophisticated man such as himself. Phelps was a principal in the Phelps and Gorham Purchase of six million acres of land in upstate New York, making him one of the nation’s largest landowners. Phelps lived here until 1802, when he moved to Canandaigua, New York, to more closely oversee the development and sale of his holdings. Phelps or his heirs sold the house, which was purchased by Asahel Hatheway and it remained in the Hatheway family for a century. It is now owned by Connecticut Landmarks and operates as a house museum.

Colton House // 1806

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Similar to the Charles Leonard House a block away, the Colton House on Main Street in Agawam remains as a historically and architecturally significant Federal style home in Western MA. The home was built in 1806 for Rufus Colton (1776-1862), a couple years after he married his first wife. The home was likely constructed by a local builder who took inspiration from Asher Benjamin’s early plan books and Captain Leonard’s home nearby. The house was later owned by Martin Luther who operated the home as a tavern for travelers along the route from Hartford to Boston. It was later owned by Isaac Cooley and documented under the Historic American Buildings Survey. Architecturally, the house features a stunning broad entry surround which incorporates a generous elliptical fan-light with leaded glass above a paneled door. Directly over the main entry on the second floor is a Palladian window with the side panels showing the urn and leaf pattern, seen only in high-style Federal homes.