Bailey Homestead // c.1815

Located on a hill overlooking the Head Tide Village of Alna, Maine, this stately brick farmhouse has sat for roughly 200 years. According to old maps of the area, the property was occupied by the Bailey Family as far back as the land was surveyed in 1813. The property was owned by Ezra Bailey, who possibly built the house soon after as the village began to develop. By 1857, the property and its house were owned by I. H. Bailey, seemingly Ezra’s son, Isaac, who married his first cousin, Laura Palmer. The couple resided in the old homestead until they sold it in 1866, moving to Boston. The brick, Federal style house has a four bay facade with the entry door surrounded by a recessed arched relief. Above the door is a blind fan with sidelights.

Robinson Homestead // c.1835

Located in the Head of Tide village of Alna Maine, this large Greek Revival was once the home of prolific poet, Edwin Arlington Robinson. The home was built around 1835, likely by Edwin’s grandfather, Edward Robinson. The home was inherited by Edward’s second-born son, Edward Jr. Edward Jr. and his wife, Mary Elizabeth Palmer had two sons before their third pregnancy. Their third child was Edwin, but his parents did not name him until he was six months old, as it was said that they wished for a daughter. On a vacation, other vacationers decided that their six-month-old son should have a name, and selected the name “Edwin” from a hat containing a random set of boy’s names. The man who drew the name was from Arlington, Massachusetts, so “Arlington” was used for his middle name. Edwin described his childhood as “stark and unhappy” and his young adult years were plagued with tragedy with the death of a brother from a drug overdose and with his older brother marrying the woman that he was in love with. He would defy the odds and was accepted to Harvard. He became engaged in writing, specifically poetry, with his early struggles leading many of his poems to have a dark pessimism and his stories to deal with “an American dream gone awry.” He would go on to be awarded the Pulitzer Prize in Poetry three times in the 1920s. While he would likely not want to ever see this house again, it is significant both architecturally and as the home in his formative years in Alna.

J. Bonsall Taylor Cottage // c.1892

John Bonsall Taylor (1854-1929), a Philadelphia patent lawyer and Director of the Gouldsboro Land Improvement Company, charged with developing Grindstone Neck in Maine, built this rustic cottage around 1892 for his family. He hired Lindley Johnson, a Philadelphia-based architect who furnished plans for many other buildings in the summer colony. Johnson trained under renowned architect Frank Furness before opening his own office. The rustic Craftsman house even has a “widows walk” which provides views to Bar Harbor across Frenchman Bay.

Elwin Cove // 1908

While Blue Hill has historically been a summer colony for wealthy city-dwellers to escape to experience the beauty of Maine, it has never gotten the coverage as Bar Harbor or the other Mount Desert Island towns. Many of Blue Hill’s summer cottages are more refined and hidden away amongst the trees, and that is how the town likes it, unpretentious. I was lucky enough to take a wrong-turn and stumbled upon this gem of a cottage between the Blue Hill village and East Blue Hill, I had to take a photo! Upon further research, the rambling cottage was built in 1908 for Ellen and Edward J. Brooks of New Jersey. The cottage was named Elwin Cove, possibly as a merge of their children’s names ELinor and WINfred.

E. B. White House // 1795

The coast of Maine has long been a refuge for those looking for an easier way of life and access to natural splendor. One of the more well-known residents of Maine was author E.B. White, who lived on this farm in Maine for 48 years. The estate sits on 44-acres and was built in 1795 for William Holden by Captain Richard Allen, a local housewright. The property was purchased by E. B. White in 1933 as a summer residence, but it became a full-time home where he and his wife, New Yorker editor Katharine Angell, raised sheep, geese, chickens, pigs, even spiders all with a historic barn and tire swing. Sound familiar? It is from this house that he wrote the iconic children’s book, Charlotte’s Web (and Stuart Little) among others. White was a private person, and despite his internationally famous books, he did not advertise the location of his home while he was alive. In 1977, he convinced an interviewer to report that “he lives in ‘a New England coastal town’, somewhere between Nova Scotia and Cuba“. Katharine died in 1977, and E. B. in 1985. The property was inherited by their son, who summered there for years. The most recent owners, Robert and Mary Gallant of South Carolina, who have summered there for the past 30 years and preserved the house immaculately, selling it a few years ago.

“Maplehurst” // 1837

Wyer Groves Sargent (1810-1900) was a descendant of the famous Sargent and Choate families and at the age of seven, arrived to the sparsely developed town of Sedgwick, Maine in 1817 with his parents. Twenty years later, Wyer has this house built in 1837. The original house was a one-story Cape house with a central chimney and an ell connected to a barn. He worked in the village of Sargentville in the town of Sedgwick as a merchant, operating a store, and traveling extensively to buy and sell goods along the New England coast. Operating a lucrative business allowed him to expand his outdated and cramped home in 1868 to the current configuration. It was then known as Maplehurst. Wyer raised the house and extended the front by adding a floor beneath it. When Wyer died in 1900 the house went to his daughter Martha Spooner. Martha sold it to Dr. Frederick Sweet. Last known, the home is still owned by Dr. Sweet’s great-granddaughter.

Juniper Ledge Cottage // 1889

Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.

Benjamin Coes House – “Tory Chimneys” // c.1785

One of the hidden architectural gems of Kennebunkport is this Revolutionary-era house with some serious proportions. The house was built around 1785 by Benjamin Coes, a sailmaker from Marblehead, who settled in the burgeoning Kennebunkport in search of new work and opportunities. He married Sarah Durrell and the couple erected the seventh house in town, which is part of this property. For his work, Mr. Coes used the first two floors as his residence and the third floor was used as a sail loft, with an exterior staircase. A young boy, Joseph Brooks, would work in the loft and he would go on to marry Benjamin’s daughter, Sarah. The couple inherited the family house and retired here. The property was sold out of the Coes-Brooks Family when Maine State Historian, Henry Sweetser Burrage and his wife Ernestine purchased this house in 1917, which would be used as a guest house. The couple and lived in the house across the street. Ernestine Burrage, who was Chairperson of the Kennebunkport Chapter of the Red Cross, allowed the ladies of her chapter to gather there three times a week to roll bandages for the soldiers injured in battles overseas. It became the headquarters for the Kennebunkport Red Cross. It was likely Ernestine who had the chimneys painted white, which resembled the old Tory Chimneys in Revolutionary-era New England; where, when painted white, they served as a quiet signal which indicated that a home’s residents were loyal subjects of the British Crown.

John Bourne House // c.1800

John Bourne (1759-1837) was born in Wells, Maine as the son of Benjamin Bourne. When the American Revolution hit a peak, when he was only sixteen years of age, John enlisted in the service of the country, and marched in company of Capt. Thomas Sawyer, to Lake Champlain. After the war, he learned the trade of shipbuilding and established himself in Kennebunkport, at the height of the village’s manufacturing. John Bourne built ships for a wealthy ship-owner and became successful himself. Bourne was married three times. His first wife, Abigail Hubbard (m.1783) died at just 24 years old after giving him three children. He remarried Sally Kimball a year later, who died in her twenties at just 28, she birthed one son for him in that time. His third wife, Elizabeth, would outlive John, and they had five children together. After his marriage with Elizabeth, John likely had this home built, possibly from his own hands. The Federal style home stands out for the unique entry with blind fan and modified Palladian window framed by engaged pilasters.

William Allen Jr. House // 1866

Italianate style houses dominate the Deering Street area of Portland architecturally, but there are definitely some great Second Empire residences and other styles seen here. This house (like seemingly every building in Portland in the 1860s) was designed by architect George M. Harding for William Allen Jr. The house would soon be Harding’s neighbor, so he made an effort to site and design this residence with care. The brick building is capped by a slate mansard roof and it has a beautiful projecting door hood with pendants carved of grapes. Sadly, like some others on the street, the belvedere was removed in the mid-20th century.